56716 Results
Form:
textual records
textual records
Actions:
Reference number:
ARCH274175
Description:
6 files- conferences and presentations information packages, participation forms, travel documents, agendas, topic papers. Includes "Art in the City" jointly organized by Nardoni Gallery and Unesco, Prague, 11-13 May 1987; World Biennale of Architecture, Interarch '87, Sophia, Bulgaria, 21-27 September 1987; International Conference on Tall Buildings, Hong Kong, China, 2-4 May 1988; Standford Design Conference, Stanford, California, 27-29 May 1989.
ARCH274175
Description:
6 files- conferences and presentations information packages, participation forms, travel documents, agendas, topic papers. Includes "Art in the City" jointly organized by Nardoni Gallery and Unesco, Prague, 11-13 May 1987; World Biennale of Architecture, Interarch '87, Sophia, Bulgaria, 21-27 September 1987; International Conference on Tall Buildings, Hong Kong, China, 2-4 May 1988; Standford Design Conference, Stanford, California, 27-29 May 1989.
People:
Title:
Presentations informations packages, participation forms, agendas and topis papers related to various conferences
Actions:
ARCH274175
Description:
6 files- conferences and presentations information packages, participation forms, travel documents, agendas, topic papers. Includes "Art in the City" jointly organized by Nardoni Gallery and Unesco, Prague, 11-13 May 1987; World Biennale of Architecture, Interarch '87, Sophia, Bulgaria, 21-27 September 1987; International Conference on Tall Buildings, Hong Kong, China, 2-4 May 1988; Standford Design Conference, Stanford, California, 27-29 May 1989.
Presentations informations packages, participation forms, agendas and topis papers related to various conferences
Actions:
ARCH274175
Description:
6 files- conferences and presentations information packages, participation forms, travel documents, agendas, topic papers. Includes "Art in the City" jointly organized by Nardoni Gallery and Unesco, Prague, 11-13 May 1987; World Biennale of Architecture, Interarch '87, Sophia, Bulgaria, 21-27 September 1987; International Conference on Tall Buildings, Hong Kong, China, 2-4 May 1988; Standford Design Conference, Stanford, California, 27-29 May 1989.
Form:
textual records
textual records
People:
Form:
textual records
textual records
Actions:
Reference number:
ARCH276124
Description:
20 files - Group contains office records from Arthur Erickson Architectural Corporation and Aitken & Wregelsworth Associates, where Arthur Erickon worked as design consultant. Includes: Bob Williams; Ex Staff; Bankruptcy Letters; Museum of Anthropology, Vancouver Art Gallery, correspondence (business, reference and some persona)l; Project Proposals (old AEAC); files on current, potential and future projects; Environment - a file related to the Clayoquot Sound protests in 1993.
ARCH276124
Description:
20 files - Group contains office records from Arthur Erickson Architectural Corporation and Aitken & Wregelsworth Associates, where Arthur Erickon worked as design consultant. Includes: Bob Williams; Ex Staff; Bankruptcy Letters; Museum of Anthropology, Vancouver Art Gallery, correspondence (business, reference and some persona)l; Project Proposals (old AEAC); files on current, potential and future projects; Environment - a file related to the Clayoquot Sound protests in 1993.
People:
Date:
1990-2000
1990-2000
Title:
Correspondence and proposals from Erickson's office
Actions:
ARCH276124
Description:
20 files - Group contains office records from Arthur Erickson Architectural Corporation and Aitken & Wregelsworth Associates, where Arthur Erickon worked as design consultant. Includes: Bob Williams; Ex Staff; Bankruptcy Letters; Museum of Anthropology, Vancouver Art Gallery, correspondence (business, reference and some persona)l; Project Proposals (old AEAC); files on current, potential and future projects; Environment - a file related to the Clayoquot Sound protests in 1993.
Correspondence and proposals from Erickson's office
Actions:
ARCH276124
Description:
20 files - Group contains office records from Arthur Erickson Architectural Corporation and Aitken & Wregelsworth Associates, where Arthur Erickon worked as design consultant. Includes: Bob Williams; Ex Staff; Bankruptcy Letters; Museum of Anthropology, Vancouver Art Gallery, correspondence (business, reference and some persona)l; Project Proposals (old AEAC); files on current, potential and future projects; Environment - a file related to the Clayoquot Sound protests in 1993.
Form:
textual records
textual records
Date:
1990-2000
1990-2000
People:
Form:
textual records
textual records
Reference number:
AP206.S2.059
Description:
File was originally housed in a binder along with content arranged in AP206.S2.056, AP206.S2.057 and AP206.S2.058. This file includes the following papers: "The Role of Architects in Urban and Rural Growth" "The Environment of Chandigarh," 1985 "Memo on a possible New Capital for Haryana" "Manifesto of the Peoples of Haryana" "Spatial Planning of Human Settlements," 1984 Poem delivered at art exhibition inauguration at Lalit Kala Academy, 1985
AP206.S2.059
Description:
File was originally housed in a binder along with content arranged in AP206.S2.056, AP206.S2.057 and AP206.S2.058. This file includes the following papers: "The Role of Architects in Urban and Rural Growth" "The Environment of Chandigarh," 1985 "Memo on a possible New Capital for Haryana" "Manifesto of the Peoples of Haryana" "Spatial Planning of Human Settlements," 1984 Poem delivered at art exhibition inauguration at Lalit Kala Academy, 1985
People:
Date:
1982-1985
1982-1985
Title:
Published and unpublished papers (folder 4 of 4)
Actions:
AP206.S2.059
Description:
File was originally housed in a binder along with content arranged in AP206.S2.056, AP206.S2.057 and AP206.S2.058. This file includes the following papers: "The Role of Architects in Urban and Rural Growth" "The Environment of Chandigarh," 1985 "Memo on a possible New Capital for Haryana" "Manifesto of the Peoples of Haryana" "Spatial Planning of Human Settlements," 1984 Poem delivered at art exhibition inauguration at Lalit Kala Academy, 1985
Published and unpublished papers (folder 4 of 4)
Actions:
AP206.S2.059
Description:
File was originally housed in a binder along with content arranged in AP206.S2.056, AP206.S2.057 and AP206.S2.058. This file includes the following papers: "The Role of Architects in Urban and Rural Growth" "The Environment of Chandigarh," 1985 "Memo on a possible New Capital for Haryana" "Manifesto of the Peoples of Haryana" "Spatial Planning of Human Settlements," 1984 Poem delivered at art exhibition inauguration at Lalit Kala Academy, 1985
Form:
textual records
textual records
Date:
1982-1985
1982-1985
People:
Form:
exhibitions
exhibitions
Actions:
Description:
As they fill their sketchbooks with both texts and images, architects capture initial reactions to sites; record impressions and make drawings as they travel; organise work to be done; articulate design concepts and pose solutions; draft essays, lectures, and letters; write research notes; and copy inspirational passages from their readings. The Architect’s Sketchbook:(...)
As they fill their sketchbooks with both texts and images, architects capture initial reactions to sites; record impressions and make drawings as they travel; organise work to be done; articulate design concepts and pose solutions; draft essays, lectures, and letters; write research notes; and copy inspirational passages from their readings. The Architect’s Sketchbook:(...)
Location:
Hall cases
Hall cases
Date:
26 February 1992 to 24 May 1992
26 February 1992 to 24 May 1992
Title:
The Architect's Sketchbook: Current Practice
Actions:
Description:
As they fill their sketchbooks with both texts and images, architects capture initial reactions to sites; record impressions and make drawings as they travel; organise work to be done; articulate design concepts and pose solutions; draft essays, lectures, and letters; write research notes; and copy inspirational passages from their readings. The Architect’s Sketchbook:(...)
The Architect's Sketchbook: Current Practice
Actions:
Description:
As they fill their sketchbooks with both texts and images, architects capture initial reactions to sites; record impressions and make drawings as they travel; organise work to be done; articulate design concepts and pose solutions; draft essays, lectures, and letters; write research notes; and copy inspirational passages from their readings. The Architect’s Sketchbook:(...)
Form:
exhibitions
exhibitions
Date:
26 February 1992 to
24 May 1992
26 February 1992 to
24 May 1992
Location:
Hall cases
Hall cases
Level of archival description:
Series
Series
Actions:
Reference number:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
People:
Date:
2004-2006
2004-2006
Title:
I’ve heard about and Hypnosis chamber
Actions:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
I’ve heard about and Hypnosis chamber
Actions:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
Level of archival description:
Series
Series
Date:
2004-2006
2004-2006
People:
Form:
born digital, photographs
born digital, photographs
Actions:
Reference number:
AP170.S4.002
Description:
This directory chiefly contains images and animated GIFs for various publications related to HypoSurface and other dECOi projects, including Art and Architecture magazine and an unidentified book. Directory also includes Paul Steenhuisen audio files of modified cow sounds. Original directory name: "ftp-data". Most common file formats: Aegis Files, Tagged Image File Format, Graphics Interchange Format, Audio Interchange File Format, Exchangeable Image File Format (Compressed).
AP170.S4.002
Description:
This directory chiefly contains images and animated GIFs for various publications related to HypoSurface and other dECOi projects, including Art and Architecture magazine and an unidentified book. Directory also includes Paul Steenhuisen audio files of modified cow sounds. Original directory name: "ftp-data". Most common file formats: Aegis Files, Tagged Image File Format, Graphics Interchange Format, Audio Interchange File Format, Exchangeable Image File Format (Compressed).
People:
Date:
25 February 1999 - 23 April 2007
25 February 1999 - 23 April 2007
Title:
Publication images and animations for HypoSurface and other dECOi projects (1 of 2)
Actions:
AP170.S4.002
Description:
This directory chiefly contains images and animated GIFs for various publications related to HypoSurface and other dECOi projects, including Art and Architecture magazine and an unidentified book. Directory also includes Paul Steenhuisen audio files of modified cow sounds. Original directory name: "ftp-data". Most common file formats: Aegis Files, Tagged Image File Format, Graphics Interchange Format, Audio Interchange File Format, Exchangeable Image File Format (Compressed).
Publication images and animations for HypoSurface and other dECOi projects (1 of 2)
Actions:
AP170.S4.002
Description:
This directory chiefly contains images and animated GIFs for various publications related to HypoSurface and other dECOi projects, including Art and Architecture magazine and an unidentified book. Directory also includes Paul Steenhuisen audio files of modified cow sounds. Original directory name: "ftp-data". Most common file formats: Aegis Files, Tagged Image File Format, Graphics Interchange Format, Audio Interchange File Format, Exchangeable Image File Format (Compressed).
Form:
born digital, photographs
born digital, photographs
Date:
25 February 1999 - 23 April 2007
25 February 1999 - 23 April 2007
People:
Form:
exhibitions
exhibitions
Actions:
Description:
As Building Director of Baden in southwest Germany, Friedrich Weinbrenner (1766–1826) had the unique opportunity to create in Karlsruhe—the capital and his native city—one of the most homogeneous architectural ensembles ever achieved by a single architect. The exhibition focuses on the impact of scientific and administrative reform on the urban and agricultural(...)
As Building Director of Baden in southwest Germany, Friedrich Weinbrenner (1766–1826) had the unique opportunity to create in Karlsruhe—the capital and his native city—one of the most homogeneous architectural ensembles ever achieved by a single architect. The exhibition focuses on the impact of scientific and administrative reform on the urban and agricultural(...)
Location:
Main galleries
Main galleries
Date:
31 January 1990 to 18 March 1990
31 January 1990 to 18 March 1990
Title:
Friedrich Weinbrenner, Architect of Karlsruhe
Actions:
Description:
As Building Director of Baden in southwest Germany, Friedrich Weinbrenner (1766–1826) had the unique opportunity to create in Karlsruhe—the capital and his native city—one of the most homogeneous architectural ensembles ever achieved by a single architect. The exhibition focuses on the impact of scientific and administrative reform on the urban and agricultural(...)
Friedrich Weinbrenner, Architect of Karlsruhe
Actions:
Description:
As Building Director of Baden in southwest Germany, Friedrich Weinbrenner (1766–1826) had the unique opportunity to create in Karlsruhe—the capital and his native city—one of the most homogeneous architectural ensembles ever achieved by a single architect. The exhibition focuses on the impact of scientific and administrative reform on the urban and agricultural(...)
Form:
exhibitions
exhibitions
Date:
31 January 1990 to
18 March 1990
31 January 1990 to
18 March 1990
Location:
Main galleries
Main galleries
Form:
textual records
textual records
Actions:
Reference number:
AP075.S3.SS3.018
Description:
Contains: . Honoris Causa from the Ryerson Polytechnic University in 1999 . Honoris Causa from McGill University in 2008 . Honoris Causa from Dalhousie University in 2008 . Honoris Causa from Brisith Columbia Institute of Technology . Honoris Causa from University of British Columbia . Honoris Causa from Emily Carr University of Art & Design . Margolese National Design for Living Prize 2015 of the Faculty of Applied Science at the University of British Columbia
AP075.S3.SS3.018
Description:
Contains: . Honoris Causa from the Ryerson Polytechnic University in 1999 . Honoris Causa from McGill University in 2008 . Honoris Causa from Dalhousie University in 2008 . Honoris Causa from Brisith Columbia Institute of Technology . Honoris Causa from University of British Columbia . Honoris Causa from Emily Carr University of Art & Design . Margolese National Design for Living Prize 2015 of the Faculty of Applied Science at the University of British Columbia
People:
Date:
1999-2016
1999-2016
Title:
Honoris Causa to Cornelia Hahn Oberlander from Canadian universities
Actions:
AP075.S3.SS3.018
Description:
Contains: . Honoris Causa from the Ryerson Polytechnic University in 1999 . Honoris Causa from McGill University in 2008 . Honoris Causa from Dalhousie University in 2008 . Honoris Causa from Brisith Columbia Institute of Technology . Honoris Causa from University of British Columbia . Honoris Causa from Emily Carr University of Art & Design . Margolese National Design for Living Prize 2015 of the Faculty of Applied Science at the University of British Columbia
Honoris Causa to Cornelia Hahn Oberlander from Canadian universities
Actions:
AP075.S3.SS3.018
Description:
Contains: . Honoris Causa from the Ryerson Polytechnic University in 1999 . Honoris Causa from McGill University in 2008 . Honoris Causa from Dalhousie University in 2008 . Honoris Causa from Brisith Columbia Institute of Technology . Honoris Causa from University of British Columbia . Honoris Causa from Emily Carr University of Art & Design . Margolese National Design for Living Prize 2015 of the Faculty of Applied Science at the University of British Columbia
Form:
textual records
textual records
Date:
1999-2016
1999-2016
People:
Form:
events
events
Title:
The Dark Edge of a Clear-cut
The Dark Edge of a Clear-cut
Actions:
Description:
In a conversation moderated by Louise Désy, CCA Curator, Photographs, Lorraine Gilbert presents her work: The documentation of landscapes I have lived and worked in has resulted in a body of work that questions our place within nature and within our built environments. The seemingly objective nature of the way I have pictured these natural and urban spaces, has given way(...)
In a conversation moderated by Louise Désy, CCA Curator, Photographs, Lorraine Gilbert presents her work: The documentation of landscapes I have lived and worked in has resulted in a body of work that questions our place within nature and within our built environments. The seemingly objective nature of the way I have pictured these natural and urban spaces, has given way(...)
Location:
Main galleries Keyword(s):
The Dark Edge of a Clear-cut, Canada, It's all happening so fast, conversation
Main galleries Keyword(s):
The Dark Edge of a Clear-cut, Canada, It's all happening so fast, conversation
Date:
4 February 2017, 3pm
4 February 2017, 3pm
Title:
The Dark Edge of a Clear-cut
Actions:
Description:
In a conversation moderated by Louise Désy, CCA Curator, Photographs, Lorraine Gilbert presents her work: The documentation of landscapes I have lived and worked in has resulted in a body of work that questions our place within nature and within our built environments. The seemingly objective nature of the way I have pictured these natural and urban spaces, has given way(...)
The Dark Edge of a Clear-cut
Actions:
Description:
In a conversation moderated by Louise Désy, CCA Curator, Photographs, Lorraine Gilbert presents her work: The documentation of landscapes I have lived and worked in has resulted in a body of work that questions our place within nature and within our built environments. The seemingly objective nature of the way I have pictured these natural and urban spaces, has given way(...)
Form:
events
events
Date:
4 February 2017
3pm
4 February 2017
3pm
Location:
Main galleries Keyword(s):
The Dark Edge of a Clear-cut, Canada, It's all happening so fast, conversation
Main galleries Keyword(s):
The Dark Edge of a Clear-cut, Canada, It's all happening so fast, conversation
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Title:
Rohault de Fleury collection
Rohault de Fleury collection
Reference number:
CI001
Synopsis:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
CI001
Synopsis:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
People:
Date:
1717-[1884]
1717-[1884]
Title:
Rohault de Fleury collection
CI001
Synopsis:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
Rohault de Fleury collection
CI001
Synopsis:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
Form:
archives
Level of archival description:
Collection 1
archives
Level of archival description:
Collection 1
Date:
1717-[1884]
1717-[1884]
People:
