642 Results
Form:
textual records
textual records
Actions:
Reference number:
AP197.S3.002
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1984-1990. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation at Columbia University and his related professional activities. Correspondence in this box includes: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, attend or present at lectures/symposiums/conferences; and requests to serve on juries such as the American Academy in Rome. Throughout this period, Frampton corresponded with architects, professors, publishers, and editors of various publications such as: Ignasi de Sola-Morales Rubio; Tadao Ando; Rafael Moneo; James Stirling; Marco Frascari; Alvaro Siza; Arata Isozaki; the Casabella; the Progressive Architecture; and Architecture and Urbanism. This correspondence includes Frampton’s invitation to be the Craig Francis Cullinan Visiting Lecturer at the School of Architecture, Rice University; correspondence with Rizzoli International Publications about the Tadao Ando book; correspondence with MIT Press for the Studies in Tectonic Culture publication; and correspondence about critical regionalism.
AP197.S3.002
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1984-1990. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation at Columbia University and his related professional activities. Correspondence in this box includes: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, attend or present at lectures/symposiums/conferences; and requests to serve on juries such as the American Academy in Rome. Throughout this period, Frampton corresponded with architects, professors, publishers, and editors of various publications such as: Ignasi de Sola-Morales Rubio; Tadao Ando; Rafael Moneo; James Stirling; Marco Frascari; Alvaro Siza; Arata Isozaki; the Casabella; the Progressive Architecture; and Architecture and Urbanism. This correspondence includes Frampton’s invitation to be the Craig Francis Cullinan Visiting Lecturer at the School of Architecture, Rice University; correspondence with Rizzoli International Publications about the Tadao Ando book; correspondence with MIT Press for the Studies in Tectonic Culture publication; and correspondence about critical regionalism.
People:
Date:
1984-1990
1984-1990
Title:
Personal and professional correspondence from 1984-1990
Actions:
AP197.S3.002
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1984-1990. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation at Columbia University and his related professional activities. Correspondence in this box includes: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, attend or present at lectures/symposiums/conferences; and requests to serve on juries such as the American Academy in Rome. Throughout this period, Frampton corresponded with architects, professors, publishers, and editors of various publications such as: Ignasi de Sola-Morales Rubio; Tadao Ando; Rafael Moneo; James Stirling; Marco Frascari; Alvaro Siza; Arata Isozaki; the Casabella; the Progressive Architecture; and Architecture and Urbanism. This correspondence includes Frampton’s invitation to be the Craig Francis Cullinan Visiting Lecturer at the School of Architecture, Rice University; correspondence with Rizzoli International Publications about the Tadao Ando book; correspondence with MIT Press for the Studies in Tectonic Culture publication; and correspondence about critical regionalism.
Personal and professional correspondence from 1984-1990
Actions:
AP197.S3.002
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1984-1990. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation at Columbia University and his related professional activities. Correspondence in this box includes: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, attend or present at lectures/symposiums/conferences; and requests to serve on juries such as the American Academy in Rome. Throughout this period, Frampton corresponded with architects, professors, publishers, and editors of various publications such as: Ignasi de Sola-Morales Rubio; Tadao Ando; Rafael Moneo; James Stirling; Marco Frascari; Alvaro Siza; Arata Isozaki; the Casabella; the Progressive Architecture; and Architecture and Urbanism. This correspondence includes Frampton’s invitation to be the Craig Francis Cullinan Visiting Lecturer at the School of Architecture, Rice University; correspondence with Rizzoli International Publications about the Tadao Ando book; correspondence with MIT Press for the Studies in Tectonic Culture publication; and correspondence about critical regionalism.
Form:
textual records
textual records
Date:
1984-1990
1984-1990
People:
Form:
textual records
textual records
Reference number:
AP197.S3.008
Description:
The box is comprised of correspondence for the year 1999. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: David Chipperfield; J.C. Calderon; Steven Holl; Phaidon Press Ltd.; Monacelli Press; the Barragan Foundation; Rafael Moneo; Renzo Piano; and the Architectural Society of China. This correspondence relates to articles Frampton has written such as: “Reflections on Minimalism;” the “Labyrinth of Barragan;” and an essay for the publication Tadao Ando in Body and Building: Essays on the Changing Relationship of Body and Architecture. Correspondence relating to Frampton’s position as a visiting professor at the Università della Svizzera italiana, a jury member for the Aga Khan Award, and as General Editor of World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10 is also included in this box.
AP197.S3.008
Description:
The box is comprised of correspondence for the year 1999. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: David Chipperfield; J.C. Calderon; Steven Holl; Phaidon Press Ltd.; Monacelli Press; the Barragan Foundation; Rafael Moneo; Renzo Piano; and the Architectural Society of China. This correspondence relates to articles Frampton has written such as: “Reflections on Minimalism;” the “Labyrinth of Barragan;” and an essay for the publication Tadao Ando in Body and Building: Essays on the Changing Relationship of Body and Architecture. Correspondence relating to Frampton’s position as a visiting professor at the Università della Svizzera italiana, a jury member for the Aga Khan Award, and as General Editor of World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10 is also included in this box.
People:
Date:
1999
1999
Title:
Personal and professional correspondence from 1999
Actions:
AP197.S3.008
Description:
The box is comprised of correspondence for the year 1999. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: David Chipperfield; J.C. Calderon; Steven Holl; Phaidon Press Ltd.; Monacelli Press; the Barragan Foundation; Rafael Moneo; Renzo Piano; and the Architectural Society of China. This correspondence relates to articles Frampton has written such as: “Reflections on Minimalism;” the “Labyrinth of Barragan;” and an essay for the publication Tadao Ando in Body and Building: Essays on the Changing Relationship of Body and Architecture. Correspondence relating to Frampton’s position as a visiting professor at the Università della Svizzera italiana, a jury member for the Aga Khan Award, and as General Editor of World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10 is also included in this box.
Personal and professional correspondence from 1999
Actions:
AP197.S3.008
Description:
The box is comprised of correspondence for the year 1999. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: David Chipperfield; J.C. Calderon; Steven Holl; Phaidon Press Ltd.; Monacelli Press; the Barragan Foundation; Rafael Moneo; Renzo Piano; and the Architectural Society of China. This correspondence relates to articles Frampton has written such as: “Reflections on Minimalism;” the “Labyrinth of Barragan;” and an essay for the publication Tadao Ando in Body and Building: Essays on the Changing Relationship of Body and Architecture. Correspondence relating to Frampton’s position as a visiting professor at the Università della Svizzera italiana, a jury member for the Aga Khan Award, and as General Editor of World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10 is also included in this box.
Form:
textual records
textual records
Date:
1999
1999
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Paul-Philippe Cret fonds
Paul-Philippe Cret fonds
Actions:
Reference number:
AP031
Synopsis:
Paul-Philippe Cret fonds, 1907-1950, documents Cret’s project for the International Bureau of American Republics (Pan American Union Building) in Washington D.C. (1907 – 1950). The fond is comprised of drawings showing plans, elevations, wiring and plumbing diagrams, and furniture layout.
AP031
Synopsis:
Paul-Philippe Cret fonds, 1907-1950, documents Cret’s project for the International Bureau of American Republics (Pan American Union Building) in Washington D.C. (1907 – 1950). The fond is comprised of drawings showing plans, elevations, wiring and plumbing diagrams, and furniture layout.
People:
Date:
circa 1907-1950
circa 1907-1950
Title:
Paul-Philippe Cret fonds
Actions:
AP031
Synopsis:
Paul-Philippe Cret fonds, 1907-1950, documents Cret’s project for the International Bureau of American Republics (Pan American Union Building) in Washington D.C. (1907 – 1950). The fond is comprised of drawings showing plans, elevations, wiring and plumbing diagrams, and furniture layout.
Paul-Philippe Cret fonds
Actions:
AP031
Synopsis:
Paul-Philippe Cret fonds, 1907-1950, documents Cret’s project for the International Bureau of American Republics (Pan American Union Building) in Washington D.C. (1907 – 1950). The fond is comprised of drawings showing plans, elevations, wiring and plumbing diagrams, and furniture layout.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
circa 1907-1950
circa 1907-1950
People:
Form:
exhibitions
exhibitions
Actions:
Description:
German artist Dieter Appelt presents a major work commissioned by the CCA and inspired by the late nineteenth-century Forth Rail Bridge near Edinburgh, Scotland. Dieter Appelt: Forth Bridge — Cinema. Metric Space is the second of four exhibitions in the Tangent series, which brings contemporary artists into dialogue with the CCA Collection and results in newly(...)
German artist Dieter Appelt presents a major work commissioned by the CCA and inspired by the late nineteenth-century Forth Rail Bridge near Edinburgh, Scotland. Dieter Appelt: Forth Bridge — Cinema. Metric Space is the second of four exhibitions in the Tangent series, which brings contemporary artists into dialogue with the CCA Collection and results in newly(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
9 March 2005 to 22 May 2005
9 March 2005 to 22 May 2005
Title:
Dieter Appelt: Forth Bridge - Cinema. Metric Space
Actions:
Description:
German artist Dieter Appelt presents a major work commissioned by the CCA and inspired by the late nineteenth-century Forth Rail Bridge near Edinburgh, Scotland. Dieter Appelt: Forth Bridge — Cinema. Metric Space is the second of four exhibitions in the Tangent series, which brings contemporary artists into dialogue with the CCA Collection and results in newly(...)
Dieter Appelt: Forth Bridge - Cinema. Metric Space
Actions:
Description:
German artist Dieter Appelt presents a major work commissioned by the CCA and inspired by the late nineteenth-century Forth Rail Bridge near Edinburgh, Scotland. Dieter Appelt: Forth Bridge — Cinema. Metric Space is the second of four exhibitions in the Tangent series, which brings contemporary artists into dialogue with the CCA Collection and results in newly(...)
Form:
exhibitions
exhibitions
Date:
9 March 2005 to
22 May 2005
9 March 2005 to
22 May 2005
Location:
Octagonal gallery
Octagonal gallery
Form:
events
events
Description:
A conversation between Japanese photographer Naoya Hatakeyama and CCA visiting curator Hubertus von Amelunxen on the exhibition Naoya Hatakeyama: Scales. Commissioned by the CCA, Naoya Hatakeyama created three photographic series of architectural models that challenge notions of scale and the perception of reality. He speaks about the series in the context of his work,(...)
A conversation between Japanese photographer Naoya Hatakeyama and CCA visiting curator Hubertus von Amelunxen on the exhibition Naoya Hatakeyama: Scales. Commissioned by the CCA, Naoya Hatakeyama created three photographic series of architectural models that challenge notions of scale and the perception of reality. He speaks about the series in the context of his work,(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
27 September 2007
27 September 2007
Title:
Naoya Hatakeyama and Hubertus von Amelunxen in Conversation
Actions:
Description:
A conversation between Japanese photographer Naoya Hatakeyama and CCA visiting curator Hubertus von Amelunxen on the exhibition Naoya Hatakeyama: Scales. Commissioned by the CCA, Naoya Hatakeyama created three photographic series of architectural models that challenge notions of scale and the perception of reality. He speaks about the series in the context of his work,(...)
Naoya Hatakeyama and Hubertus von Amelunxen in Conversation
Actions:
Description:
A conversation between Japanese photographer Naoya Hatakeyama and CCA visiting curator Hubertus von Amelunxen on the exhibition Naoya Hatakeyama: Scales. Commissioned by the CCA, Naoya Hatakeyama created three photographic series of architectural models that challenge notions of scale and the perception of reality. He speaks about the series in the context of his work,(...)
Form:
events
events
Date:
27 September 2007
27 September 2007
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Form:
exhibitions
exhibitions
Title:
Naoya Hatakeyama: Scales
Naoya Hatakeyama: Scales
Actions:
Description:
The work of Japanese artist Naoya Hatakeyama is concerned largely with the relationship between nature and cities. Comissioned by the CCA, the three series of photographs comprising Scales capture existing architectural models of New York City and Tokyo in a way that challenges notions of scale and the perception of reality. Naoya Hatakeyama: Scales is the fourth and(...)
The work of Japanese artist Naoya Hatakeyama is concerned largely with the relationship between nature and cities. Comissioned by the CCA, the three series of photographs comprising Scales capture existing architectural models of New York City and Tokyo in a way that challenges notions of scale and the perception of reality. Naoya Hatakeyama: Scales is the fourth and(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
27 September 2007 to 3 February 2008
27 September 2007 to 3 February 2008
Title:
Naoya Hatakeyama: Scales
Actions:
Description:
The work of Japanese artist Naoya Hatakeyama is concerned largely with the relationship between nature and cities. Comissioned by the CCA, the three series of photographs comprising Scales capture existing architectural models of New York City and Tokyo in a way that challenges notions of scale and the perception of reality. Naoya Hatakeyama: Scales is the fourth and(...)
Naoya Hatakeyama: Scales
Actions:
Description:
The work of Japanese artist Naoya Hatakeyama is concerned largely with the relationship between nature and cities. Comissioned by the CCA, the three series of photographs comprising Scales capture existing architectural models of New York City and Tokyo in a way that challenges notions of scale and the perception of reality. Naoya Hatakeyama: Scales is the fourth and(...)
Form:
exhibitions
exhibitions
Date:
27 September 2007 to
3 February 2008
27 September 2007 to
3 February 2008
Location:
Octagonal gallery
Octagonal gallery
Form:
textual records
textual records
Reference number:
AP197.S3.001
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1958- 1983. Correspondence documents the beginning of Frampton's professional career and includes letters from his time as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; an associate professor and, subsequently, Ware Professor of the Graduate School of Architecture, Planning and Preservation; a Fellow of the Institute for Architecture and Urban Studies; and an editor of Oppositions. This correspondence includes a letter inviting Frampton to teach at Princeton University and his acceptance of the position, his appointment to the Loeb Fellowship, and his appointment as an Associate Professor at Columbia University as well as correspondence concerning the first and second editions of Modern Architecture: a critical history. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Peter Eisenman; Robert Vickery; Anthony Hill; Melvin Charney; Richard Meier; Max Bill; Panos Koulermos; Tadao Ando; Tomás Maldonado; Manfredo Tafuri; Arata Isozaki; the Casabella; Architecture and Urbanism; DOMUS; and Thames and Hudson. Activities documented in this box include: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to attend or present lectures/symposiums/conferences; and requests to serve on juries.
AP197.S3.001
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1958- 1983. Correspondence documents the beginning of Frampton's professional career and includes letters from his time as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; an associate professor and, subsequently, Ware Professor of the Graduate School of Architecture, Planning and Preservation; a Fellow of the Institute for Architecture and Urban Studies; and an editor of Oppositions. This correspondence includes a letter inviting Frampton to teach at Princeton University and his acceptance of the position, his appointment to the Loeb Fellowship, and his appointment as an Associate Professor at Columbia University as well as correspondence concerning the first and second editions of Modern Architecture: a critical history. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Peter Eisenman; Robert Vickery; Anthony Hill; Melvin Charney; Richard Meier; Max Bill; Panos Koulermos; Tadao Ando; Tomás Maldonado; Manfredo Tafuri; Arata Isozaki; the Casabella; Architecture and Urbanism; DOMUS; and Thames and Hudson. Activities documented in this box include: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to attend or present lectures/symposiums/conferences; and requests to serve on juries.
People:
Date:
1958-1984
1958-1984
Title:
Personal and professional correspondence from 1958-1984
Actions:
AP197.S3.001
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1958- 1983. Correspondence documents the beginning of Frampton's professional career and includes letters from his time as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; an associate professor and, subsequently, Ware Professor of the Graduate School of Architecture, Planning and Preservation; a Fellow of the Institute for Architecture and Urban Studies; and an editor of Oppositions. This correspondence includes a letter inviting Frampton to teach at Princeton University and his acceptance of the position, his appointment to the Loeb Fellowship, and his appointment as an Associate Professor at Columbia University as well as correspondence concerning the first and second editions of Modern Architecture: a critical history. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Peter Eisenman; Robert Vickery; Anthony Hill; Melvin Charney; Richard Meier; Max Bill; Panos Koulermos; Tadao Ando; Tomás Maldonado; Manfredo Tafuri; Arata Isozaki; the Casabella; Architecture and Urbanism; DOMUS; and Thames and Hudson. Activities documented in this box include: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to attend or present lectures/symposiums/conferences; and requests to serve on juries.
Personal and professional correspondence from 1958-1984
Actions:
AP197.S3.001
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1958- 1983. Correspondence documents the beginning of Frampton's professional career and includes letters from his time as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; an associate professor and, subsequently, Ware Professor of the Graduate School of Architecture, Planning and Preservation; a Fellow of the Institute for Architecture and Urban Studies; and an editor of Oppositions. This correspondence includes a letter inviting Frampton to teach at Princeton University and his acceptance of the position, his appointment to the Loeb Fellowship, and his appointment as an Associate Professor at Columbia University as well as correspondence concerning the first and second editions of Modern Architecture: a critical history. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Peter Eisenman; Robert Vickery; Anthony Hill; Melvin Charney; Richard Meier; Max Bill; Panos Koulermos; Tadao Ando; Tomás Maldonado; Manfredo Tafuri; Arata Isozaki; the Casabella; Architecture and Urbanism; DOMUS; and Thames and Hudson. Activities documented in this box include: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to attend or present lectures/symposiums/conferences; and requests to serve on juries.
Form:
textual records
textual records
Date:
1958-1984
1958-1984
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
John C. Parkin fonds
John C. Parkin fonds
Reference number:
AP018
Synopsis:
The John C. Parkin fonds documents the professional career of Toronto-based architect John C. Parkin (1922-1988) at his firms John B. Parkin Associates and Parkin Architects Planners. Most materials in this fonds record 347 architectural projects covering the years 1947-1987. John C. Parkin’s professional involvement in the arts and architecture, his firms’ activities, and his professional achievements are also recorded.
AP018
Synopsis:
The John C. Parkin fonds documents the professional career of Toronto-based architect John C. Parkin (1922-1988) at his firms John B. Parkin Associates and Parkin Architects Planners. Most materials in this fonds record 347 architectural projects covering the years 1947-1987. John C. Parkin’s professional involvement in the arts and architecture, his firms’ activities, and his professional achievements are also recorded.
People:
Date:
1929-1987
1929-1987
Title:
John C. Parkin fonds
Actions:
AP018
Synopsis:
The John C. Parkin fonds documents the professional career of Toronto-based architect John C. Parkin (1922-1988) at his firms John B. Parkin Associates and Parkin Architects Planners. Most materials in this fonds record 347 architectural projects covering the years 1947-1987. John C. Parkin’s professional involvement in the arts and architecture, his firms’ activities, and his professional achievements are also recorded.
John C. Parkin fonds
Actions:
AP018
Synopsis:
The John C. Parkin fonds documents the professional career of Toronto-based architect John C. Parkin (1922-1988) at his firms John B. Parkin Associates and Parkin Architects Planners. Most materials in this fonds record 347 architectural projects covering the years 1947-1987. John C. Parkin’s professional involvement in the arts and architecture, his firms’ activities, and his professional achievements are also recorded.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1929-1987
1929-1987
People:
Form:
events
events
Title:
Sustainable?
Sustainable?
Actions:
Description:
Sustainable? is an international colloquium bringing together individuals from various disciplines to explore questions of sustainability in relation to architecture. Initiated by architect and scholar Iñaki Àbalos, the colloquium and roundtable discussion historically situates architectural engagement with sustainability, and constructs a program for future engagement(...)
Sustainable? is an international colloquium bringing together individuals from various disciplines to explore questions of sustainability in relation to architecture. Initiated by architect and scholar Iñaki Àbalos, the colloquium and roundtable discussion historically situates architectural engagement with sustainability, and constructs a program for future engagement(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
16 June 2007 to 17 June 2007
16 June 2007 to 17 June 2007
Title:
Sustainable?
Actions:
Description:
Sustainable? is an international colloquium bringing together individuals from various disciplines to explore questions of sustainability in relation to architecture. Initiated by architect and scholar Iñaki Àbalos, the colloquium and roundtable discussion historically situates architectural engagement with sustainability, and constructs a program for future engagement(...)
Sustainable?
Actions:
Description:
Sustainable? is an international colloquium bringing together individuals from various disciplines to explore questions of sustainability in relation to architecture. Initiated by architect and scholar Iñaki Àbalos, the colloquium and roundtable discussion historically situates architectural engagement with sustainability, and constructs a program for future engagement(...)
Form:
events
events
Date:
16 June 2007 to
17 June 2007
16 June 2007 to
17 June 2007
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Reference number:
AP056
Synopsis:
The Kuwabara Payne McKenna Blumberg fonds documents the architectural projects of the firm from 1984-2003. 125 projects are recorded through drawings, photographs, models, textual records, periodicals and paintings. These projects include built work, proposals and competition entries.
AP056
Synopsis:
The Kuwabara Payne McKenna Blumberg fonds documents the architectural projects of the firm from 1984-2003. 125 projects are recorded through drawings, photographs, models, textual records, periodicals and paintings. These projects include built work, proposals and competition entries.
People:
Date:
1984-2003
1984-2003
Title:
Kuwabara Payne Mckenna Blumberg fonds
Actions:
AP056
Synopsis:
The Kuwabara Payne McKenna Blumberg fonds documents the architectural projects of the firm from 1984-2003. 125 projects are recorded through drawings, photographs, models, textual records, periodicals and paintings. These projects include built work, proposals and competition entries.
Kuwabara Payne Mckenna Blumberg fonds
Actions:
AP056
Synopsis:
The Kuwabara Payne McKenna Blumberg fonds documents the architectural projects of the firm from 1984-2003. 125 projects are recorded through drawings, photographs, models, textual records, periodicals and paintings. These projects include built work, proposals and competition entries.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1984-2003
1984-2003
People:
