14031 Results
Level of archival description:
Series
Series
Title:
CIAM IV, CIRPAC and London
CIAM IV, CIRPAC and London
Reference number:
AP112.S1
Description:
The series contains seven bands of negatives, divided into groups of two and three negatives a band. The first five bands document the 4th Congrès International d'Architecture Moderne (CIAM) held on board the SS Patris II from 29 July to 13 August 1933, as it travelled between Marseilles, France, and Athens, Greece, and then returned. The conference, themed "The Functional City", presented and discussed the results of an analysis of more than thirty cities, and sought to establish new principles in urban planning. Sise participated at the conference as the Canadian delegate and presented the city of Los Angeles, California. The resolutions adopted at the conference were published for the first time in November under the title "Constatations du quatrième CIAM". These findings formed the base of the Charte d'Athenès written by Le Corbusier in 1941. The negatives show some of the participants of the conference including: Le Corbusier (1887-1965), from the French delegation; László Moholy-Nagy (1895-1946), from the German delegation, who was in charge of filming the presentations; Alvar Aalto (1898-1976), representing Finland; and the painter Fernand Léger (1881-1955), also from the French delegatation, who presented on the importance of colour in architecture. The two other bands of negatives provide evidence of Sise's attendance at Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC), held in May 1934 at the Royal Institute of British Architects in London, England, to establish the program for the next CIAM (1). They also show his meeting in London with Georges Braque during the summer of the same year. (1) Eric Mumford states in "The CIAM Discourse on Urbanism, 1928-1960" that Le Corbusier did not participate at this conference (p. 92). _____________________ La série contient des bandes de négatifs, qui contiennent soit deux, soit trois images, et sont au nombre de sept. Les cinq premières bandes documentent le IVe Congrès International d'Architecture Moderne (CIAM) tenu à bord du SS Patris II du 29 juillet au 13 août 1933, entre Marseilles, France et Athènes, Grèce, à Athènes même, et sur le même bateau de croisière durant le retour à Marseilles. Le Congrès, qui se déroulait autour du thème de "The functional city", consistait en la communication des résultats de l'analyse de plus de trente villes et l'objectif visait à établir de nouveaux principes d'urbanisme. Hazen Sise participait au Congrès à titre de délégué du Canada et présenta la ville de Los Angeles, Californie. Les résolutions prises lors du Congrès ont été publiées pour la première fois au mois de novembre suivant sous le titre de "Constatations du quatrième CIAM". Ces "Constatations" seront ensuite à la base de la Charte d'Athènes que Le Corbusier rédigea en 1941. Les clichés montrent quelques-uns des participants au Congrès, dont Le Corbusier (1887-1965), de la délégation française, alors qu'il faisait une communication; László Moholy-Nagy (1895-1946), de la délégation allemande, à qui on avait confié la tâche de filmer les exposés; Alvar Aalto (1898-1976), représentant la Finlande; et le peintre Fernand Léger (1881-1955), délégué de la France, qui présenta un discours à l'attention des architectes au sujet de l'importance de la couleur en architecture. Les deux autres bandes de négatifs témoignent de la présence de Sise au (Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC) à Londres, Angleterre, tenu en mai 1934 au Royal Institute of British Architects pour établir le programme du prochain CIAM (1) et de sa rencontre à Londres avec Georges Braque durant l'été de la même année. (1) Eric Mumford affirme cependant dans "The CIAM Discourse on Urbanism, 1928-1960" que Le Corbusier n'a pas participé à ce congrès (p. 92).
AP112.S1
Description:
The series contains seven bands of negatives, divided into groups of two and three negatives a band. The first five bands document the 4th Congrès International d'Architecture Moderne (CIAM) held on board the SS Patris II from 29 July to 13 August 1933, as it travelled between Marseilles, France, and Athens, Greece, and then returned. The conference, themed "The Functional City", presented and discussed the results of an analysis of more than thirty cities, and sought to establish new principles in urban planning. Sise participated at the conference as the Canadian delegate and presented the city of Los Angeles, California. The resolutions adopted at the conference were published for the first time in November under the title "Constatations du quatrième CIAM". These findings formed the base of the Charte d'Athenès written by Le Corbusier in 1941. The negatives show some of the participants of the conference including: Le Corbusier (1887-1965), from the French delegation; László Moholy-Nagy (1895-1946), from the German delegation, who was in charge of filming the presentations; Alvar Aalto (1898-1976), representing Finland; and the painter Fernand Léger (1881-1955), also from the French delegatation, who presented on the importance of colour in architecture. The two other bands of negatives provide evidence of Sise's attendance at Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC), held in May 1934 at the Royal Institute of British Architects in London, England, to establish the program for the next CIAM (1). They also show his meeting in London with Georges Braque during the summer of the same year. (1) Eric Mumford states in "The CIAM Discourse on Urbanism, 1928-1960" that Le Corbusier did not participate at this conference (p. 92). _____________________ La série contient des bandes de négatifs, qui contiennent soit deux, soit trois images, et sont au nombre de sept. Les cinq premières bandes documentent le IVe Congrès International d'Architecture Moderne (CIAM) tenu à bord du SS Patris II du 29 juillet au 13 août 1933, entre Marseilles, France et Athènes, Grèce, à Athènes même, et sur le même bateau de croisière durant le retour à Marseilles. Le Congrès, qui se déroulait autour du thème de "The functional city", consistait en la communication des résultats de l'analyse de plus de trente villes et l'objectif visait à établir de nouveaux principes d'urbanisme. Hazen Sise participait au Congrès à titre de délégué du Canada et présenta la ville de Los Angeles, Californie. Les résolutions prises lors du Congrès ont été publiées pour la première fois au mois de novembre suivant sous le titre de "Constatations du quatrième CIAM". Ces "Constatations" seront ensuite à la base de la Charte d'Athènes que Le Corbusier rédigea en 1941. Les clichés montrent quelques-uns des participants au Congrès, dont Le Corbusier (1887-1965), de la délégation française, alors qu'il faisait une communication; László Moholy-Nagy (1895-1946), de la délégation allemande, à qui on avait confié la tâche de filmer les exposés; Alvar Aalto (1898-1976), représentant la Finlande; et le peintre Fernand Léger (1881-1955), délégué de la France, qui présenta un discours à l'attention des architectes au sujet de l'importance de la couleur en architecture. Les deux autres bandes de négatifs témoignent de la présence de Sise au (Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC) à Londres, Angleterre, tenu en mai 1934 au Royal Institute of British Architects pour établir le programme du prochain CIAM (1) et de sa rencontre à Londres avec Georges Braque durant l'été de la même année. (1) Eric Mumford affirme cependant dans "The CIAM Discourse on Urbanism, 1928-1960" que Le Corbusier n'a pas participé à ce congrès (p. 92).
People:
Date:
1933-1934
1933-1934
Title:
CIAM IV, CIRPAC and London
Actions:
AP112.S1
Description:
The series contains seven bands of negatives, divided into groups of two and three negatives a band. The first five bands document the 4th Congrès International d'Architecture Moderne (CIAM) held on board the SS Patris II from 29 July to 13 August 1933, as it travelled between Marseilles, France, and Athens, Greece, and then returned. The conference, themed "The Functional City", presented and discussed the results of an analysis of more than thirty cities, and sought to establish new principles in urban planning. Sise participated at the conference as the Canadian delegate and presented the city of Los Angeles, California. The resolutions adopted at the conference were published for the first time in November under the title "Constatations du quatrième CIAM". These findings formed the base of the Charte d'Athenès written by Le Corbusier in 1941. The negatives show some of the participants of the conference including: Le Corbusier (1887-1965), from the French delegation; László Moholy-Nagy (1895-1946), from the German delegation, who was in charge of filming the presentations; Alvar Aalto (1898-1976), representing Finland; and the painter Fernand Léger (1881-1955), also from the French delegatation, who presented on the importance of colour in architecture. The two other bands of negatives provide evidence of Sise's attendance at Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC), held in May 1934 at the Royal Institute of British Architects in London, England, to establish the program for the next CIAM (1). They also show his meeting in London with Georges Braque during the summer of the same year. (1) Eric Mumford states in "The CIAM Discourse on Urbanism, 1928-1960" that Le Corbusier did not participate at this conference (p. 92). _____________________ La série contient des bandes de négatifs, qui contiennent soit deux, soit trois images, et sont au nombre de sept. Les cinq premières bandes documentent le IVe Congrès International d'Architecture Moderne (CIAM) tenu à bord du SS Patris II du 29 juillet au 13 août 1933, entre Marseilles, France et Athènes, Grèce, à Athènes même, et sur le même bateau de croisière durant le retour à Marseilles. Le Congrès, qui se déroulait autour du thème de "The functional city", consistait en la communication des résultats de l'analyse de plus de trente villes et l'objectif visait à établir de nouveaux principes d'urbanisme. Hazen Sise participait au Congrès à titre de délégué du Canada et présenta la ville de Los Angeles, Californie. Les résolutions prises lors du Congrès ont été publiées pour la première fois au mois de novembre suivant sous le titre de "Constatations du quatrième CIAM". Ces "Constatations" seront ensuite à la base de la Charte d'Athènes que Le Corbusier rédigea en 1941. Les clichés montrent quelques-uns des participants au Congrès, dont Le Corbusier (1887-1965), de la délégation française, alors qu'il faisait une communication; László Moholy-Nagy (1895-1946), de la délégation allemande, à qui on avait confié la tâche de filmer les exposés; Alvar Aalto (1898-1976), représentant la Finlande; et le peintre Fernand Léger (1881-1955), délégué de la France, qui présenta un discours à l'attention des architectes au sujet de l'importance de la couleur en architecture. Les deux autres bandes de négatifs témoignent de la présence de Sise au (Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC) à Londres, Angleterre, tenu en mai 1934 au Royal Institute of British Architects pour établir le programme du prochain CIAM (1) et de sa rencontre à Londres avec Georges Braque durant l'été de la même année. (1) Eric Mumford affirme cependant dans "The CIAM Discourse on Urbanism, 1928-1960" que Le Corbusier n'a pas participé à ce congrès (p. 92).
CIAM IV, CIRPAC and London
Actions:
AP112.S1
Description:
The series contains seven bands of negatives, divided into groups of two and three negatives a band. The first five bands document the 4th Congrès International d'Architecture Moderne (CIAM) held on board the SS Patris II from 29 July to 13 August 1933, as it travelled between Marseilles, France, and Athens, Greece, and then returned. The conference, themed "The Functional City", presented and discussed the results of an analysis of more than thirty cities, and sought to establish new principles in urban planning. Sise participated at the conference as the Canadian delegate and presented the city of Los Angeles, California. The resolutions adopted at the conference were published for the first time in November under the title "Constatations du quatrième CIAM". These findings formed the base of the Charte d'Athenès written by Le Corbusier in 1941. The negatives show some of the participants of the conference including: Le Corbusier (1887-1965), from the French delegation; László Moholy-Nagy (1895-1946), from the German delegation, who was in charge of filming the presentations; Alvar Aalto (1898-1976), representing Finland; and the painter Fernand Léger (1881-1955), also from the French delegatation, who presented on the importance of colour in architecture. The two other bands of negatives provide evidence of Sise's attendance at Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC), held in May 1934 at the Royal Institute of British Architects in London, England, to establish the program for the next CIAM (1). They also show his meeting in London with Georges Braque during the summer of the same year. (1) Eric Mumford states in "The CIAM Discourse on Urbanism, 1928-1960" that Le Corbusier did not participate at this conference (p. 92). _____________________ La série contient des bandes de négatifs, qui contiennent soit deux, soit trois images, et sont au nombre de sept. Les cinq premières bandes documentent le IVe Congrès International d'Architecture Moderne (CIAM) tenu à bord du SS Patris II du 29 juillet au 13 août 1933, entre Marseilles, France et Athènes, Grèce, à Athènes même, et sur le même bateau de croisière durant le retour à Marseilles. Le Congrès, qui se déroulait autour du thème de "The functional city", consistait en la communication des résultats de l'analyse de plus de trente villes et l'objectif visait à établir de nouveaux principes d'urbanisme. Hazen Sise participait au Congrès à titre de délégué du Canada et présenta la ville de Los Angeles, Californie. Les résolutions prises lors du Congrès ont été publiées pour la première fois au mois de novembre suivant sous le titre de "Constatations du quatrième CIAM". Ces "Constatations" seront ensuite à la base de la Charte d'Athènes que Le Corbusier rédigea en 1941. Les clichés montrent quelques-uns des participants au Congrès, dont Le Corbusier (1887-1965), de la délégation française, alors qu'il faisait une communication; László Moholy-Nagy (1895-1946), de la délégation allemande, à qui on avait confié la tâche de filmer les exposés; Alvar Aalto (1898-1976), représentant la Finlande; et le peintre Fernand Léger (1881-1955), délégué de la France, qui présenta un discours à l'attention des architectes au sujet de l'importance de la couleur en architecture. Les deux autres bandes de négatifs témoignent de la présence de Sise au (Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC) à Londres, Angleterre, tenu en mai 1934 au Royal Institute of British Architects pour établir le programme du prochain CIAM (1) et de sa rencontre à Londres avec Georges Braque durant l'été de la même année. (1) Eric Mumford affirme cependant dans "The CIAM Discourse on Urbanism, 1928-1960" que Le Corbusier n'a pas participé à ce congrès (p. 92).
Level of archival description:
Series
Series
Date:
1933-1934
1933-1934
People:
Form:
textual records
textual records
Reference number:
ARCH282103
Description:
Notes du cours par correspondance, Architecture antique, pris par Ernest Cormier à l'École du bâtiment, Paris, France.
ARCH282103
Description:
Notes du cours par correspondance, Architecture antique, pris par Ernest Cormier à l'École du bâtiment, Paris, France.
People:
Date:
circa 1907
circa 1907
Title:
Notes de cours relatives à des types de voûtes
Actions:
ARCH282103
Description:
Notes du cours par correspondance, Architecture antique, pris par Ernest Cormier à l'École du bâtiment, Paris, France.
Notes de cours relatives à des types de voûtes
Actions:
ARCH282103
Description:
Notes du cours par correspondance, Architecture antique, pris par Ernest Cormier à l'École du bâtiment, Paris, France.
Form:
textual records
textual records
Date:
circa 1907
circa 1907
People:
Form:
drawings
drawings
Actions:
Reference number:
DR2012:0012:095:021
Description:
File containing documents in French, including a child's drawing, an installation guide, notes, and a reprographic copy of an architectural drawing related to the Une construction à Québec project.
DR2012:0012:095:021
Description:
File containing documents in French, including a child's drawing, an installation guide, notes, and a reprographic copy of an architectural drawing related to the Une construction à Québec project.
People:
Date:
1989
1989
Title:
Child's drawing, an installation guide, notes, and a plan, Une construction à Québec
Actions:
DR2012:0012:095:021
Description:
File containing documents in French, including a child's drawing, an installation guide, notes, and a reprographic copy of an architectural drawing related to the Une construction à Québec project.
Child's drawing, an installation guide, notes, and a plan, Une construction à Québec
Actions:
DR2012:0012:095:021
Description:
File containing documents in French, including a child's drawing, an installation guide, notes, and a reprographic copy of an architectural drawing related to the Une construction à Québec project.
Form:
drawings
drawings
Date:
1989
1989
People:
Form:
drawings, textual records
drawings, textual records
Actions:
Reference number:
DR2012:0012:130:009
Description:
File containing documents in English and French, including correspondence, notes, architectural drawings and plans (both originals and photocopies), and a granite sample related to the Canadian tribute to human rights.
DR2012:0012:130:009
Description:
File containing documents in English and French, including correspondence, notes, architectural drawings and plans (both originals and photocopies), and a granite sample related to the Canadian tribute to human rights.
People:
Date:
1989-1990
1989-1990
Title:
Correspondence, notes and plans, The Canadian tribute to human rights
Actions:
DR2012:0012:130:009
Description:
File containing documents in English and French, including correspondence, notes, architectural drawings and plans (both originals and photocopies), and a granite sample related to the Canadian tribute to human rights.
Correspondence, notes and plans, The Canadian tribute to human rights
Actions:
DR2012:0012:130:009
Description:
File containing documents in English and French, including correspondence, notes, architectural drawings and plans (both originals and photocopies), and a granite sample related to the Canadian tribute to human rights.
Form:
drawings, textual records
drawings, textual records
Date:
1989-1990
1989-1990
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Pierre Jeanneret fonds
Pierre Jeanneret fonds
Reference number:
AP156
Synopsis:
Le Fonds Pierre Jeanneret documente la pratique professionnelle et la vie personnelle de l'architect Pierre Jeanneret de ses études et ses projets professionels en Europe à ses projets architecturaux à Chandigarh, en Inde. Les documents du Fonds consistent en des photographies, des dessins et des documents textuels relatifs à plus de 100 projets, principalement son travail pour le projet de la nouvelle ville de Chandigarh, en Inde, en 1951 à 1965. *** The Pierre Jeanneret fonds documents the professional practice and the personal life of architect Pierre Jeanneret from student and professional work in Europe to architectural projects in Chandigarh, India. The documents in the fonds consist of photographs, drawings and textual records relating to over 100 projects, predominantly his work for the project of the new city of Chandigarh, in India, in 1951 to 1965.
AP156
Synopsis:
Le Fonds Pierre Jeanneret documente la pratique professionnelle et la vie personnelle de l'architect Pierre Jeanneret de ses études et ses projets professionels en Europe à ses projets architecturaux à Chandigarh, en Inde. Les documents du Fonds consistent en des photographies, des dessins et des documents textuels relatifs à plus de 100 projets, principalement son travail pour le projet de la nouvelle ville de Chandigarh, en Inde, en 1951 à 1965. *** The Pierre Jeanneret fonds documents the professional practice and the personal life of architect Pierre Jeanneret from student and professional work in Europe to architectural projects in Chandigarh, India. The documents in the fonds consist of photographs, drawings and textual records relating to over 100 projects, predominantly his work for the project of the new city of Chandigarh, in India, in 1951 to 1965.
People:
Date:
1870s-2011
1870s-2011
Title:
Pierre Jeanneret fonds
Actions:
AP156
Synopsis:
Le Fonds Pierre Jeanneret documente la pratique professionnelle et la vie personnelle de l'architect Pierre Jeanneret de ses études et ses projets professionels en Europe à ses projets architecturaux à Chandigarh, en Inde. Les documents du Fonds consistent en des photographies, des dessins et des documents textuels relatifs à plus de 100 projets, principalement son travail pour le projet de la nouvelle ville de Chandigarh, en Inde, en 1951 à 1965. *** The Pierre Jeanneret fonds documents the professional practice and the personal life of architect Pierre Jeanneret from student and professional work in Europe to architectural projects in Chandigarh, India. The documents in the fonds consist of photographs, drawings and textual records relating to over 100 projects, predominantly his work for the project of the new city of Chandigarh, in India, in 1951 to 1965.
Pierre Jeanneret fonds
Actions:
AP156
Synopsis:
Le Fonds Pierre Jeanneret documente la pratique professionnelle et la vie personnelle de l'architect Pierre Jeanneret de ses études et ses projets professionels en Europe à ses projets architecturaux à Chandigarh, en Inde. Les documents du Fonds consistent en des photographies, des dessins et des documents textuels relatifs à plus de 100 projets, principalement son travail pour le projet de la nouvelle ville de Chandigarh, en Inde, en 1951 à 1965. *** The Pierre Jeanneret fonds documents the professional practice and the personal life of architect Pierre Jeanneret from student and professional work in Europe to architectural projects in Chandigarh, India. The documents in the fonds consist of photographs, drawings and textual records relating to over 100 projects, predominantly his work for the project of the new city of Chandigarh, in India, in 1951 to 1965.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1870s-2011
1870s-2011
People:
Form:
textual records
textual records
Title:
Awards and addresses
Awards and addresses
Actions:
Reference number:
ARCH255595
Description:
6 files of awards and addresses - French Academie d'Architecture grande medaille d'or; R.A.I.C gold medal and receiving speech; Cosmos Club - AIA talk; Chicago lecture on cities; Massey Hall public presentation speeches
ARCH255595
Description:
6 files of awards and addresses - French Academie d'Architecture grande medaille d'or; R.A.I.C gold medal and receiving speech; Cosmos Club - AIA talk; Chicago lecture on cities; Massey Hall public presentation speeches
People:
Date:
1984
1984
Title:
Awards and addresses
Actions:
ARCH255595
Description:
6 files of awards and addresses - French Academie d'Architecture grande medaille d'or; R.A.I.C gold medal and receiving speech; Cosmos Club - AIA talk; Chicago lecture on cities; Massey Hall public presentation speeches
Awards and addresses
Actions:
ARCH255595
Description:
6 files of awards and addresses - French Academie d'Architecture grande medaille d'or; R.A.I.C gold medal and receiving speech; Cosmos Club - AIA talk; Chicago lecture on cities; Massey Hall public presentation speeches
Form:
textual records
textual records
Date:
1984
1984
People:
Level of archival description:
Sub-series
Sub-series
Actions:
Reference number:
AP104.S1.SS2
Description:
Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal.
AP104.S1.SS2
Description:
Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal.
People:
Date:
ca. 1933-1955
ca. 1933-1955
Title:
Dessins d'architecture et de meubles
Actions:
AP104.S1.SS2
Description:
Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal.
Dessins d'architecture et de meubles
Actions:
AP104.S1.SS2
Description:
Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal.
Level of archival description:
Sous-série 2
Sous-série 2
Date:
ca. 1933-1955
ca. 1933-1955
People:
Form:
textual records
textual records
Actions:
Reference number:
DR2012:0012:098:005
Description:
File containing documents in English and French, including correspondence, and press coverage related to the exhibition Montréal, plus ou moins?, and includes the following publications: - Architecture Canada, 10 July 1972; - M13 [magazine the Montreal Museum of Fine Arts], vol. 4, no. 1, June 1972; - M14 [magazine the Montreal Museum of Fine Arts], vol. 4, no. 2, September 1972. Original folder inscribed in graphite: 1972 EXHIB - MONTERAL, PLUS OU MOINS?
DR2012:0012:098:005
Description:
File containing documents in English and French, including correspondence, and press coverage related to the exhibition Montréal, plus ou moins?, and includes the following publications: - Architecture Canada, 10 July 1972; - M13 [magazine the Montreal Museum of Fine Arts], vol. 4, no. 1, June 1972; - M14 [magazine the Montreal Museum of Fine Arts], vol. 4, no. 2, September 1972. Original folder inscribed in graphite: 1972 EXHIB - MONTERAL, PLUS OU MOINS?
People:
Date:
1972
1972
Title:
Correspondence, and press coverage related to exhibition "Montréal, plus ou moins?"
Actions:
DR2012:0012:098:005
Description:
File containing documents in English and French, including correspondence, and press coverage related to the exhibition Montréal, plus ou moins?, and includes the following publications: - Architecture Canada, 10 July 1972; - M13 [magazine the Montreal Museum of Fine Arts], vol. 4, no. 1, June 1972; - M14 [magazine the Montreal Museum of Fine Arts], vol. 4, no. 2, September 1972. Original folder inscribed in graphite: 1972 EXHIB - MONTERAL, PLUS OU MOINS?
Correspondence, and press coverage related to exhibition "Montréal, plus ou moins?"
Actions:
DR2012:0012:098:005
Description:
File containing documents in English and French, including correspondence, and press coverage related to the exhibition Montréal, plus ou moins?, and includes the following publications: - Architecture Canada, 10 July 1972; - M13 [magazine the Montreal Museum of Fine Arts], vol. 4, no. 1, June 1972; - M14 [magazine the Montreal Museum of Fine Arts], vol. 4, no. 2, September 1972. Original folder inscribed in graphite: 1972 EXHIB - MONTERAL, PLUS OU MOINS?
Form:
textual records
textual records
Date:
1972
1972
People:
Form:
textual records
textual records
Actions:
Reference number:
DR2012:0012:085:020
Description:
File containing documents in English and French, including correspondence, notes, and programs related to the group exhibition, Stratégies urbaines: projets récents, at the Canadian Centre for Architecture. The exhibition included the following projects: - The essential structure - plan showing the three Faubourgs; - Inscription of a 'square' within the square; - The principles of the concept; - Proposed redevelopment. File also includes one copy of the project description for Urban revisions: the city in recent American architecture. Original folder inscribed in graphite: CCA / URBAN STRATEGIES EXHIB / 1994
DR2012:0012:085:020
Description:
File containing documents in English and French, including correspondence, notes, and programs related to the group exhibition, Stratégies urbaines: projets récents, at the Canadian Centre for Architecture. The exhibition included the following projects: - The essential structure - plan showing the three Faubourgs; - Inscription of a 'square' within the square; - The principles of the concept; - Proposed redevelopment. File also includes one copy of the project description for Urban revisions: the city in recent American architecture. Original folder inscribed in graphite: CCA / URBAN STRATEGIES EXHIB / 1994
People:
Date:
1992-1995
1992-1995
Title:
Correspondence, notes, and programs related to the group exhibition "Stratégies urbaines: projets récents"
Actions:
DR2012:0012:085:020
Description:
File containing documents in English and French, including correspondence, notes, and programs related to the group exhibition, Stratégies urbaines: projets récents, at the Canadian Centre for Architecture. The exhibition included the following projects: - The essential structure - plan showing the three Faubourgs; - Inscription of a 'square' within the square; - The principles of the concept; - Proposed redevelopment. File also includes one copy of the project description for Urban revisions: the city in recent American architecture. Original folder inscribed in graphite: CCA / URBAN STRATEGIES EXHIB / 1994
Correspondence, notes, and programs related to the group exhibition "Stratégies urbaines: projets récents"
Actions:
DR2012:0012:085:020
Description:
File containing documents in English and French, including correspondence, notes, and programs related to the group exhibition, Stratégies urbaines: projets récents, at the Canadian Centre for Architecture. The exhibition included the following projects: - The essential structure - plan showing the three Faubourgs; - Inscription of a 'square' within the square; - The principles of the concept; - Proposed redevelopment. File also includes one copy of the project description for Urban revisions: the city in recent American architecture. Original folder inscribed in graphite: CCA / URBAN STRATEGIES EXHIB / 1994
Form:
textual records
textual records
Date:
1992-1995
1992-1995
People:
Form:
drawings, textual records
drawings, textual records
Actions:
Reference number:
DR2012:0012:092:004
Description:
File containing documents in English and French, including correspondence, reprographic copies of architectural drawings, notes, and sketches related to the CCA garden. Original folder: inscribed in graphite: JARDIN DU C.C.A.: PANNEAU D'INFORMATION. 1990
DR2012:0012:092:004
Description:
File containing documents in English and French, including correspondence, reprographic copies of architectural drawings, notes, and sketches related to the CCA garden. Original folder: inscribed in graphite: JARDIN DU C.C.A.: PANNEAU D'INFORMATION. 1990
People:
Date:
1990
1990
Title:
Correspondence, sketches, plans, and notes, The CCA Garden
Actions:
DR2012:0012:092:004
Description:
File containing documents in English and French, including correspondence, reprographic copies of architectural drawings, notes, and sketches related to the CCA garden. Original folder: inscribed in graphite: JARDIN DU C.C.A.: PANNEAU D'INFORMATION. 1990
Correspondence, sketches, plans, and notes, The CCA Garden
Actions:
DR2012:0012:092:004
Description:
File containing documents in English and French, including correspondence, reprographic copies of architectural drawings, notes, and sketches related to the CCA garden. Original folder: inscribed in graphite: JARDIN DU C.C.A.: PANNEAU D'INFORMATION. 1990
Form:
drawings, textual records
drawings, textual records
Date:
1990
1990
People:
