5432 Results
Form:
photographs
photographs
Actions:
Reference number:
PH1993:0206
Description:
Commissioned by the Canadian Centre for Architecture, Montréal, for "Richard Henriquez," 1992-1993.
PH1993:0206
Description:
Commissioned by the Canadian Centre for Architecture, Montréal, for "Richard Henriquez," 1992-1993.
People:
Date:
1993
1993
Title:
Henriquez House, Vancouver: View from Living Area out to Courtyard, 1993
Actions:
PH1993:0206
Description:
Commissioned by the Canadian Centre for Architecture, Montréal, for "Richard Henriquez," 1992-1993.
Henriquez House, Vancouver: View from Living Area out to Courtyard, 1993
Actions:
PH1993:0206
Description:
Commissioned by the Canadian Centre for Architecture, Montréal, for "Richard Henriquez," 1992-1993.
Form:
photographs
photographs
Date:
1993
1993
People:
Form:
photographs
photographs
Actions:
Reference number:
PH1993:0207
Description:
Commissioned by the Canadian Centre for Architecture, Montréal, for "Richard Henriquez," 1992-1993.
PH1993:0207
Description:
Commissioned by the Canadian Centre for Architecture, Montréal, for "Richard Henriquez," 1992-1993.
People:
Date:
1993
1993
Title:
Sylvia Tower, Vancouver: View of Upper Stories from the Roof of the Sylvia Hotel, 1993
Actions:
PH1993:0207
Description:
Commissioned by the Canadian Centre for Architecture, Montréal, for "Richard Henriquez," 1992-1993.
Sylvia Tower, Vancouver: View of Upper Stories from the Roof of the Sylvia Hotel, 1993
Actions:
PH1993:0207
Description:
Commissioned by the Canadian Centre for Architecture, Montréal, for "Richard Henriquez," 1992-1993.
Form:
photographs
photographs
Date:
1993
1993
People:
Form:
photographs
photographs
Actions:
Reference number:
PH1993:0208
Description:
Commissioned by the Canadian Centre for Architecture, Montréal, for "Richard Henriquez," 1992-1993.
PH1993:0208
Description:
Commissioned by the Canadian Centre for Architecture, Montréal, for "Richard Henriquez," 1992-1993.
People:
Date:
1993
1993
Title:
Eugenia Place, Vancouver: Base of the Tower with Reflected View of English Bay, 1993
Actions:
PH1993:0208
Description:
Commissioned by the Canadian Centre for Architecture, Montréal, for "Richard Henriquez," 1992-1993.
Eugenia Place, Vancouver: Base of the Tower with Reflected View of English Bay, 1993
Actions:
PH1993:0208
Description:
Commissioned by the Canadian Centre for Architecture, Montréal, for "Richard Henriquez," 1992-1993.
Form:
photographs
photographs
Date:
1993
1993
People:
Form:
photographs
photographs
Title:
Le Presidio, Vancouver: vue de la maison reproduisant la villa Karma et du pied de la tour, 1993
Le Presidio, Vancouver: vue de la maison reproduisant la villa Karma et du pied de la tour, 1993
Actions:
Reference number:
PH1993:0209
Description:
Commissioned by the Canadian Centre for Architecture, Montréal, for "Richard Henriquez," 1992-1993.
PH1993:0209
Description:
Commissioned by the Canadian Centre for Architecture, Montréal, for "Richard Henriquez," 1992-1993.
People:
Date:
1993
1993
Title:
Le Presidio, Vancouver: vue de la maison reproduisant la villa Karma et du pied de la tour, 1993
Actions:
PH1993:0209
Description:
Commissioned by the Canadian Centre for Architecture, Montréal, for "Richard Henriquez," 1992-1993.
Le Presidio, Vancouver: vue de la maison reproduisant la villa Karma et du pied de la tour, 1993
Actions:
PH1993:0209
Description:
Commissioned by the Canadian Centre for Architecture, Montréal, for "Richard Henriquez," 1992-1993.
Form:
photographs
photographs
Date:
1993
1993
People:
Form:
photographs
photographs
Actions:
Reference number:
PH1993:0210
Description:
Commissioned by the Canadian Centre for Architecture, Montréal, for "Richard Henriquez," 1992-1993.
PH1993:0210
Description:
Commissioned by the Canadian Centre for Architecture, Montréal, for "Richard Henriquez," 1992-1993.
People:
Date:
1993
1993
Title:
Environmental Sciences Building, Trent University, Peterborough, Ontario: View from the Concourse towards the Central Sphere, 1993
Actions:
PH1993:0210
Description:
Commissioned by the Canadian Centre for Architecture, Montréal, for "Richard Henriquez," 1992-1993.
Environmental Sciences Building, Trent University, Peterborough, Ontario: View from the Concourse towards the Central Sphere, 1993
Actions:
PH1993:0210
Description:
Commissioned by the Canadian Centre for Architecture, Montréal, for "Richard Henriquez," 1992-1993.
Form:
photographs
photographs
Date:
1993
1993
People:
Form:
photographs
photographs
Reference number:
PH2000:0649
Description:
Commissioned by the Canadian Centre for Architecture, Montréal, for "Herzog & De Meuron," 1999
PH2000:0649
Description:
Commissioned by the Canadian Centre for Architecture, Montréal, for "Herzog & De Meuron," 1999
People:
Subject:
architecture, landscape architecture
architecture, landscape architecture
Date:
1999
1999
Title:
Dominus Winery, Yountville, Napa Valley, California, United States
Actions:
PH2000:0649
Description:
Commissioned by the Canadian Centre for Architecture, Montréal, for "Herzog & De Meuron," 1999
Dominus Winery, Yountville, Napa Valley, California, United States
Actions:
PH2000:0649
Description:
Commissioned by the Canadian Centre for Architecture, Montréal, for "Herzog & De Meuron," 1999
Form:
photographs
photographs
Date:
1999
1999
People:
Subject:
architecture, landscape architecture
architecture, landscape architecture
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Title:
Kiran Mukerji Collection
Kiran Mukerji Collection
Actions:
Reference number:
CD038
Synopsis:
The Kiran Mukerji collection contains Kiran Mukerji’s research material on building and design technologies for affordable housing, which consists mostly of publications, and a few textual records the Institut für Tropenbau (Institute for Tropical Building).
CD038
Synopsis:
The Kiran Mukerji collection contains Kiran Mukerji’s research material on building and design technologies for affordable housing, which consists mostly of publications, and a few textual records the Institut für Tropenbau (Institute for Tropical Building).
People:
Date:
1972-2013
1972-2013
Title:
Kiran Mukerji Collection
Actions:
CD038
Synopsis:
The Kiran Mukerji collection contains Kiran Mukerji’s research material on building and design technologies for affordable housing, which consists mostly of publications, and a few textual records the Institut für Tropenbau (Institute for Tropical Building).
Kiran Mukerji Collection
Actions:
CD038
Synopsis:
The Kiran Mukerji collection contains Kiran Mukerji’s research material on building and design technologies for affordable housing, which consists mostly of publications, and a few textual records the Institut für Tropenbau (Institute for Tropical Building).
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Date:
1972-2013
1972-2013
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP198.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The international competition called to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces, and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. Digital files, in particular, show the process to achieve the projected design. Drawings provide views of streamed particles and of resulting peels. They also include plans, elevations and axonometric views of the structure. Most files are raster or vector images, likely saved from CAD software. A few files are in CAD formats such as Microstation, 3D Studio and form*Z. Digital files also present sine wave analysis and resulting charts for each component of the program. The analysis and charts present the relationships between various components of the building’s program such as the Art Museum, the Concert Halls, the technical space, and the Common facilities. These files are raster images and spreadsheets. Photographs of the site in Jyväskylä and of models built by OCEAN North were digitized and are included with the digital working files. Physical drawings are chiefly floor plans for the building, but also include sections and sketches. Finally, project files include photographic prints of two built models. One of these models, a small model of the conceptual masses of the building structure, is itself in the archive. Photographs show the model in the context of a city scape model. The second model, not part of the archive at CCA, was built at a bigger scale and was an intricate cardboard and wooden stick structure. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
AP198.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The international competition called to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces, and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. Digital files, in particular, show the process to achieve the projected design. Drawings provide views of streamed particles and of resulting peels. They also include plans, elevations and axonometric views of the structure. Most files are raster or vector images, likely saved from CAD software. A few files are in CAD formats such as Microstation, 3D Studio and form*Z. Digital files also present sine wave analysis and resulting charts for each component of the program. The analysis and charts present the relationships between various components of the building’s program such as the Art Museum, the Concert Halls, the technical space, and the Common facilities. These files are raster images and spreadsheets. Photographs of the site in Jyväskylä and of models built by OCEAN North were digitized and are included with the digital working files. Physical drawings are chiefly floor plans for the building, but also include sections and sketches. Finally, project files include photographic prints of two built models. One of these models, a small model of the conceptual masses of the building structure, is itself in the archive. Photographs show the model in the context of a city scape model. The second model, not part of the archive at CCA, was built at a bigger scale and was an intricate cardboard and wooden stick structure. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
People:
Date:
1997
1997
Title:
Terra Cultura – Jyväskylä Music and Arts Centre, international competition entry
Actions:
AP198.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The international competition called to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces, and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. Digital files, in particular, show the process to achieve the projected design. Drawings provide views of streamed particles and of resulting peels. They also include plans, elevations and axonometric views of the structure. Most files are raster or vector images, likely saved from CAD software. A few files are in CAD formats such as Microstation, 3D Studio and form*Z. Digital files also present sine wave analysis and resulting charts for each component of the program. The analysis and charts present the relationships between various components of the building’s program such as the Art Museum, the Concert Halls, the technical space, and the Common facilities. These files are raster images and spreadsheets. Photographs of the site in Jyväskylä and of models built by OCEAN North were digitized and are included with the digital working files. Physical drawings are chiefly floor plans for the building, but also include sections and sketches. Finally, project files include photographic prints of two built models. One of these models, a small model of the conceptual masses of the building structure, is itself in the archive. Photographs show the model in the context of a city scape model. The second model, not part of the archive at CCA, was built at a bigger scale and was an intricate cardboard and wooden stick structure. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Terra Cultura – Jyväskylä Music and Arts Centre, international competition entry
Actions:
AP198.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The international competition called to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces, and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. Digital files, in particular, show the process to achieve the projected design. Drawings provide views of streamed particles and of resulting peels. They also include plans, elevations and axonometric views of the structure. Most files are raster or vector images, likely saved from CAD software. A few files are in CAD formats such as Microstation, 3D Studio and form*Z. Digital files also present sine wave analysis and resulting charts for each component of the program. The analysis and charts present the relationships between various components of the building’s program such as the Art Museum, the Concert Halls, the technical space, and the Common facilities. These files are raster images and spreadsheets. Photographs of the site in Jyväskylä and of models built by OCEAN North were digitized and are included with the digital working files. Physical drawings are chiefly floor plans for the building, but also include sections and sketches. Finally, project files include photographic prints of two built models. One of these models, a small model of the conceptual masses of the building structure, is itself in the archive. Photographs show the model in the context of a city scape model. The second model, not part of the archive at CCA, was built at a bigger scale and was an intricate cardboard and wooden stick structure. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Level of archival description:
Project
Project
Date:
1997
1997
People:
Form:
photographs
photographs
Actions:
Reference number:
DR2012:0012:130:032
Description:
File containing photocopies and a photograph related to the Canadian tribute to human rights. Original folder inscribed in graphite: CANADIAN TRIBUTE TO HUMAN RIGHTS PHOTOS: ROBERT BURLEY / CCA / CHARNEY
DR2012:0012:130:032
Description:
File containing photocopies and a photograph related to the Canadian tribute to human rights. Original folder inscribed in graphite: CANADIAN TRIBUTE TO HUMAN RIGHTS PHOTOS: ROBERT BURLEY / CCA / CHARNEY
People:
Date:
1991
1991
Title:
Photographs, The Canadian tribute to human rights
Actions:
DR2012:0012:130:032
Description:
File containing photocopies and a photograph related to the Canadian tribute to human rights. Original folder inscribed in graphite: CANADIAN TRIBUTE TO HUMAN RIGHTS PHOTOS: ROBERT BURLEY / CCA / CHARNEY
Photographs, The Canadian tribute to human rights
Actions:
DR2012:0012:130:032
Description:
File containing photocopies and a photograph related to the Canadian tribute to human rights. Original folder inscribed in graphite: CANADIAN TRIBUTE TO HUMAN RIGHTS PHOTOS: ROBERT BURLEY / CCA / CHARNEY
Form:
photographs
photographs
Date:
1991
1991
People:
Level of archival description:
Project
Project
Title:
Un dictionnaire
Un dictionnaire
Actions:
Reference number:
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
People:
Date:
1970-2001
1970-2001
Title:
Un dictionnaire
Actions:
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
Un dictionnaire
Actions:
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
Level of archival description:
Project
Project
Date:
1970-2001
1970-2001
People:
