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books
books
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$105.00
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Summary:
Once hailed as icons of radical experimentation and creative ambition, the concrete structures of the mid-to-late 20th century, which have become a defining subject of Stefano Perego’s photographic exploration, continue to stir both admiration and debate. Through the scope of his lens, Perego invites readers to reflect on the era that has shaped these relics of visionary(...)
$105.00
(available in store)
Summary:
Once hailed as icons of radical experimentation and creative ambition, the concrete structures of the mid-to-late 20th century, which have become a defining subject of Stefano Perego’s photographic exploration, continue to stir both admiration and debate. Through the scope of his lens, Perego invites readers to reflect on the era that has shaped these relics of visionary(...)
Title:
Concrete mon amour: The raw imprint of modernism
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$105.00
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Summary:
Once hailed as icons of radical experimentation and creative ambition, the concrete structures of the mid-to-late 20th century, which have become a defining subject of Stefano Perego’s photographic exploration, continue to stir both admiration and debate. Through the scope of his lens, Perego invites readers to reflect on the era that has shaped these relics of visionary modernism and the ideals they embody. Whether celebrated landmarks or forgotten outliers, enduring symbols of artistic ingenuity or imposing expressions of misappropriated power, Concrete, mon amour unpacks the intricate narratives embedded in these architectural giants. It considers their paradoxical nature: raw yet deliberate, unadorned yet unapologetically evocative. By capturing their permanence in diverse settings—urban or remote, pristine or weathered—this book compels a deeper interrogation into what sustains their continued relevance—their sheer monumentality, the audacity of their forms, or the honesty of their materials. Ultimately, the significance of these once-revolutionary visions lies not in answers but in the questions they leave behind.
Concrete mon amour: The raw imprint of modernism
Actions:
Price:
$105.00
(available in store)
Summary:
Once hailed as icons of radical experimentation and creative ambition, the concrete structures of the mid-to-late 20th century, which have become a defining subject of Stefano Perego’s photographic exploration, continue to stir both admiration and debate. Through the scope of his lens, Perego invites readers to reflect on the era that has shaped these relics of visionary modernism and the ideals they embody. Whether celebrated landmarks or forgotten outliers, enduring symbols of artistic ingenuity or imposing expressions of misappropriated power, Concrete, mon amour unpacks the intricate narratives embedded in these architectural giants. It considers their paradoxical nature: raw yet deliberate, unadorned yet unapologetically evocative. By capturing their permanence in diverse settings—urban or remote, pristine or weathered—this book compels a deeper interrogation into what sustains their continued relevance—their sheer monumentality, the audacity of their forms, or the honesty of their materials. Ultimately, the significance of these once-revolutionary visions lies not in answers but in the questions they leave behind.
Form:
books
books
Publication:
November 2025
November 2025
Subject:
Brutalism
Brutalism
Form:
journals and magazines
journals and magazines
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$21.95
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Summary:
This edition of Perspecta, the oldest and most distinguished student-edited architectural journal in America, investigates the transformation of capital cities in the era of globalization. This redevelopment, renewal, and recycling of the urban landscape--termed by the editors as "Re_Urbanism"--takes place as capital cities try both to cater to an influx of global capital(...)
$21.95
(available to order)
Summary:
This edition of Perspecta, the oldest and most distinguished student-edited architectural journal in America, investigates the transformation of capital cities in the era of globalization. This redevelopment, renewal, and recycling of the urban landscape--termed by the editors as "Re_Urbanism"--takes place as capital cities try both to cater to an influx of global capital(...)
Title:
Perspecta 39 Re_urbanism : Transforming capitals
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$21.95
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Summary:
This edition of Perspecta, the oldest and most distinguished student-edited architectural journal in America, investigates the transformation of capital cities in the era of globalization. This redevelopment, renewal, and recycling of the urban landscape--termed by the editors as "Re_Urbanism"--takes place as capital cities try both to cater to an influx of global capital and to reassert their roles as symbols of national sovereignty. Re_Urbanism investigates this process from an architectural perspective. The contributors explore the various ways capital cities struggle to assert their vitality and continuing relevance, examining capitals that compete internally with their own global counterparts (Abu Dhabi vs. Dubai), capitals that must be rebuilt after periods of destruction (Belgrade and Baghdad), and capital cities that are responding to hyperbolic development (Beijing, New Delhi, Kuwait City). Some cities are examined for their impact on border politics (Washington D.C.) while others reveal mythologies parallel to their modernist origins (Brasilia).
Perspecta 39 Re_urbanism : Transforming capitals
Actions:
Price:
$21.95
(available to order)
Summary:
This edition of Perspecta, the oldest and most distinguished student-edited architectural journal in America, investigates the transformation of capital cities in the era of globalization. This redevelopment, renewal, and recycling of the urban landscape--termed by the editors as "Re_Urbanism"--takes place as capital cities try both to cater to an influx of global capital and to reassert their roles as symbols of national sovereignty. Re_Urbanism investigates this process from an architectural perspective. The contributors explore the various ways capital cities struggle to assert their vitality and continuing relevance, examining capitals that compete internally with their own global counterparts (Abu Dhabi vs. Dubai), capitals that must be rebuilt after periods of destruction (Belgrade and Baghdad), and capital cities that are responding to hyperbolic development (Beijing, New Delhi, Kuwait City). Some cities are examined for their impact on border politics (Washington D.C.) while others reveal mythologies parallel to their modernist origins (Brasilia).
Form:
journals and magazines
journals and magazines
Publication:
September 2007, Cambridge
September 2007, Cambridge
Subject:
Magazines
Magazines
Form:
books
books
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$49.50
(available to order)
Summary:
Once symbols of the past, ruins have become ubiquitous signs of our future. Americans today encounter ruins in the media on a daily basis - images of abandoned factories and malls, toxic landscapes, devastating fires, hurricanes, and floods. In this sweeping study, Miles Orvell offers a new understanding of the spectacle of ruins in US culture, exploring how(...)
$49.50
(available to order)
Summary:
Once symbols of the past, ruins have become ubiquitous signs of our future. Americans today encounter ruins in the media on a daily basis - images of abandoned factories and malls, toxic landscapes, devastating fires, hurricanes, and floods. In this sweeping study, Miles Orvell offers a new understanding of the spectacle of ruins in US culture, exploring how(...)
Title:
Empire of ruins: American culture, phptography, and the spectacle of destruction
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$49.50
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Once symbols of the past, ruins have become ubiquitous signs of our future. Americans today encounter ruins in the media on a daily basis - images of abandoned factories and malls, toxic landscapes, devastating fires, hurricanes, and floods. In this sweeping study, Miles Orvell offers a new understanding of the spectacle of ruins in US culture, exploring how photographers, writers, painters, and filmmakers have responded to ruin and destruction, both real and imaginary, in an effort to make sense of the past and envision the future. ''Empire of ruins'' explains why Americans in the nineteenth century yearned for the ruins of Rome and Egypt and how they portrayed a past as ancient and mysterious in the remains of Native American cultures. As the romance of ruins gave way to twentieth-century capitalism, older structures were demolished to make way for grander ones, a process interpreted by artists as a symptom of America's "creative destruction." In the late twentieth century, Americans began to inhabit a perpetual state of ruins, made visible by photographs of decaying inner cities, derelict factories and malls, and the waste lands of the mining industry. This interdisciplinary work focuses on how visual media have transformed disaster and decay into spectacles that compel our moral attention even as they balance horror and beauty. Looking to the future, Orvell considers the visual portrayal of climate ruins as we face the political and ethical responsibilities of our changing world. A wide-ranging work by an acclaimed urban, cultural, and photography scholar, ''Empire of ruins'' offers a provocative and lavishly illustrated look at the American past, present, and future.
Empire of ruins: American culture, phptography, and the spectacle of destruction
Actions:
Price:
$49.50
(available to order)
Summary:
Once symbols of the past, ruins have become ubiquitous signs of our future. Americans today encounter ruins in the media on a daily basis - images of abandoned factories and malls, toxic landscapes, devastating fires, hurricanes, and floods. In this sweeping study, Miles Orvell offers a new understanding of the spectacle of ruins in US culture, exploring how photographers, writers, painters, and filmmakers have responded to ruin and destruction, both real and imaginary, in an effort to make sense of the past and envision the future. ''Empire of ruins'' explains why Americans in the nineteenth century yearned for the ruins of Rome and Egypt and how they portrayed a past as ancient and mysterious in the remains of Native American cultures. As the romance of ruins gave way to twentieth-century capitalism, older structures were demolished to make way for grander ones, a process interpreted by artists as a symptom of America's "creative destruction." In the late twentieth century, Americans began to inhabit a perpetual state of ruins, made visible by photographs of decaying inner cities, derelict factories and malls, and the waste lands of the mining industry. This interdisciplinary work focuses on how visual media have transformed disaster and decay into spectacles that compel our moral attention even as they balance horror and beauty. Looking to the future, Orvell considers the visual portrayal of climate ruins as we face the political and ethical responsibilities of our changing world. A wide-ranging work by an acclaimed urban, cultural, and photography scholar, ''Empire of ruins'' offers a provocative and lavishly illustrated look at the American past, present, and future.
Form:
books
books
Publication:
January 2021
January 2021
Subject:
Theory of Photography
Theory of Photography
