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Description:
512 pages : illustrations ; 23 cm
Description:
512 pages : illustrations ; 23 cm
Author:
- Iberia Pérez -- Lars Bang Larsen -- Lars Bang Larsen -- Yann Chateigné Tytelman -- Steven ten Thije -- Frédérique Bergholtz -- Joan Riviere -- Judith Butler -- Beatriz Preciado -- Hadley & Maxwell with Vanessa Ohlraun -- Giorgio Agamben -- Dieter Roelstraete -- Flora Lysen -- Mikhail Bakhtin -- Peter Stallybrass & Allon White.,
- Alena Alexandrova / Martine Neddam -- Philippe-Alain Michaud -- Jean Rouch -- Cecilia Peláez Paladino / Martine Neddam -- Fernando Pessoa -- Walter Benjamin -- Michel Foucault -- Steven ten Thije -- Jacques Derrida -- Michel Foucault -- Stefanie Seibold -- Marianne Flotron / Mounira Al Solh -- Gilles Deleuze & Felix Guattari -- Michael Taussig -- Alena Alexandrova -- Giorgio Agamben -- Roland Barthes -- Franc̜oise Frontisi-Ducroux -- Rebecca Sakoun -- Homi K. Bhabha -- René Girard -- Wendelien Van Oldenborgh -- Suely Rolnik -- Frantz Fanon -- Peggy Phelan -- Peggy Phelan.,
- Bergholtz, Frederique.,
- Perez, Iberia.,
- If I Can't Dance, I Don't Want To Be Part Of Your Revolution (Organization),
- Dutch Art Institute.,
- Piet Zwart Instituut.,
- Stedelijk Van Abbemuseum.
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Publication:
Berlin : Revolver, ©2010.
Berlin : Revolver, ©2010.
Title:
(Mis)reading masquerades / edited by Frédérique Bergholtz, Iberia Pérez ; produced by If I Can't Dance, I Don't Want To Be Part Of Your Revolution in collaboration with Dutch Art Institute, Piet Zwart Institute, Van Abbemuseum.
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Description:
512 pages : illustrations ; 23 cm
(Mis)reading masquerades / edited by Frédérique Bergholtz, Iberia Pérez ; produced by If I Can't Dance, I Don't Want To Be Part Of Your Revolution in collaboration with Dutch Art Institute, Piet Zwart Institute, Van Abbemuseum.
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Description:
512 pages : illustrations ; 23 cm
Form:
books
books
Publication:
Berlin : Revolver, ©2010.
Berlin : Revolver, ©2010.
Author:
- Iberia Pérez -- Lars Bang Larsen -- Lars Bang Larsen -- Yann Chateigné Tytelman -- Steven ten Thije -- Frédérique Bergholtz -- Joan Riviere -- Judith Butler -- Beatriz Preciado -- Hadley & Maxwell with Vanessa Ohlraun -- Giorgio Agamben -- Dieter Roelstraete -- Flora Lysen -- Mikhail Bakhtin -- Peter Stallybrass & Allon White.,
- Alena Alexandrova / Martine Neddam -- Philippe-Alain Michaud -- Jean Rouch -- Cecilia Peláez Paladino / Martine Neddam -- Fernando Pessoa -- Walter Benjamin -- Michel Foucault -- Steven ten Thije -- Jacques Derrida -- Michel Foucault -- Stefanie Seibold -- Marianne Flotron / Mounira Al Solh -- Gilles Deleuze & Felix Guattari -- Michael Taussig -- Alena Alexandrova -- Giorgio Agamben -- Roland Barthes -- Franc̜oise Frontisi-Ducroux -- Rebecca Sakoun -- Homi K. Bhabha -- René Girard -- Wendelien Van Oldenborgh -- Suely Rolnik -- Frantz Fanon -- Peggy Phelan -- Peggy Phelan.,
- Bergholtz, Frederique.,
- Perez, Iberia.,
- If I Can't Dance, I Don't Want To Be Part Of Your Revolution (Organization),
- Dutch Art Institute.,
- Piet Zwart Instituut.,
- Stedelijk Van Abbemuseum.
(See more)
Title:
Returning to Benjamin
Returning to Benjamin
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$17.00
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Summary:
Walter Benjamin’s essay of cultural criticism ‘The Work of Art in the Age of Mechanical Reproduction’ has become a ‘classic’ text, one which resonated through the twentieth century and beyond. In this succinct and pointed new essay, the artist and writer Victor Burgin rereads Benjamin’s 1935 text, to elaborate a new argument contending that the camera today is profoundly(...)
$17.00
(available to order)
Summary:
Walter Benjamin’s essay of cultural criticism ‘The Work of Art in the Age of Mechanical Reproduction’ has become a ‘classic’ text, one which resonated through the twentieth century and beyond. In this succinct and pointed new essay, the artist and writer Victor Burgin rereads Benjamin’s 1935 text, to elaborate a new argument contending that the camera today is profoundly(...)
Title:
Returning to Benjamin
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$17.00
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Summary:
Walter Benjamin’s essay of cultural criticism ‘The Work of Art in the Age of Mechanical Reproduction’ has become a ‘classic’ text, one which resonated through the twentieth century and beyond. In this succinct and pointed new essay, the artist and writer Victor Burgin rereads Benjamin’s 1935 text, to elaborate a new argument contending that the camera today is profoundly imbricated in that which is not visible.
Returning to Benjamin
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$17.00
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Summary:
Walter Benjamin’s essay of cultural criticism ‘The Work of Art in the Age of Mechanical Reproduction’ has become a ‘classic’ text, one which resonated through the twentieth century and beyond. In this succinct and pointed new essay, the artist and writer Victor Burgin rereads Benjamin’s 1935 text, to elaborate a new argument contending that the camera today is profoundly imbricated in that which is not visible.
Subject:
Theory of Photography
Theory of Photography
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$37.50
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Summary:
In the 1920s, the Gulf of Naples was a magnet for European intellectuals in search of places as yet untouched by modernity. Among the revolutionaries, artists, and thinkers drawn to Naples were numerous scholars at a formative stage in their journeys: Walter Benjamin, Siegfried Kracauer, Alfred Sohn-Rethel, Asja Lacis, Theodor W. Adorno, and many others. While all were(...)
$37.50
(available in store)
Summary:
In the 1920s, the Gulf of Naples was a magnet for European intellectuals in search of places as yet untouched by modernity. Among the revolutionaries, artists, and thinkers drawn to Naples were numerous scholars at a formative stage in their journeys: Walter Benjamin, Siegfried Kracauer, Alfred Sohn-Rethel, Asja Lacis, Theodor W. Adorno, and many others. While all were(...)
Title:
Naples 1925: Adorno, Benjamin, and the summer that made critical theory
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$37.50
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Summary:
In the 1920s, the Gulf of Naples was a magnet for European intellectuals in search of places as yet untouched by modernity. Among the revolutionaries, artists, and thinkers drawn to Naples were numerous scholars at a formative stage in their journeys: Walter Benjamin, Siegfried Kracauer, Alfred Sohn-Rethel, Asja Lacis, Theodor W. Adorno, and many others. While all were indelibly shaped by the volcanic Neapolitan landscape, it was Benjamin who first probed the relationship between the porous landscape and the local culture. But Adorno went further, transforming his surroundings into a radical new philosophy—one that became a turning point in the modern history of the discipline.
Naples 1925: Adorno, Benjamin, and the summer that made critical theory
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$37.50
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Summary:
In the 1920s, the Gulf of Naples was a magnet for European intellectuals in search of places as yet untouched by modernity. Among the revolutionaries, artists, and thinkers drawn to Naples were numerous scholars at a formative stage in their journeys: Walter Benjamin, Siegfried Kracauer, Alfred Sohn-Rethel, Asja Lacis, Theodor W. Adorno, and many others. While all were indelibly shaped by the volcanic Neapolitan landscape, it was Benjamin who first probed the relationship between the porous landscape and the local culture. But Adorno went further, transforming his surroundings into a radical new philosophy—one that became a turning point in the modern history of the discipline.
Subject:
Critical Theory
Critical Theory
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books
books
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Description:
299 pages ; 24 cm.
Description:
299 pages ; 24 cm.
Form:
books
books
Publication:
Paris : Klincksieck, ©2010.
Paris : Klincksieck, ©2010.
Form:
books
books
Holdings:
Description:
445 p : ill. couv. en coul ; 18 cm
- Library main 182149 | ID PO9766 HT151; ID:85-B19011 | Available
- Library main 182150 | ID PO8277 HT151; ID:85-B19011 | Available
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Description:
445 p : ill. couv. en coul ; 18 cm
Subject:
- Benoît-Lévy, Georges, 1880-1971.,
- Bukharin, Nikolaĭ, 1888-1938.,
- Cabet, Étienne, 1788-1856.,
- Considerant, Victor, 1808-1893.,
- Duhl, Leonard J.,
- Engels, Friedrich, 1820-1895.,
- Fourier, Charles, 1772-1837.,
- Garnier, Tony, 1869-1948.,
- Geddes, Patrick, Sir, 1854-1932.,
- Godin, Jean Baptiste André, 1817-1888.,
- Gropius, Walter, 1883-1969.,
- Heidegger, Martin, 1889-1976.,
- Hénard, Eugène.,
- Howard, Ebenezer, Sir, 1850-1928.,
- Jacobs, Jane, 1916-2006.,
- Kropotkin, Petr Alekseevich, kni︠a︡zʹ, 1842-1921.,
- Le Corbusier, 1887-1965.,
- Lynch, Kevin, 1918-1984.,
- Marx, Karl, 1818-1883.,
- Morris, William, 1834-1896.,
- Mumford, Lewis, 1895-1990.,
- Owen, Robert, 1771-1858.,
- Poëte, Marcel, 1866-1950.,
- Preobrazhenskiĭ, E. A. (Evgeniĭ Alekseevich), 1886-1937.,
- Proudhon, P.-J. (Pierre-Joseph), 1809-1865.,
- Pugin, Augustus Welby Northmore, 1812-1852.,
- Richardson, Benjamin Ward, 1828-1896.,
- Ruskin, John, 1819-1900.,
- Simmel, Georg, 1858-1918.,
- Sitte, Camillo, 1843-1903.,
- Spengler, Oswald, 1880-1936.,
- Strumilin, S. G. (Stanislav Gustavovich), 1877-1974.,
- Unwin, Raymond, Sir, 1863-1940.,
- Verne, Jules, 1828-1905.,
- Wells, H. G. (Herbert George), 1866-1946.,
- Wright, Frank Lloyd, 1867-1959.,
- Xenakis, Iannis, 1922-2001.,
- Urbanization.,
- Cities and towns Growth.,
- City planning.,
- City Planning,
- Urbanisme Anthologies.,
- Urbanisme Philosophie.,
- Urbanisme Méthodologie.,
- Urbanisation.,
- Villes Croissance.,
- Urbanisme.,
- urbanization.,
- urban planning.,
- suburban growth.,
- urban sprawl.,
- Urbanizacao (Sociologia),
- Cities and towns.,
- HUMAN SETTLEMENTS.
(See more)
Publication:
Paris : Editions du Seuil, c,1965.
Paris : Editions du Seuil, c,1965.
Title:
L'Urbanisme utopies et réalités :une anthologie Françoise Choay.
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Description:
445 p : ill. couv. en coul ; 18 cm
L'Urbanisme utopies et réalités :une anthologie Françoise Choay.
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- Library main 182149 | ID PO9766 HT151; ID:85-B19011 | Available
- Library main 182150 | ID PO8277 HT151; ID:85-B19011 | Available
(See more)
Description:
445 p : ill. couv. en coul ; 18 cm
Form:
books
books
Publication:
Paris : Editions du Seuil, c,1965.
Paris : Editions du Seuil, c,1965.
Subject:
- Benoît-Lévy, Georges, 1880-1971.,
- Bukharin, Nikolaĭ, 1888-1938.,
- Cabet, Étienne, 1788-1856.,
- Considerant, Victor, 1808-1893.,
- Duhl, Leonard J.,
- Engels, Friedrich, 1820-1895.,
- Fourier, Charles, 1772-1837.,
- Garnier, Tony, 1869-1948.,
- Geddes, Patrick, Sir, 1854-1932.,
- Godin, Jean Baptiste André, 1817-1888.,
- Gropius, Walter, 1883-1969.,
- Heidegger, Martin, 1889-1976.,
- Hénard, Eugène.,
- Howard, Ebenezer, Sir, 1850-1928.,
- Jacobs, Jane, 1916-2006.,
- Kropotkin, Petr Alekseevich, kni︠a︡zʹ, 1842-1921.,
- Le Corbusier, 1887-1965.,
- Lynch, Kevin, 1918-1984.,
- Marx, Karl, 1818-1883.,
- Morris, William, 1834-1896.,
- Mumford, Lewis, 1895-1990.,
- Owen, Robert, 1771-1858.,
- Poëte, Marcel, 1866-1950.,
- Preobrazhenskiĭ, E. A. (Evgeniĭ Alekseevich), 1886-1937.,
- Proudhon, P.-J. (Pierre-Joseph), 1809-1865.,
- Pugin, Augustus Welby Northmore, 1812-1852.,
- Richardson, Benjamin Ward, 1828-1896.,
- Ruskin, John, 1819-1900.,
- Simmel, Georg, 1858-1918.,
- Sitte, Camillo, 1843-1903.,
- Spengler, Oswald, 1880-1936.,
- Strumilin, S. G. (Stanislav Gustavovich), 1877-1974.,
- Unwin, Raymond, Sir, 1863-1940.,
- Verne, Jules, 1828-1905.,
- Wells, H. G. (Herbert George), 1866-1946.,
- Wright, Frank Lloyd, 1867-1959.,
- Xenakis, Iannis, 1922-2001.,
- Urbanization.,
- Cities and towns Growth.,
- City planning.,
- City Planning,
- Urbanisme Anthologies.,
- Urbanisme Philosophie.,
- Urbanisme Méthodologie.,
- Urbanisation.,
- Villes Croissance.,
- Urbanisme.,
- urbanization.,
- urban planning.,
- suburban growth.,
- urban sprawl.,
- Urbanizacao (Sociologia),
- Cities and towns.,
- HUMAN SETTLEMENTS.
(See more)
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books
books
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Description:
volumes (203 pages), 24 unnumbered pages of plates : illustrations (some color) ; 27 cm
Description:
volumes (203 pages), 24 unnumbered pages of plates : illustrations (some color) ; 27 cm
Title:
The miracle of analogy, or, The history of photography / Kaja Silverman.
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Description:
volumes (203 pages), 24 unnumbered pages of plates : illustrations (some color) ; 27 cm
The miracle of analogy, or, The history of photography / Kaja Silverman.
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Description:
volumes (203 pages), 24 unnumbered pages of plates : illustrations (some color) ; 27 cm
Form:
books
books
Publication:
Stanford, California : Stanford University Press, 2015-
Stanford, California : Stanford University Press, 2015-
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Price:
$33.95
(available to order)
Summary:
Since its publication in 1936, Walter Benjamin's "Artwork" essay has become a canonical text about the status and place of the fine arts in modern mass culture. Benjamin was especially concerned with the ability of new technologies--notably film, sound recording, and photography--to reproduce works of art in great number. Benjamin could not have foreseen the explosion of(...)
$33.95
(available to order)
Summary:
Since its publication in 1936, Walter Benjamin's "Artwork" essay has become a canonical text about the status and place of the fine arts in modern mass culture. Benjamin was especially concerned with the ability of new technologies--notably film, sound recording, and photography--to reproduce works of art in great number. Benjamin could not have foreseen the explosion of(...)
Subject:
Architectural Theory
Architectural Theory
Publication:
July 2003, Stanford
July 2003, Stanford
Title:
Mapping Benjamin : the work of art in the digital age
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$33.95
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Summary:
Since its publication in 1936, Walter Benjamin's "Artwork" essay has become a canonical text about the status and place of the fine arts in modern mass culture. Benjamin was especially concerned with the ability of new technologies--notably film, sound recording, and photography--to reproduce works of art in great number. Benjamin could not have foreseen the explosion of imagery and media that has occurred during the past fifty years. Does Benjamin's famous essay still speak to this new situation? That is the question posed by the editors of this book to a wide range of leading scholars and thinkers across a spectrum of disciplines in the humanities. The essays gathered here do not hazard a univocal reply to that question; rather they offer a rich, wide-ranging critique of Benjamin's position that refracts and reflects contemporary thinking about the ethical, political, and aesthetic implications of life in the digital age.
Mapping Benjamin : the work of art in the digital age
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Price:
$33.95
(available to order)
Summary:
Since its publication in 1936, Walter Benjamin's "Artwork" essay has become a canonical text about the status and place of the fine arts in modern mass culture. Benjamin was especially concerned with the ability of new technologies--notably film, sound recording, and photography--to reproduce works of art in great number. Benjamin could not have foreseen the explosion of imagery and media that has occurred during the past fifty years. Does Benjamin's famous essay still speak to this new situation? That is the question posed by the editors of this book to a wide range of leading scholars and thinkers across a spectrum of disciplines in the humanities. The essays gathered here do not hazard a univocal reply to that question; rather they offer a rich, wide-ranging critique of Benjamin's position that refracts and reflects contemporary thinking about the ethical, political, and aesthetic implications of life in the digital age.
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Title:
Les fleurs américaines
Les fleurs américaines
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Summary:
Réalisée avec le Museum of American Art (MoAA), Berlin et le Salon de Fleurus, New York, l'exposition Les fleurs américaines présentée au Frac Île-de-France / Le Plateau racontait, par le biais de copies anonymes, les origines de l'écriture du récit connu sous le nom d'histoire de l'art moderne, pour questionner les critères d'authenticité, d'originalité et d'unicité des(...)
$37.95
(available in store)
Summary:
Réalisée avec le Museum of American Art (MoAA), Berlin et le Salon de Fleurus, New York, l'exposition Les fleurs américaines présentée au Frac Île-de-France / Le Plateau racontait, par le biais de copies anonymes, les origines de l'écriture du récit connu sous le nom d'histoire de l'art moderne, pour questionner les critères d'authenticité, d'originalité et d'unicité des(...)
Publication:
March 2015
March 2015
Title:
Les fleurs américaines
Actions:
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$37.95
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Summary:
Réalisée avec le Museum of American Art (MoAA), Berlin et le Salon de Fleurus, New York, l'exposition Les fleurs américaines présentée au Frac Île-de-France / Le Plateau racontait, par le biais de copies anonymes, les origines de l'écriture du récit connu sous le nom d'histoire de l'art moderne, pour questionner les critères d'authenticité, d'originalité et d'unicité des œuvres et des artistes qui régissent toujours le monde de l'art aujourd'hui. Premier ouvrage en français consacré aux activités du MoAA et du Salon de Fleurus, ce catalogue revient sur les différentes parties de l'exposition présentée au Plateau et en prolonge les enjeux à travers un ensemble de sources iconographiques variées et de textes empruntant différents registres.
Les fleurs américaines
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$37.95
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Summary:
Réalisée avec le Museum of American Art (MoAA), Berlin et le Salon de Fleurus, New York, l'exposition Les fleurs américaines présentée au Frac Île-de-France / Le Plateau racontait, par le biais de copies anonymes, les origines de l'écriture du récit connu sous le nom d'histoire de l'art moderne, pour questionner les critères d'authenticité, d'originalité et d'unicité des œuvres et des artistes qui régissent toujours le monde de l'art aujourd'hui. Premier ouvrage en français consacré aux activités du MoAA et du Salon de Fleurus, ce catalogue revient sur les différentes parties de l'exposition présentée au Plateau et en prolonge les enjeux à travers un ensemble de sources iconographiques variées et de textes empruntant différents registres.
Form:
books
books
Publication:
March 2015
March 2015
Form:
books
books
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Description:
239 pages ; 21 cm.
Description:
239 pages ; 21 cm.
Subject:
- Documentary mass media and the arts.,
- Arts, Modern 20th century.,
- Arts, Modern 21st century.,
- Arts, Modern.,
- Médias documentaires et arts.,
- Arts 20e siècle.,
- Arts 21e siècle.,
- Art and Design.,
- Kunst,
- Dokumentarfotografie,
- Dokumentarfilm,
- interviews.,
- Interviews.,
- Art criticism.,
- Critiques d'art.
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Publication:
London : Whitechapel Gallery ; Cambridge, Massachusetts : The MIT Press, [2013]
London : Whitechapel Gallery ; Cambridge, Massachusetts : The MIT Press, [2013]
Title:
Documentary / edited by Julian Stallabrass.
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Description:
239 pages ; 21 cm.
Documentary / edited by Julian Stallabrass.
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Description:
239 pages ; 21 cm.
Form:
books
books
Publication:
London : Whitechapel Gallery ; Cambridge, Massachusetts : The MIT Press, [2013]
London : Whitechapel Gallery ; Cambridge, Massachusetts : The MIT Press, [2013]
Subject:
- Documentary mass media and the arts.,
- Arts, Modern 20th century.,
- Arts, Modern 21st century.,
- Arts, Modern.,
- Médias documentaires et arts.,
- Arts 20e siècle.,
- Arts 21e siècle.,
- Art and Design.,
- Kunst,
- Dokumentarfotografie,
- Dokumentarfilm,
- interviews.,
- Interviews.,
- Art criticism.,
- Critiques d'art.
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books
books
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Description:
vii, 342 pages : illustrations ; 24 cm
Description:
vii, 342 pages : illustrations ; 24 cm
Subject:
- Los Angeles (Calif.) Civilization 20th century.,
- Memory Social aspects California Los Angeles.,
- Civilization.,
- Memory Social aspects.,
- Social conditions,
- Neighborhoods California Los Angeles.,
- Los Angeles (Calif.) History 20th century.,
- Los Angeles (Calif.) Social conditions 20th century.,
- California Los Angeles.,
- History.
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Publication:
London ; New York : Verso, 2008.
London ; New York : Verso, 2008.
Title:
The history of forgetting : Los Angeles and the erasure of memory / Norman M. Klein.
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Description:
vii, 342 pages : illustrations ; 24 cm
The history of forgetting : Los Angeles and the erasure of memory / Norman M. Klein.
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Description:
vii, 342 pages : illustrations ; 24 cm
Form:
books
books
Publication:
London ; New York : Verso, 2008.
London ; New York : Verso, 2008.
Subject:
- Los Angeles (Calif.) Civilization 20th century.,
- Memory Social aspects California Los Angeles.,
- Civilization.,
- Memory Social aspects.,
- Social conditions,
- Neighborhoods California Los Angeles.,
- Los Angeles (Calif.) History 20th century.,
- Los Angeles (Calif.) Social conditions 20th century.,
- California Los Angeles.,
- History.
(See more)