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The street has been at the heart of many groundbreaking visual subcultures for the part thirty years. However, there is now emerging a new wave of artists who are moving in fresh directions beyong graffiti and street art. Frustrated by wholesale corporate theft of street creativity, these artists are employing different techniques in their work, different materials,(...)
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The street has been at the heart of many groundbreaking visual subcultures for the part thirty years. However, there is now emerging a new wave of artists who are moving in fresh directions beyong graffiti and street art. Frustrated by wholesale corporate theft of street creativity, these artists are employing different techniques in their work, different materials,(...)
Title:
Street Renegades: new underground art
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The street has been at the heart of many groundbreaking visual subcultures for the part thirty years. However, there is now emerging a new wave of artists who are moving in fresh directions beyong graffiti and street art. Frustrated by wholesale corporate theft of street creativity, these artists are employing different techniques in their work, different materials, different means of dissemination and different ways of getting their work noticed.
Street Renegades: new underground art
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The street has been at the heart of many groundbreaking visual subcultures for the part thirty years. However, there is now emerging a new wave of artists who are moving in fresh directions beyong graffiti and street art. Frustrated by wholesale corporate theft of street creativity, these artists are employing different techniques in their work, different materials, different means of dissemination and different ways of getting their work noticed.
Form:
books
books
Publication:
October 2007, London
October 2007, London
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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Les membres de Via Grafik ont créé le collectif en 1998 et ont choisi leur nom comme un slogan. Construction, déconstruction et provocation sont des thématiques récurrentes de leurs travaux. Il existe une interaction très forte entre leur approche du graphisme et celle du graffiti, ces deux disciplines s'enrichissant mutuellement. Ils entrelacent les techniques et les(...)
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Les membres de Via Grafik ont créé le collectif en 1998 et ont choisi leur nom comme un slogan. Construction, déconstruction et provocation sont des thématiques récurrentes de leurs travaux. Il existe une interaction très forte entre leur approche du graphisme et celle du graffiti, ces deux disciplines s'enrichissant mutuellement. Ils entrelacent les techniques et les(...)
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
Publication:
October 2006, Paris
October 2006, Paris
Title:
Via grafik : choose your weapon !
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Les membres de Via Grafik ont créé le collectif en 1998 et ont choisi leur nom comme un slogan. Construction, déconstruction et provocation sont des thématiques récurrentes de leurs travaux. Il existe une interaction très forte entre leur approche du graphisme et celle du graffiti, ces deux disciplines s'enrichissant mutuellement. Ils entrelacent les techniques et les pratiques artistiques, fidèles à leur devise : " From wall to screen to everything. "
Via grafik : choose your weapon !
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Les membres de Via Grafik ont créé le collectif en 1998 et ont choisi leur nom comme un slogan. Construction, déconstruction et provocation sont des thématiques récurrentes de leurs travaux. Il existe une interaction très forte entre leur approche du graphisme et celle du graffiti, ces deux disciplines s'enrichissant mutuellement. Ils entrelacent les techniques et les pratiques artistiques, fidèles à leur devise : " From wall to screen to everything. "
Form:
books
books
Publication:
October 2006, Paris
October 2006, Paris
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
Form:
books
books
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$25.95
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Les trois membres du collectif TRBDSGN ont mis en commun leur culture de la rue et leurs différentes expériences pour se forger leur propre univers. Ils mêlent graphisme, graffiti et design dans une même logique et avec une grande cohérence. Leur capacité à tirer parti des différents milieux dans lesquels ils évoluent leur permet de consolider un savoir au bénéfice de(...)
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Les trois membres du collectif TRBDSGN ont mis en commun leur culture de la rue et leurs différentes expériences pour se forger leur propre univers. Ils mêlent graphisme, graffiti et design dans une même logique et avec une grande cohérence. Leur capacité à tirer parti des différents milieux dans lesquels ils évoluent leur permet de consolider un savoir au bénéfice de(...)
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
Publication:
October 2006, Paris
October 2006, Paris
Title:
Trbdsgn
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Les trois membres du collectif TRBDSGN ont mis en commun leur culture de la rue et leurs différentes expériences pour se forger leur propre univers. Ils mêlent graphisme, graffiti et design dans une même logique et avec une grande cohérence. Leur capacité à tirer parti des différents milieux dans lesquels ils évoluent leur permet de consolider un savoir au bénéfice de leur talent. En 2005, ils ont exposé à la galerie Kitchen93.
Trbdsgn
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Les trois membres du collectif TRBDSGN ont mis en commun leur culture de la rue et leurs différentes expériences pour se forger leur propre univers. Ils mêlent graphisme, graffiti et design dans une même logique et avec une grande cohérence. Leur capacité à tirer parti des différents milieux dans lesquels ils évoluent leur permet de consolider un savoir au bénéfice de leur talent. En 2005, ils ont exposé à la galerie Kitchen93.
Form:
books
books
Publication:
October 2006, Paris
October 2006, Paris
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
Form:
books
books
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$37.95
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Vues de près, les peintures antiques de la villa Adriana à Tivoli, les fresques de Raphaël au palais du Vatican, mais aussi celles de la galerie des Carrache dans le palais Farnèse, et tant d’autres, offrent un spectacle étonnant. Ce sont des œuvres striées de noms, de dates et même d’esquisses, très différentes des images lisses, intactes et éclatantes auxquelles les(...)
$37.95
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Vues de près, les peintures antiques de la villa Adriana à Tivoli, les fresques de Raphaël au palais du Vatican, mais aussi celles de la galerie des Carrache dans le palais Farnèse, et tant d’autres, offrent un spectacle étonnant. Ce sont des œuvres striées de noms, de dates et même d’esquisses, très différentes des images lisses, intactes et éclatantes auxquelles les(...)
Title:
Graffitis: inscrire son nom à Rome (XVe-XIXe siècle)
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Vues de près, les peintures antiques de la villa Adriana à Tivoli, les fresques de Raphaël au palais du Vatican, mais aussi celles de la galerie des Carrache dans le palais Farnèse, et tant d’autres, offrent un spectacle étonnant. Ce sont des œuvres striées de noms, de dates et même d’esquisses, très différentes des images lisses, intactes et éclatantes auxquelles les livres d’art nous ont habitués. Les graffitis y sont omniprésents. Ils furent réalisés par des artistes parfois célèbres, au cours de leur période de formation à Rome, par des amateurs lors du Grand Tour, par des soldats ou des touristes de passage à Rome entre les XVIe et XIXe siècles. Ce livre invite à un autre regard sur l’art et son histoire : non pas esthétique mais archéologique ; un regard de biais, littéralement. Ainsi rendus à leur visibilité, les graffitis donnent à voir une autre histoire du chef-d’œuvre, matérielle, tactile et anthropologique.
Graffitis: inscrire son nom à Rome (XVe-XIXe siècle)
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Vues de près, les peintures antiques de la villa Adriana à Tivoli, les fresques de Raphaël au palais du Vatican, mais aussi celles de la galerie des Carrache dans le palais Farnèse, et tant d’autres, offrent un spectacle étonnant. Ce sont des œuvres striées de noms, de dates et même d’esquisses, très différentes des images lisses, intactes et éclatantes auxquelles les livres d’art nous ont habitués. Les graffitis y sont omniprésents. Ils furent réalisés par des artistes parfois célèbres, au cours de leur période de formation à Rome, par des amateurs lors du Grand Tour, par des soldats ou des touristes de passage à Rome entre les XVIe et XIXe siècles. Ce livre invite à un autre regard sur l’art et son histoire : non pas esthétique mais archéologique ; un regard de biais, littéralement. Ainsi rendus à leur visibilité, les graffitis donnent à voir une autre histoire du chef-d’œuvre, matérielle, tactile et anthropologique.
Form:
books
books
Publication:
November 2014
November 2014
Subject:
History until 1900, Italy
History until 1900, Italy
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books
books
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$24.95
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For over thirty years, Patrick Cummins has been wandering the streets of Toronto, taking mugshots of its houses, variety stores, garages, and ever-changing storefronts. Straightforward shots chronicle the same buildings over the years, or travel the length of a block, facade by facade. Other sections collect vintage Coke signs on variety stores or garage(...)
$24.95
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For over thirty years, Patrick Cummins has been wandering the streets of Toronto, taking mugshots of its houses, variety stores, garages, and ever-changing storefronts. Straightforward shots chronicle the same buildings over the years, or travel the length of a block, facade by facade. Other sections collect vintage Coke signs on variety stores or garage(...)
Title:
Full frontal T.O. : Exploring Toronto's architectural vernacular
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For over thirty years, Patrick Cummins has been wandering the streets of Toronto, taking mugshots of its houses, variety stores, garages, and ever-changing storefronts. Straightforward shots chronicle the same buildings over the years, or travel the length of a block, facade by facade. Other sections collect vintage Coke signs on variety stores or garage graffiti. Full Frontal T.O. features over three hundred gorgeous photos of Toronto's messy urbanism, with accompanying text by master urban explorer Shawn Micallef.
Full frontal T.O. : Exploring Toronto's architectural vernacular
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$24.95
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For over thirty years, Patrick Cummins has been wandering the streets of Toronto, taking mugshots of its houses, variety stores, garages, and ever-changing storefronts. Straightforward shots chronicle the same buildings over the years, or travel the length of a block, facade by facade. Other sections collect vintage Coke signs on variety stores or garage graffiti. Full Frontal T.O. features over three hundred gorgeous photos of Toronto's messy urbanism, with accompanying text by master urban explorer Shawn Micallef.
Form:
books
books
Publication:
May 2012
May 2012
Subject:
Architecture in Canada
Architecture in Canada
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books
books
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A key figure in the New York art scene, Jean-Michel Basquiat explored the interplay between words and images throughout his career, first as a member of SAMO, a graffiti group active on the Lower East Side in the late 1970s, and then as a painter. From 1980 to 1987, he filled numerous working notebooks with drawings and handwritten texts. This facsimile edition reproduces(...)
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A key figure in the New York art scene, Jean-Michel Basquiat explored the interplay between words and images throughout his career, first as a member of SAMO, a graffiti group active on the Lower East Side in the late 1970s, and then as a painter. From 1980 to 1987, he filled numerous working notebooks with drawings and handwritten texts. This facsimile edition reproduces(...)
Title:
Jean-Michel Basquiat : the notebooks
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A key figure in the New York art scene, Jean-Michel Basquiat explored the interplay between words and images throughout his career, first as a member of SAMO, a graffiti group active on the Lower East Side in the late 1970s, and then as a painter. From 1980 to 1987, he filled numerous working notebooks with drawings and handwritten texts. This facsimile edition reproduces the pages of eight of these rarely seen notebooks for the first time.
Jean-Michel Basquiat : the notebooks
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A key figure in the New York art scene, Jean-Michel Basquiat explored the interplay between words and images throughout his career, first as a member of SAMO, a graffiti group active on the Lower East Side in the late 1970s, and then as a painter. From 1980 to 1987, he filled numerous working notebooks with drawings and handwritten texts. This facsimile edition reproduces the pages of eight of these rarely seen notebooks for the first time.
Form:
books
books
Publication:
June 2015
June 2015
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$17.95
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36 recyclab a appris à lire et aimer "l 'urbanité " par la pratique du skate. Puis s'est passionné pour les mathématiques, pour finalement choisir le design et l'architecture comme profession. S'initiant au graffiti dès les années 2000, l'affichiste traduit un peu de chacun de ces univers dans la rue. Il investit la ville par la technique du collage, avec des affiches en(...)
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36 recyclab a appris à lire et aimer "l 'urbanité " par la pratique du skate. Puis s'est passionné pour les mathématiques, pour finalement choisir le design et l'architecture comme profession. S'initiant au graffiti dès les années 2000, l'affichiste traduit un peu de chacun de ces univers dans la rue. Il investit la ville par la technique du collage, avec des affiches en(...)
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36Recyclab: architectures mécaniques
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36 recyclab a appris à lire et aimer "l 'urbanité " par la pratique du skate. Puis s'est passionné pour les mathématiques, pour finalement choisir le design et l'architecture comme profession. S'initiant au graffiti dès les années 2000, l'affichiste traduit un peu de chacun de ces univers dans la rue. Il investit la ville par la technique du collage, avec des affiches en grand format qui lui permettent de faire émerger de la surface murale des machines improbables, des structures conceptuelles, des architectures mécaniques.
36Recyclab: architectures mécaniques
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36 recyclab a appris à lire et aimer "l 'urbanité " par la pratique du skate. Puis s'est passionné pour les mathématiques, pour finalement choisir le design et l'architecture comme profession. S'initiant au graffiti dès les années 2000, l'affichiste traduit un peu de chacun de ces univers dans la rue. Il investit la ville par la technique du collage, avec des affiches en grand format qui lui permettent de faire émerger de la surface murale des machines improbables, des structures conceptuelles, des architectures mécaniques.
Form:
books
books
Publication:
May 2013
May 2013
Subject:
small format
small format
Form:
books
books
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$64.00
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Throughout history, artists and citizens have turned to protest art as a means of demonstrating social and political discontent. From the earliest broadsheets in the 1500s to engravings, photolithographs, prints, posters, murals, graffiti, and political cartoons, these endlessly inventive graphic forms have symbolized and spurred on power struggles, rebellions, spirited(...)
$64.00
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Summary:
Throughout history, artists and citizens have turned to protest art as a means of demonstrating social and political discontent. From the earliest broadsheets in the 1500s to engravings, photolithographs, prints, posters, murals, graffiti, and political cartoons, these endlessly inventive graphic forms have symbolized and spurred on power struggles, rebellions, spirited(...)
Publication:
October 2019
October 2019
Title:
Protest! A history of social and political protest graphics
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$64.00
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Throughout history, artists and citizens have turned to protest art as a means of demonstrating social and political discontent. From the earliest broadsheets in the 1500s to engravings, photolithographs, prints, posters, murals, graffiti, and political cartoons, these endlessly inventive graphic forms have symbolized and spurred on power struggles, rebellions, spirited causes, and calls to arms. Spanning continents and centuries, "Protest!" presents a major new chronological look at protest graphics and shows how these images have been shaped by international events as well as advances in technology.
Protest! A history of social and political protest graphics
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$64.00
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Throughout history, artists and citizens have turned to protest art as a means of demonstrating social and political discontent. From the earliest broadsheets in the 1500s to engravings, photolithographs, prints, posters, murals, graffiti, and political cartoons, these endlessly inventive graphic forms have symbolized and spurred on power struggles, rebellions, spirited causes, and calls to arms. Spanning continents and centuries, "Protest!" presents a major new chronological look at protest graphics and shows how these images have been shaped by international events as well as advances in technology.
Form:
books
books
Publication:
October 2019
October 2019
Form:
journals and magazines
journals and magazines
Title:
AD: radical post-modernism
AD: radical post-modernism
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In this issue of Architectural Design the guest editors are drawn, like the content, from contrasting tastes and generations. Charles Jencks, the definer of Post-Modernism for thirty years, discusses some issues that have re-emerged today, while the young group of British architects, FAT, argues for a particular version of RPM. An interview between Rem Koohaas and Charles(...)
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Summary:
In this issue of Architectural Design the guest editors are drawn, like the content, from contrasting tastes and generations. Charles Jencks, the definer of Post-Modernism for thirty years, discusses some issues that have re-emerged today, while the young group of British architects, FAT, argues for a particular version of RPM. An interview between Rem Koohaas and Charles(...)
Publication:
October 2011
October 2011
Title:
AD: radical post-modernism
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$50.00
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In this issue of Architectural Design the guest editors are drawn, like the content, from contrasting tastes and generations. Charles Jencks, the definer of Post-Modernism for thirty years, discusses some issues that have re-emerged today, while the young group of British architects, FAT, argues for a particular version of RPM. An interview between Rem Koohaas and Charles Jencks discusses the influence of Post-Modernism while investigations of street art, graffiti and the 1980 Venice Biennale show that communication is at the heart of this radical strain of architecture.
AD: radical post-modernism
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$50.00
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Summary:
In this issue of Architectural Design the guest editors are drawn, like the content, from contrasting tastes and generations. Charles Jencks, the definer of Post-Modernism for thirty years, discusses some issues that have re-emerged today, while the young group of British architects, FAT, argues for a particular version of RPM. An interview between Rem Koohaas and Charles Jencks discusses the influence of Post-Modernism while investigations of street art, graffiti and the 1980 Venice Biennale show that communication is at the heart of this radical strain of architecture.
Form:
journals and magazines
journals and magazines
Publication:
October 2011
October 2011
Form:
books
books
Title:
Sterling Ruby
Sterling Ruby
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$66.00
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Ruby--who was born in 1972--uses whatever media suits his ideas; projects have included sculpture, collage, installation, painting, ceramics, video and printmaking. Fusing references to Minimalism, Art Brut and graffiti with a canny grasp of contemporary and pop culture, Ruby's accumulative approach addresses the overproduction of information, neurosis and paranoia,(...)
$66.00
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Summary:
Ruby--who was born in 1972--uses whatever media suits his ideas; projects have included sculpture, collage, installation, painting, ceramics, video and printmaking. Fusing references to Minimalism, Art Brut and graffiti with a canny grasp of contemporary and pop culture, Ruby's accumulative approach addresses the overproduction of information, neurosis and paranoia,(...)
Title:
Sterling Ruby
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$66.00
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Ruby--who was born in 1972--uses whatever media suits his ideas; projects have included sculpture, collage, installation, painting, ceramics, video and printmaking. Fusing references to Minimalism, Art Brut and graffiti with a canny grasp of contemporary and pop culture, Ruby's accumulative approach addresses the overproduction of information, neurosis and paranoia, conflicts between individual impulses and mechanisms of social control, urban violence, consumption, anxiety and the need for control that characterizes contemporary Western society. This is the most comprehensive reference on this rapidly emerging artist's work to date.
Sterling Ruby
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$66.00
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Summary:
Ruby--who was born in 1972--uses whatever media suits his ideas; projects have included sculpture, collage, installation, painting, ceramics, video and printmaking. Fusing references to Minimalism, Art Brut and graffiti with a canny grasp of contemporary and pop culture, Ruby's accumulative approach addresses the overproduction of information, neurosis and paranoia, conflicts between individual impulses and mechanisms of social control, urban violence, consumption, anxiety and the need for control that characterizes contemporary Western society. This is the most comprehensive reference on this rapidly emerging artist's work to date.
Form:
books
books
Publication:
August 2009
August 2009
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
