6412 Results
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exhibitions
exhibitions
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Description:
Between 1836 and 1848, the German-Dutch explorer Franz Wilhelm Junghuhn made several expeditions in Java in the service of the Dutch colonial authorities. He was among the first colonists to climb the island’s many volcanoes. His scientific works, books, maps, and lithographs made him the “Humboldt of Java.” This exhibition follows Junghuhn’s footsteps and explores(...)
Between 1836 and 1848, the German-Dutch explorer Franz Wilhelm Junghuhn made several expeditions in Java in the service of the Dutch colonial authorities. He was among the first colonists to climb the island’s many volcanoes. His scientific works, books, maps, and lithographs made him the “Humboldt of Java.” This exhibition follows Junghuhn’s footsteps and explores(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
29 September 2016 to 22 January 2017
29 September 2016 to 22 January 2017
Title:
17 Volcanoes: Works by Franz Wilhelm Junghuhn, Armin Linke, and Bas Princen
Actions:
Description:
Between 1836 and 1848, the German-Dutch explorer Franz Wilhelm Junghuhn made several expeditions in Java in the service of the Dutch colonial authorities. He was among the first colonists to climb the island’s many volcanoes. His scientific works, books, maps, and lithographs made him the “Humboldt of Java.” This exhibition follows Junghuhn’s footsteps and explores(...)
17 Volcanoes: Works by Franz Wilhelm Junghuhn, Armin Linke, and Bas Princen
Actions:
Description:
Between 1836 and 1848, the German-Dutch explorer Franz Wilhelm Junghuhn made several expeditions in Java in the service of the Dutch colonial authorities. He was among the first colonists to climb the island’s many volcanoes. His scientific works, books, maps, and lithographs made him the “Humboldt of Java.” This exhibition follows Junghuhn’s footsteps and explores(...)
Form:
exhibitions
exhibitions
Date:
29 September 2016 to
22 January 2017
29 September 2016 to
22 January 2017
Location:
Octagonal gallery
Octagonal gallery
Form:
events
events
Actions:
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Date:
25 January 2024, 6pm
25 January 2024, 6pm
Form:
events
events
Date:
25 January 2024
6pm
25 January 2024
6pm
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Form:
exhibitions
exhibitions
Actions:
Description:
By the latter half of the nineteenth century, several pioneer photographers had travelled to the Middle East and North Africa, bringing back to Europe and North America images that captured the idea of the exotic. Whether in search of Nile temples, the Holy Land or Berber costumes; whether amateurs or pilgrims; whether part of scientific missions or commercial ventures,(...)
By the latter half of the nineteenth century, several pioneer photographers had travelled to the Middle East and North Africa, bringing back to Europe and North America images that captured the idea of the exotic. Whether in search of Nile temples, the Holy Land or Berber costumes; whether amateurs or pilgrims; whether part of scientific missions or commercial ventures,(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
30 January 2014 to 25 May 2014
30 January 2014 to 25 May 2014
Title:
Photographing the Arab City in the Nineteenth Century
Actions:
Description:
By the latter half of the nineteenth century, several pioneer photographers had travelled to the Middle East and North Africa, bringing back to Europe and North America images that captured the idea of the exotic. Whether in search of Nile temples, the Holy Land or Berber costumes; whether amateurs or pilgrims; whether part of scientific missions or commercial ventures,(...)
Photographing the Arab City in the Nineteenth Century
Actions:
Description:
By the latter half of the nineteenth century, several pioneer photographers had travelled to the Middle East and North Africa, bringing back to Europe and North America images that captured the idea of the exotic. Whether in search of Nile temples, the Holy Land or Berber costumes; whether amateurs or pilgrims; whether part of scientific missions or commercial ventures,(...)
Form:
exhibitions
exhibitions
Date:
30 January 2014 to
25 May 2014
30 January 2014 to
25 May 2014
Location:
Octagonal gallery
Octagonal gallery
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Gianni Pettena fonds
Gianni Pettena fonds
Reference number:
AP207
Synopsis:
The Gianni Pettena fonds documents Pettena’s work as an artist, architect, critic, and professor of history of contemporary architecture from the 1960s to the end of the 2010s. It includes one hundred artistic and architectural projects, material related to exhibitions he curated and designed, and his writings.
AP207
Synopsis:
The Gianni Pettena fonds documents Pettena’s work as an artist, architect, critic, and professor of history of contemporary architecture from the 1960s to the end of the 2010s. It includes one hundred artistic and architectural projects, material related to exhibitions he curated and designed, and his writings.
People:
Date:
1960-2019
1960-2019
Title:
Gianni Pettena fonds
Actions:
AP207
Synopsis:
The Gianni Pettena fonds documents Pettena’s work as an artist, architect, critic, and professor of history of contemporary architecture from the 1960s to the end of the 2010s. It includes one hundred artistic and architectural projects, material related to exhibitions he curated and designed, and his writings.
Gianni Pettena fonds
Actions:
AP207
Synopsis:
The Gianni Pettena fonds documents Pettena’s work as an artist, architect, critic, and professor of history of contemporary architecture from the 1960s to the end of the 2010s. It includes one hundred artistic and architectural projects, material related to exhibitions he curated and designed, and his writings.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1960-2019
1960-2019
People:
Title:
Cambridge
Cambridge
Actions:
Reference number:
PH1979:0600.01:001-036
Description:
This album comprises 28 albumen silver prints of monuments of Cambridge and the following description of views of Cambridge could apply to this album: "These views of Cambrige focus primarily on the University's great medieval colleges untouched by the additions, renovations and accretions of the twentieth century, but also document the uncluttered nature of the city itself in the third quarter of the nineteenth century. Sprouting gargoyles vie for attention with gothic pinnacles, graceful bridges reflect themselves in the River Cam, and top-hatted gentlemen stroll through the snowy lanes of winter while labourers, messengers and apprentices confront the camera's gaze." (Cambridge Book and Print Gallery). The monuments depicted are the following: Jesus College. New Buildings; Cambridge Divinity Schools; Queen's College Entrance Gate; St. John's Chapel, from Trinity Backs (Summer); St. John's Chapel, from Trinity Backs (Winter); St. John's College. Bridge of Sighs; Queen's Bridge; Queen's Gardens; Pembroke College; Catherine's College; Emanuel College; Magdelen College; St. Peters College; Dowing College; Cains College. Old Gateway; Sidney College; Trinity Hall; The Round Church; Senate House and Library; and Fitzwilliam Museum.
PH1979:0600.01:001-036
Description:
This album comprises 28 albumen silver prints of monuments of Cambridge and the following description of views of Cambridge could apply to this album: "These views of Cambrige focus primarily on the University's great medieval colleges untouched by the additions, renovations and accretions of the twentieth century, but also document the uncluttered nature of the city itself in the third quarter of the nineteenth century. Sprouting gargoyles vie for attention with gothic pinnacles, graceful bridges reflect themselves in the River Cam, and top-hatted gentlemen stroll through the snowy lanes of winter while labourers, messengers and apprentices confront the camera's gaze." (Cambridge Book and Print Gallery). The monuments depicted are the following: Jesus College. New Buildings; Cambridge Divinity Schools; Queen's College Entrance Gate; St. John's Chapel, from Trinity Backs (Summer); St. John's Chapel, from Trinity Backs (Winter); St. John's College. Bridge of Sighs; Queen's Bridge; Queen's Gardens; Pembroke College; Catherine's College; Emanuel College; Magdelen College; St. Peters College; Dowing College; Cains College. Old Gateway; Sidney College; Trinity Hall; The Round Church; Senate House and Library; and Fitzwilliam Museum.
People:
Subject:
architecture
architecture
Date:
ca. 1880
ca. 1880
Title:
Cambridge
Actions:
PH1979:0600.01:001-036
Description:
This album comprises 28 albumen silver prints of monuments of Cambridge and the following description of views of Cambridge could apply to this album: "These views of Cambrige focus primarily on the University's great medieval colleges untouched by the additions, renovations and accretions of the twentieth century, but also document the uncluttered nature of the city itself in the third quarter of the nineteenth century. Sprouting gargoyles vie for attention with gothic pinnacles, graceful bridges reflect themselves in the River Cam, and top-hatted gentlemen stroll through the snowy lanes of winter while labourers, messengers and apprentices confront the camera's gaze." (Cambridge Book and Print Gallery). The monuments depicted are the following: Jesus College. New Buildings; Cambridge Divinity Schools; Queen's College Entrance Gate; St. John's Chapel, from Trinity Backs (Summer); St. John's Chapel, from Trinity Backs (Winter); St. John's College. Bridge of Sighs; Queen's Bridge; Queen's Gardens; Pembroke College; Catherine's College; Emanuel College; Magdelen College; St. Peters College; Dowing College; Cains College. Old Gateway; Sidney College; Trinity Hall; The Round Church; Senate House and Library; and Fitzwilliam Museum.
Cambridge
Actions:
PH1979:0600.01:001-036
Description:
This album comprises 28 albumen silver prints of monuments of Cambridge and the following description of views of Cambridge could apply to this album: "These views of Cambrige focus primarily on the University's great medieval colleges untouched by the additions, renovations and accretions of the twentieth century, but also document the uncluttered nature of the city itself in the third quarter of the nineteenth century. Sprouting gargoyles vie for attention with gothic pinnacles, graceful bridges reflect themselves in the River Cam, and top-hatted gentlemen stroll through the snowy lanes of winter while labourers, messengers and apprentices confront the camera's gaze." (Cambridge Book and Print Gallery). The monuments depicted are the following: Jesus College. New Buildings; Cambridge Divinity Schools; Queen's College Entrance Gate; St. John's Chapel, from Trinity Backs (Summer); St. John's Chapel, from Trinity Backs (Winter); St. John's College. Bridge of Sighs; Queen's Bridge; Queen's Gardens; Pembroke College; Catherine's College; Emanuel College; Magdelen College; St. Peters College; Dowing College; Cains College. Old Gateway; Sidney College; Trinity Hall; The Round Church; Senate House and Library; and Fitzwilliam Museum.
Date:
ca. 1880
ca. 1880
People:
Subject:
architecture
architecture
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Actions:
Reference number:
CD033
Synopsis:
The Aldo Cibic Microrealities project collection primarily consists of presentation materials, publications and born digital materials, like videos and photographs, by Aldo Cibic produced between 2003 and 2008 for the project “Microrealities”.
CD033
Synopsis:
The Aldo Cibic Microrealities project collection primarily consists of presentation materials, publications and born digital materials, like videos and photographs, by Aldo Cibic produced between 2003 and 2008 for the project “Microrealities”.
People:
Date:
2003-2008
2003-2008
Title:
Aldo Cibic Microrealities project collection
Actions:
CD033
Synopsis:
The Aldo Cibic Microrealities project collection primarily consists of presentation materials, publications and born digital materials, like videos and photographs, by Aldo Cibic produced between 2003 and 2008 for the project “Microrealities”.
Aldo Cibic Microrealities project collection
Actions:
CD033
Synopsis:
The Aldo Cibic Microrealities project collection primarily consists of presentation materials, publications and born digital materials, like videos and photographs, by Aldo Cibic produced between 2003 and 2008 for the project “Microrealities”.
Form:
archives
Level of archival description:
collection
archives
Level of archival description:
collection
Date:
2003-2008
2003-2008
People:
Form:
exhibitions
exhibitions
Actions:
Description:
This exhibition features British architect Will Alsop’s preparatory work for the Sharp Centre for Design at the Ontario College of Art Design (OCAD) in Toronto and explores the role of painting in his design process. Completed in 2004, OCAD’s Sharp Centre for Design was designed by Alsop Architects in collaboration with the Toronto-based firm Robbie/Young + Wright. The(...)
This exhibition features British architect Will Alsop’s preparatory work for the Sharp Centre for Design at the Ontario College of Art Design (OCAD) in Toronto and explores the role of painting in his design process. Completed in 2004, OCAD’s Sharp Centre for Design was designed by Alsop Architects in collaboration with the Toronto-based firm Robbie/Young + Wright. The(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
13 June 2008 to 5 October 2008
13 June 2008 to 5 October 2008
Title:
Will Alsop: OCAD, An Urban Manifesto
Actions:
Description:
This exhibition features British architect Will Alsop’s preparatory work for the Sharp Centre for Design at the Ontario College of Art Design (OCAD) in Toronto and explores the role of painting in his design process. Completed in 2004, OCAD’s Sharp Centre for Design was designed by Alsop Architects in collaboration with the Toronto-based firm Robbie/Young + Wright. The(...)
Will Alsop: OCAD, An Urban Manifesto
Actions:
Description:
This exhibition features British architect Will Alsop’s preparatory work for the Sharp Centre for Design at the Ontario College of Art Design (OCAD) in Toronto and explores the role of painting in his design process. Completed in 2004, OCAD’s Sharp Centre for Design was designed by Alsop Architects in collaboration with the Toronto-based firm Robbie/Young + Wright. The(...)
Form:
exhibitions
exhibitions
Date:
13 June 2008 to
5 October 2008
13 June 2008 to
5 October 2008
Location:
Octagonal gallery
Octagonal gallery
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Blaise Marchand fonds
Blaise Marchand fonds
Reference number:
AP086
Synopsis:
Le fonds comprend principalement des photographies prises lors de la période où Blaise Marchand travaillait au ministère des Travaux publics du Québec en tant que architecte en chef pour l'entretien (1945-1968), ainsi que des dessins et des documents textuels relatifs à 7 projets, tels que l'Église Saint-Joachim de Châteauguay (1927), le Bureau d'enregistrement de Cap-Santé (1938 et 1964), etc. Le fonds contient également trois publications relatives à l'urbanisme et à la conservation et la restauration du patrimoine bâti.
AP086
Synopsis:
Le fonds comprend principalement des photographies prises lors de la période où Blaise Marchand travaillait au ministère des Travaux publics du Québec en tant que architecte en chef pour l'entretien (1945-1968), ainsi que des dessins et des documents textuels relatifs à 7 projets, tels que l'Église Saint-Joachim de Châteauguay (1927), le Bureau d'enregistrement de Cap-Santé (1938 et 1964), etc. Le fonds contient également trois publications relatives à l'urbanisme et à la conservation et la restauration du patrimoine bâti.
People:
Date:
1927, 1938-1964
1927, 1938-1964
Title:
Blaise Marchand fonds
Actions:
AP086
Synopsis:
Le fonds comprend principalement des photographies prises lors de la période où Blaise Marchand travaillait au ministère des Travaux publics du Québec en tant que architecte en chef pour l'entretien (1945-1968), ainsi que des dessins et des documents textuels relatifs à 7 projets, tels que l'Église Saint-Joachim de Châteauguay (1927), le Bureau d'enregistrement de Cap-Santé (1938 et 1964), etc. Le fonds contient également trois publications relatives à l'urbanisme et à la conservation et la restauration du patrimoine bâti.
Blaise Marchand fonds
Actions:
AP086
Synopsis:
Le fonds comprend principalement des photographies prises lors de la période où Blaise Marchand travaillait au ministère des Travaux publics du Québec en tant que architecte en chef pour l'entretien (1945-1968), ainsi que des dessins et des documents textuels relatifs à 7 projets, tels que l'Église Saint-Joachim de Châteauguay (1927), le Bureau d'enregistrement de Cap-Santé (1938 et 1964), etc. Le fonds contient également trois publications relatives à l'urbanisme et à la conservation et la restauration du patrimoine bâti.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1927, 1938-1964
1927, 1938-1964
People:
Form:
events
events
Actions:
Description:
Hubert Damisch, 2003-2004 CCA Mellon Senior Fellow, examines Blur – the cloud building created by New York architects Diller + Scofidio on lake Neuchâtel in Switzerland, which is the most recent and radical expression of the desire for fluidity and evanescence in architecture – and the consequences that it might have on the future of structural thought. Damisch examines(...)
Hubert Damisch, 2003-2004 CCA Mellon Senior Fellow, examines Blur – the cloud building created by New York architects Diller + Scofidio on lake Neuchâtel in Switzerland, which is the most recent and radical expression of the desire for fluidity and evanescence in architecture – and the consequences that it might have on the future of structural thought. Damisch examines(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
8 May 2003
8 May 2003
Title:
Hubert Damisch: “Effacer l’architecture?”
Actions:
Description:
Hubert Damisch, 2003-2004 CCA Mellon Senior Fellow, examines Blur – the cloud building created by New York architects Diller + Scofidio on lake Neuchâtel in Switzerland, which is the most recent and radical expression of the desire for fluidity and evanescence in architecture – and the consequences that it might have on the future of structural thought. Damisch examines(...)
Hubert Damisch: “Effacer l’architecture?”
Actions:
Description:
Hubert Damisch, 2003-2004 CCA Mellon Senior Fellow, examines Blur – the cloud building created by New York architects Diller + Scofidio on lake Neuchâtel in Switzerland, which is the most recent and radical expression of the desire for fluidity and evanescence in architecture – and the consequences that it might have on the future of structural thought. Damisch examines(...)
Form:
events
events
Date:
8 May 2003
8 May 2003
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Form:
events
events
Actions:
Description:
As the Earth’s climate reaches a state of constant instability, there is growing awareness of how global warming can affect human rights and increase social strife. Less attention has been paid to the ways in which political violence and human rights abuses, from past and present, constitute driving factors in the transformations of the global environment and climate.(...)
As the Earth’s climate reaches a state of constant instability, there is growing awareness of how global warming can affect human rights and increase social strife. Less attention has been paid to the ways in which political violence and human rights abuses, from past and present, constitute driving factors in the transformations of the global environment and climate.(...)
Location:
Paul Demarais Theatre
Paul Demarais Theatre
Date:
1 December 2016, 6pm
1 December 2016, 6pm
Title:
In the Frontiers of Climate Change (Toward a Politics of Nonhuman Rights)
Actions:
Description:
As the Earth’s climate reaches a state of constant instability, there is growing awareness of how global warming can affect human rights and increase social strife. Less attention has been paid to the ways in which political violence and human rights abuses, from past and present, constitute driving factors in the transformations of the global environment and climate.(...)
In the Frontiers of Climate Change (Toward a Politics of Nonhuman Rights)
Actions:
Description:
As the Earth’s climate reaches a state of constant instability, there is growing awareness of how global warming can affect human rights and increase social strife. Less attention has been paid to the ways in which political violence and human rights abuses, from past and present, constitute driving factors in the transformations of the global environment and climate.(...)
Form:
events
events
Date:
1 December 2016
6pm
1 December 2016
6pm
Location:
Paul Demarais Theatre
Paul Demarais Theatre
