13067 Results
Level of archival description:
Project
Project
Actions:
Reference number:
AP164.S1.2004.D3
Description:
The project series documents the masterplan of territorial organization of the Costa del Sol, in Spain, for the account of the Secretaría General de Ordenación del Territorio y Urbanismo and the Consejeria de obras publicas y transportes of the governement of Andalucia. The firm identified this project as number 181. "Our purpose is to convert the Costa del Sol in an authentic contemporary metacity, to put it on the map of Europe's principal cities and to organize an individual and [the] unstoppable development of each municipality into a wider framework that allows the integration of infrastructures through ecological-technical corridors demanded for a metropolitan scale. It also states the authentic urban value in addition to the local natural one." (ARCH270975) Abalos & Herreros worked with Jose Seguí, Jose Maria Ezquiaga (?) and Salvador Rueda Documenting the project are conceptual, design development and presentation drawings, cartographic, photographic and reference materials, correspondence, notes and presentation documents.
AP164.S1.2004.D3
Description:
The project series documents the masterplan of territorial organization of the Costa del Sol, in Spain, for the account of the Secretaría General de Ordenación del Territorio y Urbanismo and the Consejeria de obras publicas y transportes of the governement of Andalucia. The firm identified this project as number 181. "Our purpose is to convert the Costa del Sol in an authentic contemporary metacity, to put it on the map of Europe's principal cities and to organize an individual and [the] unstoppable development of each municipality into a wider framework that allows the integration of infrastructures through ecological-technical corridors demanded for a metropolitan scale. It also states the authentic urban value in addition to the local natural one." (ARCH270975) Abalos & Herreros worked with Jose Seguí, Jose Maria Ezquiaga (?) and Salvador Rueda Documenting the project are conceptual, design development and presentation drawings, cartographic, photographic and reference materials, correspondence, notes and presentation documents.
People:
Date:
2003-2005
2003-2005
Title:
Plan de ordenación territorial, Costa del Sol, Spain (2004)
Actions:
AP164.S1.2004.D3
Description:
The project series documents the masterplan of territorial organization of the Costa del Sol, in Spain, for the account of the Secretaría General de Ordenación del Territorio y Urbanismo and the Consejeria de obras publicas y transportes of the governement of Andalucia. The firm identified this project as number 181. "Our purpose is to convert the Costa del Sol in an authentic contemporary metacity, to put it on the map of Europe's principal cities and to organize an individual and [the] unstoppable development of each municipality into a wider framework that allows the integration of infrastructures through ecological-technical corridors demanded for a metropolitan scale. It also states the authentic urban value in addition to the local natural one." (ARCH270975) Abalos & Herreros worked with Jose Seguí, Jose Maria Ezquiaga (?) and Salvador Rueda Documenting the project are conceptual, design development and presentation drawings, cartographic, photographic and reference materials, correspondence, notes and presentation documents.
Plan de ordenación territorial, Costa del Sol, Spain (2004)
Actions:
AP164.S1.2004.D3
Description:
The project series documents the masterplan of territorial organization of the Costa del Sol, in Spain, for the account of the Secretaría General de Ordenación del Territorio y Urbanismo and the Consejeria de obras publicas y transportes of the governement of Andalucia. The firm identified this project as number 181. "Our purpose is to convert the Costa del Sol in an authentic contemporary metacity, to put it on the map of Europe's principal cities and to organize an individual and [the] unstoppable development of each municipality into a wider framework that allows the integration of infrastructures through ecological-technical corridors demanded for a metropolitan scale. It also states the authentic urban value in addition to the local natural one." (ARCH270975) Abalos & Herreros worked with Jose Seguí, Jose Maria Ezquiaga (?) and Salvador Rueda Documenting the project are conceptual, design development and presentation drawings, cartographic, photographic and reference materials, correspondence, notes and presentation documents.
Level of archival description:
Project
Project
Date:
2003-2005
2003-2005
People:
Level of archival description:
Sub-series
Sub-series
Reference number:
AP207.S2.SS09
Description:
The sub-series documents the exhibition "Radicals. Architettura e design 1960-1975", curated by Pettena and presented in the Italian Pavilion at the Venice Biennale in 1996. This documentary exhibition on the Radical architecture movement in the 1960s and the 1970s, for presented the Radical movement not as "essentially conceptual contribution, as “fantastic” theories and utopian visions of the future" [1] but as "precursors of the most innovative production of the contemporary, international architectural scene." [2] The sub-series contains research material, including photocopies of articles on the Radical movement and research on previous editions of the Venice Biennale. It also contains correspondence for the planning of the exhibition, including with Hans Hollein and the Biennale administration, a draft exhibition proposal, concept development notes by Pettena, proposals for promotional material on the exhibition and press clippings. Source: [1][2] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
AP207.S2.SS09
Description:
The sub-series documents the exhibition "Radicals. Architettura e design 1960-1975", curated by Pettena and presented in the Italian Pavilion at the Venice Biennale in 1996. This documentary exhibition on the Radical architecture movement in the 1960s and the 1970s, for presented the Radical movement not as "essentially conceptual contribution, as “fantastic” theories and utopian visions of the future" [1] but as "precursors of the most innovative production of the contemporary, international architectural scene." [2] The sub-series contains research material, including photocopies of articles on the Radical movement and research on previous editions of the Venice Biennale. It also contains correspondence for the planning of the exhibition, including with Hans Hollein and the Biennale administration, a draft exhibition proposal, concept development notes by Pettena, proposals for promotional material on the exhibition and press clippings. Source: [1][2] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
People:
Date:
1992-2010
1992-2010
Title:
Radicals. Architettura e Design 1960-1975 (1992)
Actions:
AP207.S2.SS09
Description:
The sub-series documents the exhibition "Radicals. Architettura e design 1960-1975", curated by Pettena and presented in the Italian Pavilion at the Venice Biennale in 1996. This documentary exhibition on the Radical architecture movement in the 1960s and the 1970s, for presented the Radical movement not as "essentially conceptual contribution, as “fantastic” theories and utopian visions of the future" [1] but as "precursors of the most innovative production of the contemporary, international architectural scene." [2] The sub-series contains research material, including photocopies of articles on the Radical movement and research on previous editions of the Venice Biennale. It also contains correspondence for the planning of the exhibition, including with Hans Hollein and the Biennale administration, a draft exhibition proposal, concept development notes by Pettena, proposals for promotional material on the exhibition and press clippings. Source: [1][2] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
Radicals. Architettura e Design 1960-1975 (1992)
Actions:
AP207.S2.SS09
Description:
The sub-series documents the exhibition "Radicals. Architettura e design 1960-1975", curated by Pettena and presented in the Italian Pavilion at the Venice Biennale in 1996. This documentary exhibition on the Radical architecture movement in the 1960s and the 1970s, for presented the Radical movement not as "essentially conceptual contribution, as “fantastic” theories and utopian visions of the future" [1] but as "precursors of the most innovative production of the contemporary, international architectural scene." [2] The sub-series contains research material, including photocopies of articles on the Radical movement and research on previous editions of the Venice Biennale. It also contains correspondence for the planning of the exhibition, including with Hans Hollein and the Biennale administration, a draft exhibition proposal, concept development notes by Pettena, proposals for promotional material on the exhibition and press clippings. Source: [1][2] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
Level of archival description:
Subseries
Subseries
Date:
1992-2010
1992-2010
People:
Form:
drawings
drawings
Reference number:
AP178.S2.2000.002
Description:
This sketchbook includes sketches for the Pousada, Fort Peniche, the Júlio Pomar Museum and workshop in Lisbon, the Headquarters of the National Bank of Cabo Verde, and of furniture for the Museum of Contemporary Art of the Serralves Foundation in Porto, Portugal. It also contains sketches of Huesca, man on a horse, and people.
AP178.S2.2000.002
Description:
This sketchbook includes sketches for the Pousada, Fort Peniche, the Júlio Pomar Museum and workshop in Lisbon, the Headquarters of the National Bank of Cabo Verde, and of furniture for the Museum of Contemporary Art of the Serralves Foundation in Porto, Portugal. It also contains sketches of Huesca, man on a horse, and people.
People:
Date:
April 2000
April 2000
Title:
Sketchbook 479: Mobiliario Serralves - Pomar I
Actions:
AP178.S2.2000.002
Description:
This sketchbook includes sketches for the Pousada, Fort Peniche, the Júlio Pomar Museum and workshop in Lisbon, the Headquarters of the National Bank of Cabo Verde, and of furniture for the Museum of Contemporary Art of the Serralves Foundation in Porto, Portugal. It also contains sketches of Huesca, man on a horse, and people.
Sketchbook 479: Mobiliario Serralves - Pomar I
Actions:
AP178.S2.2000.002
Description:
This sketchbook includes sketches for the Pousada, Fort Peniche, the Júlio Pomar Museum and workshop in Lisbon, the Headquarters of the National Bank of Cabo Verde, and of furniture for the Museum of Contemporary Art of the Serralves Foundation in Porto, Portugal. It also contains sketches of Huesca, man on a horse, and people.
Form:
drawings
drawings
Date:
April 2000
April 2000
People:
Form:
photographs
photographs
Actions:
Reference number:
ARCH276951
Description:
2 binders - documentation for projects filed under, "Education." Contains King Abdul Aziz University, Brentwood College Development Plan; Simon Fraser University West Mall and School for the Contemporary Arts. Includes slides and prints of sketches, site, models and plans as well as project information sheets and clippings related to the projects.
ARCH276951
Description:
2 binders - documentation for projects filed under, "Education." Contains King Abdul Aziz University, Brentwood College Development Plan; Simon Fraser University West Mall and School for the Contemporary Arts. Includes slides and prints of sketches, site, models and plans as well as project information sheets and clippings related to the projects.
People:
Date:
1990-1993
1990-1993
Title:
Photographic documentation, project information and clippings on various educational buildings projects
Actions:
ARCH276951
Description:
2 binders - documentation for projects filed under, "Education." Contains King Abdul Aziz University, Brentwood College Development Plan; Simon Fraser University West Mall and School for the Contemporary Arts. Includes slides and prints of sketches, site, models and plans as well as project information sheets and clippings related to the projects.
Photographic documentation, project information and clippings on various educational buildings projects
Actions:
ARCH276951
Description:
2 binders - documentation for projects filed under, "Education." Contains King Abdul Aziz University, Brentwood College Development Plan; Simon Fraser University West Mall and School for the Contemporary Arts. Includes slides and prints of sketches, site, models and plans as well as project information sheets and clippings related to the projects.
Form:
photographs
photographs
Date:
1990-1993
1990-1993
People:
Level of archival description:
Project
Project
Title:
Tumbleweeds Catcher (1972)
Tumbleweeds Catcher (1972)
Reference number:
AP207.S1.1972.PR03
Description:
The project series documents "Tumbleweeds Catcher", an installation by Pettena and a group of his students from the University of Utah, in Salt Lake City, in 1972. The installation consisted of a tower-scaffold built on a vacant lot near the city centre and covered with mesh so it could capture the tumbleweeds blown by the wind. Through this installation Pettena's intention was to "highlight the 'work of the land', the tumbleweeds moved by the wind and intercepted by the mesh of the tower, 'naturalize' it, contaminate it, thereby embodying the revenge of nature over urbanized space." [1] A second edition was later presented at the Utah Museum of Contemporary Art in Salt Lake City in 2013. The project series contains photographs of the installation in 1972 and 2013, and drawings and sketches of the tower. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 162.
AP207.S1.1972.PR03
Description:
The project series documents "Tumbleweeds Catcher", an installation by Pettena and a group of his students from the University of Utah, in Salt Lake City, in 1972. The installation consisted of a tower-scaffold built on a vacant lot near the city centre and covered with mesh so it could capture the tumbleweeds blown by the wind. Through this installation Pettena's intention was to "highlight the 'work of the land', the tumbleweeds moved by the wind and intercepted by the mesh of the tower, 'naturalize' it, contaminate it, thereby embodying the revenge of nature over urbanized space." [1] A second edition was later presented at the Utah Museum of Contemporary Art in Salt Lake City in 2013. The project series contains photographs of the installation in 1972 and 2013, and drawings and sketches of the tower. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 162.
People:
Date:
circa 1972-2017
circa 1972-2017
Title:
Tumbleweeds Catcher (1972)
Actions:
AP207.S1.1972.PR03
Description:
The project series documents "Tumbleweeds Catcher", an installation by Pettena and a group of his students from the University of Utah, in Salt Lake City, in 1972. The installation consisted of a tower-scaffold built on a vacant lot near the city centre and covered with mesh so it could capture the tumbleweeds blown by the wind. Through this installation Pettena's intention was to "highlight the 'work of the land', the tumbleweeds moved by the wind and intercepted by the mesh of the tower, 'naturalize' it, contaminate it, thereby embodying the revenge of nature over urbanized space." [1] A second edition was later presented at the Utah Museum of Contemporary Art in Salt Lake City in 2013. The project series contains photographs of the installation in 1972 and 2013, and drawings and sketches of the tower. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 162.
Tumbleweeds Catcher (1972)
Actions:
AP207.S1.1972.PR03
Description:
The project series documents "Tumbleweeds Catcher", an installation by Pettena and a group of his students from the University of Utah, in Salt Lake City, in 1972. The installation consisted of a tower-scaffold built on a vacant lot near the city centre and covered with mesh so it could capture the tumbleweeds blown by the wind. Through this installation Pettena's intention was to "highlight the 'work of the land', the tumbleweeds moved by the wind and intercepted by the mesh of the tower, 'naturalize' it, contaminate it, thereby embodying the revenge of nature over urbanized space." [1] A second edition was later presented at the Utah Museum of Contemporary Art in Salt Lake City in 2013. The project series contains photographs of the installation in 1972 and 2013, and drawings and sketches of the tower. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 162.
Level of archival description:
Project
Project
Date:
circa 1972-2017
circa 1972-2017
People:
Form:
drawings
drawings
Reference number:
AP178.S2.1992.002
Description:
This sketchbook includes sketches and notes for the Urban plan of Schilderswijk-West in The Hague, the Ceramic Terrain housing and offices, and the Galician Centre of Contemporary Art. It also contains notes, portraits, self-portraits, and sketches of furniture and Lisbon, as well as notes from a trip to Belgium and for the Malagueira.
AP178.S2.1992.002
Description:
This sketchbook includes sketches and notes for the Urban plan of Schilderswijk-West in The Hague, the Ceramic Terrain housing and offices, and the Galician Centre of Contemporary Art. It also contains notes, portraits, self-portraits, and sketches of furniture and Lisbon, as well as notes from a trip to Belgium and for the Malagueira.
People:
Date:
February 1992
February 1992
Title:
Sketchbook 326: 2º Visita Santiago - Visita Barcelona - Condes
Actions:
AP178.S2.1992.002
Description:
This sketchbook includes sketches and notes for the Urban plan of Schilderswijk-West in The Hague, the Ceramic Terrain housing and offices, and the Galician Centre of Contemporary Art. It also contains notes, portraits, self-portraits, and sketches of furniture and Lisbon, as well as notes from a trip to Belgium and for the Malagueira.
Sketchbook 326: 2º Visita Santiago - Visita Barcelona - Condes
Actions:
AP178.S2.1992.002
Description:
This sketchbook includes sketches and notes for the Urban plan of Schilderswijk-West in The Hague, the Ceramic Terrain housing and offices, and the Galician Centre of Contemporary Art. It also contains notes, portraits, self-portraits, and sketches of furniture and Lisbon, as well as notes from a trip to Belgium and for the Malagueira.
Form:
drawings
drawings
Date:
February 1992
February 1992
People:
Form:
photographs
photographs
Title:
View of the diploma project model for the Lenin Institute and Library, Moscow, U.S.S.R. (now Russia)
View of the diploma project model for the Lenin Institute and Library, Moscow, U.S.S.R. (now Russia)
Actions:
Reference number:
PH1980:1015:123
Description:
"His unexecuted diploma project in 1927 for the Lenin Institute and Library, Moscow, brought him international recognition. The scheme was prominently displayed at the Exhibition of Contemporary Architecture, Moscow, and was published in the OSA Group journal Sovremennaya arkhitektura." Ivan Leonidov [electronicsource] [cited 30 June 2009], available from: http://en.wikipedia.org/wiki/Ivan_leonidov; INTERNET.
PH1980:1015:123
Description:
"His unexecuted diploma project in 1927 for the Lenin Institute and Library, Moscow, brought him international recognition. The scheme was prominently displayed at the Exhibition of Contemporary Architecture, Moscow, and was published in the OSA Group journal Sovremennaya arkhitektura." Ivan Leonidov [electronicsource] [cited 30 June 2009], available from: http://en.wikipedia.org/wiki/Ivan_leonidov; INTERNET.
People:
Subject:
architecture
architecture
Date:
1927
1927
Title:
View of the diploma project model for the Lenin Institute and Library, Moscow, U.S.S.R. (now Russia)
Actions:
PH1980:1015:123
Description:
"His unexecuted diploma project in 1927 for the Lenin Institute and Library, Moscow, brought him international recognition. The scheme was prominently displayed at the Exhibition of Contemporary Architecture, Moscow, and was published in the OSA Group journal Sovremennaya arkhitektura." Ivan Leonidov [electronicsource] [cited 30 June 2009], available from: http://en.wikipedia.org/wiki/Ivan_leonidov; INTERNET.
View of the diploma project model for the Lenin Institute and Library, Moscow, U.S.S.R. (now Russia)
Actions:
PH1980:1015:123
Description:
"His unexecuted diploma project in 1927 for the Lenin Institute and Library, Moscow, brought him international recognition. The scheme was prominently displayed at the Exhibition of Contemporary Architecture, Moscow, and was published in the OSA Group journal Sovremennaya arkhitektura." Ivan Leonidov [electronicsource] [cited 30 June 2009], available from: http://en.wikipedia.org/wiki/Ivan_leonidov; INTERNET.
Form:
photographs
photographs
Date:
1927
1927
People:
Subject:
architecture
architecture
Form:
photographs
photographs
Actions:
Reference number:
PH1980:1015:359
Description:
"His unexecuted diploma project in 1927 for the Lenin Institute and Library, Moscow, brought him international recognition. The scheme was prominently displayed at the Exhibition of Contemporary Architecture, Moscow, and was published in the OSA Group journal Sovremennaya arkhitektura." Ivan Leonidov [electronicsource] [cited 30 June 2009], available from: http://en.wikipedia.org/wiki/Ivan_leonidov; INTERNET.
PH1980:1015:359
Description:
"His unexecuted diploma project in 1927 for the Lenin Institute and Library, Moscow, brought him international recognition. The scheme was prominently displayed at the Exhibition of Contemporary Architecture, Moscow, and was published in the OSA Group journal Sovremennaya arkhitektura." Ivan Leonidov [electronicsource] [cited 30 June 2009], available from: http://en.wikipedia.org/wiki/Ivan_leonidov; INTERNET.
People:
Subject:
architecture
architecture
Date:
1927
1927
Title:
View of the diploma project model for the Lenin Institute and Library, Moscow, Russia (formerly U.S.S.R.)
Actions:
PH1980:1015:359
Description:
"His unexecuted diploma project in 1927 for the Lenin Institute and Library, Moscow, brought him international recognition. The scheme was prominently displayed at the Exhibition of Contemporary Architecture, Moscow, and was published in the OSA Group journal Sovremennaya arkhitektura." Ivan Leonidov [electronicsource] [cited 30 June 2009], available from: http://en.wikipedia.org/wiki/Ivan_leonidov; INTERNET.
View of the diploma project model for the Lenin Institute and Library, Moscow, Russia (formerly U.S.S.R.)
Actions:
PH1980:1015:359
Description:
"His unexecuted diploma project in 1927 for the Lenin Institute and Library, Moscow, brought him international recognition. The scheme was prominently displayed at the Exhibition of Contemporary Architecture, Moscow, and was published in the OSA Group journal Sovremennaya arkhitektura." Ivan Leonidov [electronicsource] [cited 30 June 2009], available from: http://en.wikipedia.org/wiki/Ivan_leonidov; INTERNET.
Form:
photographs
photographs
Date:
1927
1927
People:
Subject:
architecture
architecture
Form:
books, photographs
books, photographs
Actions:
Reference number:
PH1987:1301:001-020
Description:
- Contemporary binding consists of grey paper-covered boards with a black leather spine. There is a gold gilt inscription on the spine and black imprinted inscriptions on the cover. Endpages are of white brownish white paper. The book is comprised of a tile page, 4 pages of text, a list of photographs and 20 photographs.
PH1987:1301:001-020
Description:
- Contemporary binding consists of grey paper-covered boards with a black leather spine. There is a gold gilt inscription on the spine and black imprinted inscriptions on the cover. Endpages are of white brownish white paper. The book is comprised of a tile page, 4 pages of text, a list of photographs and 20 photographs.
People:
Subject:
architecture, sculpture
architecture, sculpture
Date:
published 1868
published 1868
Title:
The Cathedral of Santiago de Compostella [sic] in Spain: Showing especially the Sculpture of the Portico de la Gloria, By Mestre Mateo
Actions:
PH1987:1301:001-020
Description:
- Contemporary binding consists of grey paper-covered boards with a black leather spine. There is a gold gilt inscription on the spine and black imprinted inscriptions on the cover. Endpages are of white brownish white paper. The book is comprised of a tile page, 4 pages of text, a list of photographs and 20 photographs.
The Cathedral of Santiago de Compostella [sic] in Spain: Showing especially the Sculpture of the Portico de la Gloria, By Mestre Mateo
Actions:
PH1987:1301:001-020
Description:
- Contemporary binding consists of grey paper-covered boards with a black leather spine. There is a gold gilt inscription on the spine and black imprinted inscriptions on the cover. Endpages are of white brownish white paper. The book is comprised of a tile page, 4 pages of text, a list of photographs and 20 photographs.
Form:
books, photographs
books, photographs
Date:
published 1868
published 1868
People:
Subject:
architecture, sculpture
architecture, sculpture
Form:
textual records
textual records
Reference number:
AP206.S2.016
Description:
File was originally housed in a binder along with content arranged in AP206.S2.014, AP206.S2.015, AP206.S2.017 and AP206.S2.018. This file includes the following papers: "Living in Cities" "Rural Habitat," 1979 "Contemporary Art Scene in Punjab" "Address on the occasion of the 6th Annual Convocation of Chandigarh College of Architecture," 1974
AP206.S2.016
Description:
File was originally housed in a binder along with content arranged in AP206.S2.014, AP206.S2.015, AP206.S2.017 and AP206.S2.018. This file includes the following papers: "Living in Cities" "Rural Habitat," 1979 "Contemporary Art Scene in Punjab" "Address on the occasion of the 6th Annual Convocation of Chandigarh College of Architecture," 1974
People:
Date:
1968-1979
1968-1979
Title:
Published and unpublished papers (folder 3 of 5)
Actions:
AP206.S2.016
Description:
File was originally housed in a binder along with content arranged in AP206.S2.014, AP206.S2.015, AP206.S2.017 and AP206.S2.018. This file includes the following papers: "Living in Cities" "Rural Habitat," 1979 "Contemporary Art Scene in Punjab" "Address on the occasion of the 6th Annual Convocation of Chandigarh College of Architecture," 1974
Published and unpublished papers (folder 3 of 5)
Actions:
AP206.S2.016
Description:
File was originally housed in a binder along with content arranged in AP206.S2.014, AP206.S2.015, AP206.S2.017 and AP206.S2.018. This file includes the following papers: "Living in Cities" "Rural Habitat," 1979 "Contemporary Art Scene in Punjab" "Address on the occasion of the 6th Annual Convocation of Chandigarh College of Architecture," 1974
Form:
textual records
textual records
Date:
1968-1979
1968-1979
People:
