archives
Level of archival description:
Fonds
Victor Depocas fonds
AP028
Synopsis:
Victor Depocas fonds is composed of documents and graphic materials produced between 1921 and 1986, predominantly between 1956 and 1984. It records Depocas activities as a member of the Province of Québec Association of Architects (A.A.P.Q.), the Ordre d’Architects du Québec (O.A.P.), and the Commission des monuments historiques du Québec; his activities as a Professor of architectural composition at l’École de Beaux-arts de Montréal (1953-1957); and his work as a professional architect along with general office files of the short-life firms David & Depocas and Deshaies & Depocas (1946-1950). The fonds documents mainly the architectural projects from the Commission that include restorations, renovations and modifications of residential, educational, ecclesiastical, and commercial buildings across Québec. Represented in drawings, textual records and photographs.
1921-1986
Victor Depocas fonds
Actions:
AP028
Synopsis:
Victor Depocas fonds is composed of documents and graphic materials produced between 1921 and 1986, predominantly between 1956 and 1984. It records Depocas activities as a member of the Province of Québec Association of Architects (A.A.P.Q.), the Ordre d’Architects du Québec (O.A.P.), and the Commission des monuments historiques du Québec; his activities as a Professor of architectural composition at l’École de Beaux-arts de Montréal (1953-1957); and his work as a professional architect along with general office files of the short-life firms David & Depocas and Deshaies & Depocas (1946-1950). The fonds documents mainly the architectural projects from the Commission that include restorations, renovations and modifications of residential, educational, ecclesiastical, and commercial buildings across Québec. Represented in drawings, textual records and photographs.
archives
Level of archival description:
Fonds
1921-1986
archives
Level of archival description:
Fonds
AP103
Synopsis:
The IFCCA Prize Competition for the Design of Cities fonds primarily documents the activities involved in the organization and realization of the Prize Competition, as well as the most active years of the IFCCA. The fonds is made up of primarily of textual documents dating from 1992 to 2001. The Prize Competition challenged architects from around the world to rethink and redesign a site on the western edge of Manhattan, New York City, New York. Five finalists were chosen by a jury of well known figures in the architecture field, and given four months to complete their proposals. Peter Eisenman, Peter Eisenman Architects, New York City, was declared the winner on 28 June 1999. Two exhibitions of the work of the finalists, in New York City (1999, with an accompanying colloquium) and at the CCA in Montreal (2000-2001) followed the Prize Competition.
1992-2001, predominant 1996-2001
IFCCA Prize Competition for the Design of Cities fonds
Actions:
AP103
Synopsis:
The IFCCA Prize Competition for the Design of Cities fonds primarily documents the activities involved in the organization and realization of the Prize Competition, as well as the most active years of the IFCCA. The fonds is made up of primarily of textual documents dating from 1992 to 2001. The Prize Competition challenged architects from around the world to rethink and redesign a site on the western edge of Manhattan, New York City, New York. Five finalists were chosen by a jury of well known figures in the architecture field, and given four months to complete their proposals. Peter Eisenman, Peter Eisenman Architects, New York City, was declared the winner on 28 June 1999. Two exhibitions of the work of the finalists, in New York City (1999, with an accompanying colloquium) and at the CCA in Montreal (2000-2001) followed the Prize Competition.
archives
Level of archival description:
Fonds
1992-2001, predominant 1996-2001
Project
AP164.S1.2002.D4
Description:
The project series documents the competition entry for the urban plan of the Igara park. The competition was held by the San Sebastián City Council and Igara-Gestión. Abalos & Herreros identified this project as number 148. Abalos & Herreros proposed: « [a] query for the urbanity development of the new west city growing of San Sebastián, [consisting] of infrastructure, social housing and a big park. The assorted and violent topography, the ecological wealth of the support and the presence of the town access infrastructures make this enclave an unique opportunity for trying out completely new analysis and project methods, occupations and densities, including the appearance of nature in the urban life.” (ARCH270975) Abalos & Herreros worked with José Manuel Abalos, Jaime Abalos, Zomad Arquitectos, Arup Group Documenting the project are presentation drawings, project descriptions, publications, presentation documents, cartographic, photographic and reference materials, correspondence, resumes and specifications.
2000-2006, predominant 2002
Parque Igara, San Sebastián, Spain (2002)
Actions:
AP164.S1.2002.D4
Description:
The project series documents the competition entry for the urban plan of the Igara park. The competition was held by the San Sebastián City Council and Igara-Gestión. Abalos & Herreros identified this project as number 148. Abalos & Herreros proposed: « [a] query for the urbanity development of the new west city growing of San Sebastián, [consisting] of infrastructure, social housing and a big park. The assorted and violent topography, the ecological wealth of the support and the presence of the town access infrastructures make this enclave an unique opportunity for trying out completely new analysis and project methods, occupations and densities, including the appearance of nature in the urban life.” (ARCH270975) Abalos & Herreros worked with José Manuel Abalos, Jaime Abalos, Zomad Arquitectos, Arup Group Documenting the project are presentation drawings, project descriptions, publications, presentation documents, cartographic, photographic and reference materials, correspondence, resumes and specifications.
Project
2000-2006, predominant 2002
Project
AP164.S1.2004.D13
Description:
The project series documents the competition entry for a convention centre and an international fair in León, Spain. The competition by invitation only was organised by the León Town Council. Abalos & Herreros finished second. The firm identified this project as number 191. "Leon's Fair tries to give protagonism to old factories witch characterize the site making them up as principal access point and general services for the building, as well as creating a simple constructive space, similar to a tent. [...] Also the Congress Centre fill fair's core, the communication and leisure place with its small group of people's geometry. The project tries to compose these three pieces in a unique coherent group in its differences and resemblances, able to create a place with a clear sense: Leon’s Fair." Documenting the project are presentation drawings, project descriptions, competition documents, cartographic, graphic and reference materials, correspondence, specifications and publications.
2001-2005, predominant 2004-2005
Palacio de congresos y ferial internacional de León, Spain (2004)
Actions:
AP164.S1.2004.D13
Description:
The project series documents the competition entry for a convention centre and an international fair in León, Spain. The competition by invitation only was organised by the León Town Council. Abalos & Herreros finished second. The firm identified this project as number 191. "Leon's Fair tries to give protagonism to old factories witch characterize the site making them up as principal access point and general services for the building, as well as creating a simple constructive space, similar to a tent. [...] Also the Congress Centre fill fair's core, the communication and leisure place with its small group of people's geometry. The project tries to compose these three pieces in a unique coherent group in its differences and resemblances, able to create a place with a clear sense: Leon’s Fair." Documenting the project are presentation drawings, project descriptions, competition documents, cartographic, graphic and reference materials, correspondence, specifications and publications.
Project
2001-2005, predominant 2004-2005
Project
AP164.S1.2005.D9
Description:
The project series documents the competition entry for the planning of the Orange County Suuokita Memorial Park in California, United States. The project site was previously a military base. The firm identified this project as number 212b “The first action will be to excavate the existing E-W runways and construct in their place a great water channel. The second action will be to plant a large grid of indigenous trees over the entire site in tandem with the installation of irrigation systems. The third main gesture will be to transform the surfaces of the remaining runways into smaller gardens […] Following upon these initial gestures, [Abalos & Herreros] propose a series of vertical structures that will serve to punctuate the great horizontal expanse of the park, providing another scale to the park.” (ARCH270975) Documenting the project are presentation drawings, correspondence, reference materials, notes, project descriptions, presentation documents, publications and a dummy.
2003-2005, predominant 2005
Orange County Great Park, California, United States (2005)
Actions:
AP164.S1.2005.D9
Description:
The project series documents the competition entry for the planning of the Orange County Suuokita Memorial Park in California, United States. The project site was previously a military base. The firm identified this project as number 212b “The first action will be to excavate the existing E-W runways and construct in their place a great water channel. The second action will be to plant a large grid of indigenous trees over the entire site in tandem with the installation of irrigation systems. The third main gesture will be to transform the surfaces of the remaining runways into smaller gardens […] Following upon these initial gestures, [Abalos & Herreros] propose a series of vertical structures that will serve to punctuate the great horizontal expanse of the park, providing another scale to the park.” (ARCH270975) Documenting the project are presentation drawings, correspondence, reference materials, notes, project descriptions, presentation documents, publications and a dummy.
Project
2003-2005, predominant 2005
Project
AP149.S1.1984.PR01
Description:
This project series documents Minimum Cost Housing Group's post-occupancy study for Aranya Township, India, which was a newly development township completed in 1988 near Indore. Minimum Cost Housing Group initially work on the design of a plot of the township, which was the first one to be built and served as an alternative model to the whole township. The masterplan for the township was created by architect Balkrishna Doshi and the Vastu-Shilpa Foundation in 1981. The other plots started to be planned by and built in 1989. The Minimum Cost Housing Group then returned to Aranya to undertake the post-occupancy survey of the whole site and students from the group kept studying the site up to 2018. The material for this file was produced between 1984 and 2012. The project series contains slides, study drawings of the township and a publication on the post-occupancy study by the McGill group.
1984-2002
Aranya township post-occupancy study
Actions:
AP149.S1.1984.PR01
Description:
This project series documents Minimum Cost Housing Group's post-occupancy study for Aranya Township, India, which was a newly development township completed in 1988 near Indore. Minimum Cost Housing Group initially work on the design of a plot of the township, which was the first one to be built and served as an alternative model to the whole township. The masterplan for the township was created by architect Balkrishna Doshi and the Vastu-Shilpa Foundation in 1981. The other plots started to be planned by and built in 1989. The Minimum Cost Housing Group then returned to Aranya to undertake the post-occupancy survey of the whole site and students from the group kept studying the site up to 2018. The material for this file was produced between 1984 and 2012. The project series contains slides, study drawings of the township and a publication on the post-occupancy study by the McGill group.
Project
1984-2002
Series
AP144.S3
Description:
Series documents the professional and personal activities of Cedric Price primarily through textual records. The organization of the documents follows Price's own filing system and reflects his activities and interests, which include education and teaching, lectures, exhibitions and writing, travel and politics, professional associations and the management of the office. Price's involvement in a wide variety of professional associations is documented, including: the Royal Agricultural Society (now Royal Agricultural Society of England), the International Institute of Design (IID), London Subterranean Survey Assocation (LSSA), Centre for Environmental Studies (C.E.S.), Royal Aeronautical Society (R.Ae.S.), and Society for Underwater Technology (SUWT). Material in the series includes correspondence relating to publications and annotated drafts of articles, original layouts for articles that were published in "Cedric Price Supplement", 'Architectural Design', (1970-1972) and clippings relating to projects and other subjects. Also included are office diaries dated between 1971 and 1994.
1955-2006
Professional and Personal Records
Actions:
AP144.S3
Description:
Series documents the professional and personal activities of Cedric Price primarily through textual records. The organization of the documents follows Price's own filing system and reflects his activities and interests, which include education and teaching, lectures, exhibitions and writing, travel and politics, professional associations and the management of the office. Price's involvement in a wide variety of professional associations is documented, including: the Royal Agricultural Society (now Royal Agricultural Society of England), the International Institute of Design (IID), London Subterranean Survey Assocation (LSSA), Centre for Environmental Studies (C.E.S.), Royal Aeronautical Society (R.Ae.S.), and Society for Underwater Technology (SUWT). Material in the series includes correspondence relating to publications and annotated drafts of articles, original layouts for articles that were published in "Cedric Price Supplement", 'Architectural Design', (1970-1972) and clippings relating to projects and other subjects. Also included are office diaries dated between 1971 and 1994.
Series
1955-2006
Project
AP207.S1.1966.PR01
Description:
This project series documents the sound performance "Tunnel Sonoro." It was created in 1966, when Pettena was experimenting with music and worked with musicians. "Tunnel Sonoro" was one of the results of his collaborations with musicians. This project consists of a sound performance during which a performer, entirely dressed in a metallic bodysuit, crosses a narrow tunnel "in which, by scrapping against the surfaces, their body 'played' the environment, imitating the sound of the wind [...]." [1] The performance was conceived for the (Musica Elettronica Viva), a live acoustic and electronic improvisational group from Rome. The project series contains a project description in Italian and in English, a reproduction of a publication from the Biennale di Firenze describing the project, and drawings of the tunnel and the metallic bodysuit. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 98.
circa 1966-2018
Tunnel Sonoro [Sound Tunnel] (1966)
Actions:
AP207.S1.1966.PR01
Description:
This project series documents the sound performance "Tunnel Sonoro." It was created in 1966, when Pettena was experimenting with music and worked with musicians. "Tunnel Sonoro" was one of the results of his collaborations with musicians. This project consists of a sound performance during which a performer, entirely dressed in a metallic bodysuit, crosses a narrow tunnel "in which, by scrapping against the surfaces, their body 'played' the environment, imitating the sound of the wind [...]." [1] The performance was conceived for the (Musica Elettronica Viva), a live acoustic and electronic improvisational group from Rome. The project series contains a project description in Italian and in English, a reproduction of a publication from the Biennale di Firenze describing the project, and drawings of the tunnel and the metallic bodysuit. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 98.
Project
circa 1966-2018
Sub-series
AP207.S2.SS12
Description:
The sub-series documents the exhibition "Giardini Parchi Paesaggi. L’avventura delle idee in Toscana dall’Ottocento a oggi", curated by Pettena and presented at the Uffizi Gallery in Florence, in 1998. The exhibition focuses on landscape architecture and its historical development by using the example of Tuscany from the 19th century to present day. "This set out to illustrate a historical course of development that also entailed the consideration and reevaluation [sic] of the landscape that results from human activity [...] and extended as far as an analysis and presentation of the most modern theme parks of sculpture and environmental art." [1] The sub-series contains research material, such as photocopies of articles and books on landscape architecture, and reference photographs. The sub-series also contains texts for the publication and correspondence related to the planning of the exhibition. Source: [1] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
circa 1998
Giardini Parchi Paesaggi. L’avventura delle idee in Toscana dall’Ottocento a oggi (1998)
Actions:
AP207.S2.SS12
Description:
The sub-series documents the exhibition "Giardini Parchi Paesaggi. L’avventura delle idee in Toscana dall’Ottocento a oggi", curated by Pettena and presented at the Uffizi Gallery in Florence, in 1998. The exhibition focuses on landscape architecture and its historical development by using the example of Tuscany from the 19th century to present day. "This set out to illustrate a historical course of development that also entailed the consideration and reevaluation [sic] of the landscape that results from human activity [...] and extended as far as an analysis and presentation of the most modern theme parks of sculpture and environmental art." [1] The sub-series contains research material, such as photocopies of articles and books on landscape architecture, and reference photographs. The sub-series also contains texts for the publication and correspondence related to the planning of the exhibition. Source: [1] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
Subseries
circa 1998
Series
AP133.S2
Description:
This series documents Pierre du Prey's research and writing on the Ockham Park album held in the collection of the Canadian Centre for Architecture. The album consists of nineteen folios of drawings and manuscripts devoted to proposed alterations to the Jacobean house, Ockham Park, in Surrey, England. The house, built circa 1638, was altered by architect Nicholas Hawksmoor between 1729 and 1730. Du Prey originally began this research in 1979-early 1980s for a publication project. He returned to this research in 2016 on the occasion of Phyllis Lambert's 90th birthday. Pierre du Prey produced a book from this research which he gave to Lambert for her birthday. The series contains materials from Pierre du Prey's early research on the album from 1979 to 1985, as well as the additional research and writing he produced in 2016. Also included are photographic reproductions of drawings and manuscripts in the Ockham Park album, correspondence, notes and manuscript for du Prey's catalogue.
1979-2017
Research on the Ockham Park album, 1983-2016
Actions:
AP133.S2
Description:
This series documents Pierre du Prey's research and writing on the Ockham Park album held in the collection of the Canadian Centre for Architecture. The album consists of nineteen folios of drawings and manuscripts devoted to proposed alterations to the Jacobean house, Ockham Park, in Surrey, England. The house, built circa 1638, was altered by architect Nicholas Hawksmoor between 1729 and 1730. Du Prey originally began this research in 1979-early 1980s for a publication project. He returned to this research in 2016 on the occasion of Phyllis Lambert's 90th birthday. Pierre du Prey produced a book from this research which he gave to Lambert for her birthday. The series contains materials from Pierre du Prey's early research on the album from 1979 to 1985, as well as the additional research and writing he produced in 2016. Also included are photographic reproductions of drawings and manuscripts in the Ockham Park album, correspondence, notes and manuscript for du Prey's catalogue.
Series
1979-2017