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In 1600 Rome was the center of the artistic world. This book offers a new look at the art and architecture of the great Baroque city at this time of major innovation—especially in painting, largely owing to the presence of Annibale Carracci (1560–1609) and Caravaggio (1571–1610). Rome was a magnet for artists and architects from all over Europe; they came to study the(...)
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In 1600 Rome was the center of the artistic world. This book offers a new look at the art and architecture of the great Baroque city at this time of major innovation—especially in painting, largely owing to the presence of Annibale Carracci (1560–1609) and Caravaggio (1571–1610). Rome was a magnet for artists and architects from all over Europe; they came to study the(...)
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Rome 1600: the city and the visual arts under Clement VIII
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In 1600 Rome was the center of the artistic world. This book offers a new look at the art and architecture of the great Baroque city at this time of major innovation—especially in painting, largely owing to the presence of Annibale Carracci (1560–1609) and Caravaggio (1571–1610). Rome was a magnet for artists and architects from all over Europe; they came to study the remains of antiquity and the works of Michelangelo, Raphael, and Bramante. The variety of artists working in the city ensured a diversity of styles and innovative cross-influences. Moreover, 1600 was a Jubilee year, offering numerous opportunities for artistic patronage, whether in major projects like St. Peter’s, or in lesser schemes such as the restoration of older churches. Clare Robertson examines these developments as well as the patronage of the pope and of major Roman families, drawing on a range of contemporary sources and images to reconstruct a snapshot of Rome at this thrilling time.
Rome 1600: the city and the visual arts under Clement VIII
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In 1600 Rome was the center of the artistic world. This book offers a new look at the art and architecture of the great Baroque city at this time of major innovation—especially in painting, largely owing to the presence of Annibale Carracci (1560–1609) and Caravaggio (1571–1610). Rome was a magnet for artists and architects from all over Europe; they came to study the remains of antiquity and the works of Michelangelo, Raphael, and Bramante. The variety of artists working in the city ensured a diversity of styles and innovative cross-influences. Moreover, 1600 was a Jubilee year, offering numerous opportunities for artistic patronage, whether in major projects like St. Peter’s, or in lesser schemes such as the restoration of older churches. Clare Robertson examines these developments as well as the patronage of the pope and of major Roman families, drawing on a range of contemporary sources and images to reconstruct a snapshot of Rome at this thrilling time.
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books
books
Publication:
November 2015
November 2015
Subject:
History until 1900, Italy
History until 1900, Italy
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books
books
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This exhibition catalog explores the remarkable theatrical designs of Italy’s influential Bibiena family in the seventeenth and eighteenth centuries. For nearly a century, members of three generations of the Bibiena family were the most highly sought theater designers in Europe. Their elaborate stage designs were used for operas, festivals, and courtly performances across(...)
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This exhibition catalog explores the remarkable theatrical designs of Italy’s influential Bibiena family in the seventeenth and eighteenth centuries. For nearly a century, members of three generations of the Bibiena family were the most highly sought theater designers in Europe. Their elaborate stage designs were used for operas, festivals, and courtly performances across(...)
Subject:
Architectural Drawing
Architectural Drawing
Publication:
July 2021
July 2021
Title:
Architecture, theater and fantasy: Bibena drawings from the Jules Fisher collection
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This exhibition catalog explores the remarkable theatrical designs of Italy’s influential Bibiena family in the seventeenth and eighteenth centuries. For nearly a century, members of three generations of the Bibiena family were the most highly sought theater designers in Europe. Their elaborate stage designs were used for operas, festivals, and courtly performances across Europe, from their native Italy to cities as far afield as Vienna, Prague, Stockholm, St. Petersburg, and Lisbon. Beyond these performances, the distinctive Bibiena style survives through their remarkable drawings. "Architecture, theater, and fantasy" commemorates a group of Bibiena drawings from the collection of Jules Fisher, the Tony Award–winning lighting designer, gifted to the Morgan Library and Museum in New York. Accompanying the first US exhibition of these works in more than thirty years, these drawings demonstrate the range of the Bibienas’ output, from energetic sketches to detailed watercolors. Representations of imagined palace interiors and lavish illusionistic architecture illuminate the visual splendor of the Baroque period.
Architecture, theater and fantasy: Bibena drawings from the Jules Fisher collection
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This exhibition catalog explores the remarkable theatrical designs of Italy’s influential Bibiena family in the seventeenth and eighteenth centuries. For nearly a century, members of three generations of the Bibiena family were the most highly sought theater designers in Europe. Their elaborate stage designs were used for operas, festivals, and courtly performances across Europe, from their native Italy to cities as far afield as Vienna, Prague, Stockholm, St. Petersburg, and Lisbon. Beyond these performances, the distinctive Bibiena style survives through their remarkable drawings. "Architecture, theater, and fantasy" commemorates a group of Bibiena drawings from the collection of Jules Fisher, the Tony Award–winning lighting designer, gifted to the Morgan Library and Museum in New York. Accompanying the first US exhibition of these works in more than thirty years, these drawings demonstrate the range of the Bibienas’ output, from energetic sketches to detailed watercolors. Representations of imagined palace interiors and lavish illusionistic architecture illuminate the visual splendor of the Baroque period.
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books
books
Publication:
July 2021
July 2021
Subject:
Architectural Drawing
Architectural Drawing
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books
books
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$70.00
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All of the libraries in the world-whether small or large, public or private-serve the same purpose: to preserve, cherish, or show off the riches of human knowledge. Now, for the first time, an internationally renowned photographer takes the reader on a journey to more than 20 of the most historic of these magical places, all architectural treasures. From the dramatic,(...)
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All of the libraries in the world-whether small or large, public or private-serve the same purpose: to preserve, cherish, or show off the riches of human knowledge. Now, for the first time, an internationally renowned photographer takes the reader on a journey to more than 20 of the most historic of these magical places, all architectural treasures. From the dramatic,(...)
Subject:
Commercial interiors, Building types
Commercial interiors, Building types
Publication:
May 2003, New York
May 2003, New York
Title:
The most beautiful libraries in the world
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All of the libraries in the world-whether small or large, public or private-serve the same purpose: to preserve, cherish, or show off the riches of human knowledge. Now, for the first time, an internationally renowned photographer takes the reader on a journey to more than 20 of the most historic of these magical places, all architectural treasures. From the dramatic, baroque Library of the Institut de France in Paris, to the splendid Vatican Library in Rome; from the majestic Royal Library in El Escorial, Spain, to the famed New York Public Library, a Beaux-Arts masterpiece-here are some of the most exquisite libraries of the Western world. Included are national, scholarly, and religious libraries from 12 countries, which have in common a distinguished heritage and an architectural setting that emphasizes art and culture. The accompanying text traces the history of libraries to the present day, and describes how they came to serve famous personalities and men of letters. Libraries must be counted among civilization's crowning achievements; this elegant book is a fitting tribute to that accomplishment.
The most beautiful libraries in the world
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All of the libraries in the world-whether small or large, public or private-serve the same purpose: to preserve, cherish, or show off the riches of human knowledge. Now, for the first time, an internationally renowned photographer takes the reader on a journey to more than 20 of the most historic of these magical places, all architectural treasures. From the dramatic, baroque Library of the Institut de France in Paris, to the splendid Vatican Library in Rome; from the majestic Royal Library in El Escorial, Spain, to the famed New York Public Library, a Beaux-Arts masterpiece-here are some of the most exquisite libraries of the Western world. Included are national, scholarly, and religious libraries from 12 countries, which have in common a distinguished heritage and an architectural setting that emphasizes art and culture. The accompanying text traces the history of libraries to the present day, and describes how they came to serve famous personalities and men of letters. Libraries must be counted among civilization's crowning achievements; this elegant book is a fitting tribute to that accomplishment.
Form:
books
books
Publication:
May 2003, New York
May 2003, New York
Subject:
Commercial interiors, Building types
Commercial interiors, Building types
Form:
books
books
Title:
Koloman Moser 1868-1918
Koloman Moser 1868-1918
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Founder with Josef Hoffmann of the Wiener WerkstÃtte (or Vienna Workshop), Koloman Moser furnished Viennese homes with a simplicity and elegance that contrasted the city's baroque decadence. But, as this volume demonstrates, Moser's influence extended far beyond stylish living rooms. Here readers will be introduced to Moser as an artisan, painter, educator, designer, and(...)
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Founder with Josef Hoffmann of the Wiener WerkstÃtte (or Vienna Workshop), Koloman Moser furnished Viennese homes with a simplicity and elegance that contrasted the city's baroque decadence. But, as this volume demonstrates, Moser's influence extended far beyond stylish living rooms. Here readers will be introduced to Moser as an artisan, painter, educator, designer, and(...)
Title:
Koloman Moser 1868-1918
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Founder with Josef Hoffmann of the Wiener WerkstÃtte (or Vienna Workshop), Koloman Moser furnished Viennese homes with a simplicity and elegance that contrasted the city's baroque decadence. But, as this volume demonstrates, Moser's influence extended far beyond stylish living rooms. Here readers will be introduced to Moser as an artisan, painter, educator, designer, and driving force behind the artistic institutions of fin de siecle Vienna. Hundreds of color illustrations showcase the artist's design concepts for entire rooms, including inlaid furniture, dinnerware, vases, and wall hangings, which followed a cohesive concept that renders them classic and timeless. The volume traces Moser's artistic development as he branched into public projects, designing stamps, banknotes, and the glorious windows of the Otto Wagner Church in Steinhof. Readers are also treated to samples of Moser's paintings--landscapes, portraits and mythological scenes that are characterized by their extraordinary coloring. Enhanced with photographs, many never before published, from the artist's private life, this dazzling monograph presents the full range of Moser's contributions to the world of art and design.
Koloman Moser 1868-1918
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Founder with Josef Hoffmann of the Wiener WerkstÃtte (or Vienna Workshop), Koloman Moser furnished Viennese homes with a simplicity and elegance that contrasted the city's baroque decadence. But, as this volume demonstrates, Moser's influence extended far beyond stylish living rooms. Here readers will be introduced to Moser as an artisan, painter, educator, designer, and driving force behind the artistic institutions of fin de siecle Vienna. Hundreds of color illustrations showcase the artist's design concepts for entire rooms, including inlaid furniture, dinnerware, vases, and wall hangings, which followed a cohesive concept that renders them classic and timeless. The volume traces Moser's artistic development as he branched into public projects, designing stamps, banknotes, and the glorious windows of the Otto Wagner Church in Steinhof. Readers are also treated to samples of Moser's paintings--landscapes, portraits and mythological scenes that are characterized by their extraordinary coloring. Enhanced with photographs, many never before published, from the artist's private life, this dazzling monograph presents the full range of Moser's contributions to the world of art and design.
Form:
books
books
Publication:
August 2007, Munich
August 2007, Munich
Subject:
Design Monographs
Design Monographs
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books
books
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$84.95
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This is the first book to show the development of Russian architecture over the past thousand years as a part of the history of Western architecture. Dmitry Shvidkovsky, Russia’s leading architectural historian, departs from the accepted notion that Russian architecture developed independent of outside cultural influences and demonstrates that, to the contrary, the(...)
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This is the first book to show the development of Russian architecture over the past thousand years as a part of the history of Western architecture. Dmitry Shvidkovsky, Russia’s leading architectural historian, departs from the accepted notion that Russian architecture developed independent of outside cultural influences and demonstrates that, to the contrary, the(...)
Subject:
History until 1900, Russia
History until 1900, Russia
Publication:
April 2007, New Haven London
April 2007, New Haven London
Title:
Russian architecture and the west
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This is the first book to show the development of Russian architecture over the past thousand years as a part of the history of Western architecture. Dmitry Shvidkovsky, Russia’s leading architectural historian, departs from the accepted notion that Russian architecture developed independent of outside cultural influences and demonstrates that, to the contrary, the influence of the West extends back to the tenth century and continues into the present. He offers compelling assessments of all the main masterpieces of Russian architecture and frames a radically new architectural history for Russia. The book systematically analyzes Russian buildings in relation to developments in European art, pointing out where familiar European features are expressed in Russian projects. Special attention is directed toward decorations based on Byzantine models; the heritage of Italian master builders and carvers; the impact of architects and others sent by Elizabeth I; the formation of the Russian Imperial Baroque; the Enlightenment in Russian art; and 19th- and 20th-century European influences. With over 300 specially commissioned photographs of sites throughout Russia and western Europe, this magnificent book is both beautiful and groundbreaking.
Russian architecture and the west
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This is the first book to show the development of Russian architecture over the past thousand years as a part of the history of Western architecture. Dmitry Shvidkovsky, Russia’s leading architectural historian, departs from the accepted notion that Russian architecture developed independent of outside cultural influences and demonstrates that, to the contrary, the influence of the West extends back to the tenth century and continues into the present. He offers compelling assessments of all the main masterpieces of Russian architecture and frames a radically new architectural history for Russia. The book systematically analyzes Russian buildings in relation to developments in European art, pointing out where familiar European features are expressed in Russian projects. Special attention is directed toward decorations based on Byzantine models; the heritage of Italian master builders and carvers; the impact of architects and others sent by Elizabeth I; the formation of the Russian Imperial Baroque; the Enlightenment in Russian art; and 19th- and 20th-century European influences. With over 300 specially commissioned photographs of sites throughout Russia and western Europe, this magnificent book is both beautiful and groundbreaking.
Form:
books
books
Publication:
April 2007, New Haven London
April 2007, New Haven London
Subject:
History until 1900, Russia
History until 1900, Russia
Form:
books
books
Title:
Alessandro Mendini
Alessandro Mendini
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Alessandro Mendini (Milan, 1931) is one of the few protagonists of the international scene of architecture, art and design who designed in every possible size. Walter Gropius’s renowned statement identifies the architect’s field “from spoon to city”: during his career Mendini faced projects “from the infinitesimal to the infinite”. The book dedicated to Alessandro(...)
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Alessandro Mendini (Milan, 1931) is one of the few protagonists of the international scene of architecture, art and design who designed in every possible size. Walter Gropius’s renowned statement identifies the architect’s field “from spoon to city”: during his career Mendini faced projects “from the infinitesimal to the infinite”. The book dedicated to Alessandro(...)
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Alessandro Mendini
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Alessandro Mendini (Milan, 1931) is one of the few protagonists of the international scene of architecture, art and design who designed in every possible size. Walter Gropius’s renowned statement identifies the architect’s field “from spoon to city”: during his career Mendini faced projects “from the infinitesimal to the infinite”. The book dedicated to Alessandro Mendini published by Corraini is a non-stop stream of images and occasions among the renowned Milanese architect’s works and philosophy. Designing horizons, rooms, bodies and thoughts are the four moments of a personal and evocative course through Mendini’s works: from urban landscape to interior furnishing, to body accessories, to his activity as architecture and design theorist, Mendini is a protagonist of a personal and aesthetic approach to the project. His design is famous for its emotional and individual character, as well as for the greater importance given to psychological and sensory influences rather than rational contents. In fact, his projects have often been associated with definitions such as “visual poetry”, “fairy and baroque design”, and “labyrinth expansion of spaces and sensations”.
Alessandro Mendini
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Alessandro Mendini (Milan, 1931) is one of the few protagonists of the international scene of architecture, art and design who designed in every possible size. Walter Gropius’s renowned statement identifies the architect’s field “from spoon to city”: during his career Mendini faced projects “from the infinitesimal to the infinite”. The book dedicated to Alessandro Mendini published by Corraini is a non-stop stream of images and occasions among the renowned Milanese architect’s works and philosophy. Designing horizons, rooms, bodies and thoughts are the four moments of a personal and evocative course through Mendini’s works: from urban landscape to interior furnishing, to body accessories, to his activity as architecture and design theorist, Mendini is a protagonist of a personal and aesthetic approach to the project. His design is famous for its emotional and individual character, as well as for the greater importance given to psychological and sensory influences rather than rational contents. In fact, his projects have often been associated with definitions such as “visual poetry”, “fairy and baroque design”, and “labyrinth expansion of spaces and sensations”.
Form:
books
books
Publication:
April 2009
April 2009
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Title:
Antoni Gaudí, 1852 - 1926
Antoni Gaudí, 1852 - 1926
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Antoni Gaudí (1852–1928) was a builder by instinct and by practice, fanciful and baroque in his sensibility, in love with the bright colours and plastic forms of the Mediterranean tradition. Despite his considerable contributions, Gaudí was an isolated figure in the architecture of the modern era. Critics were slow to recognize the prophetic value of his work, owing to(...)
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Summary:
Antoni Gaudí (1852–1928) was a builder by instinct and by practice, fanciful and baroque in his sensibility, in love with the bright colours and plastic forms of the Mediterranean tradition. Despite his considerable contributions, Gaudí was an isolated figure in the architecture of the modern era. Critics were slow to recognize the prophetic value of his work, owing to(...)
Title:
Antoni Gaudí, 1852 - 1926
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Antoni Gaudí (1852–1928) was a builder by instinct and by practice, fanciful and baroque in his sensibility, in love with the bright colours and plastic forms of the Mediterranean tradition. Despite his considerable contributions, Gaudí was an isolated figure in the architecture of the modern era. Critics were slow to recognize the prophetic value of his work, owing to the difficulty in reconciling it with the development of the Modern Movement. Gaudí invented a new form of modernism that combined elements of art nouveau, Catalan nationalism, Gothic Revival and his own relentlessly original imagination. His eclectic experience was made possible by special historical circumstances such as the economic prosperity of Barcelona and the existence of highly skilled craftsmen in Catalonia. This volume covers Gaudí’s work in systematic fashion, from the Güell Palace to the park of the same name, and finally to his unfinished masterpiece, the church of the Sagrada Familia. Author Juan José Lahuerta devotes an attentive critical re-examination of the architect’s work through a thorough analysis of his designs and writings.
Antoni Gaudí, 1852 - 1926
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Antoni Gaudí (1852–1928) was a builder by instinct and by practice, fanciful and baroque in his sensibility, in love with the bright colours and plastic forms of the Mediterranean tradition. Despite his considerable contributions, Gaudí was an isolated figure in the architecture of the modern era. Critics were slow to recognize the prophetic value of his work, owing to the difficulty in reconciling it with the development of the Modern Movement. Gaudí invented a new form of modernism that combined elements of art nouveau, Catalan nationalism, Gothic Revival and his own relentlessly original imagination. His eclectic experience was made possible by special historical circumstances such as the economic prosperity of Barcelona and the existence of highly skilled craftsmen in Catalonia. This volume covers Gaudí’s work in systematic fashion, from the Güell Palace to the park of the same name, and finally to his unfinished masterpiece, the church of the Sagrada Familia. Author Juan José Lahuerta devotes an attentive critical re-examination of the architect’s work through a thorough analysis of his designs and writings.
Form:
books
books
Publication:
October 2003, Milan
October 2003, Milan
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Price:
$36.95
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Summary:
There are many apparently contradictory black-and-white images of Rome that Ludovico Quaroni took around the eternal city. The baroque is to be found side by side with shacks, while the explosion of consumer society – during Italy's economic boom – does little to erase the traces of a city that seems to have come straight out of a Vittorio De Sica or Roberto Rossellini(...)
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There are many apparently contradictory black-and-white images of Rome that Ludovico Quaroni took around the eternal city. The baroque is to be found side by side with shacks, while the explosion of consumer society – during Italy's economic boom – does little to erase the traces of a city that seems to have come straight out of a Vittorio De Sica or Roberto Rossellini(...)
Title:
Roma 1968
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There are many apparently contradictory black-and-white images of Rome that Ludovico Quaroni took around the eternal city. The baroque is to be found side by side with shacks, while the explosion of consumer society – during Italy's economic boom – does little to erase the traces of a city that seems to have come straight out of a Vittorio De Sica or Roberto Rossellini film. And then there are the fountains of Rome and the banks of the Tiber, Franco Albini's Rinascente and Castel Sant'Angelo, the EUR and the Vatican, right up to the market in Piazza Vittorio and the ancient Appian Way. Layers of civilisations intertwining, and in between them, the people of Rome, seemingly indifferent to the passing of the centuries. The architect's eye brings to life an unpublished and surprising book that may also be considered – and this is the common thread—an act of love towards the city where he was born. A text by the writer Francesco Pecoraro, himself a student of Quaroni, pays homage to the great architect's Rome.
Roma 1968
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There are many apparently contradictory black-and-white images of Rome that Ludovico Quaroni took around the eternal city. The baroque is to be found side by side with shacks, while the explosion of consumer society – during Italy's economic boom – does little to erase the traces of a city that seems to have come straight out of a Vittorio De Sica or Roberto Rossellini film. And then there are the fountains of Rome and the banks of the Tiber, Franco Albini's Rinascente and Castel Sant'Angelo, the EUR and the Vatican, right up to the market in Piazza Vittorio and the ancient Appian Way. Layers of civilisations intertwining, and in between them, the people of Rome, seemingly indifferent to the passing of the centuries. The architect's eye brings to life an unpublished and surprising book that may also be considered – and this is the common thread—an act of love towards the city where he was born. A text by the writer Francesco Pecoraro, himself a student of Quaroni, pays homage to the great architect's Rome.
Form:
books
books
Publication:
October 2021
October 2021
Subject:
Journeys
Journeys
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books
books
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$157.95
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Summary:
Notre-Dame de Paris est le livre officiel du diocèse de Paris pour les 850 ans de Notre Dame. Il est le livre le plus complet et le mieux illustré parmi les livres parus sur Notre-Dame. Ses auteurs sont les plus éminents spécialistes de la cathédrale parisienne. Le livre documente notamment la voûte, qui a brûlé lors de l'incendie de 2019. Notre Dame de Paris a été et(...)
$157.95
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Notre-Dame de Paris est le livre officiel du diocèse de Paris pour les 850 ans de Notre Dame. Il est le livre le plus complet et le mieux illustré parmi les livres parus sur Notre-Dame. Ses auteurs sont les plus éminents spécialistes de la cathédrale parisienne. Le livre documente notamment la voûte, qui a brûlé lors de l'incendie de 2019. Notre Dame de Paris a été et(...)
Title:
Notre-Dame de Paris : La grâce d'une cathédrale
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Notre-Dame de Paris est le livre officiel du diocèse de Paris pour les 850 ans de Notre Dame. Il est le livre le plus complet et le mieux illustré parmi les livres parus sur Notre-Dame. Ses auteurs sont les plus éminents spécialistes de la cathédrale parisienne. Le livre documente notamment la voûte, qui a brûlé lors de l'incendie de 2019. Notre Dame de Paris a été et reste certainement la cathédrale la plus célèbre du monde. De Saint-Denis, premier évêque de Paris, à l'abbé Suger qui l'a bâtie au XIIe siècle, jusqu'aux cardinaux Lustiger et Vingt-Trois, les prélats à qui elle a été confiée ont marqué l'histoire de l'Eglise et de la Cité. Notre-Dame de Paris se distingue par son architecture structurée et les masses équilibrées de sa façade. Mais la cathédrale parisienne est également connue pour son spendide choeur baroque, la délicatesse de ses sculptures et la luxuriance de ses vitraux. Projet dirigé par le cardinal Mgr André Vingt-Trois, Notre-Dame de Paris est un livre exceptionnel d'art, d'histoire et de foi, qui présente la somme des connaissances actuelles sur Notre-Dame de Paris.
Notre-Dame de Paris : La grâce d'une cathédrale
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Notre-Dame de Paris est le livre officiel du diocèse de Paris pour les 850 ans de Notre Dame. Il est le livre le plus complet et le mieux illustré parmi les livres parus sur Notre-Dame. Ses auteurs sont les plus éminents spécialistes de la cathédrale parisienne. Le livre documente notamment la voûte, qui a brûlé lors de l'incendie de 2019. Notre Dame de Paris a été et reste certainement la cathédrale la plus célèbre du monde. De Saint-Denis, premier évêque de Paris, à l'abbé Suger qui l'a bâtie au XIIe siècle, jusqu'aux cardinaux Lustiger et Vingt-Trois, les prélats à qui elle a été confiée ont marqué l'histoire de l'Eglise et de la Cité. Notre-Dame de Paris se distingue par son architecture structurée et les masses équilibrées de sa façade. Mais la cathédrale parisienne est également connue pour son spendide choeur baroque, la délicatesse de ses sculptures et la luxuriance de ses vitraux. Projet dirigé par le cardinal Mgr André Vingt-Trois, Notre-Dame de Paris est un livre exceptionnel d'art, d'histoire et de foi, qui présente la somme des connaissances actuelles sur Notre-Dame de Paris.
Form:
books
books
Publication:
October 2012
October 2012
Subject:
History until 1900, France
History until 1900, France
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books
books
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$102.00
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Summary:
In this volume, author María Luisa Lobo Montalvo presents the architecture and history of Havana —part of which has been declared a UNESCO World Heritage Site — in an accessible and engaging text and specially commissioned color photographs. Among the structures featured are the famed great forts such as Castillo del Morro and Castillo de la Punta, the city's oldest(...)
$102.00
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Summary:
In this volume, author María Luisa Lobo Montalvo presents the architecture and history of Havana —part of which has been declared a UNESCO World Heritage Site — in an accessible and engaging text and specially commissioned color photographs. Among the structures featured are the famed great forts such as Castillo del Morro and Castillo de la Punta, the city's oldest(...)
Subject:
Arch Southwest Asia & North Africa
Arch Southwest Asia & North Africa
Publication:
August 2009
August 2009
Title:
Havana : history and architecture of a romantic city
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$102.00
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In this volume, author María Luisa Lobo Montalvo presents the architecture and history of Havana —part of which has been declared a UNESCO World Heritage Site — in an accessible and engaging text and specially commissioned color photographs. Among the structures featured are the famed great forts such as Castillo del Morro and Castillo de la Punta, the city's oldest extant structures; an array of houses, from all periods of Havana's history and in all styles, simultaneously offering architectural and cultural history; and the great churches, including the Church of La Merced and the great baroque Havana Cathedral, and institutional structures, such as the magnificent Palace of the Captains General, showing the public face of Havana at its most resplendent. Discussions of each phase of the city's development are accompanied by detailed case studies of the period's most significant buildings, which include the architectural history and heritage of each structure as well as comprehensive new and archival documentation, including photographs, prints, paintings, and historical artifacts. Throughout her presentation of the buildings, Lobo Montalvo reveals the unique expression of design and decorative elements, customs and traditions that characterize the architecture of Havana.
Havana : history and architecture of a romantic city
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$102.00
(available to order)
Summary:
In this volume, author María Luisa Lobo Montalvo presents the architecture and history of Havana —part of which has been declared a UNESCO World Heritage Site — in an accessible and engaging text and specially commissioned color photographs. Among the structures featured are the famed great forts such as Castillo del Morro and Castillo de la Punta, the city's oldest extant structures; an array of houses, from all periods of Havana's history and in all styles, simultaneously offering architectural and cultural history; and the great churches, including the Church of La Merced and the great baroque Havana Cathedral, and institutional structures, such as the magnificent Palace of the Captains General, showing the public face of Havana at its most resplendent. Discussions of each phase of the city's development are accompanied by detailed case studies of the period's most significant buildings, which include the architectural history and heritage of each structure as well as comprehensive new and archival documentation, including photographs, prints, paintings, and historical artifacts. Throughout her presentation of the buildings, Lobo Montalvo reveals the unique expression of design and decorative elements, customs and traditions that characterize the architecture of Havana.
Form:
books
books
Publication:
August 2009
August 2009
Subject:
Arch Southwest Asia & North Africa
Arch Southwest Asia & North Africa
