21298 Results
Form:
events
events
Title:
Learning from... Madrid
Learning from... Madrid
Actions:
Description:
In the aftermath of the global economic crisis, Spain is now paying for its lack of urban policy, particularly in the construction industry. The credit crunch curbed the frenzy of construction and left behind a vast territory of incomplete urban spaces. Architect, editor, and architectural curator Javier Arpa Fernández presents a lecture reflecting on how alternative(...)
In the aftermath of the global economic crisis, Spain is now paying for its lack of urban policy, particularly in the construction industry. The credit crunch curbed the frenzy of construction and left behind a vast territory of incomplete urban spaces. Architect, editor, and architectural curator Javier Arpa Fernández presents a lecture reflecting on how alternative(...)
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Date:
4 December 2014 , 6pm
4 December 2014 , 6pm
Title:
Learning from... Madrid
Actions:
Description:
In the aftermath of the global economic crisis, Spain is now paying for its lack of urban policy, particularly in the construction industry. The credit crunch curbed the frenzy of construction and left behind a vast territory of incomplete urban spaces. Architect, editor, and architectural curator Javier Arpa Fernández presents a lecture reflecting on how alternative(...)
Learning from... Madrid
Actions:
Description:
In the aftermath of the global economic crisis, Spain is now paying for its lack of urban policy, particularly in the construction industry. The credit crunch curbed the frenzy of construction and left behind a vast territory of incomplete urban spaces. Architect, editor, and architectural curator Javier Arpa Fernández presents a lecture reflecting on how alternative(...)
Form:
events
events
Date:
4 December 2014
6pm
4 December 2014
6pm
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Form:
events
events
Actions:
Description:
Chicago-based artist Michael Rakowitz speaks with Luca Stasi of Recetas Urbanas about their various projects. Rakowitz’s work explores the concepts of nomadic habitat and urban appropriation, while Recetas Urbanas uses strategies of urban intervention that take advantage of legal loopholes, opening up opportunities for autonomous architecture. The conversation is part of(...)
Chicago-based artist Michael Rakowitz speaks with Luca Stasi of Recetas Urbanas about their various projects. Rakowitz’s work explores the concepts of nomadic habitat and urban appropriation, while Recetas Urbanas uses strategies of urban intervention that take advantage of legal loopholes, opening up opportunities for autonomous architecture. The conversation is part of(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
2 April 2009
2 April 2009
Title:
Michael Rakowitz and Luca Stasi of Recetas Urbanas
Actions:
Description:
Chicago-based artist Michael Rakowitz speaks with Luca Stasi of Recetas Urbanas about their various projects. Rakowitz’s work explores the concepts of nomadic habitat and urban appropriation, while Recetas Urbanas uses strategies of urban intervention that take advantage of legal loopholes, opening up opportunities for autonomous architecture. The conversation is part of(...)
Michael Rakowitz and Luca Stasi of Recetas Urbanas
Actions:
Description:
Chicago-based artist Michael Rakowitz speaks with Luca Stasi of Recetas Urbanas about their various projects. Rakowitz’s work explores the concepts of nomadic habitat and urban appropriation, while Recetas Urbanas uses strategies of urban intervention that take advantage of legal loopholes, opening up opportunities for autonomous architecture. The conversation is part of(...)
Form:
events
events
Date:
2 April 2009
2 April 2009
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Form:
events
events
Title:
Liquidated Architecture
Liquidated Architecture
Actions:
Description:
American urban planner and designer Damon Rich examines the links among politics, architecture, and history. His research analyses the evolution of the real estate market – foreclosures, mortgages, construction and zoning. He is also a collaborator of the Center for Urban Pedagogy (CUP), an organization based in Brooklyn that studies movements within cities and their(...)
American urban planner and designer Damon Rich examines the links among politics, architecture, and history. His research analyses the evolution of the real estate market – foreclosures, mortgages, construction and zoning. He is also a collaborator of the Center for Urban Pedagogy (CUP), an organization based in Brooklyn that studies movements within cities and their(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
26 February 2009
26 February 2009
Title:
Liquidated Architecture
Actions:
Description:
American urban planner and designer Damon Rich examines the links among politics, architecture, and history. His research analyses the evolution of the real estate market – foreclosures, mortgages, construction and zoning. He is also a collaborator of the Center for Urban Pedagogy (CUP), an organization based in Brooklyn that studies movements within cities and their(...)
Liquidated Architecture
Actions:
Description:
American urban planner and designer Damon Rich examines the links among politics, architecture, and history. His research analyses the evolution of the real estate market – foreclosures, mortgages, construction and zoning. He is also a collaborator of the Center for Urban Pedagogy (CUP), an organization based in Brooklyn that studies movements within cities and their(...)
Form:
events
events
Date:
26 February 2009
26 February 2009
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Form:
textual records
textual records
Actions:
Reference number:
ARCH6383
Description:
Correspondance avec J.-Étienne Gauthier, greffier-adjoint, et Gaspard De Serres, trésorier de la Cité de Montréal. Projets de règlements afin de créer la Commission d'urbanisme, 1923. « Replanning Montréal and District », extrait du Journal of the Engineering Institute of Canada / James Ewing, ingénieur. « What Can the Matter be? A Study of National Development », extrait du Journal, Town Planning Institute of Canada, juillet 1923 / James Ewing, ingénieur. Coupures de journaux, 1923.
ARCH6383
Description:
Correspondance avec J.-Étienne Gauthier, greffier-adjoint, et Gaspard De Serres, trésorier de la Cité de Montréal. Projets de règlements afin de créer la Commission d'urbanisme, 1923. « Replanning Montréal and District », extrait du Journal of the Engineering Institute of Canada / James Ewing, ingénieur. « What Can the Matter be? A Study of National Development », extrait du Journal, Town Planning Institute of Canada, juillet 1923 / James Ewing, ingénieur. Coupures de journaux, 1923.
People:
Date:
1923
1923
Title:
Coupures de presse, correspondence et proposition pour la Commission d'urbanisme
Actions:
ARCH6383
Description:
Correspondance avec J.-Étienne Gauthier, greffier-adjoint, et Gaspard De Serres, trésorier de la Cité de Montréal. Projets de règlements afin de créer la Commission d'urbanisme, 1923. « Replanning Montréal and District », extrait du Journal of the Engineering Institute of Canada / James Ewing, ingénieur. « What Can the Matter be? A Study of National Development », extrait du Journal, Town Planning Institute of Canada, juillet 1923 / James Ewing, ingénieur. Coupures de journaux, 1923.
Coupures de presse, correspondence et proposition pour la Commission d'urbanisme
Actions:
ARCH6383
Description:
Correspondance avec J.-Étienne Gauthier, greffier-adjoint, et Gaspard De Serres, trésorier de la Cité de Montréal. Projets de règlements afin de créer la Commission d'urbanisme, 1923. « Replanning Montréal and District », extrait du Journal of the Engineering Institute of Canada / James Ewing, ingénieur. « What Can the Matter be? A Study of National Development », extrait du Journal, Town Planning Institute of Canada, juillet 1923 / James Ewing, ingénieur. Coupures de journaux, 1923.
Form:
textual records
textual records
Date:
1923
1923
People:
Form:
textual records
textual records
Actions:
Reference number:
ARCH256343
Description:
inspection reports, transmittals; Central Waterfront: proposals from City of Toronto, notes, design approach and urban planning experience report, MacLaren Eng. CV, work schedules, study area maps, Harbourfront: A Look at the Future (publicity)
ARCH256343
Description:
inspection reports, transmittals; Central Waterfront: proposals from City of Toronto, notes, design approach and urban planning experience report, MacLaren Eng. CV, work schedules, study area maps, Harbourfront: A Look at the Future (publicity)
People:
Date:
1981-1985
1981-1985
Title:
Inspection reports, transmittals, Central Waterfront: proposals from City of Toronto, notes
Actions:
ARCH256343
Description:
inspection reports, transmittals; Central Waterfront: proposals from City of Toronto, notes, design approach and urban planning experience report, MacLaren Eng. CV, work schedules, study area maps, Harbourfront: A Look at the Future (publicity)
Inspection reports, transmittals, Central Waterfront: proposals from City of Toronto, notes
Actions:
ARCH256343
Description:
inspection reports, transmittals; Central Waterfront: proposals from City of Toronto, notes, design approach and urban planning experience report, MacLaren Eng. CV, work schedules, study area maps, Harbourfront: A Look at the Future (publicity)
Form:
textual records
textual records
Date:
1981-1985
1981-1985
People:
Level of archival description:
Series
Series
Title:
Sketchbooks
Sketchbooks
Reference number:
AP178.S2
Description:
Series AP178.S2 consists of over 280 of Siza’s personal sketchbooks, beginning from the late 1970s to the beginning of the early 2000s. The sketchbooks mostly contain sketches with some notes and are numbered chronologically. Indicated on the front cover of each sketchbook are the sketchbook number and the architectural project(s) and/or the geographic site(s) documented by the sketches and notes. The sketchbooks are mostly black notebooks and measure 21 x 30 cm, with a few exceptions. Most sketchbooks contain notes in Portuguese while some also include French and English notes. The sketchbooks document Siza’s creative process and demonstrate his unique method to comprehend an architectural project. Siza mentions that in the early stages of a project he immediately begins to draw, regardless of if he has knowledge of all the details and problems. The sketchbooks document the evolution of Siza's projects and also serve as a type of log. Not only does each sketchbook contain various sketches and notes for projects Siza was working on but also schedules, contacts, and drafts of letters. Among the sketches for projects are also general sketches of his travels, people, animals, objects, furniture, and at times landscapes. Most sketchbooks primarily contain sketches for projects with intermingled sketches of people or faces, however there are a number of sketchbooks that mostly contain sketches of people. The Siza fonds is being processed in four phases. Up to date the sketchbooks that have been processed are ones that relate to architectural projects that were processed in the first and second phase of processing. This includes projects from 1950’s, 1960’s, and 1970’s; urban planning projects; Reconstrução do Chiado; Berlin projects submitted to the IBA competition; and the Plano de urbanização Deelgebied 5 Schilderswijk-West in The Hague. However, it is important to note that the sketchbooks usually contain sketches related to multiple projects and therefore the sketchbooks that were processed also contain sketches related to projects not included in this list.
AP178.S2
Description:
Series AP178.S2 consists of over 280 of Siza’s personal sketchbooks, beginning from the late 1970s to the beginning of the early 2000s. The sketchbooks mostly contain sketches with some notes and are numbered chronologically. Indicated on the front cover of each sketchbook are the sketchbook number and the architectural project(s) and/or the geographic site(s) documented by the sketches and notes. The sketchbooks are mostly black notebooks and measure 21 x 30 cm, with a few exceptions. Most sketchbooks contain notes in Portuguese while some also include French and English notes. The sketchbooks document Siza’s creative process and demonstrate his unique method to comprehend an architectural project. Siza mentions that in the early stages of a project he immediately begins to draw, regardless of if he has knowledge of all the details and problems. The sketchbooks document the evolution of Siza's projects and also serve as a type of log. Not only does each sketchbook contain various sketches and notes for projects Siza was working on but also schedules, contacts, and drafts of letters. Among the sketches for projects are also general sketches of his travels, people, animals, objects, furniture, and at times landscapes. Most sketchbooks primarily contain sketches for projects with intermingled sketches of people or faces, however there are a number of sketchbooks that mostly contain sketches of people. The Siza fonds is being processed in four phases. Up to date the sketchbooks that have been processed are ones that relate to architectural projects that were processed in the first and second phase of processing. This includes projects from 1950’s, 1960’s, and 1970’s; urban planning projects; Reconstrução do Chiado; Berlin projects submitted to the IBA competition; and the Plano de urbanização Deelgebied 5 Schilderswijk-West in The Hague. However, it is important to note that the sketchbooks usually contain sketches related to multiple projects and therefore the sketchbooks that were processed also contain sketches related to projects not included in this list.
People:
Date:
1978-1993
1978-1993
Title:
Sketchbooks
Actions:
AP178.S2
Description:
Series AP178.S2 consists of over 280 of Siza’s personal sketchbooks, beginning from the late 1970s to the beginning of the early 2000s. The sketchbooks mostly contain sketches with some notes and are numbered chronologically. Indicated on the front cover of each sketchbook are the sketchbook number and the architectural project(s) and/or the geographic site(s) documented by the sketches and notes. The sketchbooks are mostly black notebooks and measure 21 x 30 cm, with a few exceptions. Most sketchbooks contain notes in Portuguese while some also include French and English notes. The sketchbooks document Siza’s creative process and demonstrate his unique method to comprehend an architectural project. Siza mentions that in the early stages of a project he immediately begins to draw, regardless of if he has knowledge of all the details and problems. The sketchbooks document the evolution of Siza's projects and also serve as a type of log. Not only does each sketchbook contain various sketches and notes for projects Siza was working on but also schedules, contacts, and drafts of letters. Among the sketches for projects are also general sketches of his travels, people, animals, objects, furniture, and at times landscapes. Most sketchbooks primarily contain sketches for projects with intermingled sketches of people or faces, however there are a number of sketchbooks that mostly contain sketches of people. The Siza fonds is being processed in four phases. Up to date the sketchbooks that have been processed are ones that relate to architectural projects that were processed in the first and second phase of processing. This includes projects from 1950’s, 1960’s, and 1970’s; urban planning projects; Reconstrução do Chiado; Berlin projects submitted to the IBA competition; and the Plano de urbanização Deelgebied 5 Schilderswijk-West in The Hague. However, it is important to note that the sketchbooks usually contain sketches related to multiple projects and therefore the sketchbooks that were processed also contain sketches related to projects not included in this list.
Sketchbooks
Actions:
AP178.S2
Description:
Series AP178.S2 consists of over 280 of Siza’s personal sketchbooks, beginning from the late 1970s to the beginning of the early 2000s. The sketchbooks mostly contain sketches with some notes and are numbered chronologically. Indicated on the front cover of each sketchbook are the sketchbook number and the architectural project(s) and/or the geographic site(s) documented by the sketches and notes. The sketchbooks are mostly black notebooks and measure 21 x 30 cm, with a few exceptions. Most sketchbooks contain notes in Portuguese while some also include French and English notes. The sketchbooks document Siza’s creative process and demonstrate his unique method to comprehend an architectural project. Siza mentions that in the early stages of a project he immediately begins to draw, regardless of if he has knowledge of all the details and problems. The sketchbooks document the evolution of Siza's projects and also serve as a type of log. Not only does each sketchbook contain various sketches and notes for projects Siza was working on but also schedules, contacts, and drafts of letters. Among the sketches for projects are also general sketches of his travels, people, animals, objects, furniture, and at times landscapes. Most sketchbooks primarily contain sketches for projects with intermingled sketches of people or faces, however there are a number of sketchbooks that mostly contain sketches of people. The Siza fonds is being processed in four phases. Up to date the sketchbooks that have been processed are ones that relate to architectural projects that were processed in the first and second phase of processing. This includes projects from 1950’s, 1960’s, and 1970’s; urban planning projects; Reconstrução do Chiado; Berlin projects submitted to the IBA competition; and the Plano de urbanização Deelgebied 5 Schilderswijk-West in The Hague. However, it is important to note that the sketchbooks usually contain sketches related to multiple projects and therefore the sketchbooks that were processed also contain sketches related to projects not included in this list.
Level of archival description:
Series
Series
Date:
1978-1993
1978-1993
People:
Level of archival description:
Series
Series
Title:
Projects
Projects
Actions:
Reference number:
AP194.S1
Description:
Series contains records associated with three OCEAN North projects to which Johan Bettum brought a significant insight: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (1997) and Töölö Football Stadium (1997). The collaborative process around these projects allowed exploring design methods through the usage of digital tools. In discussions with Greg Lynn, Johan Bettum and Kivi Sotamaa have expressed that they had broached Töölö as a landscape and Jyväskylä as a cloud. Particle streaming and Channelling Systems approaches were applied in these projects and further developed in the third phase of the Synthetic Landscape project and its Pavilion. The Synthetic Landscape project also featured usage of polymer composite materials. All records are born-digital, except for one 1995 drawing from the Synthetic Landscape project. Records include CAD models, raster and vector images, textual records and animated renderings from Channelling Systems studies. CAD models and drawings show design process of the projects, and range from the abstract (particle streaming) to very detailed plans (Jyväskylä). They were created using form*Z, Microstation, Alias, 3D Studio, AutoCAD and Rhinoceros. Some files were saved in IGES and DXF formats. Most CAD drawings have been saved as raster images. Drawings and models might have been saved in more than one file format. Digital textual records include project descriptions, presentations and reports, budgets and meeting notes, often created using the Microsoft Office software suite. Sources: Bettum, Johan and Michael Hensel. “Channelling Systems: Dynamic Processes and Digital Time-Based Methods in Urban Design.” AD Architectural Design 70, no.3 (June 2000): 36-43. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
AP194.S1
Description:
Series contains records associated with three OCEAN North projects to which Johan Bettum brought a significant insight: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (1997) and Töölö Football Stadium (1997). The collaborative process around these projects allowed exploring design methods through the usage of digital tools. In discussions with Greg Lynn, Johan Bettum and Kivi Sotamaa have expressed that they had broached Töölö as a landscape and Jyväskylä as a cloud. Particle streaming and Channelling Systems approaches were applied in these projects and further developed in the third phase of the Synthetic Landscape project and its Pavilion. The Synthetic Landscape project also featured usage of polymer composite materials. All records are born-digital, except for one 1995 drawing from the Synthetic Landscape project. Records include CAD models, raster and vector images, textual records and animated renderings from Channelling Systems studies. CAD models and drawings show design process of the projects, and range from the abstract (particle streaming) to very detailed plans (Jyväskylä). They were created using form*Z, Microstation, Alias, 3D Studio, AutoCAD and Rhinoceros. Some files were saved in IGES and DXF formats. Most CAD drawings have been saved as raster images. Drawings and models might have been saved in more than one file format. Digital textual records include project descriptions, presentations and reports, budgets and meeting notes, often created using the Microsoft Office software suite. Sources: Bettum, Johan and Michael Hensel. “Channelling Systems: Dynamic Processes and Digital Time-Based Methods in Urban Design.” AD Architectural Design 70, no.3 (June 2000): 36-43. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
People:
Date:
1995-2000
1995-2000
Title:
Projects
Actions:
AP194.S1
Description:
Series contains records associated with three OCEAN North projects to which Johan Bettum brought a significant insight: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (1997) and Töölö Football Stadium (1997). The collaborative process around these projects allowed exploring design methods through the usage of digital tools. In discussions with Greg Lynn, Johan Bettum and Kivi Sotamaa have expressed that they had broached Töölö as a landscape and Jyväskylä as a cloud. Particle streaming and Channelling Systems approaches were applied in these projects and further developed in the third phase of the Synthetic Landscape project and its Pavilion. The Synthetic Landscape project also featured usage of polymer composite materials. All records are born-digital, except for one 1995 drawing from the Synthetic Landscape project. Records include CAD models, raster and vector images, textual records and animated renderings from Channelling Systems studies. CAD models and drawings show design process of the projects, and range from the abstract (particle streaming) to very detailed plans (Jyväskylä). They were created using form*Z, Microstation, Alias, 3D Studio, AutoCAD and Rhinoceros. Some files were saved in IGES and DXF formats. Most CAD drawings have been saved as raster images. Drawings and models might have been saved in more than one file format. Digital textual records include project descriptions, presentations and reports, budgets and meeting notes, often created using the Microsoft Office software suite. Sources: Bettum, Johan and Michael Hensel. “Channelling Systems: Dynamic Processes and Digital Time-Based Methods in Urban Design.” AD Architectural Design 70, no.3 (June 2000): 36-43. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Projects
Actions:
AP194.S1
Description:
Series contains records associated with three OCEAN North projects to which Johan Bettum brought a significant insight: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (1997) and Töölö Football Stadium (1997). The collaborative process around these projects allowed exploring design methods through the usage of digital tools. In discussions with Greg Lynn, Johan Bettum and Kivi Sotamaa have expressed that they had broached Töölö as a landscape and Jyväskylä as a cloud. Particle streaming and Channelling Systems approaches were applied in these projects and further developed in the third phase of the Synthetic Landscape project and its Pavilion. The Synthetic Landscape project also featured usage of polymer composite materials. All records are born-digital, except for one 1995 drawing from the Synthetic Landscape project. Records include CAD models, raster and vector images, textual records and animated renderings from Channelling Systems studies. CAD models and drawings show design process of the projects, and range from the abstract (particle streaming) to very detailed plans (Jyväskylä). They were created using form*Z, Microstation, Alias, 3D Studio, AutoCAD and Rhinoceros. Some files were saved in IGES and DXF formats. Most CAD drawings have been saved as raster images. Drawings and models might have been saved in more than one file format. Digital textual records include project descriptions, presentations and reports, budgets and meeting notes, often created using the Microsoft Office software suite. Sources: Bettum, Johan and Michael Hensel. “Channelling Systems: Dynamic Processes and Digital Time-Based Methods in Urban Design.” AD Architectural Design 70, no.3 (June 2000): 36-43. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Level of archival description:
Series
Series
Date:
1995-2000
1995-2000
People:
Level of archival description:
Project
Project
Reference number:
AP075.S1.1974.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the landscape of Robson Square Provincial Government Complex in Vancouver, British Columbia. Oberlander worked on this project in 1974-1982 with architect Arthur Erickson and architect Bing Thom. The project consisted in designing a new provincial civic complex that included a courthouse and provincial government offices. The initial plan consisted in a 55-storey highrise. Arthur Erickson suggested to lay the building on its side and spread it accross three city blocks (known as Block 51, Block 61 and Block 71) and add a green roof to create linear park. Oberlander's ideas for the landscape concept was to create a space accessible for everyone that will be attractive and interesting in all seasons. Her design consisted in a series of pathways, stairs and terraces, mainly situated on Block 61, and rising gradually up to 30 feets above the Robson street level. The design was intented to "encourage pedestrians to cut accross the urban grid". [1] Planters where included to buildings facades to create a hanging garden using hanging plants. The project series contains design development drawings and working drawings for the landscape design, such as landscape plans, landscape sections, elevations and details, grading and irrigation plans, and planting plans. The drawings includes in this project series also comprises plans of the complex buildings used as reference. The majority of the drawings are reprographic copies. The series also comprises five original sketches by Oberlander. The project is also documented through interior and exterior photographs of the building, photographs of the landscape and various views of the completed complex. The project series also includes textual records, including documents related to the plants selection, specifications, financial documents, concept development notes of Oberlander, correspondence with architects, clients and consultants, documentation and research material, and clippings and articles on Robson Square project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 123.
AP075.S1.1974.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the landscape of Robson Square Provincial Government Complex in Vancouver, British Columbia. Oberlander worked on this project in 1974-1982 with architect Arthur Erickson and architect Bing Thom. The project consisted in designing a new provincial civic complex that included a courthouse and provincial government offices. The initial plan consisted in a 55-storey highrise. Arthur Erickson suggested to lay the building on its side and spread it accross three city blocks (known as Block 51, Block 61 and Block 71) and add a green roof to create linear park. Oberlander's ideas for the landscape concept was to create a space accessible for everyone that will be attractive and interesting in all seasons. Her design consisted in a series of pathways, stairs and terraces, mainly situated on Block 61, and rising gradually up to 30 feets above the Robson street level. The design was intented to "encourage pedestrians to cut accross the urban grid". [1] Planters where included to buildings facades to create a hanging garden using hanging plants. The project series contains design development drawings and working drawings for the landscape design, such as landscape plans, landscape sections, elevations and details, grading and irrigation plans, and planting plans. The drawings includes in this project series also comprises plans of the complex buildings used as reference. The majority of the drawings are reprographic copies. The series also comprises five original sketches by Oberlander. The project is also documented through interior and exterior photographs of the building, photographs of the landscape and various views of the completed complex. The project series also includes textual records, including documents related to the plants selection, specifications, financial documents, concept development notes of Oberlander, correspondence with architects, clients and consultants, documentation and research material, and clippings and articles on Robson Square project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 123.
People:
Date:
1970-1995
1970-1995
Title:
Robson Square Provincial Government Complex, Vancouver, British Columbia (1974-1982)
Actions:
AP075.S1.1974.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the landscape of Robson Square Provincial Government Complex in Vancouver, British Columbia. Oberlander worked on this project in 1974-1982 with architect Arthur Erickson and architect Bing Thom. The project consisted in designing a new provincial civic complex that included a courthouse and provincial government offices. The initial plan consisted in a 55-storey highrise. Arthur Erickson suggested to lay the building on its side and spread it accross three city blocks (known as Block 51, Block 61 and Block 71) and add a green roof to create linear park. Oberlander's ideas for the landscape concept was to create a space accessible for everyone that will be attractive and interesting in all seasons. Her design consisted in a series of pathways, stairs and terraces, mainly situated on Block 61, and rising gradually up to 30 feets above the Robson street level. The design was intented to "encourage pedestrians to cut accross the urban grid". [1] Planters where included to buildings facades to create a hanging garden using hanging plants. The project series contains design development drawings and working drawings for the landscape design, such as landscape plans, landscape sections, elevations and details, grading and irrigation plans, and planting plans. The drawings includes in this project series also comprises plans of the complex buildings used as reference. The majority of the drawings are reprographic copies. The series also comprises five original sketches by Oberlander. The project is also documented through interior and exterior photographs of the building, photographs of the landscape and various views of the completed complex. The project series also includes textual records, including documents related to the plants selection, specifications, financial documents, concept development notes of Oberlander, correspondence with architects, clients and consultants, documentation and research material, and clippings and articles on Robson Square project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 123.
Robson Square Provincial Government Complex, Vancouver, British Columbia (1974-1982)
Actions:
AP075.S1.1974.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the landscape of Robson Square Provincial Government Complex in Vancouver, British Columbia. Oberlander worked on this project in 1974-1982 with architect Arthur Erickson and architect Bing Thom. The project consisted in designing a new provincial civic complex that included a courthouse and provincial government offices. The initial plan consisted in a 55-storey highrise. Arthur Erickson suggested to lay the building on its side and spread it accross three city blocks (known as Block 51, Block 61 and Block 71) and add a green roof to create linear park. Oberlander's ideas for the landscape concept was to create a space accessible for everyone that will be attractive and interesting in all seasons. Her design consisted in a series of pathways, stairs and terraces, mainly situated on Block 61, and rising gradually up to 30 feets above the Robson street level. The design was intented to "encourage pedestrians to cut accross the urban grid". [1] Planters where included to buildings facades to create a hanging garden using hanging plants. The project series contains design development drawings and working drawings for the landscape design, such as landscape plans, landscape sections, elevations and details, grading and irrigation plans, and planting plans. The drawings includes in this project series also comprises plans of the complex buildings used as reference. The majority of the drawings are reprographic copies. The series also comprises five original sketches by Oberlander. The project is also documented through interior and exterior photographs of the building, photographs of the landscape and various views of the completed complex. The project series also includes textual records, including documents related to the plants selection, specifications, financial documents, concept development notes of Oberlander, correspondence with architects, clients and consultants, documentation and research material, and clippings and articles on Robson Square project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 123.
Level of archival description:
Project
Project
Date:
1970-1995
1970-1995
People:
Form:
textual records
textual records
Actions:
Reference number:
ARCH275451
Description:
Presentation documents, includes: University of California, Irvine Biological Sciences Quad, Planning Study; Bank of Canada, specifications and budgets; Alberta Centre, design competition; Robson Square Revitalization Project, Interim Discussion Draft and Conceptual Design Stage, Estimate #3; British Columbia Medical Centre, Building Systems Design; Brookswood-Fernridge Community Centre, Development Study; Al-Buhairat City, Master Plan and Urban Design Summary; Pearls of Kuwait; SANCST Science Halls, Design Report; Abu Nuwas, Conservation/Development Project, Urban Design Summary.
ARCH275451
Description:
Presentation documents, includes: University of California, Irvine Biological Sciences Quad, Planning Study; Bank of Canada, specifications and budgets; Alberta Centre, design competition; Robson Square Revitalization Project, Interim Discussion Draft and Conceptual Design Stage, Estimate #3; British Columbia Medical Centre, Building Systems Design; Brookswood-Fernridge Community Centre, Development Study; Al-Buhairat City, Master Plan and Urban Design Summary; Pearls of Kuwait; SANCST Science Halls, Design Report; Abu Nuwas, Conservation/Development Project, Urban Design Summary.
People:
Date:
1974-1995
1974-1995
Title:
Specifications, budgets, design summaries for various projects
Actions:
ARCH275451
Description:
Presentation documents, includes: University of California, Irvine Biological Sciences Quad, Planning Study; Bank of Canada, specifications and budgets; Alberta Centre, design competition; Robson Square Revitalization Project, Interim Discussion Draft and Conceptual Design Stage, Estimate #3; British Columbia Medical Centre, Building Systems Design; Brookswood-Fernridge Community Centre, Development Study; Al-Buhairat City, Master Plan and Urban Design Summary; Pearls of Kuwait; SANCST Science Halls, Design Report; Abu Nuwas, Conservation/Development Project, Urban Design Summary.
Specifications, budgets, design summaries for various projects
Actions:
ARCH275451
Description:
Presentation documents, includes: University of California, Irvine Biological Sciences Quad, Planning Study; Bank of Canada, specifications and budgets; Alberta Centre, design competition; Robson Square Revitalization Project, Interim Discussion Draft and Conceptual Design Stage, Estimate #3; British Columbia Medical Centre, Building Systems Design; Brookswood-Fernridge Community Centre, Development Study; Al-Buhairat City, Master Plan and Urban Design Summary; Pearls of Kuwait; SANCST Science Halls, Design Report; Abu Nuwas, Conservation/Development Project, Urban Design Summary.
Form:
textual records
textual records
Date:
1974-1995
1974-1995
People:
Level of archival description:
Sub-series
Sub-series
Reference number:
AP154.S1.1967.PR01.SS3
Description:
Subseries AP154.S1.1967.PR01.SS3, Twin Parks West. Sites 1-2, Bronx, New York, N.Y. (1969) documents an executed project for an apartment building containing 322 units, some of which were split-level units. The project was built for the the New York City Housing Authority.
AP154.S1.1967.PR01.SS3
Description:
Subseries AP154.S1.1967.PR01.SS3, Twin Parks West. Sites 1-2, Bronx, New York, N.Y. (1969) documents an executed project for an apartment building containing 322 units, some of which were split-level units. The project was built for the the New York City Housing Authority.
People:
Date:
1971
1971
Title:
Twin Parks West. Sites 1-2, Bronx, New York, N.Y. (1969)
Actions:
AP154.S1.1967.PR01.SS3
Description:
Subseries AP154.S1.1967.PR01.SS3, Twin Parks West. Sites 1-2, Bronx, New York, N.Y. (1969) documents an executed project for an apartment building containing 322 units, some of which were split-level units. The project was built for the the New York City Housing Authority.
Twin Parks West. Sites 1-2, Bronx, New York, N.Y. (1969)
Actions:
AP154.S1.1967.PR01.SS3
Description:
Subseries AP154.S1.1967.PR01.SS3, Twin Parks West. Sites 1-2, Bronx, New York, N.Y. (1969) documents an executed project for an apartment building containing 322 units, some of which were split-level units. The project was built for the the New York City Housing Authority.
Level of archival description:
Project
Project
Date:
1971
1971
People:
