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Founded in 1951 by visionary textile designer Armi Ratia and her husband, Viljo, the Marimekko Corporation in Finland not only sparked a revolution in pattern making but also pioneered a new definition of fashion that embraced the entire home environment. This book presents more than one hundred examples of the exuberant Marimekko fashions and home furnishings that gave(...)
Marimekko : fabrics / fashion / architecture
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Founded in 1951 by visionary textile designer Armi Ratia and her husband, Viljo, the Marimekko Corporation in Finland not only sparked a revolution in pattern making but also pioneered a new definition of fashion that embraced the entire home environment. This book presents more than one hundred examples of the exuberant Marimekko fashions and home furnishings that gave the company a definitive presence on the world design stage. The book considers the history of the company from its founding through today and examines Marimekko’s impact on design in Finland and around the world. The company’s most important designers, including Maija Isola and Vuokko Eskolin-Nurmesniemi, their contributions, and their stylistic development are also discussed. In addition, the book examines Marimekko home and office interiors and how they reflected the lifestyle envisioned in Armi Ratia’s broad, radical definition of fashion.
Fashion Design
Two cheers for anarchism
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Having studied how people in marginal societies deal with the state, Yale political scientist and anthropologist Scott (The Art of Not Being Governed) found himself drawn to a study of anarchism. his brief, six-part study is the result. Having concluded that revolution too often leads to such repressive regimes as France's Committee of Public Safety or the Soviet(...)
Two cheers for anarchism
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Having studied how people in marginal societies deal with the state, Yale political scientist and anthropologist Scott (The Art of Not Being Governed) found himself drawn to a study of anarchism. his brief, six-part study is the result. Having concluded that revolution too often leads to such repressive regimes as France's Committee of Public Safety or the Soviet state, Scott began to examine leaderless mass efforts disorganized strivings towards social improvement. Scott recognizes that anarchism is not a panacea and that there are problems that only government can treat. Nevertheless, he expresses a strong dislike for centralized governance and a preference for expanding chaos. He refers to his sections as "fragments," highlighting the book's key shortcoming: every chapter seems rushed and incomplete, as though Scott were hurrying to get his thoughts down on paper before they vanished.
Critical Theory
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The emergence of electronic music with its new generation of artists and digital technologies has disturbed the world music landscape. From the musicians’ angle, since the end of the eighties, techno, house, and their multiple subgenres, have brought in a new breath, sometimes sweeping aside the order established by rock and pop, and imposing new game rules: ephemeral and(...)
Jean-Yves Leloup: Digital magma
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The emergence of electronic music with its new generation of artists and digital technologies has disturbed the world music landscape. From the musicians’ angle, since the end of the eighties, techno, house, and their multiple subgenres, have brought in a new breath, sometimes sweeping aside the order established by rock and pop, and imposing new game rules: ephemeral and shared creations, widespread sampling, DJ rule, the practice of mix and remix, new and micro-economy. But that aesthetic revolution, which ended up contaminating most music during the nineties, is not only limited to artists. The democratization of the digital, of the means of diffusion, and of exchange and listening, transforms the relationship between the audience and music. Today the MP3 generation, beyond the simple question of piracy, invents new codes and practices which have shaken our way of “consuming” culture.
Acoustics
(Mis)Reading Masquerades
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This publication focuses on the notion of Masquerade. For the past two years, "If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution" has been exploring the cultural, social and political meanings of this concept from a critical and interdisciplinary perspective together with more than fifty artists, curators, writers and theoreticians. This book comprises a(...)
(Mis)Reading Masquerades
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This publication focuses on the notion of Masquerade. For the past two years, "If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution" has been exploring the cultural, social and political meanings of this concept from a critical and interdisciplinary perspective together with more than fifty artists, curators, writers and theoreticians. This book comprises a selection of theoretical texts drawn from different fields of knowledge that address questions such as transgression, gender identity and subversion, gesture, the carnivalesque, the construction of subjectivity, authorship, mimesis, and alterity. With : Giorgio Agamben, Mikhail Bakhtin, Roland Barthes, Walter Benjamin, Homi K. Bhabha, Judith Butler, Gilles Deleuze & Felix Guattari, Jacques Derrida, Frantz Fanon, Michel Foucault, Francoise Frontisi-Ducroux, René Girard, Philippe-Alain Michaud, Fernando Pessoa, Peggy Phelan, Beatriz Preciado, Joan Riviere, Dieter Roelstraete, Suely Rolnik, Peter Stallybrass & Allon White, Michael Taussig.
Critical Theory
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From the dawn of European civilization to the twentieth century, the automaton—better known today as the robot—has captured the Western imagination and provided a vital lens into the nature of humanity. Historian Minsoo Kang argues that to properly understand the human-as-machine and the human-as-fundamentally-different-from-machine, we must trace the origins of these(...)
Sublime dreams of living machines: The automaton in the European imagination
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From the dawn of European civilization to the twentieth century, the automaton—better known today as the robot—has captured the Western imagination and provided a vital lens into the nature of humanity. Historian Minsoo Kang argues that to properly understand the human-as-machine and the human-as-fundamentally-different-from-machine, we must trace the origins of these ideas and examine how they were transformed by intellectual, cultural, and artistic appearances of the automaton throughout the history of the West. Kang tracks the first appearance of the automaton in ancient myths through the medieval and Renaissance periods, marks the proliferation of the automaton as a central intellectual concept in the Scientific Revolution and the subsequent backlash during the Enlightenment, and details appearances in Romantic literature and the introduction of the living machine in the Industrial Age.
Critical Theory
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With his memorably titled 1956 collage "Just What is it that Makes Today's Homes So Different, So Appealing?", British artist Richard Hamilton (born 1922) heralded the British Pop revolution; and with his 1967 Swingeing London series of prints, which depicted the arrest of Mick Jagger and Robert Fraser, Hamilton's art entered the general public consciousness. But unlike(...)
Contemporary Art Monographs
July 2010
Richard Hamilton : Modern moral matters
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With his memorably titled 1956 collage "Just What is it that Makes Today's Homes So Different, So Appealing?", British artist Richard Hamilton (born 1922) heralded the British Pop revolution; and with his 1967 Swingeing London series of prints, which depicted the arrest of Mick Jagger and Robert Fraser, Hamilton's art entered the general public consciousness. But unlike so many Pop artists, Hamilton was never an uncritical or ambivalent advocate of postwar society, and he has often agitated directly against it, producing a great deal of openly political, satirical work that assaults both consumer culture at large and more immediate political events. This monograph, published for Hamilton's 2010 exhibition at the Serpentine Gallery in London (his first exhibition since 1992), brings together Hamilton's famous "protest" paintings as well as newer political works and features essays by Benjamin H.D. Buchloh and Michael Bracewell.
Contemporary Art Monographs
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In Empire of the Senses the senses are considered as cultural systems. Bringing together classic pieces by key thinkers--from Marshall McLuhan and Alain Corbin to Susan Stewart and Oliver Sacks--as well as newly commissioned articles, this path-breaking book provides a comprehensive overview of the "sensual revolution," where all manner of disciplines converge. Its aim is(...)
Empire of the Senses : The sensual culture reader
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In Empire of the Senses the senses are considered as cultural systems. Bringing together classic pieces by key thinkers--from Marshall McLuhan and Alain Corbin to Susan Stewart and Oliver Sacks--as well as newly commissioned articles, this path-breaking book provides a comprehensive overview of the "sensual revolution," where all manner of disciplines converge. Its aim is to enhance our understanding of the role of the senses in history and across cultures by overturning the hegemony of vision in contemporary theory and demonstrating that all senses play a role in mediating cultural experience. It asks provocative questions that most of us take for granted. Are there, for example, only five senses, or is this assumption a Western construct? This radical contribution to revisioning cultural studies will be essential reading for anyone hoping to understand the full complexity of how we experience our world.
Architectural Theory
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Archivio opens its third editorial cycle: four thematic issues, each curated by a Guest Editor with deep expertise, offering access to worlds where past, present, and future converge. The third issue, Archivio N°11, focuses on technology and is curated by Massimo Banzi, co-founder of Arduino, together with Cecilia Botta, technology historian and Head of Memories at(...)
Archivio n.11 : The Tech Issue
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Archivio opens its third editorial cycle: four thematic issues, each curated by a Guest Editor with deep expertise, offering access to worlds where past, present, and future converge. The third issue, Archivio N°11, focuses on technology and is curated by Massimo Banzi, co-founder of Arduino, together with Cecilia Botta, technology historian and Head of Memories at Promemoria Group, the magazine's publisher. Daniela Hamaui oversees editorial direction, while Alessandro Gori shapes the art direction. The cover, designed by artist Ailadi, pays tribute to the early aesthetics of the digital age. Created using PETSCII, the character set of Commodore 8-bit computers, it evokes the visual language of technology in its formative years. Archivio N°11 maps the international landscape of technology archives, tracing the roots of the digital revolution and exploring the places where our technological past is preserved, along with the collectors and institutions that recognized its cultural value.
Magazines
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Hey culture worker! Are you feeling alone and afraid while the world burns? "It’s Too Late. Do It Anyway!" is two books in one, created for cultural workers who want to get off the racial capitalist high-speed-train-to-nowhere and start structuring revolution through collective care. "It’s Too Late. Do It Anyway!" offers two routes into a fractal support network designed(...)
It’s Too Late. Do It Anyway! A Book about being a cultural worker in the apocalypse
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Hey culture worker! Are you feeling alone and afraid while the world burns? "It’s Too Late. Do It Anyway!" is two books in one, created for cultural workers who want to get off the racial capitalist high-speed-train-to-nowhere and start structuring revolution through collective care. "It’s Too Late. Do It Anyway!" offers two routes into a fractal support network designed to shed absurd, useless forms of artworld prestige in favor of collectively producing a world organized to support caregivers. "It’s Too Late" tells the true story of an exhibition about care that exposed the difference between making symbolic gestures and actually doing something. "Do It Anyway!" serves as a manual for The Hologram, a prism-shaped collective care protocol conceptualized by artist Cassie Thornton, inspired by the Social Solidarity Clinic of Thessaloniki in Greece, and now practiced by people all over the world.
Social
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The Earth has entered a new epoch: the Anthropocene. What we are facing is not only an environmental crisis, but a geological revolution of human origin. In two centuries, our planet has tipped into a state unknown for millions of years. How did we get to this point? Refuting the convenient view of a “human species” that upset the Earth system, unaware of what it was(...)
Environment and environmental theory
April 2017
The shock of the anthropocene: the earth, history and us
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The Earth has entered a new epoch: the Anthropocene. What we are facing is not only an environmental crisis, but a geological revolution of human origin. In two centuries, our planet has tipped into a state unknown for millions of years. How did we get to this point? Refuting the convenient view of a “human species” that upset the Earth system, unaware of what it was doing, this book proposes the first critical history of the Anthropocene, shaking up many accepted ideas: about our supposedly recent “environmental awareness,” about previous challenges to industrialism, about the manufacture of ignorance and consumerism, about so-called energy transitions, as well as about the role of the military in environmental destruction. In a dialogue between science and history, The Shock of the Anthropocene dissects a new theoretical buzzword and explores paths for living and acting politically in this rapidly developing geological epoch.
Environment and environmental theory