5028 Results
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Luc Laporte fonds
Luc Laporte fonds
Actions:
Reference number:
AP068
Synopsis:
Le Fond Luc Laporte documente les propositions et les réalisations issus de l'atelier de Luc Laporte pour le secteur est du Vieux-Port de Montréal.
AP068
Synopsis:
Le Fond Luc Laporte documente les propositions et les réalisations issus de l'atelier de Luc Laporte pour le secteur est du Vieux-Port de Montréal.
People:
Date:
1991-1993
1991-1993
Title:
Luc Laporte fonds
Actions:
AP068
Synopsis:
Le Fond Luc Laporte documente les propositions et les réalisations issus de l'atelier de Luc Laporte pour le secteur est du Vieux-Port de Montréal.
Luc Laporte fonds
Actions:
AP068
Synopsis:
Le Fond Luc Laporte documente les propositions et les réalisations issus de l'atelier de Luc Laporte pour le secteur est du Vieux-Port de Montréal.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1991-1993
1991-1993
People:
Form:
exhibitions
exhibitions
Actions:
Description:
Herzog de Meuron: Archaeology of the Mind presents an exhaustive display of materials from the architects’ archive and from related collections. Referencing a natural history, the exhibition includes study models, books, photographs, toys, fossils, Chinese scholars’ rocks, and significant works of contemporary art, all of which have informed the thinking of the Swiss(...)
Herzog de Meuron: Archaeology of the Mind presents an exhaustive display of materials from the architects’ archive and from related collections. Referencing a natural history, the exhibition includes study models, books, photographs, toys, fossils, Chinese scholars’ rocks, and significant works of contemporary art, all of which have informed the thinking of the Swiss(...)
Location:
Main galleries
Main galleries
Date:
23 October 2002 to 6 April 2003
23 October 2002 to 6 April 2003
Title:
Herzog & de Meuron: Archaeology of the Mind
Actions:
Description:
Herzog de Meuron: Archaeology of the Mind presents an exhaustive display of materials from the architects’ archive and from related collections. Referencing a natural history, the exhibition includes study models, books, photographs, toys, fossils, Chinese scholars’ rocks, and significant works of contemporary art, all of which have informed the thinking of the Swiss(...)
Herzog & de Meuron: Archaeology of the Mind
Actions:
Description:
Herzog de Meuron: Archaeology of the Mind presents an exhaustive display of materials from the architects’ archive and from related collections. Referencing a natural history, the exhibition includes study models, books, photographs, toys, fossils, Chinese scholars’ rocks, and significant works of contemporary art, all of which have informed the thinking of the Swiss(...)
Form:
exhibitions
exhibitions
Date:
23 October 2002 to
6 April 2003
23 October 2002 to
6 April 2003
Location:
Main galleries
Main galleries
Form:
drawings
drawings
Title:
Carnet de croquis
Carnet de croquis
Actions:
Reference number:
ARCH163841
Description:
- Carnet de croquis, noir - Projet pour la Pointe à Callière - Bar Swimming - Citi Bar - Ateliers Municipaux de Montréal - Présentations d'étudiant (13-05-90) - Projet dans le Vieux-Montréal - Fondation Lionel-Groulx - Concours international "Una porta per Venezia" - AM Club, Boston - Projet Site Angus - Concours du Musée régional de Rimouski - Santana Jeans Parasuco - Coop d'habitation Ville-Marie (13-07-93)
ARCH163841
Description:
- Carnet de croquis, noir - Projet pour la Pointe à Callière - Bar Swimming - Citi Bar - Ateliers Municipaux de Montréal - Présentations d'étudiant (13-05-90) - Projet dans le Vieux-Montréal - Fondation Lionel-Groulx - Concours international "Una porta per Venezia" - AM Club, Boston - Projet Site Angus - Concours du Musée régional de Rimouski - Santana Jeans Parasuco - Coop d'habitation Ville-Marie (13-07-93)
People:
Date:
février 1990-juillet 1993
février 1990-juillet 1993
Title:
Carnet de croquis
Actions:
ARCH163841
Description:
- Carnet de croquis, noir - Projet pour la Pointe à Callière - Bar Swimming - Citi Bar - Ateliers Municipaux de Montréal - Présentations d'étudiant (13-05-90) - Projet dans le Vieux-Montréal - Fondation Lionel-Groulx - Concours international "Una porta per Venezia" - AM Club, Boston - Projet Site Angus - Concours du Musée régional de Rimouski - Santana Jeans Parasuco - Coop d'habitation Ville-Marie (13-07-93)
Carnet de croquis
Actions:
ARCH163841
Description:
- Carnet de croquis, noir - Projet pour la Pointe à Callière - Bar Swimming - Citi Bar - Ateliers Municipaux de Montréal - Présentations d'étudiant (13-05-90) - Projet dans le Vieux-Montréal - Fondation Lionel-Groulx - Concours international "Una porta per Venezia" - AM Club, Boston - Projet Site Angus - Concours du Musée régional de Rimouski - Santana Jeans Parasuco - Coop d'habitation Ville-Marie (13-07-93)
Form:
drawings
drawings
Date:
février 1990-juillet 1993
février 1990-juillet 1993
People:
Form:
photographs
photographs
Actions:
Reference number:
DR2012:0012:095:024
Description:
File containing photographs, printouts, and a slide related to the Une construction à Québec [A Quebec construction… houses/poles/flags] project. Original folder inscribed in graphite: MUSEE DU QUEBEC - PAYSAGES VERTICAUX JUIN-OCT. 1989
DR2012:0012:095:024
Description:
File containing photographs, printouts, and a slide related to the Une construction à Québec [A Quebec construction… houses/poles/flags] project. Original folder inscribed in graphite: MUSEE DU QUEBEC - PAYSAGES VERTICAUX JUIN-OCT. 1989
People:
Date:
1989
1989
Title:
Photographs, Une construction à Québec
Actions:
DR2012:0012:095:024
Description:
File containing photographs, printouts, and a slide related to the Une construction à Québec [A Quebec construction… houses/poles/flags] project. Original folder inscribed in graphite: MUSEE DU QUEBEC - PAYSAGES VERTICAUX JUIN-OCT. 1989
Photographs, Une construction à Québec
Actions:
DR2012:0012:095:024
Description:
File containing photographs, printouts, and a slide related to the Une construction à Québec [A Quebec construction… houses/poles/flags] project. Original folder inscribed in graphite: MUSEE DU QUEBEC - PAYSAGES VERTICAUX JUIN-OCT. 1989
Form:
photographs
photographs
Date:
1989
1989
People:
Form:
drawings, photographs
drawings, photographs
Actions:
Reference number:
DR2012:0012:095:022
Description:
File containing documents in French, including photocopies of contact sheets, a photograph, reference materials, and sketches related to the Une construction à Québec project. Original folder inscribed in graphite: MUSEE DE[sic] QUEBEC - SUMMER 1989
DR2012:0012:095:022
Description:
File containing documents in French, including photocopies of contact sheets, a photograph, reference materials, and sketches related to the Une construction à Québec project. Original folder inscribed in graphite: MUSEE DE[sic] QUEBEC - SUMMER 1989
People:
Date:
1989
1989
Title:
Photographs, reference materials, and sketches, Une construction à Québec
Actions:
DR2012:0012:095:022
Description:
File containing documents in French, including photocopies of contact sheets, a photograph, reference materials, and sketches related to the Une construction à Québec project. Original folder inscribed in graphite: MUSEE DE[sic] QUEBEC - SUMMER 1989
Photographs, reference materials, and sketches, Une construction à Québec
Actions:
DR2012:0012:095:022
Description:
File containing documents in French, including photocopies of contact sheets, a photograph, reference materials, and sketches related to the Une construction à Québec project. Original folder inscribed in graphite: MUSEE DE[sic] QUEBEC - SUMMER 1989
Form:
drawings, photographs
drawings, photographs
Date:
1989
1989
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP041.S1.1969.D2
Description:
The project series documents Melvin Charney's work for the design competition for the Royal Canadian Air Force Memorial (RCAF) at the National Air Force Museum of Canada in Ottawa, Ontario. The project was identified by Charney as the MEMO Series. The competition called for the design of a building of “appropriate character” which would commemorate “the birth and growth of Canadian aviation”. The competition program was very specific, requesting a building on a predefined site, with rooms designed for specific activities. MEMO was formally submitted by Charney and consisted of 91 pages of plans, designs, photographs and instructions on 335-5136 metric graph paper. Instead of constituting a true design for a building, MEMO consists of pages of memorandums intended for the organizers of the competition. The memos describe different ideas of how to conceptualize “the birth and growth of Canadian aviation”, as a critical response to what Charney saw as a “narrowness” in the competition’s vision. Charney referred to the idea of erecting a “singular building in an isolated part of the country” and considering it a memorial as being a “restrictive if not repressive act”. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 14-17)
AP041.S1.1969.D2
Description:
The project series documents Melvin Charney's work for the design competition for the Royal Canadian Air Force Memorial (RCAF) at the National Air Force Museum of Canada in Ottawa, Ontario. The project was identified by Charney as the MEMO Series. The competition called for the design of a building of “appropriate character” which would commemorate “the birth and growth of Canadian aviation”. The competition program was very specific, requesting a building on a predefined site, with rooms designed for specific activities. MEMO was formally submitted by Charney and consisted of 91 pages of plans, designs, photographs and instructions on 335-5136 metric graph paper. Instead of constituting a true design for a building, MEMO consists of pages of memorandums intended for the organizers of the competition. The memos describe different ideas of how to conceptualize “the birth and growth of Canadian aviation”, as a critical response to what Charney saw as a “narrowness” in the competition’s vision. Charney referred to the idea of erecting a “singular building in an isolated part of the country” and considering it a memorial as being a “restrictive if not repressive act”. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 14-17)
People:
Date:
1969-1970
1969-1970
Title:
Royal Canadian Air Force Memorial Competition, Ottawa, Ontario
Actions:
AP041.S1.1969.D2
Description:
The project series documents Melvin Charney's work for the design competition for the Royal Canadian Air Force Memorial (RCAF) at the National Air Force Museum of Canada in Ottawa, Ontario. The project was identified by Charney as the MEMO Series. The competition called for the design of a building of “appropriate character” which would commemorate “the birth and growth of Canadian aviation”. The competition program was very specific, requesting a building on a predefined site, with rooms designed for specific activities. MEMO was formally submitted by Charney and consisted of 91 pages of plans, designs, photographs and instructions on 335-5136 metric graph paper. Instead of constituting a true design for a building, MEMO consists of pages of memorandums intended for the organizers of the competition. The memos describe different ideas of how to conceptualize “the birth and growth of Canadian aviation”, as a critical response to what Charney saw as a “narrowness” in the competition’s vision. Charney referred to the idea of erecting a “singular building in an isolated part of the country” and considering it a memorial as being a “restrictive if not repressive act”. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 14-17)
Royal Canadian Air Force Memorial Competition, Ottawa, Ontario
Actions:
AP041.S1.1969.D2
Description:
The project series documents Melvin Charney's work for the design competition for the Royal Canadian Air Force Memorial (RCAF) at the National Air Force Museum of Canada in Ottawa, Ontario. The project was identified by Charney as the MEMO Series. The competition called for the design of a building of “appropriate character” which would commemorate “the birth and growth of Canadian aviation”. The competition program was very specific, requesting a building on a predefined site, with rooms designed for specific activities. MEMO was formally submitted by Charney and consisted of 91 pages of plans, designs, photographs and instructions on 335-5136 metric graph paper. Instead of constituting a true design for a building, MEMO consists of pages of memorandums intended for the organizers of the competition. The memos describe different ideas of how to conceptualize “the birth and growth of Canadian aviation”, as a critical response to what Charney saw as a “narrowness” in the competition’s vision. Charney referred to the idea of erecting a “singular building in an isolated part of the country” and considering it a memorial as being a “restrictive if not repressive act”. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 14-17)
Level of archival description:
Project
Project
Date:
1969-1970
1969-1970
People:
Form:
articles
articles
Form:
textual records
textual records
Actions:
Reference number:
ARCH257540
Description:
Permanent Files and offer of services - Oregon Museum of Science and Industry, Early Winters Resorts, College of Ocean and Fishery Sciences (University of Washington), University Town Project (United Arab Emirates), Toronto Union Station Project, Detroit Institute of Arts, AEA promotional, King Saud University, Musée des Beaux-Arts de Montréal, Easter Seal Society Blue Mountain Camp, Ontario Gallery of Art competition, Municipality of York Adninistration Building
ARCH257540
Description:
Permanent Files and offer of services - Oregon Museum of Science and Industry, Early Winters Resorts, College of Ocean and Fishery Sciences (University of Washington), University Town Project (United Arab Emirates), Toronto Union Station Project, Detroit Institute of Arts, AEA promotional, King Saud University, Musée des Beaux-Arts de Montréal, Easter Seal Society Blue Mountain Camp, Ontario Gallery of Art competition, Municipality of York Adninistration Building
People:
Date:
1985-1988
1985-1988
Title:
Permanent Files and offer of services for various projects
Actions:
ARCH257540
Description:
Permanent Files and offer of services - Oregon Museum of Science and Industry, Early Winters Resorts, College of Ocean and Fishery Sciences (University of Washington), University Town Project (United Arab Emirates), Toronto Union Station Project, Detroit Institute of Arts, AEA promotional, King Saud University, Musée des Beaux-Arts de Montréal, Easter Seal Society Blue Mountain Camp, Ontario Gallery of Art competition, Municipality of York Adninistration Building
Permanent Files and offer of services for various projects
Actions:
ARCH257540
Description:
Permanent Files and offer of services - Oregon Museum of Science and Industry, Early Winters Resorts, College of Ocean and Fishery Sciences (University of Washington), University Town Project (United Arab Emirates), Toronto Union Station Project, Detroit Institute of Arts, AEA promotional, King Saud University, Musée des Beaux-Arts de Montréal, Easter Seal Society Blue Mountain Camp, Ontario Gallery of Art competition, Municipality of York Adninistration Building
Form:
textual records
textual records
Date:
1985-1988
1985-1988
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Victor Depocas fonds
Victor Depocas fonds
Actions:
Reference number:
AP028
Synopsis:
Victor Depocas fonds is composed of documents and graphic materials produced between 1921 and 1986, predominantly between 1956 and 1984. It records Depocas activities as a member of the Province of Québec Association of Architects (A.A.P.Q.), the Ordre d’Architects du Québec (O.A.P.), and the Commission des monuments historiques du Québec; his activities as a Professor of architectural composition at l’École de Beaux-arts de Montréal (1953-1957); and his work as a professional architect along with general office files of the short-life firms David & Depocas and Deshaies & Depocas (1946-1950). The fonds documents mainly the architectural projects from the Commission that include restorations, renovations and modifications of residential, educational, ecclesiastical, and commercial buildings across Québec. Represented in drawings, textual records and photographs.
AP028
Synopsis:
Victor Depocas fonds is composed of documents and graphic materials produced between 1921 and 1986, predominantly between 1956 and 1984. It records Depocas activities as a member of the Province of Québec Association of Architects (A.A.P.Q.), the Ordre d’Architects du Québec (O.A.P.), and the Commission des monuments historiques du Québec; his activities as a Professor of architectural composition at l’École de Beaux-arts de Montréal (1953-1957); and his work as a professional architect along with general office files of the short-life firms David & Depocas and Deshaies & Depocas (1946-1950). The fonds documents mainly the architectural projects from the Commission that include restorations, renovations and modifications of residential, educational, ecclesiastical, and commercial buildings across Québec. Represented in drawings, textual records and photographs.
People:
Date:
1921-1986
1921-1986
Title:
Victor Depocas fonds
Actions:
AP028
Synopsis:
Victor Depocas fonds is composed of documents and graphic materials produced between 1921 and 1986, predominantly between 1956 and 1984. It records Depocas activities as a member of the Province of Québec Association of Architects (A.A.P.Q.), the Ordre d’Architects du Québec (O.A.P.), and the Commission des monuments historiques du Québec; his activities as a Professor of architectural composition at l’École de Beaux-arts de Montréal (1953-1957); and his work as a professional architect along with general office files of the short-life firms David & Depocas and Deshaies & Depocas (1946-1950). The fonds documents mainly the architectural projects from the Commission that include restorations, renovations and modifications of residential, educational, ecclesiastical, and commercial buildings across Québec. Represented in drawings, textual records and photographs.
Victor Depocas fonds
Actions:
AP028
Synopsis:
Victor Depocas fonds is composed of documents and graphic materials produced between 1921 and 1986, predominantly between 1956 and 1984. It records Depocas activities as a member of the Province of Québec Association of Architects (A.A.P.Q.), the Ordre d’Architects du Québec (O.A.P.), and the Commission des monuments historiques du Québec; his activities as a Professor of architectural composition at l’École de Beaux-arts de Montréal (1953-1957); and his work as a professional architect along with general office files of the short-life firms David & Depocas and Deshaies & Depocas (1946-1950). The fonds documents mainly the architectural projects from the Commission that include restorations, renovations and modifications of residential, educational, ecclesiastical, and commercial buildings across Québec. Represented in drawings, textual records and photographs.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1921-1986
1921-1986
People:
Level of archival description:
Series
Series
Reference number:
AP115.S2
Description:
Cette série porte sur le travail de documentation photographique de Robert Duchesnay du dôme géodésique du pavilon des États-Unis à l'exposition universelle de 1967 (Expo 67) à Montréal, au Québec. Le dôme, conçu par Buckminster Fuller, mesure 249 pieds de diamètre et 200 pieds de hauteur. Un incendie en 1976 détruit de revêtement de polymère du dôme et ne laisse que la structure en acier. En 1990, la structure est intégrée à l'aménagement du bâtiment d'un musée du l'environnement et les enjeux socio-environnementaux contemporains, la Biosphère. La série contient une sélection d'images de la série intitulée Dome Project élaborée entre 1983 et 1992. Cette série, qui compte 25 photographies, montre le pavillon des États-Unis sous différents angles, depuis l'extérieur et l'intérieur de la structure, ainsi que plusieurs détails architecturaux. La série nous renseigne sur l'état de l'édifice après l'incendie de 1976 et avant qu'il ne soit restauré entre 1993 et 1995 pour devenir la Biosphère; elle nous renseigne aussi sur la pratique artistique de Robert Duchesnay alors que sa principale préoccupation consistait à documenter l'état de ruines du pavillion des États-Unis, afin de sensibiliser l'opinion publique du danger qui menaçait l'édifice de disparaître.
AP115.S2
Description:
Cette série porte sur le travail de documentation photographique de Robert Duchesnay du dôme géodésique du pavilon des États-Unis à l'exposition universelle de 1967 (Expo 67) à Montréal, au Québec. Le dôme, conçu par Buckminster Fuller, mesure 249 pieds de diamètre et 200 pieds de hauteur. Un incendie en 1976 détruit de revêtement de polymère du dôme et ne laisse que la structure en acier. En 1990, la structure est intégrée à l'aménagement du bâtiment d'un musée du l'environnement et les enjeux socio-environnementaux contemporains, la Biosphère. La série contient une sélection d'images de la série intitulée Dome Project élaborée entre 1983 et 1992. Cette série, qui compte 25 photographies, montre le pavillon des États-Unis sous différents angles, depuis l'extérieur et l'intérieur de la structure, ainsi que plusieurs détails architecturaux. La série nous renseigne sur l'état de l'édifice après l'incendie de 1976 et avant qu'il ne soit restauré entre 1993 et 1995 pour devenir la Biosphère; elle nous renseigne aussi sur la pratique artistique de Robert Duchesnay alors que sa principale préoccupation consistait à documenter l'état de ruines du pavillion des États-Unis, afin de sensibiliser l'opinion publique du danger qui menaçait l'édifice de disparaître.
People:
Date:
circa 1884-1990
circa 1884-1990
Title:
Pavillon des États-Unis, Expo 67, Montréal, Québec
Actions:
AP115.S2
Description:
Cette série porte sur le travail de documentation photographique de Robert Duchesnay du dôme géodésique du pavilon des États-Unis à l'exposition universelle de 1967 (Expo 67) à Montréal, au Québec. Le dôme, conçu par Buckminster Fuller, mesure 249 pieds de diamètre et 200 pieds de hauteur. Un incendie en 1976 détruit de revêtement de polymère du dôme et ne laisse que la structure en acier. En 1990, la structure est intégrée à l'aménagement du bâtiment d'un musée du l'environnement et les enjeux socio-environnementaux contemporains, la Biosphère. La série contient une sélection d'images de la série intitulée Dome Project élaborée entre 1983 et 1992. Cette série, qui compte 25 photographies, montre le pavillon des États-Unis sous différents angles, depuis l'extérieur et l'intérieur de la structure, ainsi que plusieurs détails architecturaux. La série nous renseigne sur l'état de l'édifice après l'incendie de 1976 et avant qu'il ne soit restauré entre 1993 et 1995 pour devenir la Biosphère; elle nous renseigne aussi sur la pratique artistique de Robert Duchesnay alors que sa principale préoccupation consistait à documenter l'état de ruines du pavillion des États-Unis, afin de sensibiliser l'opinion publique du danger qui menaçait l'édifice de disparaître.
Pavillon des États-Unis, Expo 67, Montréal, Québec
Actions:
AP115.S2
Description:
Cette série porte sur le travail de documentation photographique de Robert Duchesnay du dôme géodésique du pavilon des États-Unis à l'exposition universelle de 1967 (Expo 67) à Montréal, au Québec. Le dôme, conçu par Buckminster Fuller, mesure 249 pieds de diamètre et 200 pieds de hauteur. Un incendie en 1976 détruit de revêtement de polymère du dôme et ne laisse que la structure en acier. En 1990, la structure est intégrée à l'aménagement du bâtiment d'un musée du l'environnement et les enjeux socio-environnementaux contemporains, la Biosphère. La série contient une sélection d'images de la série intitulée Dome Project élaborée entre 1983 et 1992. Cette série, qui compte 25 photographies, montre le pavillon des États-Unis sous différents angles, depuis l'extérieur et l'intérieur de la structure, ainsi que plusieurs détails architecturaux. La série nous renseigne sur l'état de l'édifice après l'incendie de 1976 et avant qu'il ne soit restauré entre 1993 et 1995 pour devenir la Biosphère; elle nous renseigne aussi sur la pratique artistique de Robert Duchesnay alors que sa principale préoccupation consistait à documenter l'état de ruines du pavillion des États-Unis, afin de sensibiliser l'opinion publique du danger qui menaçait l'édifice de disparaître.
Level of archival description:
Série
Série
Date:
circa 1884-1990
circa 1884-1990
People:
