To Build Law
To Build Law is the second chapter of Groundwork, a three-part film and exhibition series exploring the conceptual development and field research of contemporary architects cultivating alternative modes of practice.
Berlin, HouseEurope!, bplus, Arno Brandlhuber, Francesco Garutti, To Build Law, groundwork, ecology
2024
To Build Law
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Description:
To Build Law is the second chapter of Groundwork, a three-part film and exhibition series exploring the conceptual development and field research of contemporary architects cultivating alternative modes of practice.
Berlin, HouseEurope!, bplus, Arno Brandlhuber, Francesco Garutti, To Build Law, groundwork, ecology
Sculpture/Nature
PH2006:0272
Description:
This is a catalogue for the exhibition "Sculpture/Nature", held at the Centre d'Arts Plastique Contemporains de Bordeaux, between 1 May - 1 July 1978, in which Gordon Matta-Clark's work was exhibited.
published 1978
Sculpture/Nature
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PH2006:0272
Description:
This is a catalogue for the exhibition "Sculpture/Nature", held at the Centre d'Arts Plastique Contemporains de Bordeaux, between 1 May - 1 July 1978, in which Gordon Matta-Clark's work was exhibited.
published 1978
books
Stones
PH2023:0012
Description:
Copy of the mock-up for the book "Stones," which was commissioned by the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
2023
Stones
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PH2023:0012
Description:
Copy of the mock-up for the book "Stones," which was commissioned by the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
books
2023
archives
Level of archival description:
Fonds
Myron Goldsmith fonds
AP032
Synopsis:
The Myron Goldsmith fonds consists primarily of 30.4 metres of textual documents, including notebooks, research and reading notes, travel journals, documentation files, correspondence, sketchbooks and personal and office papers. There are also 2,800 original drawings and prints, 10,000 photographs and slides, and 5 architectural models. The material ranges in date from c.1933 to 1996. In shedding light on Goldsmith's student years and working career, the fonds' rich collection of documents also provides material on activities in the architectural profession, architectural education, and architectural and engineering theory and building techniques through the 1940s to the 1990s.
1933-1996
Myron Goldsmith fonds
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AP032
Synopsis:
The Myron Goldsmith fonds consists primarily of 30.4 metres of textual documents, including notebooks, research and reading notes, travel journals, documentation files, correspondence, sketchbooks and personal and office papers. There are also 2,800 original drawings and prints, 10,000 photographs and slides, and 5 architectural models. The material ranges in date from c.1933 to 1996. In shedding light on Goldsmith's student years and working career, the fonds' rich collection of documents also provides material on activities in the architectural profession, architectural education, and architectural and engineering theory and building techniques through the 1940s to the 1990s.
archives
Level of archival description:
Fonds
1933-1996
Project
AP164.S1.2002.D16
Description:
The project series documents the competition entry for the development of the International fair of the South, in the municipality of Getafe, Spain. The firm identified this project as number 159a. “The project puts the emphasis on two esencial [sic] questions: on the one hand a system which allows to resolve the fair’s pavillons simple and elegantly joining criteria of light, structure and water in a system of constructive rationality and average economy. On the other han[d a]n organization of the public and constructed space in phases which allow to understand the technology area of the south as something complete and shaped since the first of them has been developed. The proposed exhibition pavillions [sic] come from a technical reasoning based in the balance of structural width, central light and drainage of the roof, a result of several projects of similar scale which the office has developed in the last years.” (ARCH270975) Abalos & Herreros initially grouped this project with the competition Fira 2000 - Barcelona (AP164.S1.2002.D14). Documenting the project are presentation drawings, project descriptions, correspondence, studies, competition documents and specifications.
circa 2002-2003
Fisur-Getafe (Concurso), Getafe, Spain (2002)
Actions:
AP164.S1.2002.D16
Description:
The project series documents the competition entry for the development of the International fair of the South, in the municipality of Getafe, Spain. The firm identified this project as number 159a. “The project puts the emphasis on two esencial [sic] questions: on the one hand a system which allows to resolve the fair’s pavillons simple and elegantly joining criteria of light, structure and water in a system of constructive rationality and average economy. On the other han[d a]n organization of the public and constructed space in phases which allow to understand the technology area of the south as something complete and shaped since the first of them has been developed. The proposed exhibition pavillions [sic] come from a technical reasoning based in the balance of structural width, central light and drainage of the roof, a result of several projects of similar scale which the office has developed in the last years.” (ARCH270975) Abalos & Herreros initially grouped this project with the competition Fira 2000 - Barcelona (AP164.S1.2002.D14). Documenting the project are presentation drawings, project descriptions, correspondence, studies, competition documents and specifications.
Project
circa 2002-2003
Series
Architectural projects
AP180.S1
Description:
This series documents the architectural projects of Umberto Riva from the 1960s to the mid-2000s. Most of these projects were undertaken for sites in Italy, with the exception of Apartment Mieli (1994) in the United States and a project for a new settlement in the Oued Touil valley, Algeria (1980). The series contains original drawings and some reprographic copies for various private residences, such as Casa Frea (1983) and Casa Insinga (1987) in Milan. Riva's projects for industrial buildings are also represented, for example his work for the thermoelectric power plant Centrale Edison in Torviscosa, Italy (2003). Also documented are Riva's designs for public spaces, such as his work for the Piazza San Nazaro (1989) in Milan and proposals for the redevelopment of historical neighbourhoods in Otranto (1987) and in Binago (1988), as well as designs for shops and private entreprises. Furthermore, this series contains materials related to redesigns for gallery spaces, such as redesigns for the Centro Palladio in Vicenza (1999) and the Palazzo dell'Arte in Milan (1995). Projects for exhibition installations by Riva are arranged in series AP180.S3.
1960-2007
Architectural projects
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AP180.S1
Description:
This series documents the architectural projects of Umberto Riva from the 1960s to the mid-2000s. Most of these projects were undertaken for sites in Italy, with the exception of Apartment Mieli (1994) in the United States and a project for a new settlement in the Oued Touil valley, Algeria (1980). The series contains original drawings and some reprographic copies for various private residences, such as Casa Frea (1983) and Casa Insinga (1987) in Milan. Riva's projects for industrial buildings are also represented, for example his work for the thermoelectric power plant Centrale Edison in Torviscosa, Italy (2003). Also documented are Riva's designs for public spaces, such as his work for the Piazza San Nazaro (1989) in Milan and proposals for the redevelopment of historical neighbourhoods in Otranto (1987) and in Binago (1988), as well as designs for shops and private entreprises. Furthermore, this series contains materials related to redesigns for gallery spaces, such as redesigns for the Centro Palladio in Vicenza (1999) and the Palazzo dell'Arte in Milan (1995). Projects for exhibition installations by Riva are arranged in series AP180.S3.
Series
1960-2007
textual records
DR2012:0012:088:026
Description:
File containing documents in English, including personal correspondence between Melvin Charney and his family, an exhibition catalogue for selected works by Jewish artists, and Melvin Charney's American social security card.
1958-1964
Personnal correspondence of Melvin Charney with family
Actions:
DR2012:0012:088:026
Description:
File containing documents in English, including personal correspondence between Melvin Charney and his family, an exhibition catalogue for selected works by Jewish artists, and Melvin Charney's American social security card.
textual records
1958-1964
During the Second World War, exhibitions and publications played a critical role in the war effort. They were organized internationally as moments of reflection and propaganda, productions of a disciplinary approach to architecture and urban design. This display springs from Jean-Louis Cohen’s research for Architecture in Uniform: Designing and Building for the Second(...)
Hall cases
13 April 2011 to 18 September 2011
A Paper War: Pictures and words, 1939-1945
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Description:
During the Second World War, exhibitions and publications played a critical role in the war effort. They were organized internationally as moments of reflection and propaganda, productions of a disciplinary approach to architecture and urban design. This display springs from Jean-Louis Cohen’s research for Architecture in Uniform: Designing and Building for the Second(...)
Hall cases
As part of our exhibition The fortune of the city is that it has never been perfect, Cinéma Public presents a series of three evenings in Parc Baile bringing together film screenings and workshops.
Parc Baile
27 August 2026
Ciné-Façade: Inhabiting the Imperfect
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Description:
As part of our exhibition The fortune of the city is that it has never been perfect, Cinéma Public presents a series of three evenings in Parc Baile bringing together film screenings and workshops.
Parc Baile
archives
Level of archival description:
Fonds
Aditya Prakash fonds
AP206
Synopsis:
The Aditya Prakash fonds documents the professional practice of modernist Indian architect Aditya Prakash from his studies in London in 1947 to his death in 2008. His seminal work as a junior architect on the Chandigarh Capitol Project in the 1950s is recorded along with documentation from his solo career after 1960, including approximately 82 architectural projects. His professional work as an artist, photographer, writer, academic and theatre enthusiast are also well documented through drawings, photographic materials and textual records.
1947-2008
Aditya Prakash fonds
Actions:
AP206
Synopsis:
The Aditya Prakash fonds documents the professional practice of modernist Indian architect Aditya Prakash from his studies in London in 1947 to his death in 2008. His seminal work as a junior architect on the Chandigarh Capitol Project in the 1950s is recorded along with documentation from his solo career after 1960, including approximately 82 architectural projects. His professional work as an artist, photographer, writer, academic and theatre enthusiast are also well documented through drawings, photographic materials and textual records.
archives
Level of archival description:
Fonds
1947-2008