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Title:
The cathedral of mist
The cathedral of mist
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First published in French in 1983, 'The Cathedral of Mist' is a collection of stories from the last of the great Francophone Belgian fantasists: distilled tales of distant journeys, buried memories and impossible architecture. Described here are the emotionally disturbed architectural plan for a palace of emptiness; the experience of snowfall in a bed in the middle of a(...)
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Summary:
First published in French in 1983, 'The Cathedral of Mist' is a collection of stories from the last of the great Francophone Belgian fantasists: distilled tales of distant journeys, buried memories and impossible architecture. Described here are the emotionally disturbed architectural plan for a palace of emptiness; the experience of snowfall in a bed in the middle of a(...)
Title:
The cathedral of mist
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$16.95
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First published in French in 1983, 'The Cathedral of Mist' is a collection of stories from the last of the great Francophone Belgian fantasists: distilled tales of distant journeys, buried memories and impossible architecture. Described here are the emotionally disturbed architectural plan for a palace of emptiness; the experience of snowfall in a bed in the middle of a Finnish forest; the memory chambers that fuel the marvelous futility of the endeavor to write; the beautiful woodland church, built of warm air currents and fog, scattering in storms and taking renewed shape at dusk, that gives this book its title.
The cathedral of mist
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Summary:
First published in French in 1983, 'The Cathedral of Mist' is a collection of stories from the last of the great Francophone Belgian fantasists: distilled tales of distant journeys, buried memories and impossible architecture. Described here are the emotionally disturbed architectural plan for a palace of emptiness; the experience of snowfall in a bed in the middle of a Finnish forest; the memory chambers that fuel the marvelous futility of the endeavor to write; the beautiful woodland church, built of warm air currents and fog, scattering in storms and taking renewed shape at dusk, that gives this book its title.
Subject:
Architecture and the imaginary
Architecture and the imaginary
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$78.95
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The new generation of Mexican architecture is represented by Taller Héctor Barroso and Estudio Macías Peredo, two offices whose work emerges in harmony with the surrounding site, generating spaces with an emotional content that evoke memory and highlight the habitable quality of their architecture. Projects by the former, established by Barroso in Mexico City in 2011,(...)
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The new generation of Mexican architecture is represented by Taller Héctor Barroso and Estudio Macías Peredo, two offices whose work emerges in harmony with the surrounding site, generating spaces with an emotional content that evoke memory and highlight the habitable quality of their architecture. Projects by the former, established by Barroso in Mexico City in 2011,(...)
Title:
A.MAG 19 : Taller Hector Barroso / Estudio Macias Peredo
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The new generation of Mexican architecture is represented by Taller Héctor Barroso and Estudio Macías Peredo, two offices whose work emerges in harmony with the surrounding site, generating spaces with an emotional content that evoke memory and highlight the habitable quality of their architecture. Projects by the former, established by Barroso in Mexico City in 2011, often take advantage of the natural resources of each place, including local materials and construction methods. Estudio Macías Peredo was launched in 2012 in Guadalajara, with a special focus on the local context. This developing interest has become the central theme of their approach.
A.MAG 19 : Taller Hector Barroso / Estudio Macias Peredo
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The new generation of Mexican architecture is represented by Taller Héctor Barroso and Estudio Macías Peredo, two offices whose work emerges in harmony with the surrounding site, generating spaces with an emotional content that evoke memory and highlight the habitable quality of their architecture. Projects by the former, established by Barroso in Mexico City in 2011, often take advantage of the natural resources of each place, including local materials and construction methods. Estudio Macías Peredo was launched in 2012 in Guadalajara, with a special focus on the local context. This developing interest has become the central theme of their approach.
Subject:
Magazines
Magazines
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$38.99
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Robertson’s unconventional history of the origins of the information age posits the filing cabinet as an information storage container, an 'automatic memory' machine that contributed to a new type of information labor privileging manual dexterity over mental deliberation. Gendered assumptions about women’s nimble fingers helped to naturalize the changes that brought(...)
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Robertson’s unconventional history of the origins of the information age posits the filing cabinet as an information storage container, an 'automatic memory' machine that contributed to a new type of information labor privileging manual dexterity over mental deliberation. Gendered assumptions about women’s nimble fingers helped to naturalize the changes that brought(...)
Title:
The filing cabinet: a vertical history of information
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Robertson’s unconventional history of the origins of the information age posits the filing cabinet as an information storage container, an 'automatic memory' machine that contributed to a new type of information labor privileging manual dexterity over mental deliberation. Gendered assumptions about women’s nimble fingers helped to naturalize the changes that brought women into the workforce as low-level clerical workers. The filing cabinet emerges from this unexpected account as a sophisticated piece of information technology and a site of gendered labor that with its folders, files, and tabs continues to shape how we interact with information and data in today’s digital world.
The filing cabinet: a vertical history of information
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Robertson’s unconventional history of the origins of the information age posits the filing cabinet as an information storage container, an 'automatic memory' machine that contributed to a new type of information labor privileging manual dexterity over mental deliberation. Gendered assumptions about women’s nimble fingers helped to naturalize the changes that brought women into the workforce as low-level clerical workers. The filing cabinet emerges from this unexpected account as a sophisticated piece of information technology and a site of gendered labor that with its folders, files, and tabs continues to shape how we interact with information and data in today’s digital world.
Subject:
Design Theory
Design Theory
Title:
AV 235: Masters' Memoirs
AV 235: Masters' Memoirs
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The voice of memory rings loud and clear on the pages of the new issue of 'AV Monographs', a compilation of conversations that Luis Fernández-Galiano has had over the years with ten architects recounting their respective lives and professional trajectories. Arranged by age of the speakers – from Frank Gehry, the most veteran of all, to Bjarke Ingels – and transcribed in(...)
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The voice of memory rings loud and clear on the pages of the new issue of 'AV Monographs', a compilation of conversations that Luis Fernández-Galiano has had over the years with ten architects recounting their respective lives and professional trajectories. Arranged by age of the speakers – from Frank Gehry, the most veteran of all, to Bjarke Ingels – and transcribed in(...)
Title:
AV 235: Masters' Memoirs
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The voice of memory rings loud and clear on the pages of the new issue of 'AV Monographs', a compilation of conversations that Luis Fernández-Galiano has had over the years with ten architects recounting their respective lives and professional trajectories. Arranged by age of the speakers – from Frank Gehry, the most veteran of all, to Bjarke Ingels – and transcribed in the form of monologues, the interviews trace the biographical journey of each architect, from family origins, upbringing, and educational training to latest projects at the time of the dialogue, and are illustrated with the most characteristic works and projects of their career.
AV 235: Masters' Memoirs
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Summary:
The voice of memory rings loud and clear on the pages of the new issue of 'AV Monographs', a compilation of conversations that Luis Fernández-Galiano has had over the years with ten architects recounting their respective lives and professional trajectories. Arranged by age of the speakers – from Frank Gehry, the most veteran of all, to Bjarke Ingels – and transcribed in the form of monologues, the interviews trace the biographical journey of each architect, from family origins, upbringing, and educational training to latest projects at the time of the dialogue, and are illustrated with the most characteristic works and projects of their career.
Subject:
Magazines
Magazines
Form:
books
books
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Description:
ix, 358 pages : illustrations (some color), maps, portraits ; 26 cm
Description:
ix, 358 pages : illustrations (some color), maps, portraits ; 26 cm
Subject:
- Architecture, Rococo Social aspects England.,
- Architecture, Rococo Social aspects Ireland.,
- Architecture, Rococo England History 18th century.,
- Architecture, Rococo Ireland History 18th century.,
- Decorative arts, Rococo England History 18th century.,
- Decorative arts, Rococo Ireland History 18th century.,
- Architecture rococo Aspect social Angleterre.,
- Architecture rococo Aspect social Irlande.,
- Architecture rococo Angleterre Histoire 18e siècle.,
- Architecture rococo Irlande Histoire 18e siècle.,
- Arts décoratifs rococo Angleterre Histoire 18e siècle.,
- Arts décoratifs rococo Irlande Histoire 18e siècle.,
- Architecture, Rococo.,
- Decorative arts, Rococo.,
- Architektur,
- Rokoko,
- Bouwkunst.,
- Kunstnijverheid.,
- Rococo.,
- Architecture, Rococo Great Britain.,
- Architecture, Rococo Ireland.,
- Architecture Great Britain 18th century.,
- Architecture Ireland 18th century.,
- Decorative arts, Rococo Great Britain.,
- Decorative arts, Rococo Ireland.,
- Decorative arts Great Britain History 18th century.,
- Decorative arts Ireland 18th century.,
- Architecture and society Great Britain 18th century.,
- Architecture and society Ireland 18th century.,
- Architecture rococo Angleterre (GB),
- Architecture rococo Irlande.,
- Architecture Angleterre (GB) 18e siècle.,
- Architecture Irlande 18e siècle.,
- Arts décoratifs Angleterre (GB) 18e siècle.,
- Arts décoratifs Irlande 18e siècle.,
- England.,
- Ireland.,
- Irland,
- History.
(See more)
Publication:
London : Reaktion, 1999.
London : Reaktion, 1999.
Title:
An insular rococo : architecture, politics and society in Ireland and England, 1710-1770 / Timothy Mowl and Brian Earnshaw.
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ix, 358 pages : illustrations (some color), maps, portraits ; 26 cm
An insular rococo : architecture, politics and society in Ireland and England, 1710-1770 / Timothy Mowl and Brian Earnshaw.
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Description:
ix, 358 pages : illustrations (some color), maps, portraits ; 26 cm
Form:
books
books
Publication:
London : Reaktion, 1999.
London : Reaktion, 1999.
Subject:
- Architecture, Rococo Social aspects England.,
- Architecture, Rococo Social aspects Ireland.,
- Architecture, Rococo England History 18th century.,
- Architecture, Rococo Ireland History 18th century.,
- Decorative arts, Rococo England History 18th century.,
- Decorative arts, Rococo Ireland History 18th century.,
- Architecture rococo Aspect social Angleterre.,
- Architecture rococo Aspect social Irlande.,
- Architecture rococo Angleterre Histoire 18e siècle.,
- Architecture rococo Irlande Histoire 18e siècle.,
- Arts décoratifs rococo Angleterre Histoire 18e siècle.,
- Arts décoratifs rococo Irlande Histoire 18e siècle.,
- Architecture, Rococo.,
- Decorative arts, Rococo.,
- Architektur,
- Rokoko,
- Bouwkunst.,
- Kunstnijverheid.,
- Rococo.,
- Architecture, Rococo Great Britain.,
- Architecture, Rococo Ireland.,
- Architecture Great Britain 18th century.,
- Architecture Ireland 18th century.,
- Decorative arts, Rococo Great Britain.,
- Decorative arts, Rococo Ireland.,
- Decorative arts Great Britain History 18th century.,
- Decorative arts Ireland 18th century.,
- Architecture and society Great Britain 18th century.,
- Architecture and society Ireland 18th century.,
- Architecture rococo Angleterre (GB),
- Architecture rococo Irlande.,
- Architecture Angleterre (GB) 18e siècle.,
- Architecture Irlande 18e siècle.,
- Arts décoratifs Angleterre (GB) 18e siècle.,
- Arts décoratifs Irlande 18e siècle.,
- England.,
- Ireland.,
- Irland,
- History.
(See more)
Form:
books
books
Title:
Gaiety.
Gaiety.
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Description:
1 online resource
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Publication:
[Place of publication not identified] : Pumflet, 2017., [Place of publication not identified] : Stellenbosch Outdoor Sculpture Trust, 2017., [Place of publication not identified] : Wolff Architects, 2017.
[Place of publication not identified] : Pumflet, 2017., [Place of publication not identified] : Stellenbosch Outdoor Sculpture Trust, 2017., [Place of publication not identified] : Wolff Architects, 2017.
Form:
books
books
Publication:
[Place of publication not identified] : Pumflet, 2017., [Place of publication not identified] : Stellenbosch Outdoor Sculpture Trust, 2017., [Place of publication not identified] : Wolff Architects, 2017.
[Place of publication not identified] : Pumflet, 2017., [Place of publication not identified] : Stellenbosch Outdoor Sculpture Trust, 2017., [Place of publication not identified] : Wolff Architects, 2017.
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books
books
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Description:
287 pages : illustrations (chiefly color), plans ; 28 cm
Description:
287 pages : illustrations (chiefly color), plans ; 28 cm
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Subject:
Publication:
Basel : Birkhäuser, [2024], ©2024
Basel : Birkhäuser, [2024], ©2024
Title:
Set pieces : architecture for the performing arts in fifteen fragments : Diamond Schmitt Architects / executive editors, Brian Sholis and Jennifer Sigler.
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Description:
287 pages : illustrations (chiefly color), plans ; 28 cm
Set pieces : architecture for the performing arts in fifteen fragments : Diamond Schmitt Architects / executive editors, Brian Sholis and Jennifer Sigler.
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Description:
287 pages : illustrations (chiefly color), plans ; 28 cm
Form:
books
books
Publication:
Basel : Birkhäuser, [2024], ©2024
Basel : Birkhäuser, [2024], ©2024
Form:
books
books
Title:
Hilmer & Sattler : Bauten und Projekte = Buildings and projects / Einführung, Stanislaus von Moos.
Hilmer & Sattler : Bauten und Projekte = Buildings and projects / Einführung, Stanislaus von Moos.
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Description:
243 pages : illustrations (some color) ; 31 cm
Description:
243 pages : illustrations (some color) ; 31 cm
Subject:
- Hilmer, Heinz.,
- Sattler, Christoph.,
- Hilmer, Heinz, 1936-,
- Sattler, Christop, 1938-,
- Hilmer und Sattler.,
- Hilmer & Sattler und Albrecht Gesellschaft von Architekten,
- Architecture Germany History 20th century.,
- Architecture Allemagne 20e siècle.,
- Architecture,
- Architektur,
- Bildband,
- Germany,
- Catalogues raisonnés.,
- History
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Publication:
Stuttgart : Edition A. Menges, ©2000.
Stuttgart : Edition A. Menges, ©2000.
Title:
Hilmer & Sattler : Bauten und Projekte = Buildings and projects / Einführung, Stanislaus von Moos.
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Description:
243 pages : illustrations (some color) ; 31 cm
Hilmer & Sattler : Bauten und Projekte = Buildings and projects / Einführung, Stanislaus von Moos.
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Description:
243 pages : illustrations (some color) ; 31 cm
Form:
books
books
Publication:
Stuttgart : Edition A. Menges, ©2000.
Stuttgart : Edition A. Menges, ©2000.
Subject:
- Hilmer, Heinz.,
- Sattler, Christoph.,
- Hilmer, Heinz, 1936-,
- Sattler, Christop, 1938-,
- Hilmer und Sattler.,
- Hilmer & Sattler und Albrecht Gesellschaft von Architekten,
- Architecture Germany History 20th century.,
- Architecture Allemagne 20e siècle.,
- Architecture,
- Architektur,
- Bildband,
- Germany,
- Catalogues raisonnés.,
- History
(See more)
Form:
books
books
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$41.95
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Summary:
In his thoughtful collection of essays on the relationship of architecture and the arts, Giuliana Bruno addresses the crucial role that architecture plays in the production of art and the making of public intimacy. As art melts into spatial construction and architecture mobilizes artistic vision, Bruno argues, a new moving space--a screen of vital cultural memory--has(...)
$41.95
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Summary:
In his thoughtful collection of essays on the relationship of architecture and the arts, Giuliana Bruno addresses the crucial role that architecture plays in the production of art and the making of public intimacy. As art melts into spatial construction and architecture mobilizes artistic vision, Bruno argues, a new moving space--a screen of vital cultural memory--has(...)
Title:
Public intimacy: architecture and the visual arts
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In his thoughtful collection of essays on the relationship of architecture and the arts, Giuliana Bruno addresses the crucial role that architecture plays in the production of art and the making of public intimacy. As art melts into spatial construction and architecture mobilizes artistic vision, Bruno argues, a new moving space--a screen of vital cultural memory--has come to shape our visual culture. Taking on the central topic of museum culture, Bruno leads the reader on a series of architectural promenades from modernity to our times. Through these "museum walks," she demonstrates how artistic collection has become a culture of recollection, and examines the public space of the pavilion as reinvented in the moving-image art installation of Turner Prize nominees Jane and Louise Wilson. Investigating the intersection of science and art, Bruno looks at our cultural obsession with techniques of imaging and its effect on the privacy of bodies and space. She finds in the work of artist Rebecca Horn a notable combination of the artistic and the scientific that creates an architecture of public intimacy. Considering the role of architecture in contemporary art that refashions our "lived space"--and the work of contemporary artists including Rachel Whiteread, Mona Hatoum, and Guillermo Kuitca--Bruno argues that architecture is used to define the frame of memory, the border of public and private space, and the permeability of exterior and interior space. Architecture, Bruno contends, is not merely a matter of space, but an art of time.
Public intimacy: architecture and the visual arts
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$41.95
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Summary:
In his thoughtful collection of essays on the relationship of architecture and the arts, Giuliana Bruno addresses the crucial role that architecture plays in the production of art and the making of public intimacy. As art melts into spatial construction and architecture mobilizes artistic vision, Bruno argues, a new moving space--a screen of vital cultural memory--has come to shape our visual culture. Taking on the central topic of museum culture, Bruno leads the reader on a series of architectural promenades from modernity to our times. Through these "museum walks," she demonstrates how artistic collection has become a culture of recollection, and examines the public space of the pavilion as reinvented in the moving-image art installation of Turner Prize nominees Jane and Louise Wilson. Investigating the intersection of science and art, Bruno looks at our cultural obsession with techniques of imaging and its effect on the privacy of bodies and space. She finds in the work of artist Rebecca Horn a notable combination of the artistic and the scientific that creates an architecture of public intimacy. Considering the role of architecture in contemporary art that refashions our "lived space"--and the work of contemporary artists including Rachel Whiteread, Mona Hatoum, and Guillermo Kuitca--Bruno argues that architecture is used to define the frame of memory, the border of public and private space, and the permeability of exterior and interior space. Architecture, Bruno contends, is not merely a matter of space, but an art of time.
Form:
books
books
Publication:
April 2007
April 2007
Subject:
Art Theory
Art Theory
Title:
The Remembered film
The Remembered film
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$24.95
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Summary:
Most books about cinema, whether popular or academic, concentrate on what we might call the ‘inside’ of the film: from star performances to narrative structures. The relatively few books about the ‘outside’ of films speak mainly of such aspects of production and reception as the organization of the film industry and the sociology of audiences: the Hollywood studio system,(...)
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Summary:
Most books about cinema, whether popular or academic, concentrate on what we might call the ‘inside’ of the film: from star performances to narrative structures. The relatively few books about the ‘outside’ of films speak mainly of such aspects of production and reception as the organization of the film industry and the sociology of audiences: the Hollywood studio system,(...)
Title:
The Remembered film
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$24.95
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Most books about cinema, whether popular or academic, concentrate on what we might call the ‘inside’ of the film: from star performances to narrative structures. The relatively few books about the ‘outside’ of films speak mainly of such aspects of production and reception as the organization of the film industry and the sociology of audiences: the Hollywood studio system, for example, or fan clubs. The Remembered Film is unique in addressing a previously overlooked aspect of cinema: the isolated fragments of films, iconic images or scenes, that fleetingly cross our perceptions and thoughts in the course of everyday life. Victor Burgin examines a kaleidescope of film fragments drawn from a variety of media, the internet, memory and fantasy. Among these are sequences of such brevity they might almost be stills. Such ‘sequence-images’, as Burgin calls them, are neither strictly ‘image’ nor ‘image sequence’ and have not been considered before by either film or photography theory. He also considers some typical individual experiences ‘sampled’ from mainstream cinema. He reflects on such disparate occurrences as the association in memory of fragments from otherwise unrelated films, of the relation of a recollected film image to an architectural setting, or of a feeling ‘marked’ by an image remembered from a film. The Remembered Film provides a radical new way of thinking about film outside conventional cinema, and in relation to our everyday lives. It will appeal to a wide audience interested in film and media.
The Remembered film
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$24.95
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Summary:
Most books about cinema, whether popular or academic, concentrate on what we might call the ‘inside’ of the film: from star performances to narrative structures. The relatively few books about the ‘outside’ of films speak mainly of such aspects of production and reception as the organization of the film industry and the sociology of audiences: the Hollywood studio system, for example, or fan clubs. The Remembered Film is unique in addressing a previously overlooked aspect of cinema: the isolated fragments of films, iconic images or scenes, that fleetingly cross our perceptions and thoughts in the course of everyday life. Victor Burgin examines a kaleidescope of film fragments drawn from a variety of media, the internet, memory and fantasy. Among these are sequences of such brevity they might almost be stills. Such ‘sequence-images’, as Burgin calls them, are neither strictly ‘image’ nor ‘image sequence’ and have not been considered before by either film or photography theory. He also considers some typical individual experiences ‘sampled’ from mainstream cinema. He reflects on such disparate occurrences as the association in memory of fragments from otherwise unrelated films, of the relation of a recollected film image to an architectural setting, or of a feeling ‘marked’ by an image remembered from a film. The Remembered Film provides a radical new way of thinking about film outside conventional cinema, and in relation to our everyday lives. It will appeal to a wide audience interested in film and media.
Subject:
Photography monographs
Photography monographs