29344 Results
Level of archival description:
Sub-series
Sub-series
Title:
Jeet Malhotra
Jeet Malhotra
Reference number:
AP156.S5.SS1.D3
Description:
Le dossier documente les photographies prises par Jeet Malhotra et sélectionnées pour une exposition au Musée des Beaux-Arts de Besançon, en France, en 1971. Le dossier inclut des photographies de la vie quotidienne à Chandigarh, des résidences privées et gouvernementales, des écoles, de l'Université du Panjab, du Capitol, de divers bâtiments et installations, de maquettes et du mobilier crée par Pierre Jeanneret. Le matériel dans ce dossier a été produit entre 1953 et 1966. Le dossier contient des photographies montées sur carton. File documents the photographs taken by Jeet Malhotra and selected for an exhibition at the Musée des Beaux-Arts at Besançon, in France, in 1971. The file includes photographs of everyday life in Chandigarh, private and governement residences, schools, the Panjab University, the Capitol, various buildings and installations, models and furniture designed par Pierre Jeanneret. The material in this file was produced between 1953 and 1966. The file contains photographs mounted on board.
AP156.S5.SS1.D3
Description:
Le dossier documente les photographies prises par Jeet Malhotra et sélectionnées pour une exposition au Musée des Beaux-Arts de Besançon, en France, en 1971. Le dossier inclut des photographies de la vie quotidienne à Chandigarh, des résidences privées et gouvernementales, des écoles, de l'Université du Panjab, du Capitol, de divers bâtiments et installations, de maquettes et du mobilier crée par Pierre Jeanneret. Le matériel dans ce dossier a été produit entre 1953 et 1966. Le dossier contient des photographies montées sur carton. File documents the photographs taken by Jeet Malhotra and selected for an exhibition at the Musée des Beaux-Arts at Besançon, in France, in 1971. The file includes photographs of everyday life in Chandigarh, private and governement residences, schools, the Panjab University, the Capitol, various buildings and installations, models and furniture designed par Pierre Jeanneret. The material in this file was produced between 1953 and 1966. The file contains photographs mounted on board.
People:
Date:
1953-1966
1953-1966
Title:
Jeet Malhotra
Actions:
AP156.S5.SS1.D3
Description:
Le dossier documente les photographies prises par Jeet Malhotra et sélectionnées pour une exposition au Musée des Beaux-Arts de Besançon, en France, en 1971. Le dossier inclut des photographies de la vie quotidienne à Chandigarh, des résidences privées et gouvernementales, des écoles, de l'Université du Panjab, du Capitol, de divers bâtiments et installations, de maquettes et du mobilier crée par Pierre Jeanneret. Le matériel dans ce dossier a été produit entre 1953 et 1966. Le dossier contient des photographies montées sur carton. File documents the photographs taken by Jeet Malhotra and selected for an exhibition at the Musée des Beaux-Arts at Besançon, in France, in 1971. The file includes photographs of everyday life in Chandigarh, private and governement residences, schools, the Panjab University, the Capitol, various buildings and installations, models and furniture designed par Pierre Jeanneret. The material in this file was produced between 1953 and 1966. The file contains photographs mounted on board.
Jeet Malhotra
Actions:
AP156.S5.SS1.D3
Description:
Le dossier documente les photographies prises par Jeet Malhotra et sélectionnées pour une exposition au Musée des Beaux-Arts de Besançon, en France, en 1971. Le dossier inclut des photographies de la vie quotidienne à Chandigarh, des résidences privées et gouvernementales, des écoles, de l'Université du Panjab, du Capitol, de divers bâtiments et installations, de maquettes et du mobilier crée par Pierre Jeanneret. Le matériel dans ce dossier a été produit entre 1953 et 1966. Le dossier contient des photographies montées sur carton. File documents the photographs taken by Jeet Malhotra and selected for an exhibition at the Musée des Beaux-Arts at Besançon, in France, in 1971. The file includes photographs of everyday life in Chandigarh, private and governement residences, schools, the Panjab University, the Capitol, various buildings and installations, models and furniture designed par Pierre Jeanneret. The material in this file was produced between 1953 and 1966. The file contains photographs mounted on board.
Level of archival description:
Dossier 3
Dossier 3
Date:
1953-1966
1953-1966
People:
Title:
Sculpture/Nature
Sculpture/Nature
Actions:
Reference number:
PH2006:0272
Description:
This is a catalogue for the exhibition "Sculpture/Nature", held at the Centre d'Arts Plastique Contemporains de Bordeaux, between 1 May - 1 July 1978, in which Gordon Matta-Clark's work was exhibited.
PH2006:0272
Description:
This is a catalogue for the exhibition "Sculpture/Nature", held at the Centre d'Arts Plastique Contemporains de Bordeaux, between 1 May - 1 July 1978, in which Gordon Matta-Clark's work was exhibited.
People:
Date:
published 1978
published 1978
Title:
Sculpture/Nature
Actions:
PH2006:0272
Description:
This is a catalogue for the exhibition "Sculpture/Nature", held at the Centre d'Arts Plastique Contemporains de Bordeaux, between 1 May - 1 July 1978, in which Gordon Matta-Clark's work was exhibited.
Sculpture/Nature
Actions:
PH2006:0272
Description:
This is a catalogue for the exhibition "Sculpture/Nature", held at the Centre d'Arts Plastique Contemporains de Bordeaux, between 1 May - 1 July 1978, in which Gordon Matta-Clark's work was exhibited.
Date:
published 1978
published 1978
People:
Level of archival description:
Project
Project
Reference number:
AP164.S1.2002.D16
Description:
The project series documents the competition entry for the development of the International fair of the South, in the municipality of Getafe, Spain. The firm identified this project as number 159a. “The project puts the emphasis on two esencial [sic] questions: on the one hand a system which allows to resolve the fair’s pavillons simple and elegantly joining criteria of light, structure and water in a system of constructive rationality and average economy. On the other han[d a]n organization of the public and constructed space in phases which allow to understand the technology area of the south as something complete and shaped since the first of them has been developed. The proposed exhibition pavillions [sic] come from a technical reasoning based in the balance of structural width, central light and drainage of the roof, a result of several projects of similar scale which the office has developed in the last years.” (ARCH270975) Abalos & Herreros initially grouped this project with the competition Fira 2000 - Barcelona (AP164.S1.2002.D14). Documenting the project are presentation drawings, project descriptions, correspondence, studies, competition documents and specifications.
AP164.S1.2002.D16
Description:
The project series documents the competition entry for the development of the International fair of the South, in the municipality of Getafe, Spain. The firm identified this project as number 159a. “The project puts the emphasis on two esencial [sic] questions: on the one hand a system which allows to resolve the fair’s pavillons simple and elegantly joining criteria of light, structure and water in a system of constructive rationality and average economy. On the other han[d a]n organization of the public and constructed space in phases which allow to understand the technology area of the south as something complete and shaped since the first of them has been developed. The proposed exhibition pavillions [sic] come from a technical reasoning based in the balance of structural width, central light and drainage of the roof, a result of several projects of similar scale which the office has developed in the last years.” (ARCH270975) Abalos & Herreros initially grouped this project with the competition Fira 2000 - Barcelona (AP164.S1.2002.D14). Documenting the project are presentation drawings, project descriptions, correspondence, studies, competition documents and specifications.
People:
Date:
circa 2002-2003
circa 2002-2003
Title:
Fisur-Getafe (Concurso), Getafe, Spain (2002)
Actions:
AP164.S1.2002.D16
Description:
The project series documents the competition entry for the development of the International fair of the South, in the municipality of Getafe, Spain. The firm identified this project as number 159a. “The project puts the emphasis on two esencial [sic] questions: on the one hand a system which allows to resolve the fair’s pavillons simple and elegantly joining criteria of light, structure and water in a system of constructive rationality and average economy. On the other han[d a]n organization of the public and constructed space in phases which allow to understand the technology area of the south as something complete and shaped since the first of them has been developed. The proposed exhibition pavillions [sic] come from a technical reasoning based in the balance of structural width, central light and drainage of the roof, a result of several projects of similar scale which the office has developed in the last years.” (ARCH270975) Abalos & Herreros initially grouped this project with the competition Fira 2000 - Barcelona (AP164.S1.2002.D14). Documenting the project are presentation drawings, project descriptions, correspondence, studies, competition documents and specifications.
Fisur-Getafe (Concurso), Getafe, Spain (2002)
Actions:
AP164.S1.2002.D16
Description:
The project series documents the competition entry for the development of the International fair of the South, in the municipality of Getafe, Spain. The firm identified this project as number 159a. “The project puts the emphasis on two esencial [sic] questions: on the one hand a system which allows to resolve the fair’s pavillons simple and elegantly joining criteria of light, structure and water in a system of constructive rationality and average economy. On the other han[d a]n organization of the public and constructed space in phases which allow to understand the technology area of the south as something complete and shaped since the first of them has been developed. The proposed exhibition pavillions [sic] come from a technical reasoning based in the balance of structural width, central light and drainage of the roof, a result of several projects of similar scale which the office has developed in the last years.” (ARCH270975) Abalos & Herreros initially grouped this project with the competition Fira 2000 - Barcelona (AP164.S1.2002.D14). Documenting the project are presentation drawings, project descriptions, correspondence, studies, competition documents and specifications.
Level of archival description:
Project
Project
Date:
circa 2002-2003
circa 2002-2003
People:
Level of archival description:
Series
Series
Title:
Architectural projects
Architectural projects
Reference number:
AP180.S1
Description:
This series documents the architectural projects of Umberto Riva from the 1960s to the mid-2000s. Most of these projects were undertaken for sites in Italy, with the exception of Apartment Mieli (1994) in the United States and a project for a new settlement in the Oued Touil valley, Algeria (1980). The series contains original drawings and some reprographic copies for various private residences, such as Casa Frea (1983) and Casa Insinga (1987) in Milan. Riva's projects for industrial buildings are also represented, for example his work for the thermoelectric power plant Centrale Edison in Torviscosa, Italy (2003). Also documented are Riva's designs for public spaces, such as his work for the Piazza San Nazaro (1989) in Milan and proposals for the redevelopment of historical neighbourhoods in Otranto (1987) and in Binago (1988), as well as designs for shops and private entreprises. Furthermore, this series contains materials related to redesigns for gallery spaces, such as redesigns for the Centro Palladio in Vicenza (1999) and the Palazzo dell'Arte in Milan (1995). Projects for exhibition installations by Riva are arranged in series AP180.S3.
AP180.S1
Description:
This series documents the architectural projects of Umberto Riva from the 1960s to the mid-2000s. Most of these projects were undertaken for sites in Italy, with the exception of Apartment Mieli (1994) in the United States and a project for a new settlement in the Oued Touil valley, Algeria (1980). The series contains original drawings and some reprographic copies for various private residences, such as Casa Frea (1983) and Casa Insinga (1987) in Milan. Riva's projects for industrial buildings are also represented, for example his work for the thermoelectric power plant Centrale Edison in Torviscosa, Italy (2003). Also documented are Riva's designs for public spaces, such as his work for the Piazza San Nazaro (1989) in Milan and proposals for the redevelopment of historical neighbourhoods in Otranto (1987) and in Binago (1988), as well as designs for shops and private entreprises. Furthermore, this series contains materials related to redesigns for gallery spaces, such as redesigns for the Centro Palladio in Vicenza (1999) and the Palazzo dell'Arte in Milan (1995). Projects for exhibition installations by Riva are arranged in series AP180.S3.
People:
Date:
1960-2007
1960-2007
Title:
Architectural projects
Actions:
AP180.S1
Description:
This series documents the architectural projects of Umberto Riva from the 1960s to the mid-2000s. Most of these projects were undertaken for sites in Italy, with the exception of Apartment Mieli (1994) in the United States and a project for a new settlement in the Oued Touil valley, Algeria (1980). The series contains original drawings and some reprographic copies for various private residences, such as Casa Frea (1983) and Casa Insinga (1987) in Milan. Riva's projects for industrial buildings are also represented, for example his work for the thermoelectric power plant Centrale Edison in Torviscosa, Italy (2003). Also documented are Riva's designs for public spaces, such as his work for the Piazza San Nazaro (1989) in Milan and proposals for the redevelopment of historical neighbourhoods in Otranto (1987) and in Binago (1988), as well as designs for shops and private entreprises. Furthermore, this series contains materials related to redesigns for gallery spaces, such as redesigns for the Centro Palladio in Vicenza (1999) and the Palazzo dell'Arte in Milan (1995). Projects for exhibition installations by Riva are arranged in series AP180.S3.
Architectural projects
Actions:
AP180.S1
Description:
This series documents the architectural projects of Umberto Riva from the 1960s to the mid-2000s. Most of these projects were undertaken for sites in Italy, with the exception of Apartment Mieli (1994) in the United States and a project for a new settlement in the Oued Touil valley, Algeria (1980). The series contains original drawings and some reprographic copies for various private residences, such as Casa Frea (1983) and Casa Insinga (1987) in Milan. Riva's projects for industrial buildings are also represented, for example his work for the thermoelectric power plant Centrale Edison in Torviscosa, Italy (2003). Also documented are Riva's designs for public spaces, such as his work for the Piazza San Nazaro (1989) in Milan and proposals for the redevelopment of historical neighbourhoods in Otranto (1987) and in Binago (1988), as well as designs for shops and private entreprises. Furthermore, this series contains materials related to redesigns for gallery spaces, such as redesigns for the Centro Palladio in Vicenza (1999) and the Palazzo dell'Arte in Milan (1995). Projects for exhibition installations by Riva are arranged in series AP180.S3.
Level of archival description:
Series
Series
Date:
1960-2007
1960-2007
People:
Form:
textual records
textual records
Actions:
Reference number:
DR2012:0012:088:026
Description:
File containing documents in English, including personal correspondence between Melvin Charney and his family, an exhibition catalogue for selected works by Jewish artists, and Melvin Charney's American social security card.
DR2012:0012:088:026
Description:
File containing documents in English, including personal correspondence between Melvin Charney and his family, an exhibition catalogue for selected works by Jewish artists, and Melvin Charney's American social security card.
People:
Date:
1958-1964
1958-1964
Title:
Personnal correspondence of Melvin Charney with family
Actions:
DR2012:0012:088:026
Description:
File containing documents in English, including personal correspondence between Melvin Charney and his family, an exhibition catalogue for selected works by Jewish artists, and Melvin Charney's American social security card.
Personnal correspondence of Melvin Charney with family
Actions:
DR2012:0012:088:026
Description:
File containing documents in English, including personal correspondence between Melvin Charney and his family, an exhibition catalogue for selected works by Jewish artists, and Melvin Charney's American social security card.
Form:
textual records
textual records
Date:
1958-1964
1958-1964
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Aditya Prakash fonds
Aditya Prakash fonds
Reference number:
AP206
Synopsis:
The Aditya Prakash fonds documents the professional practice of modernist Indian architect Aditya Prakash from his studies in London in 1947 to his death in 2008. His seminal work as a junior architect on the Chandigarh Capitol Project in the 1950s is recorded along with documentation from his solo career after 1960, including approximately 82 architectural projects. His professional work as an artist, photographer, writer, academic and theatre enthusiast are also well documented through drawings, photographic materials and textual records.
AP206
Synopsis:
The Aditya Prakash fonds documents the professional practice of modernist Indian architect Aditya Prakash from his studies in London in 1947 to his death in 2008. His seminal work as a junior architect on the Chandigarh Capitol Project in the 1950s is recorded along with documentation from his solo career after 1960, including approximately 82 architectural projects. His professional work as an artist, photographer, writer, academic and theatre enthusiast are also well documented through drawings, photographic materials and textual records.
People:
Date:
1947-2008
1947-2008
Title:
Aditya Prakash fonds
Actions:
AP206
Synopsis:
The Aditya Prakash fonds documents the professional practice of modernist Indian architect Aditya Prakash from his studies in London in 1947 to his death in 2008. His seminal work as a junior architect on the Chandigarh Capitol Project in the 1950s is recorded along with documentation from his solo career after 1960, including approximately 82 architectural projects. His professional work as an artist, photographer, writer, academic and theatre enthusiast are also well documented through drawings, photographic materials and textual records.
Aditya Prakash fonds
Actions:
AP206
Synopsis:
The Aditya Prakash fonds documents the professional practice of modernist Indian architect Aditya Prakash from his studies in London in 1947 to his death in 2008. His seminal work as a junior architect on the Chandigarh Capitol Project in the 1950s is recorded along with documentation from his solo career after 1960, including approximately 82 architectural projects. His professional work as an artist, photographer, writer, academic and theatre enthusiast are also well documented through drawings, photographic materials and textual records.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1947-2008
1947-2008
People:
Level of archival description:
Project
Project
Reference number:
AP164.S1.1999.D2
Description:
The project series documents an open competition. Abalos & Herreros, in collaboration with Queca Ortiz and Empty, S.L., won second place for their design. The firm identified this project as number 115. The intention of their entry was to “[…] answer to the task with an authentic installation, a mellowed and independent equipment independent of the container, which absolutely never provokes a conflict or pretends to improve it, which accepts the value of its configuration and extracts the maximum possibilities of the spatial qualities that the intervention has pretended to enhance. Therefore, it is pretended to develop a program which adds an offer of pedagogic-cultural piece of the town to the basic spaces of the museum. The challenge is to make people live together with the scientific aspects, which interests the cultivated popular-pedagogy visitor, connoisseurs of, and which acts with the intention of excinting, surprising and attracting attention of a mostly youthful and infantile audience. […] The museum’s basic program is completed with temporary exhibition halls, library, lecture room and didactic workshops, assembly hall, café, gift shop and offices.” (ARCH270975) Documenting this project are digital and reference materials, project descriptions, and specifications.
AP164.S1.1999.D2
Description:
The project series documents an open competition. Abalos & Herreros, in collaboration with Queca Ortiz and Empty, S.L., won second place for their design. The firm identified this project as number 115. The intention of their entry was to “[…] answer to the task with an authentic installation, a mellowed and independent equipment independent of the container, which absolutely never provokes a conflict or pretends to improve it, which accepts the value of its configuration and extracts the maximum possibilities of the spatial qualities that the intervention has pretended to enhance. Therefore, it is pretended to develop a program which adds an offer of pedagogic-cultural piece of the town to the basic spaces of the museum. The challenge is to make people live together with the scientific aspects, which interests the cultivated popular-pedagogy visitor, connoisseurs of, and which acts with the intention of excinting, surprising and attracting attention of a mostly youthful and infantile audience. […] The museum’s basic program is completed with temporary exhibition halls, library, lecture room and didactic workshops, assembly hall, café, gift shop and offices.” (ARCH270975) Documenting this project are digital and reference materials, project descriptions, and specifications.
People:
Date:
1996-2009, predominant 1999
1996-2009, predominant 1999
Title:
Museo arqueológico Alicante, Spain (1999)
Actions:
AP164.S1.1999.D2
Description:
The project series documents an open competition. Abalos & Herreros, in collaboration with Queca Ortiz and Empty, S.L., won second place for their design. The firm identified this project as number 115. The intention of their entry was to “[…] answer to the task with an authentic installation, a mellowed and independent equipment independent of the container, which absolutely never provokes a conflict or pretends to improve it, which accepts the value of its configuration and extracts the maximum possibilities of the spatial qualities that the intervention has pretended to enhance. Therefore, it is pretended to develop a program which adds an offer of pedagogic-cultural piece of the town to the basic spaces of the museum. The challenge is to make people live together with the scientific aspects, which interests the cultivated popular-pedagogy visitor, connoisseurs of, and which acts with the intention of excinting, surprising and attracting attention of a mostly youthful and infantile audience. […] The museum’s basic program is completed with temporary exhibition halls, library, lecture room and didactic workshops, assembly hall, café, gift shop and offices.” (ARCH270975) Documenting this project are digital and reference materials, project descriptions, and specifications.
Museo arqueológico Alicante, Spain (1999)
Actions:
AP164.S1.1999.D2
Description:
The project series documents an open competition. Abalos & Herreros, in collaboration with Queca Ortiz and Empty, S.L., won second place for their design. The firm identified this project as number 115. The intention of their entry was to “[…] answer to the task with an authentic installation, a mellowed and independent equipment independent of the container, which absolutely never provokes a conflict or pretends to improve it, which accepts the value of its configuration and extracts the maximum possibilities of the spatial qualities that the intervention has pretended to enhance. Therefore, it is pretended to develop a program which adds an offer of pedagogic-cultural piece of the town to the basic spaces of the museum. The challenge is to make people live together with the scientific aspects, which interests the cultivated popular-pedagogy visitor, connoisseurs of, and which acts with the intention of excinting, surprising and attracting attention of a mostly youthful and infantile audience. […] The museum’s basic program is completed with temporary exhibition halls, library, lecture room and didactic workshops, assembly hall, café, gift shop and offices.” (ARCH270975) Documenting this project are digital and reference materials, project descriptions, and specifications.
Level of archival description:
Project
Project
Date:
1996-2009, predominant 1999
1996-2009, predominant 1999
People:
Form:
films
films
Title:
To Build Law
To Build Law
Actions:
Description:
To Build Law is the second chapter of Groundwork, a three-part film and exhibition series exploring the conceptual development and field research of contemporary architects cultivating alternative modes of practice.
To Build Law is the second chapter of Groundwork, a three-part film and exhibition series exploring the conceptual development and field research of contemporary architects cultivating alternative modes of practice.
Keyword(s):
Berlin, HouseEurope!, bplus, Arno Brandlhuber, Francesco Garutti, To Build Law, groundwork, ecology
Berlin, HouseEurope!, bplus, Arno Brandlhuber, Francesco Garutti, To Build Law, groundwork, ecology
Date:
2024
2024
Title:
To Build Law
Actions:
Description:
To Build Law is the second chapter of Groundwork, a three-part film and exhibition series exploring the conceptual development and field research of contemporary architects cultivating alternative modes of practice.
To Build Law
Actions:
Description:
To Build Law is the second chapter of Groundwork, a three-part film and exhibition series exploring the conceptual development and field research of contemporary architects cultivating alternative modes of practice.
Form:
films
films
Date:
2024 to
2024
2024 to
2024
Keyword(s):
Berlin, HouseEurope!, bplus, Arno Brandlhuber, Francesco Garutti, To Build Law, groundwork, ecology
Berlin, HouseEurope!, bplus, Arno Brandlhuber, Francesco Garutti, To Build Law, groundwork, ecology
Form:
video
video
Actions:
Reference number:
PHCON2003:0005:129
Description:
Film was made for the 1989 Musée d'art contemporain de Montréal, Québec showing of the exhibition "Gordon Matta-Clark: A Retrospective", organized by, and also held at, the Museum of Contemporary Art in Chicago, Illinois.
PHCON2003:0005:129
Description:
Film was made for the 1989 Musée d'art contemporain de Montréal, Québec showing of the exhibition "Gordon Matta-Clark: A Retrospective", organized by, and also held at, the Museum of Contemporary Art in Chicago, Illinois.
People:
Date:
recorded 1989
recorded 1989
Title:
Matta-Clark first retrospective: 16mm installation at MAC, Montreal, first reel
Actions:
PHCON2003:0005:129
Description:
Film was made for the 1989 Musée d'art contemporain de Montréal, Québec showing of the exhibition "Gordon Matta-Clark: A Retrospective", organized by, and also held at, the Museum of Contemporary Art in Chicago, Illinois.
Matta-Clark first retrospective: 16mm installation at MAC, Montreal, first reel
Actions:
PHCON2003:0005:129
Description:
Film was made for the 1989 Musée d'art contemporain de Montréal, Québec showing of the exhibition "Gordon Matta-Clark: A Retrospective", organized by, and also held at, the Museum of Contemporary Art in Chicago, Illinois.
Form:
video
video
Date:
recorded 1989
recorded 1989
People:
Level of archival description:
Series
Series
Title:
Une architecture des humeurs
Une architecture des humeurs
Actions:
Reference number:
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
People:
Date:
2008-2011
2008-2011
Title:
Une architecture des humeurs
Actions:
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
Une architecture des humeurs
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AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
Level of archival description:
Series
Series
Date:
2008-2011
2008-2011
People:
