2089 Results
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journals and magazines
journals and magazines
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$20.00
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Countless magazine covers in North America have responded to the reading public’s capacity for gender-diverse literacy. Gender-diverse representation in narrative forms have spread across all media platforms to become standard or even predictable in their depictions. The expressions of a gender-diverse presence therefore exist within a vast number of communities, more(...)
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Countless magazine covers in North America have responded to the reading public’s capacity for gender-diverse literacy. Gender-diverse representation in narrative forms have spread across all media platforms to become standard or even predictable in their depictions. The expressions of a gender-diverse presence therefore exist within a vast number of communities, more(...)
Title:
Public 62
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$20.00
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Countless magazine covers in North America have responded to the reading public’s capacity for gender-diverse literacy. Gender-diverse representation in narrative forms have spread across all media platforms to become standard or even predictable in their depictions. The expressions of a gender-diverse presence therefore exist within a vast number of communities, more than ever before in history. Emerging designations for gender are more often embedded within a more inclusive, albeit challenging and complex web of shifting societal values around identity. To further capture this pivotal and seismic shift in the history of the human identity spectrum, guest editor Wayne Baerwaldt has invited lens-based visual artists and writers to reflect on their creative subject matter and their gender identity in any way they felt comfortable-through still and moving images, narrative text, collage, Instagram sites, audio, poetry, and so on. Each contributor was asked to examine the impact of their own evolving gender identity on their creative lens-based work.
Public 62
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$20.00
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Summary:
Countless magazine covers in North America have responded to the reading public’s capacity for gender-diverse literacy. Gender-diverse representation in narrative forms have spread across all media platforms to become standard or even predictable in their depictions. The expressions of a gender-diverse presence therefore exist within a vast number of communities, more than ever before in history. Emerging designations for gender are more often embedded within a more inclusive, albeit challenging and complex web of shifting societal values around identity. To further capture this pivotal and seismic shift in the history of the human identity spectrum, guest editor Wayne Baerwaldt has invited lens-based visual artists and writers to reflect on their creative subject matter and their gender identity in any way they felt comfortable-through still and moving images, narrative text, collage, Instagram sites, audio, poetry, and so on. Each contributor was asked to examine the impact of their own evolving gender identity on their creative lens-based work.
Form:
journals and magazines
journals and magazines
Publication:
July 2021
July 2021
Subject:
Magazines
Magazines
Form:
books
books
Title:
The nomadic listener
The nomadic listener
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$25.00
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Based on the author’s artistic research on migration, contemporary urban experience, and sonic alienation, ''The nomadic listener'' is composed of a series of texts stemming from psychogeographic explorations of contemporary cities, including Copenhagen, Berlin, Kolkata, Vienna, Delhi, Hong Kong, Mumbai and New York, among others. Each text is an act of listening, where(...)
$25.00
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Based on the author’s artistic research on migration, contemporary urban experience, and sonic alienation, ''The nomadic listener'' is composed of a series of texts stemming from psychogeographic explorations of contemporary cities, including Copenhagen, Berlin, Kolkata, Vienna, Delhi, Hong Kong, Mumbai and New York, among others. Each text is an act of listening, where(...)
Title:
The nomadic listener
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$25.00
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Based on the author’s artistic research on migration, contemporary urban experience, and sonic alienation, ''The nomadic listener'' is composed of a series of texts stemming from psychogeographic explorations of contemporary cities, including Copenhagen, Berlin, Kolkata, Vienna, Delhi, Hong Kong, Mumbai and New York, among others. Each text is an act of listening, where the author records his surrounding environment and attunes to the sonic fluctuations of movement and the passing of events. What surfaces is a collection of meditations on the occurrences of life movingly interwoven with memories, associations, desires and reflections. As readers we are brought into a tender map of contemporary urban experience, and the often lonely, surprising and random interactions found in traveling.''The nomadic listener'' includes parallel drawings based on the original audio recordings, and appear as ghostly renderings of the corresponding experiences. The recordings are published by the German label Gruenrekorder and accessed through a QR code included in the book.
The nomadic listener
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$25.00
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Based on the author’s artistic research on migration, contemporary urban experience, and sonic alienation, ''The nomadic listener'' is composed of a series of texts stemming from psychogeographic explorations of contemporary cities, including Copenhagen, Berlin, Kolkata, Vienna, Delhi, Hong Kong, Mumbai and New York, among others. Each text is an act of listening, where the author records his surrounding environment and attunes to the sonic fluctuations of movement and the passing of events. What surfaces is a collection of meditations on the occurrences of life movingly interwoven with memories, associations, desires and reflections. As readers we are brought into a tender map of contemporary urban experience, and the often lonely, surprising and random interactions found in traveling.''The nomadic listener'' includes parallel drawings based on the original audio recordings, and appear as ghostly renderings of the corresponding experiences. The recordings are published by the German label Gruenrekorder and accessed through a QR code included in the book.
Form:
books
books
Publication:
September 2020
September 2020
Subject:
Acoustics
Acoustics
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books
books
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$120.00
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Summary:
From Futurism to Fluxus, virtually every twentieth-century avant-garde produced art multiples of some kind, whether to defuse the auratic power of the unique artwork, or to foster a more democratic art culture. The Small Utopia provides a thorough overview of this tendency, looking at Malevich’s tea sets, Bauhaus textiles and toys, early audio multiples, Duchamp’s(...)
$120.00
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Summary:
From Futurism to Fluxus, virtually every twentieth-century avant-garde produced art multiples of some kind, whether to defuse the auratic power of the unique artwork, or to foster a more democratic art culture. The Small Utopia provides a thorough overview of this tendency, looking at Malevich’s tea sets, Bauhaus textiles and toys, early audio multiples, Duchamp’s(...)
Title:
The small utopia : ars multiplicata
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$120.00
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Summary:
From Futurism to Fluxus, virtually every twentieth-century avant-garde produced art multiples of some kind, whether to defuse the auratic power of the unique artwork, or to foster a more democratic art culture. The Small Utopia provides a thorough overview of this tendency, looking at Malevich’s tea sets, Bauhaus textiles and toys, early audio multiples, Duchamp’s readymades, films by Fischinger and Moholy-Nagy, Maciunas’ Fluxus kits, Minimalist and Pop art multiples, artist’s books and small press magazines, among other examples. The scholars who contributed to this volume include Maria Gough on Russian Productivism; Elena Gigli on Giacomo Balla; Annette Malochet on Sonia Delaunay’s Atelier Simultané; Karen Koehler on Bauhaus; Antonio Somaini on early sound art; Adina Kamien-Kazhdan on readymades; Marie Rebecchi on abstract cinema; Nicholas Fox Weber on Josef and Anni Albers; and Julia Robinson on Nouveau Realisme and Fluxus multiples. An illustrated chronology rounds out this essential and handsome publication.
The small utopia : ars multiplicata
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$120.00
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Summary:
From Futurism to Fluxus, virtually every twentieth-century avant-garde produced art multiples of some kind, whether to defuse the auratic power of the unique artwork, or to foster a more democratic art culture. The Small Utopia provides a thorough overview of this tendency, looking at Malevich’s tea sets, Bauhaus textiles and toys, early audio multiples, Duchamp’s readymades, films by Fischinger and Moholy-Nagy, Maciunas’ Fluxus kits, Minimalist and Pop art multiples, artist’s books and small press magazines, among other examples. The scholars who contributed to this volume include Maria Gough on Russian Productivism; Elena Gigli on Giacomo Balla; Annette Malochet on Sonia Delaunay’s Atelier Simultané; Karen Koehler on Bauhaus; Antonio Somaini on early sound art; Adina Kamien-Kazhdan on readymades; Marie Rebecchi on abstract cinema; Nicholas Fox Weber on Josef and Anni Albers; and Julia Robinson on Nouveau Realisme and Fluxus multiples. An illustrated chronology rounds out this essential and handsome publication.
Form:
books
books
Publication:
October 2012
October 2012
Form:
books
books
Price:
$39.95
(available to order)
Summary:
Based on the research of the Banff New Media Institute from 1995 to 2005, these essays, transcripts and artists projects celebrate the belief that artists and cultural industries, in collaboration with scientists, social scientists and humanists, have a critical role to play in developing technologies that work for human betterment and allow for a more participatory(...)
$39.95
(available to order)
Summary:
Based on the research of the Banff New Media Institute from 1995 to 2005, these essays, transcripts and artists projects celebrate the belief that artists and cultural industries, in collaboration with scientists, social scientists and humanists, have a critical role to play in developing technologies that work for human betterment and allow for a more participatory(...)
Title:
Euphoria and dystophia: the Banff New Media Institute dialogues
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$39.95
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Summary:
Based on the research of the Banff New Media Institute from 1995 to 2005, these essays, transcripts and artists projects celebrate the belief that artists and cultural industries, in collaboration with scientists, social scientists and humanists, have a critical role to play in developing technologies that work for human betterment and allow for a more participatory culture. Each thematic chapter features an introduction, an original essay and carefully edited transcriptions drawn from thousands of hours of audio material with artists and theorists such as Laurie Anderson, Herve Fische, Kim Sawchuck, Zainub Verjee, Bill Vorn and many others. Also included is the catalogue of the exhibition, The Art Formerly Known As New Media, and a DVD based on the electronic journal, HorizonZero. Featured artists include Geoff Lillemon, Matthew Sloly, Maria Lantin, Shu Lea Cheang, Sara Diamond, Michael Naimark, Greg Niemeyer, Catherine Richards and Martin Wattenberg, Maciej Wisniewski. With a Forward by Kellogg Booth and an Afterword by Susan Kennard
Euphoria and dystophia: the Banff New Media Institute dialogues
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$39.95
(available to order)
Summary:
Based on the research of the Banff New Media Institute from 1995 to 2005, these essays, transcripts and artists projects celebrate the belief that artists and cultural industries, in collaboration with scientists, social scientists and humanists, have a critical role to play in developing technologies that work for human betterment and allow for a more participatory culture. Each thematic chapter features an introduction, an original essay and carefully edited transcriptions drawn from thousands of hours of audio material with artists and theorists such as Laurie Anderson, Herve Fische, Kim Sawchuck, Zainub Verjee, Bill Vorn and many others. Also included is the catalogue of the exhibition, The Art Formerly Known As New Media, and a DVD based on the electronic journal, HorizonZero. Featured artists include Geoff Lillemon, Matthew Sloly, Maria Lantin, Shu Lea Cheang, Sara Diamond, Michael Naimark, Greg Niemeyer, Catherine Richards and Martin Wattenberg, Maciej Wisniewski. With a Forward by Kellogg Booth and an Afterword by Susan Kennard
Form:
books
books
Publication:
September 2011
September 2011
Subject:
Art Theory
Art Theory
Form:
audio
audio
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Description:
1 online resource.
Author:
Subject:
Publication:
[Place of publication not identified] : Lateral Addition, 2015.
[Place of publication not identified] : Lateral Addition, 2015.
Form:
audio
audio
Publication:
[Place of publication not identified] : Lateral Addition, 2015.
[Place of publication not identified] : Lateral Addition, 2015.
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Subject:
Form:
books
books
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$36.95
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Summary:
In "Fugitive time", Matthew Omelsky theorizes the embodied experience of time in twentieth- and twenty-first-century black artforms from across the world. Through the lens of time, he charts the sensations and coursing thoughts that accompany desires for freedom as they appear in the work of artists as varied as Toni Morrison, Yvonne Vera, Aimé Césaire, and Issa Samb.(...)
$36.95
(available to order)
Summary:
In "Fugitive time", Matthew Omelsky theorizes the embodied experience of time in twentieth- and twenty-first-century black artforms from across the world. Through the lens of time, he charts the sensations and coursing thoughts that accompany desires for freedom as they appear in the work of artists as varied as Toni Morrison, Yvonne Vera, Aimé Césaire, and Issa Samb.(...)
Title:
Fugitive time: Global aesthetics and the black beyond
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In "Fugitive time", Matthew Omelsky theorizes the embodied experience of time in twentieth- and twenty-first-century black artforms from across the world. Through the lens of time, he charts the sensations and coursing thoughts that accompany desires for freedom as they appear in the work of artists as varied as Toni Morrison, Yvonne Vera, Aimé Césaire, and Issa Samb. "Fugitive time" names a distinct utopian desire directed at the anticipated moment when the body and mind have been unburdened of the violence that has consumed black life globally for centuries, bringing with it a new form of being. Omelsky shows how fugitive time is not about attaining this transcendent release but is instead about sustaining the idea of it as an ecstatic social gathering. From the desire for ethereal queer worlds in the Black Audio Film Collective's "Twilight City" to Sun Ra's transformation of nineteenth-century scientific racism into an insurgent fugitive aesthetic, Omelsky shows how fugitive time evolves and how it remains a dominant form of imagining freedom in global black cultural expression.
Fugitive time: Global aesthetics and the black beyond
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$36.95
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Summary:
In "Fugitive time", Matthew Omelsky theorizes the embodied experience of time in twentieth- and twenty-first-century black artforms from across the world. Through the lens of time, he charts the sensations and coursing thoughts that accompany desires for freedom as they appear in the work of artists as varied as Toni Morrison, Yvonne Vera, Aimé Césaire, and Issa Samb. "Fugitive time" names a distinct utopian desire directed at the anticipated moment when the body and mind have been unburdened of the violence that has consumed black life globally for centuries, bringing with it a new form of being. Omelsky shows how fugitive time is not about attaining this transcendent release but is instead about sustaining the idea of it as an ecstatic social gathering. From the desire for ethereal queer worlds in the Black Audio Film Collective's "Twilight City" to Sun Ra's transformation of nineteenth-century scientific racism into an insurgent fugitive aesthetic, Omelsky shows how fugitive time evolves and how it remains a dominant form of imagining freedom in global black cultural expression.
Form:
books
books
Publication:
December 2023
December 2023
Subject:
Art Theory
Art Theory
Form:
books
books
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Price:
$107.95
(available to order)
Summary:
Architecture and music share many parallel and intersecting elements. Recent developments in the music, film, and media industries have given rise to new building types for audio and visual media. These projects require a comprehensive approach from various disciplines to bridge architecture, art and technology. For more than 10 years studio bau:ton has been(...)
$107.95
(available to order)
Summary:
Architecture and music share many parallel and intersecting elements. Recent developments in the music, film, and media industries have given rise to new building types for audio and visual media. These projects require a comprehensive approach from various disciplines to bridge architecture, art and technology. For more than 10 years studio bau:ton has been(...)
Title:
Soundspace : architecture for sound and vision
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$107.95
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Summary:
Architecture and music share many parallel and intersecting elements. Recent developments in the music, film, and media industries have given rise to new building types for audio and visual media. These projects require a comprehensive approach from various disciplines to bridge architecture, art and technology. For more than 10 years studio bau:ton has been pre-eminently involved in drawing together these diverse disciplines. This book is an eclectic survey of issues central to building for contemporary media. Renowned guest authors from the fields of media and architecture have contributed ideas and projects, and an detailed overview of architectural acoustics serves as an integrated technical guide. Practical applications are presented in an illustrated portfolio of distinguished projects by studio bau:ton, ranging from museums to recording studios and film production facilities. Projects like the Fox Scoring Stage in Los Angeles or Bad Animals in Seattle are complemented by international examples such as Sony Music in Tokyo, X-Art in Austria and many more. Peter Grueneisen is the principal architect and a founder of studio bau:ton.
Soundspace : architecture for sound and vision
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Price:
$107.95
(available to order)
Summary:
Architecture and music share many parallel and intersecting elements. Recent developments in the music, film, and media industries have given rise to new building types for audio and visual media. These projects require a comprehensive approach from various disciplines to bridge architecture, art and technology. For more than 10 years studio bau:ton has been pre-eminently involved in drawing together these diverse disciplines. This book is an eclectic survey of issues central to building for contemporary media. Renowned guest authors from the fields of media and architecture have contributed ideas and projects, and an detailed overview of architectural acoustics serves as an integrated technical guide. Practical applications are presented in an illustrated portfolio of distinguished projects by studio bau:ton, ranging from museums to recording studios and film production facilities. Projects like the Fox Scoring Stage in Los Angeles or Bad Animals in Seattle are complemented by international examples such as Sony Music in Tokyo, X-Art in Austria and many more. Peter Grueneisen is the principal architect and a founder of studio bau:ton.
Form:
books
books
Publication:
August 2003, Basel
August 2003, Basel
Subject:
Materials and Lighting
Materials and Lighting
Form:
books
books
Price:
$41.95
(available to order)
Summary:
Art is big business, with some artists able to command huge sums of money for their works, while the vast majority are ignored or dismissed by critics. This book shows that these marginalised artists, the 'dark matter' of the art world, are essential to the survival of the mainstream and that they frequently organize in opposition to it. Gregory Sholette, a(...)
$41.95
(available to order)
Summary:
Art is big business, with some artists able to command huge sums of money for their works, while the vast majority are ignored or dismissed by critics. This book shows that these marginalised artists, the 'dark matter' of the art world, are essential to the survival of the mainstream and that they frequently organize in opposition to it. Gregory Sholette, a(...)
Title:
Dark matter: art and politics in the age of enterprise culture
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$41.95
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Summary:
Art is big business, with some artists able to command huge sums of money for their works, while the vast majority are ignored or dismissed by critics. This book shows that these marginalised artists, the 'dark matter' of the art world, are essential to the survival of the mainstream and that they frequently organize in opposition to it. Gregory Sholette, a politically engaged artist, argues that imagination and creativity in the art world originate thrive in the non-commercial sector shut off from prestigious galleries and champagne receptions. This broader creative culture feeds the mainstream with new forms and styles that can be commodified and used to sustain the few artists admitted into the elite. This dependency, and the advent of inexpensive communication, audio and video technology, has allowed this 'dark matter' of the alternative art world to increasingly subvert the mainstream and intervene politically as both new and old forms of non-capitalist, public art. This book is essential for anyone interested in interventionist art, collectivism, and the political economy of the art world.
Dark matter: art and politics in the age of enterprise culture
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Price:
$41.95
(available to order)
Summary:
Art is big business, with some artists able to command huge sums of money for their works, while the vast majority are ignored or dismissed by critics. This book shows that these marginalised artists, the 'dark matter' of the art world, are essential to the survival of the mainstream and that they frequently organize in opposition to it. Gregory Sholette, a politically engaged artist, argues that imagination and creativity in the art world originate thrive in the non-commercial sector shut off from prestigious galleries and champagne receptions. This broader creative culture feeds the mainstream with new forms and styles that can be commodified and used to sustain the few artists admitted into the elite. This dependency, and the advent of inexpensive communication, audio and video technology, has allowed this 'dark matter' of the alternative art world to increasingly subvert the mainstream and intervene politically as both new and old forms of non-capitalist, public art. This book is essential for anyone interested in interventionist art, collectivism, and the political economy of the art world.
Form:
books
books
Publication:
December 2010
December 2010
Subject:
Art Theory
Art Theory
Form:
books
books
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$39.95
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Summary:
Since the early twentieth century, contemporary art and art theory have creatively challenged the status of representation. During that time, the court of law has come to rely on a variety of new representational modes and technologies. The law is increasingly staged on a screen and the photographs, video documents, audio recordings used as evidence are not entirely(...)
$39.95
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Summary:
Since the early twentieth century, contemporary art and art theory have creatively challenged the status of representation. During that time, the court of law has come to rely on a variety of new representational modes and technologies. The law is increasingly staged on a screen and the photographs, video documents, audio recordings used as evidence are not entirely(...)
Subject:
Archive, library and the digital
Archive, library and the digital
Publication:
January 2012
January 2012
Title:
A thousand eyes: media technology, law and esthetics
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$39.95
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Summary:
Since the early twentieth century, contemporary art and art theory have creatively challenged the status of representation. During that time, the court of law has come to rely on a variety of new representational modes and technologies. The law is increasingly staged on a screen and the photographs, video documents, audio recordings used as evidence are not entirely distinct from their correlates in contemporary art, cinema and mass media. What questions of representation, judgment and justice cross borders between art and the law? Through the contribution of internationally renowned artists and scholars, this anthology explores how the aesthetics of new media technology and its spatial implementations affect the judicial system in relation to fundamental concepts such as truth and representation. Artistic contributions by John Baldessari, Dan Graham, Harun Farocki, Stan Douglas, Aernout Mik, Agency, Judy Radul, Renzo Martens, Ana Torfs, The Atlas Group, René Magritte, Model Court, Rana Hamadeh, Thomas Demand, Les Levine Essays by Julie A. Cassiday, Costas Douzinas, Piyel Haldar, Martin Jay, Peter Goodrich, Richard Mohr, Judy Radul, Avital Ronell, Eyal Sivan, Cornelia Vismann
A thousand eyes: media technology, law and esthetics
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Price:
$39.95
(available to order)
Summary:
Since the early twentieth century, contemporary art and art theory have creatively challenged the status of representation. During that time, the court of law has come to rely on a variety of new representational modes and technologies. The law is increasingly staged on a screen and the photographs, video documents, audio recordings used as evidence are not entirely distinct from their correlates in contemporary art, cinema and mass media. What questions of representation, judgment and justice cross borders between art and the law? Through the contribution of internationally renowned artists and scholars, this anthology explores how the aesthetics of new media technology and its spatial implementations affect the judicial system in relation to fundamental concepts such as truth and representation. Artistic contributions by John Baldessari, Dan Graham, Harun Farocki, Stan Douglas, Aernout Mik, Agency, Judy Radul, Renzo Martens, Ana Torfs, The Atlas Group, René Magritte, Model Court, Rana Hamadeh, Thomas Demand, Les Levine Essays by Julie A. Cassiday, Costas Douzinas, Piyel Haldar, Martin Jay, Peter Goodrich, Richard Mohr, Judy Radul, Avital Ronell, Eyal Sivan, Cornelia Vismann
Form:
books
books
Publication:
January 2012
January 2012
Subject:
Archive, library and the digital
Archive, library and the digital
Form:
books
books
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$44.95
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Summary:
Danielle Aubert's Library of The Dispossessed examines the lived experience of one hundred used copies of "The Dispossessed", a 1974 science fiction novel by Ursula Le Guin. It takes the form of polyphonic group readings (during which each reader is reading from a different copy of the Library), a book of readers' marks, and an instrumental interpretation of the markings,(...)
$44.95
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Summary:
Danielle Aubert's Library of The Dispossessed examines the lived experience of one hundred used copies of "The Dispossessed", a 1974 science fiction novel by Ursula Le Guin. It takes the form of polyphonic group readings (during which each reader is reading from a different copy of the Library), a book of readers' marks, and an instrumental interpretation of the markings,(...)
Title:
Danielle Aubert: Marking the dispossessed
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$44.95
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Summary:
Danielle Aubert's Library of The Dispossessed examines the lived experience of one hundred used copies of "The Dispossessed", a 1974 science fiction novel by Ursula Le Guin. It takes the form of polyphonic group readings (during which each reader is reading from a different copy of the Library), a book of readers' marks, and an instrumental interpretation of the markings, composed by Jason Treuting of So Percussion and Mobius Percussion. The used, mass market paperback has little value. This particular volume — "The Dispossessed" — is available cheaply or for free as an e-book (Amazon), audio book (Audible), PDF or TeX file (Anarchist Library). Most of the books collected for The Library of the Dispossessed were purchased from online resellers. They are marked by previous owners (New Tecumseth Public Library, Kate Wilkins, Lee W. Smith); bear messages from past readers (“good move!,” “I’m going to vomit,” “don’t ever let yourself be owned”); and carry miscellaneous scraps of paper (a boarding pass, a reminder to pick up Jess at 9:00).
Danielle Aubert: Marking the dispossessed
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Price:
$44.95
(available to order)
Summary:
Danielle Aubert's Library of The Dispossessed examines the lived experience of one hundred used copies of "The Dispossessed", a 1974 science fiction novel by Ursula Le Guin. It takes the form of polyphonic group readings (during which each reader is reading from a different copy of the Library), a book of readers' marks, and an instrumental interpretation of the markings, composed by Jason Treuting of So Percussion and Mobius Percussion. The used, mass market paperback has little value. This particular volume — "The Dispossessed" — is available cheaply or for free as an e-book (Amazon), audio book (Audible), PDF or TeX file (Anarchist Library). Most of the books collected for The Library of the Dispossessed were purchased from online resellers. They are marked by previous owners (New Tecumseth Public Library, Kate Wilkins, Lee W. Smith); bear messages from past readers (“good move!,” “I’m going to vomit,” “don’t ever let yourself be owned”); and carry miscellaneous scraps of paper (a boarding pass, a reminder to pick up Jess at 9:00).
Form:
books
books
Publication:
July 2015
July 2015
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
