5111 Results
Level of archival description:
Series
Series
Title:
Student Work
Student Work
Reference number:
AP144.S1
Description:
This series documents Cedric Price's student work and includes material from his studies at the University of Cambridge School of Architecture (now known as the Department of Architecture), at St. John's College in Cambridge, England, as well as the Architectural Association School of Architecture in London, including his thesis project for Oldham Town Centre in Oldham, Greater Manchester, England, United Kingdom. Price's professional memberships and lectures from this time are also documented, as well as RIBA examinations. The series also includes other material produced approximately during Price's student years, including artwork and textual materials. Materials in this series was produced between 1949 and 1960, but predominantly between 1953 and 1957. The series contains design development drawings, reference drawings, other drawings, presentation panels, photographic materials, posters, and textual records for various school projects. Price's time at the University of Cambridge is documented through notes, drawinexerciseses and some projects. Materials from the AA School of Architecture are mostly for projects, including an ice rink, the British Transport Commission offices, exhibition halls and restaurants, a wholesale gown showroom and offices, the Eel and Elephant pub and restaurant, and a design for the Auschwitz Memorial competition, entered jointly with Richard Padovan. Other materials show work-for-hire done by Price, such aillustrations,s; designs for letterheads, advertisements and brochures, and architectural sketches. Material relating to the AA School of Architecture's annual student exhibition in 1956, of which Price was director, are also included.
AP144.S1
Description:
This series documents Cedric Price's student work and includes material from his studies at the University of Cambridge School of Architecture (now known as the Department of Architecture), at St. John's College in Cambridge, England, as well as the Architectural Association School of Architecture in London, including his thesis project for Oldham Town Centre in Oldham, Greater Manchester, England, United Kingdom. Price's professional memberships and lectures from this time are also documented, as well as RIBA examinations. The series also includes other material produced approximately during Price's student years, including artwork and textual materials. Materials in this series was produced between 1949 and 1960, but predominantly between 1953 and 1957. The series contains design development drawings, reference drawings, other drawings, presentation panels, photographic materials, posters, and textual records for various school projects. Price's time at the University of Cambridge is documented through notes, drawinexerciseses and some projects. Materials from the AA School of Architecture are mostly for projects, including an ice rink, the British Transport Commission offices, exhibition halls and restaurants, a wholesale gown showroom and offices, the Eel and Elephant pub and restaurant, and a design for the Auschwitz Memorial competition, entered jointly with Richard Padovan. Other materials show work-for-hire done by Price, such aillustrations,s; designs for letterheads, advertisements and brochures, and architectural sketches. Material relating to the AA School of Architecture's annual student exhibition in 1956, of which Price was director, are also included.
People:
Date:
1949-1960, predominant 1953-1957
1949-1960, predominant 1953-1957
Title:
Student Work
Actions:
AP144.S1
Description:
This series documents Cedric Price's student work and includes material from his studies at the University of Cambridge School of Architecture (now known as the Department of Architecture), at St. John's College in Cambridge, England, as well as the Architectural Association School of Architecture in London, including his thesis project for Oldham Town Centre in Oldham, Greater Manchester, England, United Kingdom. Price's professional memberships and lectures from this time are also documented, as well as RIBA examinations. The series also includes other material produced approximately during Price's student years, including artwork and textual materials. Materials in this series was produced between 1949 and 1960, but predominantly between 1953 and 1957. The series contains design development drawings, reference drawings, other drawings, presentation panels, photographic materials, posters, and textual records for various school projects. Price's time at the University of Cambridge is documented through notes, drawinexerciseses and some projects. Materials from the AA School of Architecture are mostly for projects, including an ice rink, the British Transport Commission offices, exhibition halls and restaurants, a wholesale gown showroom and offices, the Eel and Elephant pub and restaurant, and a design for the Auschwitz Memorial competition, entered jointly with Richard Padovan. Other materials show work-for-hire done by Price, such aillustrations,s; designs for letterheads, advertisements and brochures, and architectural sketches. Material relating to the AA School of Architecture's annual student exhibition in 1956, of which Price was director, are also included.
Student Work
Actions:
AP144.S1
Description:
This series documents Cedric Price's student work and includes material from his studies at the University of Cambridge School of Architecture (now known as the Department of Architecture), at St. John's College in Cambridge, England, as well as the Architectural Association School of Architecture in London, including his thesis project for Oldham Town Centre in Oldham, Greater Manchester, England, United Kingdom. Price's professional memberships and lectures from this time are also documented, as well as RIBA examinations. The series also includes other material produced approximately during Price's student years, including artwork and textual materials. Materials in this series was produced between 1949 and 1960, but predominantly between 1953 and 1957. The series contains design development drawings, reference drawings, other drawings, presentation panels, photographic materials, posters, and textual records for various school projects. Price's time at the University of Cambridge is documented through notes, drawinexerciseses and some projects. Materials from the AA School of Architecture are mostly for projects, including an ice rink, the British Transport Commission offices, exhibition halls and restaurants, a wholesale gown showroom and offices, the Eel and Elephant pub and restaurant, and a design for the Auschwitz Memorial competition, entered jointly with Richard Padovan. Other materials show work-for-hire done by Price, such aillustrations,s; designs for letterheads, advertisements and brochures, and architectural sketches. Material relating to the AA School of Architecture's annual student exhibition in 1956, of which Price was director, are also included.
Level of archival description:
Series
Series
Date:
1949-1960, predominant 1953-1957
1949-1960, predominant 1953-1957
People:
Form:
exhibitions
exhibitions
Actions:
Description:
“Today everything is environment,” proclaimed a Montreal newspaper at the beginning of the 1970s. The word “environment” had dominated the discourses and practices of artists, architects, social activists and intellectuals during the previous decade. Visitors of Expo ‘67, the event that galvanized the world’s attention on Montreal, commented the phantasmagorical(...)
“Today everything is environment,” proclaimed a Montreal newspaper at the beginning of the 1970s. The word “environment” had dominated the discourses and practices of artists, architects, social activists and intellectuals during the previous decade. Visitors of Expo ‘67, the event that galvanized the world’s attention on Montreal, commented the phantasmagorical(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
19 March 2009 to 23 August 2009
19 March 2009 to 23 August 2009
Title:
Total Environment: Montréal, 1965-1975
Actions:
Description:
“Today everything is environment,” proclaimed a Montreal newspaper at the beginning of the 1970s. The word “environment” had dominated the discourses and practices of artists, architects, social activists and intellectuals during the previous decade. Visitors of Expo ‘67, the event that galvanized the world’s attention on Montreal, commented the phantasmagorical(...)
Total Environment: Montréal, 1965-1975
Actions:
Description:
“Today everything is environment,” proclaimed a Montreal newspaper at the beginning of the 1970s. The word “environment” had dominated the discourses and practices of artists, architects, social activists and intellectuals during the previous decade. Visitors of Expo ‘67, the event that galvanized the world’s attention on Montreal, commented the phantasmagorical(...)
Form:
exhibitions
exhibitions
Date:
19 March 2009 to
23 August 2009
19 March 2009 to
23 August 2009
Location:
Octagonal gallery
Octagonal gallery
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Title:
Futurecasting collection
Futurecasting collection
Actions:
Reference number:
CD048
Synopsis:
This collection documents the activities of the “Futurecasting: Indigenous-led Architecture and Design in the Arctic” group formed by Jenni Hakovirta, Naomi Ratte, Nicole Luke, Magnus Antaris Tuolja, Andrea McIntosh, Robyn Adams, Berit Kristine Andersen Guvsám, Laila Susanna Kuhmunen, Johanna Minde, and Reanna Merasty. It contains materials related to the planning of seminars and workshops, and the creative process and projects created by its participants in 2022-2023 that were later presented in the Canadian Centre for Architecture’s exhibition and related publication “ᐊᖏᕐᕋᒧᑦ / Ruovttu Guvlui / Towards home” (2022-2023).
CD048
Synopsis:
This collection documents the activities of the “Futurecasting: Indigenous-led Architecture and Design in the Arctic” group formed by Jenni Hakovirta, Naomi Ratte, Nicole Luke, Magnus Antaris Tuolja, Andrea McIntosh, Robyn Adams, Berit Kristine Andersen Guvsám, Laila Susanna Kuhmunen, Johanna Minde, and Reanna Merasty. It contains materials related to the planning of seminars and workshops, and the creative process and projects created by its participants in 2022-2023 that were later presented in the Canadian Centre for Architecture’s exhibition and related publication “ᐊᖏᕐᕋᒧᑦ / Ruovttu Guvlui / Towards home” (2022-2023).
People:
Date:
2008-2023
2008-2023
Title:
Futurecasting collection
Actions:
CD048
Synopsis:
This collection documents the activities of the “Futurecasting: Indigenous-led Architecture and Design in the Arctic” group formed by Jenni Hakovirta, Naomi Ratte, Nicole Luke, Magnus Antaris Tuolja, Andrea McIntosh, Robyn Adams, Berit Kristine Andersen Guvsám, Laila Susanna Kuhmunen, Johanna Minde, and Reanna Merasty. It contains materials related to the planning of seminars and workshops, and the creative process and projects created by its participants in 2022-2023 that were later presented in the Canadian Centre for Architecture’s exhibition and related publication “ᐊᖏᕐᕋᒧᑦ / Ruovttu Guvlui / Towards home” (2022-2023).
Futurecasting collection
Actions:
CD048
Synopsis:
This collection documents the activities of the “Futurecasting: Indigenous-led Architecture and Design in the Arctic” group formed by Jenni Hakovirta, Naomi Ratte, Nicole Luke, Magnus Antaris Tuolja, Andrea McIntosh, Robyn Adams, Berit Kristine Andersen Guvsám, Laila Susanna Kuhmunen, Johanna Minde, and Reanna Merasty. It contains materials related to the planning of seminars and workshops, and the creative process and projects created by its participants in 2022-2023 that were later presented in the Canadian Centre for Architecture’s exhibition and related publication “ᐊᖏᕐᕋᒧᑦ / Ruovttu Guvlui / Towards home” (2022-2023).
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Date:
2008-2023
2008-2023
People:
Level of archival description:
Sub-series
Sub-series
Reference number:
AP156.S3.SS2
Description:
La sous-série documente les projets d'architecture et d'urbanisme de Pierre Jeanneret et autres architectes à Talwara, en Inde, entre la fin des années 1940s et le début des années 1960s. Le matériel dans cette sous-série a été produit entre 1949 et 1965. La sous-série contient des dessins et des reprograhies, dont des dessins de développement du design, des dessins d'exécution et des dessins de présentation. Il y a aussi des photographies et une chemise. Sub-series documents architectural and urban planning projects of Pierre Jeanneret and other architects in Talwara, India, between the late 1940s to the early 1960s. Material in this file was produced in between 1949 and 1965. The sub-series contains a reprographic copy of a working drawing. The sub-series contains drawings and reprographic copies, such as design developement drawings, working drawings and presentation drawings. There are also photographs and a folder.
AP156.S3.SS2
Description:
La sous-série documente les projets d'architecture et d'urbanisme de Pierre Jeanneret et autres architectes à Talwara, en Inde, entre la fin des années 1940s et le début des années 1960s. Le matériel dans cette sous-série a été produit entre 1949 et 1965. La sous-série contient des dessins et des reprograhies, dont des dessins de développement du design, des dessins d'exécution et des dessins de présentation. Il y a aussi des photographies et une chemise. Sub-series documents architectural and urban planning projects of Pierre Jeanneret and other architects in Talwara, India, between the late 1940s to the early 1960s. Material in this file was produced in between 1949 and 1965. The sub-series contains a reprographic copy of a working drawing. The sub-series contains drawings and reprographic copies, such as design developement drawings, working drawings and presentation drawings. There are also photographs and a folder.
People:
Date:
1949-1965
1949-1965
Title:
Talwara, Inde = Talwara, India
Actions:
AP156.S3.SS2
Description:
La sous-série documente les projets d'architecture et d'urbanisme de Pierre Jeanneret et autres architectes à Talwara, en Inde, entre la fin des années 1940s et le début des années 1960s. Le matériel dans cette sous-série a été produit entre 1949 et 1965. La sous-série contient des dessins et des reprograhies, dont des dessins de développement du design, des dessins d'exécution et des dessins de présentation. Il y a aussi des photographies et une chemise. Sub-series documents architectural and urban planning projects of Pierre Jeanneret and other architects in Talwara, India, between the late 1940s to the early 1960s. Material in this file was produced in between 1949 and 1965. The sub-series contains a reprographic copy of a working drawing. The sub-series contains drawings and reprographic copies, such as design developement drawings, working drawings and presentation drawings. There are also photographs and a folder.
Talwara, Inde = Talwara, India
Actions:
AP156.S3.SS2
Description:
La sous-série documente les projets d'architecture et d'urbanisme de Pierre Jeanneret et autres architectes à Talwara, en Inde, entre la fin des années 1940s et le début des années 1960s. Le matériel dans cette sous-série a été produit entre 1949 et 1965. La sous-série contient des dessins et des reprograhies, dont des dessins de développement du design, des dessins d'exécution et des dessins de présentation. Il y a aussi des photographies et une chemise. Sub-series documents architectural and urban planning projects of Pierre Jeanneret and other architects in Talwara, India, between the late 1940s to the early 1960s. Material in this file was produced in between 1949 and 1965. The sub-series contains a reprographic copy of a working drawing. The sub-series contains drawings and reprographic copies, such as design developement drawings, working drawings and presentation drawings. There are also photographs and a folder.
Level of archival description:
Sous-série 2
Sous-série 2
Date:
1949-1965
1949-1965
People:
Level of archival description:
Sub-series
Sub-series
Title:
Projects
Projects
Reference number:
AP163.S1.SS1
Description:
Sub-series documents the student work of Victor Prus at the Liverpool School of Architecture, in England, between 1945 and 1947 and his work as assistant professor at the Polish University College in London, betweeen 1947 and 1950. The sub-series also documents Victor Prus's early professional work as an architect in England, including his partnership with architect George Scolly in Prus and Scolly, Architects, from 1950 to 1952, and his work as Senior Executive Officer for the Festival of Britain, from 1949 to 1951. The sub-series contains conceptual, design development and presentation drawings, including reprographic copies, a few textual records that document some of the projects, photographs and presentation panels.
AP163.S1.SS1
Description:
Sub-series documents the student work of Victor Prus at the Liverpool School of Architecture, in England, between 1945 and 1947 and his work as assistant professor at the Polish University College in London, betweeen 1947 and 1950. The sub-series also documents Victor Prus's early professional work as an architect in England, including his partnership with architect George Scolly in Prus and Scolly, Architects, from 1950 to 1952, and his work as Senior Executive Officer for the Festival of Britain, from 1949 to 1951. The sub-series contains conceptual, design development and presentation drawings, including reprographic copies, a few textual records that document some of the projects, photographs and presentation panels.
People:
Title:
Projects
Actions:
AP163.S1.SS1
Description:
Sub-series documents the student work of Victor Prus at the Liverpool School of Architecture, in England, between 1945 and 1947 and his work as assistant professor at the Polish University College in London, betweeen 1947 and 1950. The sub-series also documents Victor Prus's early professional work as an architect in England, including his partnership with architect George Scolly in Prus and Scolly, Architects, from 1950 to 1952, and his work as Senior Executive Officer for the Festival of Britain, from 1949 to 1951. The sub-series contains conceptual, design development and presentation drawings, including reprographic copies, a few textual records that document some of the projects, photographs and presentation panels.
Projects
Actions:
AP163.S1.SS1
Description:
Sub-series documents the student work of Victor Prus at the Liverpool School of Architecture, in England, between 1945 and 1947 and his work as assistant professor at the Polish University College in London, betweeen 1947 and 1950. The sub-series also documents Victor Prus's early professional work as an architect in England, including his partnership with architect George Scolly in Prus and Scolly, Architects, from 1950 to 1952, and his work as Senior Executive Officer for the Festival of Britain, from 1949 to 1951. The sub-series contains conceptual, design development and presentation drawings, including reprographic copies, a few textual records that document some of the projects, photographs and presentation panels.
Level of archival description:
Sub-series 1
Sub-series 1
People:
Level of archival description:
Sub-series
Sub-series
Title:
Student work
Student work
Reference number:
AP140.S1.SS1
Description:
Sub-series documents James Stirling's student work, probably from his third to fifth year at the Liverpool School of Architecture in Liverpool, England, from 1947 to 1950, and during his studies at the Association for Planning and Regional Reconstruction in London, England, from 1950 to 1952. A project for a Community Centre for a Small Town in the Middle West was probably produced during a student exchange in New York City, New York in the fall of 1948. Sub-series include projects for a Forest Rangers Lookout Station, a House for an Architect, Organic Chemistry Laboratories, Stirling's thesis project for a Town Centre and Community Centre and a student competition entry for the Merseyside Film Institute. Material in this sub-series was probably produced between 1947 and 1975. The publication drawings for James Stirling's projects were often drawn by Leon Krier, Russell Bevington, or Ulrich Schaad ('British Architecture Today', 1991). Sub-series contains several presentation drawings and panels, publication drawings, a small number of working drawings, photographic materials, a presentation model and Stirling's 1950 bound thesis 'Plan of Town Centre and Development of Community Centre for Newton Aycliffe, Co. Durham'.
AP140.S1.SS1
Description:
Sub-series documents James Stirling's student work, probably from his third to fifth year at the Liverpool School of Architecture in Liverpool, England, from 1947 to 1950, and during his studies at the Association for Planning and Regional Reconstruction in London, England, from 1950 to 1952. A project for a Community Centre for a Small Town in the Middle West was probably produced during a student exchange in New York City, New York in the fall of 1948. Sub-series include projects for a Forest Rangers Lookout Station, a House for an Architect, Organic Chemistry Laboratories, Stirling's thesis project for a Town Centre and Community Centre and a student competition entry for the Merseyside Film Institute. Material in this sub-series was probably produced between 1947 and 1975. The publication drawings for James Stirling's projects were often drawn by Leon Krier, Russell Bevington, or Ulrich Schaad ('British Architecture Today', 1991). Sub-series contains several presentation drawings and panels, publication drawings, a small number of working drawings, photographic materials, a presentation model and Stirling's 1950 bound thesis 'Plan of Town Centre and Development of Community Centre for Newton Aycliffe, Co. Durham'.
People:
Date:
[between 1947? and 1975?], predominant 1947-1952
[between 1947? and 1975?], predominant 1947-1952
Title:
Student work
Actions:
AP140.S1.SS1
Description:
Sub-series documents James Stirling's student work, probably from his third to fifth year at the Liverpool School of Architecture in Liverpool, England, from 1947 to 1950, and during his studies at the Association for Planning and Regional Reconstruction in London, England, from 1950 to 1952. A project for a Community Centre for a Small Town in the Middle West was probably produced during a student exchange in New York City, New York in the fall of 1948. Sub-series include projects for a Forest Rangers Lookout Station, a House for an Architect, Organic Chemistry Laboratories, Stirling's thesis project for a Town Centre and Community Centre and a student competition entry for the Merseyside Film Institute. Material in this sub-series was probably produced between 1947 and 1975. The publication drawings for James Stirling's projects were often drawn by Leon Krier, Russell Bevington, or Ulrich Schaad ('British Architecture Today', 1991). Sub-series contains several presentation drawings and panels, publication drawings, a small number of working drawings, photographic materials, a presentation model and Stirling's 1950 bound thesis 'Plan of Town Centre and Development of Community Centre for Newton Aycliffe, Co. Durham'.
Student work
Actions:
AP140.S1.SS1
Description:
Sub-series documents James Stirling's student work, probably from his third to fifth year at the Liverpool School of Architecture in Liverpool, England, from 1947 to 1950, and during his studies at the Association for Planning and Regional Reconstruction in London, England, from 1950 to 1952. A project for a Community Centre for a Small Town in the Middle West was probably produced during a student exchange in New York City, New York in the fall of 1948. Sub-series include projects for a Forest Rangers Lookout Station, a House for an Architect, Organic Chemistry Laboratories, Stirling's thesis project for a Town Centre and Community Centre and a student competition entry for the Merseyside Film Institute. Material in this sub-series was probably produced between 1947 and 1975. The publication drawings for James Stirling's projects were often drawn by Leon Krier, Russell Bevington, or Ulrich Schaad ('British Architecture Today', 1991). Sub-series contains several presentation drawings and panels, publication drawings, a small number of working drawings, photographic materials, a presentation model and Stirling's 1950 bound thesis 'Plan of Town Centre and Development of Community Centre for Newton Aycliffe, Co. Durham'.
Level of archival description:
Sub-series 1
Sub-series 1
Date:
[between 1947? and 1975?], predominant 1947-1952
[between 1947? and 1975?], predominant 1947-1952
People:
Form:
exhibitions
exhibitions
Title:
Starting From... The Suburbs
Starting From... The Suburbs
Actions:
Description:
We are more likely today to consider suburbs formless, vacant, or unsustainable compared to the dense social and economic activity of cities. Starting from… The Suburbs looks at the past fifty years of suburban culture through the lens of the CCA Collection’s photography holdings, produced by photographers’ longstanding attraction and aversion to this urban form. The(...)
We are more likely today to consider suburbs formless, vacant, or unsustainable compared to the dense social and economic activity of cities. Starting from… The Suburbs looks at the past fifty years of suburban culture through the lens of the CCA Collection’s photography holdings, produced by photographers’ longstanding attraction and aversion to this urban form. The(...)
Location:
Hall cases
Hall cases
Date:
16 February 2012 to 10 June 2012
16 February 2012 to 10 June 2012
Title:
Starting From... The Suburbs
Actions:
Description:
We are more likely today to consider suburbs formless, vacant, or unsustainable compared to the dense social and economic activity of cities. Starting from… The Suburbs looks at the past fifty years of suburban culture through the lens of the CCA Collection’s photography holdings, produced by photographers’ longstanding attraction and aversion to this urban form. The(...)
Starting From... The Suburbs
Actions:
Description:
We are more likely today to consider suburbs formless, vacant, or unsustainable compared to the dense social and economic activity of cities. Starting from… The Suburbs looks at the past fifty years of suburban culture through the lens of the CCA Collection’s photography holdings, produced by photographers’ longstanding attraction and aversion to this urban form. The(...)
Form:
exhibitions
exhibitions
Date:
16 February 2012 to
10 June 2012
16 February 2012 to
10 June 2012
Location:
Hall cases
Hall cases
Form:
textual records
textual records
Actions:
Reference number:
AP197.S3.006
Description:
The box is comprised of correspondence for the years of 1995-1997, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Thames and Hudson Ltd.; the Berlage Institute; the Italian Cultural Institute; Yukio Futagawa of GA/ADA Edita Tokyo Co CD; and the MIT Press. Correspondence relates to his participation/involvement in: the Michael Blackwood Production “In search of Louis Kahn: Six Buildings;” the Japanese and German translations for the Studies in Tectonic Culture publication; organizing lectures on Studies in tectonic Culture; the Jerusalem Seminar in Architecture “Technology, Place & and Architecture;” teaching at the École polytechnique fédérale de Lausanne; the Aga Khan Program for Islamic Architecture; and the Architectural Society of China. Correspondence concerning the following publications and lectures is included: “the Megaform as City in Miniature;” “Critical regionalism revisited,” a lecture at the Berlage Institute; the Le Corbusier publication; “Tradition and Innovation in the Work of Christoph Mackler;” and the forward for Vittorio Gregotti`s Inside Architecture.
AP197.S3.006
Description:
The box is comprised of correspondence for the years of 1995-1997, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Thames and Hudson Ltd.; the Berlage Institute; the Italian Cultural Institute; Yukio Futagawa of GA/ADA Edita Tokyo Co CD; and the MIT Press. Correspondence relates to his participation/involvement in: the Michael Blackwood Production “In search of Louis Kahn: Six Buildings;” the Japanese and German translations for the Studies in Tectonic Culture publication; organizing lectures on Studies in tectonic Culture; the Jerusalem Seminar in Architecture “Technology, Place & and Architecture;” teaching at the École polytechnique fédérale de Lausanne; the Aga Khan Program for Islamic Architecture; and the Architectural Society of China. Correspondence concerning the following publications and lectures is included: “the Megaform as City in Miniature;” “Critical regionalism revisited,” a lecture at the Berlage Institute; the Le Corbusier publication; “Tradition and Innovation in the Work of Christoph Mackler;” and the forward for Vittorio Gregotti`s Inside Architecture.
People:
Date:
1995-1997
1995-1997
Title:
Personal and professional correspondence from 1995-1997
Actions:
AP197.S3.006
Description:
The box is comprised of correspondence for the years of 1995-1997, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Thames and Hudson Ltd.; the Berlage Institute; the Italian Cultural Institute; Yukio Futagawa of GA/ADA Edita Tokyo Co CD; and the MIT Press. Correspondence relates to his participation/involvement in: the Michael Blackwood Production “In search of Louis Kahn: Six Buildings;” the Japanese and German translations for the Studies in Tectonic Culture publication; organizing lectures on Studies in tectonic Culture; the Jerusalem Seminar in Architecture “Technology, Place & and Architecture;” teaching at the École polytechnique fédérale de Lausanne; the Aga Khan Program for Islamic Architecture; and the Architectural Society of China. Correspondence concerning the following publications and lectures is included: “the Megaform as City in Miniature;” “Critical regionalism revisited,” a lecture at the Berlage Institute; the Le Corbusier publication; “Tradition and Innovation in the Work of Christoph Mackler;” and the forward for Vittorio Gregotti`s Inside Architecture.
Personal and professional correspondence from 1995-1997
Actions:
AP197.S3.006
Description:
The box is comprised of correspondence for the years of 1995-1997, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Thames and Hudson Ltd.; the Berlage Institute; the Italian Cultural Institute; Yukio Futagawa of GA/ADA Edita Tokyo Co CD; and the MIT Press. Correspondence relates to his participation/involvement in: the Michael Blackwood Production “In search of Louis Kahn: Six Buildings;” the Japanese and German translations for the Studies in Tectonic Culture publication; organizing lectures on Studies in tectonic Culture; the Jerusalem Seminar in Architecture “Technology, Place & and Architecture;” teaching at the École polytechnique fédérale de Lausanne; the Aga Khan Program for Islamic Architecture; and the Architectural Society of China. Correspondence concerning the following publications and lectures is included: “the Megaform as City in Miniature;” “Critical regionalism revisited,” a lecture at the Berlage Institute; the Le Corbusier publication; “Tradition and Innovation in the Work of Christoph Mackler;” and the forward for Vittorio Gregotti`s Inside Architecture.
Form:
textual records
textual records
Date:
1995-1997
1995-1997
People:
Form:
textual records
textual records
Actions:
Reference number:
AP197.S3.005
Description:
The box is comprised of correspondence for the years of 1991-1994, organized in alphabetical order by last name, from U-Z. The last four folders in this box comprises of loose correspondence organized in chronological order, from 1991-1994; this correspondence is not organized in alphabetical order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to Frampton’s participation/involvement in: the “Architecture and legitimacy” conference at the Congress Netherlands Architecture Institute; as part of the International Board of Advisors for the Fundación de Arquitectura Tapatía; in the Chinese translation for the Studies in Tectonic Culture publication; as a visiting professor at the École polytechnique fédérale de Lausanne.
AP197.S3.005
Description:
The box is comprised of correspondence for the years of 1991-1994, organized in alphabetical order by last name, from U-Z. The last four folders in this box comprises of loose correspondence organized in chronological order, from 1991-1994; this correspondence is not organized in alphabetical order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to Frampton’s participation/involvement in: the “Architecture and legitimacy” conference at the Congress Netherlands Architecture Institute; as part of the International Board of Advisors for the Fundación de Arquitectura Tapatía; in the Chinese translation for the Studies in Tectonic Culture publication; as a visiting professor at the École polytechnique fédérale de Lausanne.
People:
Date:
1991-1994
1991-1994
Title:
Personal and professional correspondence for names U-Z from 1991-1994
Actions:
AP197.S3.005
Description:
The box is comprised of correspondence for the years of 1991-1994, organized in alphabetical order by last name, from U-Z. The last four folders in this box comprises of loose correspondence organized in chronological order, from 1991-1994; this correspondence is not organized in alphabetical order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to Frampton’s participation/involvement in: the “Architecture and legitimacy” conference at the Congress Netherlands Architecture Institute; as part of the International Board of Advisors for the Fundación de Arquitectura Tapatía; in the Chinese translation for the Studies in Tectonic Culture publication; as a visiting professor at the École polytechnique fédérale de Lausanne.
Personal and professional correspondence for names U-Z from 1991-1994
Actions:
AP197.S3.005
Description:
The box is comprised of correspondence for the years of 1991-1994, organized in alphabetical order by last name, from U-Z. The last four folders in this box comprises of loose correspondence organized in chronological order, from 1991-1994; this correspondence is not organized in alphabetical order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to Frampton’s participation/involvement in: the “Architecture and legitimacy” conference at the Congress Netherlands Architecture Institute; as part of the International Board of Advisors for the Fundación de Arquitectura Tapatía; in the Chinese translation for the Studies in Tectonic Culture publication; as a visiting professor at the École polytechnique fédérale de Lausanne.
Form:
textual records
textual records
Date:
1991-1994
1991-1994
People:
Level of archival description:
Project
Project
Reference number:
AP164.S1.1999.D9
Description:
The project series documents the design of the seaport terminal in Salerno, Italy. The design was “about emulating tradional architecture as well as the material and iconographic world of the great vessels and doing it from an environmental sensibility and a compromise to contemporary techniques” (ARCH270975). The firm participated in the international competition and their project was selected for the second round. The firm identified this project as number 122. Documenting this project are conceptual, presentation and design development drawings, project descriptions, maps, and reference, photographic and digital materials.
AP164.S1.1999.D9
Description:
The project series documents the design of the seaport terminal in Salerno, Italy. The design was “about emulating tradional architecture as well as the material and iconographic world of the great vessels and doing it from an environmental sensibility and a compromise to contemporary techniques” (ARCH270975). The firm participated in the international competition and their project was selected for the second round. The firm identified this project as number 122. Documenting this project are conceptual, presentation and design development drawings, project descriptions, maps, and reference, photographic and digital materials.
People:
Date:
1999-2001
1999-2001
Title:
Estación maritima de Salerno, Italy (1999)
Actions:
AP164.S1.1999.D9
Description:
The project series documents the design of the seaport terminal in Salerno, Italy. The design was “about emulating tradional architecture as well as the material and iconographic world of the great vessels and doing it from an environmental sensibility and a compromise to contemporary techniques” (ARCH270975). The firm participated in the international competition and their project was selected for the second round. The firm identified this project as number 122. Documenting this project are conceptual, presentation and design development drawings, project descriptions, maps, and reference, photographic and digital materials.
Estación maritima de Salerno, Italy (1999)
Actions:
AP164.S1.1999.D9
Description:
The project series documents the design of the seaport terminal in Salerno, Italy. The design was “about emulating tradional architecture as well as the material and iconographic world of the great vessels and doing it from an environmental sensibility and a compromise to contemporary techniques” (ARCH270975). The firm participated in the international competition and their project was selected for the second round. The firm identified this project as number 122. Documenting this project are conceptual, presentation and design development drawings, project descriptions, maps, and reference, photographic and digital materials.
Level of archival description:
Project
Project
Date:
1999-2001
1999-2001
People:
