37208 Results
Form:
events
events
Title:
Learning from... London
Learning from... London
Actions:
Description:
Kieran Long presents a story about the difficulty of describing a city in all its richness. London contains stories and meanings that are alive to its citizens, but apparently too difficult to talk about, too rich, and too messy to be allowed to affect those who decide how the city changes. The deafness of developers, politicians and architects to these narratives is so(...)
Kieran Long presents a story about the difficulty of describing a city in all its richness. London contains stories and meanings that are alive to its citizens, but apparently too difficult to talk about, too rich, and too messy to be allowed to affect those who decide how the city changes. The deafness of developers, politicians and architects to these narratives is so(...)
Location:
Paul Desmarais Theater
Paul Desmarais Theater
Date:
10 March 2011 , 7pm
10 March 2011 , 7pm
Title:
Learning from... London
Actions:
Description:
Kieran Long presents a story about the difficulty of describing a city in all its richness. London contains stories and meanings that are alive to its citizens, but apparently too difficult to talk about, too rich, and too messy to be allowed to affect those who decide how the city changes. The deafness of developers, politicians and architects to these narratives is so(...)
Learning from... London
Actions:
Description:
Kieran Long presents a story about the difficulty of describing a city in all its richness. London contains stories and meanings that are alive to its citizens, but apparently too difficult to talk about, too rich, and too messy to be allowed to affect those who decide how the city changes. The deafness of developers, politicians and architects to these narratives is so(...)
Form:
events
events
Date:
10 March 2011
7pm
10 March 2011
7pm
Location:
Paul Desmarais Theater
Paul Desmarais Theater
Form:
events
events
Title:
Learning from… Toronto
Learning from… Toronto
Actions:
Description:
Ian Chodikoff, architect, urban designer, and editor of Canadian Architect magazine, presents his research on the contemporary suburb and how the influences of ethnic diversity and multiculturalism affect architecture and urban design within the suburban landscape across the Greater Toronto Area (GTA). Today’s suburbs are more ethnically diverse, globally connected and(...)
Ian Chodikoff, architect, urban designer, and editor of Canadian Architect magazine, presents his research on the contemporary suburb and how the influences of ethnic diversity and multiculturalism affect architecture and urban design within the suburban landscape across the Greater Toronto Area (GTA). Today’s suburbs are more ethnically diverse, globally connected and(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
4 March 2010 , 7pm
4 March 2010 , 7pm
Title:
Learning from… Toronto
Actions:
Description:
Ian Chodikoff, architect, urban designer, and editor of Canadian Architect magazine, presents his research on the contemporary suburb and how the influences of ethnic diversity and multiculturalism affect architecture and urban design within the suburban landscape across the Greater Toronto Area (GTA). Today’s suburbs are more ethnically diverse, globally connected and(...)
Learning from… Toronto
Actions:
Description:
Ian Chodikoff, architect, urban designer, and editor of Canadian Architect magazine, presents his research on the contemporary suburb and how the influences of ethnic diversity and multiculturalism affect architecture and urban design within the suburban landscape across the Greater Toronto Area (GTA). Today’s suburbs are more ethnically diverse, globally connected and(...)
Form:
events
events
Date:
4 March 2010
7pm
4 March 2010
7pm
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Form:
exhibitions
exhibitions
Actions:
Description:
Herzog de Meuron: Archaeology of the Mind presents an exhaustive display of materials from the architects’ archive and from related collections. Referencing a natural history, the exhibition includes study models, books, photographs, toys, fossils, Chinese scholars’ rocks, and significant works of contemporary art, all of which have informed the thinking of the Swiss(...)
Herzog de Meuron: Archaeology of the Mind presents an exhaustive display of materials from the architects’ archive and from related collections. Referencing a natural history, the exhibition includes study models, books, photographs, toys, fossils, Chinese scholars’ rocks, and significant works of contemporary art, all of which have informed the thinking of the Swiss(...)
Location:
Main galleries
Main galleries
Date:
23 October 2002 to 6 April 2003
23 October 2002 to 6 April 2003
Title:
Herzog & de Meuron: Archaeology of the Mind
Actions:
Description:
Herzog de Meuron: Archaeology of the Mind presents an exhaustive display of materials from the architects’ archive and from related collections. Referencing a natural history, the exhibition includes study models, books, photographs, toys, fossils, Chinese scholars’ rocks, and significant works of contemporary art, all of which have informed the thinking of the Swiss(...)
Herzog & de Meuron: Archaeology of the Mind
Actions:
Description:
Herzog de Meuron: Archaeology of the Mind presents an exhaustive display of materials from the architects’ archive and from related collections. Referencing a natural history, the exhibition includes study models, books, photographs, toys, fossils, Chinese scholars’ rocks, and significant works of contemporary art, all of which have informed the thinking of the Swiss(...)
Form:
exhibitions
exhibitions
Date:
23 October 2002 to
6 April 2003
23 October 2002 to
6 April 2003
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Actions:
Description:
Through a commission from the CCA, three contemporary photographers spent six years interpreting the work of Frederick Law Olmsted (1822–1903), North America’s most important landscape architect. *Viewing Olmsted: Photographs by Robert Burley, Lee Friedlander, and Geoffrey James* presents 155 photographs from this commission to offer visitors an opportunity to understand(...)
Through a commission from the CCA, three contemporary photographers spent six years interpreting the work of Frederick Law Olmsted (1822–1903), North America’s most important landscape architect. *Viewing Olmsted: Photographs by Robert Burley, Lee Friedlander, and Geoffrey James* presents 155 photographs from this commission to offer visitors an opportunity to understand(...)
Location:
Main galleries
Main galleries
Date:
16 October 1996 to 2 February 1997
16 October 1996 to 2 February 1997
Title:
Viewing Olmsted: Photographs by Robert Burley, Lee Friedlander, and Geoffrey James
Actions:
Description:
Through a commission from the CCA, three contemporary photographers spent six years interpreting the work of Frederick Law Olmsted (1822–1903), North America’s most important landscape architect. *Viewing Olmsted: Photographs by Robert Burley, Lee Friedlander, and Geoffrey James* presents 155 photographs from this commission to offer visitors an opportunity to understand(...)
Viewing Olmsted: Photographs by Robert Burley, Lee Friedlander, and Geoffrey James
Actions:
Description:
Through a commission from the CCA, three contemporary photographers spent six years interpreting the work of Frederick Law Olmsted (1822–1903), North America’s most important landscape architect. *Viewing Olmsted: Photographs by Robert Burley, Lee Friedlander, and Geoffrey James* presents 155 photographs from this commission to offer visitors an opportunity to understand(...)
Form:
exhibitions
exhibitions
Date:
16 October 1996 to
2 February 1997
16 October 1996 to
2 February 1997
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Title:
Mies in America
Mies in America
Actions:
Description:
A profound thinker, painstaking artist, and one of the greatest architects in history, Ludwig Mies van der Rohe emigrated from Germany to the United States in 1938, when he was already in his fifties and one of the recognized masters of his profession. Transplanted from the Bauhaus (of which he was the last director) to a technical institute in Chicago, from the European(...)
A profound thinker, painstaking artist, and one of the greatest architects in history, Ludwig Mies van der Rohe emigrated from Germany to the United States in 1938, when he was already in his fifties and one of the recognized masters of his profession. Transplanted from the Bauhaus (of which he was the last director) to a technical institute in Chicago, from the European(...)
Location:
Main galleries
Main galleries
Date:
17 October 2001 to 20 January 2002
17 October 2001 to 20 January 2002
Title:
Mies in America
Actions:
Description:
A profound thinker, painstaking artist, and one of the greatest architects in history, Ludwig Mies van der Rohe emigrated from Germany to the United States in 1938, when he was already in his fifties and one of the recognized masters of his profession. Transplanted from the Bauhaus (of which he was the last director) to a technical institute in Chicago, from the European(...)
Mies in America
Actions:
Description:
A profound thinker, painstaking artist, and one of the greatest architects in history, Ludwig Mies van der Rohe emigrated from Germany to the United States in 1938, when he was already in his fifties and one of the recognized masters of his profession. Transplanted from the Bauhaus (of which he was the last director) to a technical institute in Chicago, from the European(...)
Form:
exhibitions
exhibitions
Date:
17 October 2001 to
20 January 2002
17 October 2001 to
20 January 2002
Location:
Main galleries
Main galleries
Form:
research
research
Title:
Visiting Scholars 2006
Visiting Scholars 2006
Actions:
Description:
Jean Attali, École Nationale Supérieure dArchitecture de Paris-Malaquais, Paris, France Topic: Figures d’énonciation de la pensée architecturale et spatiale: manifestes et oppositions dans les oeuvres d’Aldo Rossi, Peter Eisenman et Rem Koolhaas Cammy Brothers, University of Virginia, Charlottesville, United States Topic: Drawing from Memory: Giuliano da Sangallo and(...)
Jean Attali, École Nationale Supérieure dArchitecture de Paris-Malaquais, Paris, France Topic: Figures d’énonciation de la pensée architecturale et spatiale: manifestes et oppositions dans les oeuvres d’Aldo Rossi, Peter Eisenman et Rem Koolhaas Cammy Brothers, University of Virginia, Charlottesville, United States Topic: Drawing from Memory: Giuliano da Sangallo and(...)
Date:
10 January 2006 to 15 September 2006
10 January 2006 to 15 September 2006
Title:
Visiting Scholars 2006
Actions:
Description:
Jean Attali, École Nationale Supérieure dArchitecture de Paris-Malaquais, Paris, France Topic: Figures d’énonciation de la pensée architecturale et spatiale: manifestes et oppositions dans les oeuvres d’Aldo Rossi, Peter Eisenman et Rem Koolhaas Cammy Brothers, University of Virginia, Charlottesville, United States Topic: Drawing from Memory: Giuliano da Sangallo and(...)
Visiting Scholars 2006
Actions:
Description:
Jean Attali, École Nationale Supérieure dArchitecture de Paris-Malaquais, Paris, France Topic: Figures d’énonciation de la pensée architecturale et spatiale: manifestes et oppositions dans les oeuvres d’Aldo Rossi, Peter Eisenman et Rem Koolhaas Cammy Brothers, University of Virginia, Charlottesville, United States Topic: Drawing from Memory: Giuliano da Sangallo and(...)
Form:
research
research
Date:
10 January 2006 to
15 September 2006
10 January 2006 to
15 September 2006
Form:
research
research
Title:
Visiting Scholars 1999–2000
Visiting Scholars 1999–2000
Actions:
Description:
Theme: The Baroque Phenomenon beyond Rome: Mark Dorrian, Department of Architecture, University of Edinburgh, Edinburgh, United Kingdom Topic: Baroque Deformation Martina Frank, Department of History, Università degli studi di Udine, Italy Topic: Luca Danesi et le baroque vénitien Indra McEwen, National Theatre School of Canada, Montreal, Canada Subject: The State of(...)
Theme: The Baroque Phenomenon beyond Rome: Mark Dorrian, Department of Architecture, University of Edinburgh, Edinburgh, United Kingdom Topic: Baroque Deformation Martina Frank, Department of History, Università degli studi di Udine, Italy Topic: Luca Danesi et le baroque vénitien Indra McEwen, National Theatre School of Canada, Montreal, Canada Subject: The State of(...)
Date:
January 2000 to August 2000
January 2000 to August 2000
Title:
Visiting Scholars 1999–2000
Actions:
Description:
Theme: The Baroque Phenomenon beyond Rome: Mark Dorrian, Department of Architecture, University of Edinburgh, Edinburgh, United Kingdom Topic: Baroque Deformation Martina Frank, Department of History, Università degli studi di Udine, Italy Topic: Luca Danesi et le baroque vénitien Indra McEwen, National Theatre School of Canada, Montreal, Canada Subject: The State of(...)
Visiting Scholars 1999–2000
Actions:
Description:
Theme: The Baroque Phenomenon beyond Rome: Mark Dorrian, Department of Architecture, University of Edinburgh, Edinburgh, United Kingdom Topic: Baroque Deformation Martina Frank, Department of History, Università degli studi di Udine, Italy Topic: Luca Danesi et le baroque vénitien Indra McEwen, National Theatre School of Canada, Montreal, Canada Subject: The State of(...)
Form:
research
research
Date:
January 2000 to
August 2000
January 2000 to
August 2000
Form:
drawings, works of art
drawings, works of art
Actions:
Reference number:
DR1974:0002:024:001-079
Description:
- This album consists mainly of design development and presentation drawings and transfer lithographs - mostly plans, sections, and elevations - for eight unexecuted projects for an addition to the Cabinet d'histoire naturelle at the Muséum national d'histoire naturelle, Paris. Seven of these projects are for a Galerie de zoologie, and one is for a Galerie de botanique et de paléontologie. Three types of plans, all classically-inspired, are developed for these projects, which date from 1838 to 1862. The most completely documented project, dated 9 January 1846, is represented in four pen and ink plans and forty transfer lithographs. This proposal consists of a U-shaped building surrounding a courtyard with a double row of galleries on the ground floor of the main wing. The principal façade has a colonnade of engaged Corinthian columns with pedimented entrances at each end. Two projects similar in plan to the 1846 project are dated 1839 (DR1974:0002:024:007, DR1974:0002:024:009, DR1974:0002:024:011), and 1842 (DR1974:0002:024:005 - DR1974:0002:024:006). Two projects have U-shaped plans with central courtyards and a single row of galleries, one dated 1838 (DR1974:0002:024:023, DR1974:0002:024:032, DR1974:0002:024:035 and DR1974:0002:024:038), and a second, for the Galerie de botanique et de paléontologie, dated 1839 (DR1974:0002:024:015, DR1974:0002:024:017 and DR1974:0002:024:020). Three projects have plans with a single row of galleries surrounding a central gallery: one dated 1838 (DR1974:0002:024:026 - DR1974:0002:024:028); a second possibly dated 1838 (DR1974:0002:024:043 and DR1974:0002:024:046); and a third dated 1862 (with an attached note dated 1864) (DR1974:0002:024:059-60, DR1974:0002:024:063, DR1974:0002:024:066, DR1974:0002:024:069, and DR1974:0002:024:073-074). Eight alternate plans for a Galerie de zoologie on two sheets, DR1974:0002:024:002 and DR1974:0002:024:003, include some of the designs developed in this album. Two site plans engraved by Charles-Bonaparte Marlier (DR1974:0002:024:049 - DR1974:0002:024:050), have additions by Rohault de Fleury showing his ideas for the Muséum. Also included are a site plan for a projected addition to the Galerie de minéralogie et de géologie (DR1974:0002:024:056), a transfer lithograph of elevations for the Galerie d'anatomie comparée (DR1974:0002:024:051), and a sketch for a greenhouse (DR1974:0002:024:001).
DR1974:0002:024:001-079
Description:
- This album consists mainly of design development and presentation drawings and transfer lithographs - mostly plans, sections, and elevations - for eight unexecuted projects for an addition to the Cabinet d'histoire naturelle at the Muséum national d'histoire naturelle, Paris. Seven of these projects are for a Galerie de zoologie, and one is for a Galerie de botanique et de paléontologie. Three types of plans, all classically-inspired, are developed for these projects, which date from 1838 to 1862. The most completely documented project, dated 9 January 1846, is represented in four pen and ink plans and forty transfer lithographs. This proposal consists of a U-shaped building surrounding a courtyard with a double row of galleries on the ground floor of the main wing. The principal façade has a colonnade of engaged Corinthian columns with pedimented entrances at each end. Two projects similar in plan to the 1846 project are dated 1839 (DR1974:0002:024:007, DR1974:0002:024:009, DR1974:0002:024:011), and 1842 (DR1974:0002:024:005 - DR1974:0002:024:006). Two projects have U-shaped plans with central courtyards and a single row of galleries, one dated 1838 (DR1974:0002:024:023, DR1974:0002:024:032, DR1974:0002:024:035 and DR1974:0002:024:038), and a second, for the Galerie de botanique et de paléontologie, dated 1839 (DR1974:0002:024:015, DR1974:0002:024:017 and DR1974:0002:024:020). Three projects have plans with a single row of galleries surrounding a central gallery: one dated 1838 (DR1974:0002:024:026 - DR1974:0002:024:028); a second possibly dated 1838 (DR1974:0002:024:043 and DR1974:0002:024:046); and a third dated 1862 (with an attached note dated 1864) (DR1974:0002:024:059-60, DR1974:0002:024:063, DR1974:0002:024:066, DR1974:0002:024:069, and DR1974:0002:024:073-074). Eight alternate plans for a Galerie de zoologie on two sheets, DR1974:0002:024:002 and DR1974:0002:024:003, include some of the designs developed in this album. Two site plans engraved by Charles-Bonaparte Marlier (DR1974:0002:024:049 - DR1974:0002:024:050), have additions by Rohault de Fleury showing his ideas for the Muséum. Also included are a site plan for a projected addition to the Galerie de minéralogie et de géologie (DR1974:0002:024:056), a transfer lithograph of elevations for the Galerie d'anatomie comparée (DR1974:0002:024:051), and a sketch for a greenhouse (DR1974:0002:024:001).
People:
Subject:
architecture, landscape architecture
architecture, landscape architecture
Date:
mid 19th century
mid 19th century
Title:
Album of design development and presentation drawings and prints, mostly for projects for a Galerie de zoologie, Muséum national d'histoire naturelle, Paris
Actions:
DR1974:0002:024:001-079
Description:
- This album consists mainly of design development and presentation drawings and transfer lithographs - mostly plans, sections, and elevations - for eight unexecuted projects for an addition to the Cabinet d'histoire naturelle at the Muséum national d'histoire naturelle, Paris. Seven of these projects are for a Galerie de zoologie, and one is for a Galerie de botanique et de paléontologie. Three types of plans, all classically-inspired, are developed for these projects, which date from 1838 to 1862. The most completely documented project, dated 9 January 1846, is represented in four pen and ink plans and forty transfer lithographs. This proposal consists of a U-shaped building surrounding a courtyard with a double row of galleries on the ground floor of the main wing. The principal façade has a colonnade of engaged Corinthian columns with pedimented entrances at each end. Two projects similar in plan to the 1846 project are dated 1839 (DR1974:0002:024:007, DR1974:0002:024:009, DR1974:0002:024:011), and 1842 (DR1974:0002:024:005 - DR1974:0002:024:006). Two projects have U-shaped plans with central courtyards and a single row of galleries, one dated 1838 (DR1974:0002:024:023, DR1974:0002:024:032, DR1974:0002:024:035 and DR1974:0002:024:038), and a second, for the Galerie de botanique et de paléontologie, dated 1839 (DR1974:0002:024:015, DR1974:0002:024:017 and DR1974:0002:024:020). Three projects have plans with a single row of galleries surrounding a central gallery: one dated 1838 (DR1974:0002:024:026 - DR1974:0002:024:028); a second possibly dated 1838 (DR1974:0002:024:043 and DR1974:0002:024:046); and a third dated 1862 (with an attached note dated 1864) (DR1974:0002:024:059-60, DR1974:0002:024:063, DR1974:0002:024:066, DR1974:0002:024:069, and DR1974:0002:024:073-074). Eight alternate plans for a Galerie de zoologie on two sheets, DR1974:0002:024:002 and DR1974:0002:024:003, include some of the designs developed in this album. Two site plans engraved by Charles-Bonaparte Marlier (DR1974:0002:024:049 - DR1974:0002:024:050), have additions by Rohault de Fleury showing his ideas for the Muséum. Also included are a site plan for a projected addition to the Galerie de minéralogie et de géologie (DR1974:0002:024:056), a transfer lithograph of elevations for the Galerie d'anatomie comparée (DR1974:0002:024:051), and a sketch for a greenhouse (DR1974:0002:024:001).
Album of design development and presentation drawings and prints, mostly for projects for a Galerie de zoologie, Muséum national d'histoire naturelle, Paris
Actions:
DR1974:0002:024:001-079
Description:
- This album consists mainly of design development and presentation drawings and transfer lithographs - mostly plans, sections, and elevations - for eight unexecuted projects for an addition to the Cabinet d'histoire naturelle at the Muséum national d'histoire naturelle, Paris. Seven of these projects are for a Galerie de zoologie, and one is for a Galerie de botanique et de paléontologie. Three types of plans, all classically-inspired, are developed for these projects, which date from 1838 to 1862. The most completely documented project, dated 9 January 1846, is represented in four pen and ink plans and forty transfer lithographs. This proposal consists of a U-shaped building surrounding a courtyard with a double row of galleries on the ground floor of the main wing. The principal façade has a colonnade of engaged Corinthian columns with pedimented entrances at each end. Two projects similar in plan to the 1846 project are dated 1839 (DR1974:0002:024:007, DR1974:0002:024:009, DR1974:0002:024:011), and 1842 (DR1974:0002:024:005 - DR1974:0002:024:006). Two projects have U-shaped plans with central courtyards and a single row of galleries, one dated 1838 (DR1974:0002:024:023, DR1974:0002:024:032, DR1974:0002:024:035 and DR1974:0002:024:038), and a second, for the Galerie de botanique et de paléontologie, dated 1839 (DR1974:0002:024:015, DR1974:0002:024:017 and DR1974:0002:024:020). Three projects have plans with a single row of galleries surrounding a central gallery: one dated 1838 (DR1974:0002:024:026 - DR1974:0002:024:028); a second possibly dated 1838 (DR1974:0002:024:043 and DR1974:0002:024:046); and a third dated 1862 (with an attached note dated 1864) (DR1974:0002:024:059-60, DR1974:0002:024:063, DR1974:0002:024:066, DR1974:0002:024:069, and DR1974:0002:024:073-074). Eight alternate plans for a Galerie de zoologie on two sheets, DR1974:0002:024:002 and DR1974:0002:024:003, include some of the designs developed in this album. Two site plans engraved by Charles-Bonaparte Marlier (DR1974:0002:024:049 - DR1974:0002:024:050), have additions by Rohault de Fleury showing his ideas for the Muséum. Also included are a site plan for a projected addition to the Galerie de minéralogie et de géologie (DR1974:0002:024:056), a transfer lithograph of elevations for the Galerie d'anatomie comparée (DR1974:0002:024:051), and a sketch for a greenhouse (DR1974:0002:024:001).
Form:
drawings, works of art
drawings, works of art
Date:
mid 19th century
mid 19th century
People:
Subject:
architecture, landscape architecture
architecture, landscape architecture
Form:
research
research
Title:
Visiting Scholars 2004
Visiting Scholars 2004
Actions:
Description:
Jean-Pierre Chupin, École darchitecture, Université de Montréal, Canada Topic: Théories du projet et paradoxes de la pensée analogique au tournant des années 70 Samuel D. Abert, Department of Art History, Hebrew University of Jerusalem, Israel Topic: And was Jerusalem builded here… Maarten Delbeke, Universiteit Gent, Ghent, Belgium Topic: The Sacred History of(...)
Jean-Pierre Chupin, École darchitecture, Université de Montréal, Canada Topic: Théories du projet et paradoxes de la pensée analogique au tournant des années 70 Samuel D. Abert, Department of Art History, Hebrew University of Jerusalem, Israel Topic: And was Jerusalem builded here… Maarten Delbeke, Universiteit Gent, Ghent, Belgium Topic: The Sacred History of(...)
Date:
January 2004 to August 2004
January 2004 to August 2004
Title:
Visiting Scholars 2004
Actions:
Description:
Jean-Pierre Chupin, École darchitecture, Université de Montréal, Canada Topic: Théories du projet et paradoxes de la pensée analogique au tournant des années 70 Samuel D. Abert, Department of Art History, Hebrew University of Jerusalem, Israel Topic: And was Jerusalem builded here… Maarten Delbeke, Universiteit Gent, Ghent, Belgium Topic: The Sacred History of(...)
Visiting Scholars 2004
Actions:
Description:
Jean-Pierre Chupin, École darchitecture, Université de Montréal, Canada Topic: Théories du projet et paradoxes de la pensée analogique au tournant des années 70 Samuel D. Abert, Department of Art History, Hebrew University of Jerusalem, Israel Topic: And was Jerusalem builded here… Maarten Delbeke, Universiteit Gent, Ghent, Belgium Topic: The Sacred History of(...)
Form:
research
research
Date:
January 2004 to
August 2004
January 2004 to
August 2004
Form:
events
events
Actions:
Description:
Curatorial practice as it emerged during the twentieth century is no doubt being extensively recast. The tremendous change in the status of the object, of culture, of the various disciplines, or information and education, implies an inevitable transformation of the curator’s role and competences. A renewed interest for curatorial practice has emerged within the field of(...)
Curatorial practice as it emerged during the twentieth century is no doubt being extensively recast. The tremendous change in the status of the object, of culture, of the various disciplines, or information and education, implies an inevitable transformation of the curator’s role and competences. A renewed interest for curatorial practice has emerged within the field of(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
11 November 2010 to 13 November 2010
11 November 2010 to 13 November 2010
Title:
The CCA in an Expanding Curatorial Field
Actions:
Description:
Curatorial practice as it emerged during the twentieth century is no doubt being extensively recast. The tremendous change in the status of the object, of culture, of the various disciplines, or information and education, implies an inevitable transformation of the curator’s role and competences. A renewed interest for curatorial practice has emerged within the field of(...)
The CCA in an Expanding Curatorial Field
Actions:
Description:
Curatorial practice as it emerged during the twentieth century is no doubt being extensively recast. The tremendous change in the status of the object, of culture, of the various disciplines, or information and education, implies an inevitable transformation of the curator’s role and competences. A renewed interest for curatorial practice has emerged within the field of(...)
Form:
events
events
Date:
11 November 2010 to
13 November 2010
11 November 2010 to
13 November 2010
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
