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Mediated Messages presents a collection of original writing exploring the role played by the media in the development of postmodern architecture in the 1970s and 80s. The book's twelve chapters and case-studies examine a range of contemporary periodicals and exhibitions to explore their role in the postmodern. This focus on mediation as a key feature of architectural(...)
July 2018
Mediated messages: periodicals, exhibitions and the shaping of postmodern architecture
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Mediated Messages presents a collection of original writing exploring the role played by the media in the development of postmodern architecture in the 1970s and 80s. The book's twelve chapters and case-studies examine a range of contemporary periodicals and exhibitions to explore their role in the postmodern. This focus on mediation as a key feature of architectural post-modernism, and the recognition that post-modernism grew out of developments in the media, opens up the possibility of an important new account of post-modernism distinct from existing narratives.
Before history: Yto Barrada
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Before History catalogues the exhibition for the Abraaj Group Art Prize 2015, which includes a new body of work by Yto Barrada, the winner of the prize, and existing work by shortlisted artists Sarnath Banerjee, Setareh Shahbazi, and Mounira Al Solh. The exhibition explores the layering of time through historical artifice. History here is considered as a constructed(...)
Before history: Yto Barrada
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$56.95
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Before History catalogues the exhibition for the Abraaj Group Art Prize 2015, which includes a new body of work by Yto Barrada, the winner of the prize, and existing work by shortlisted artists Sarnath Banerjee, Setareh Shahbazi, and Mounira Al Solh. The exhibition explores the layering of time through historical artifice. History here is considered as a constructed sphere, constantly in flux, simultaneously being buried and excavated. In a world of hyper-mediation, how can one construct a sense of an individual history? How does it relate to the sediments of culture?
Photography monographs
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A discussion on curatorial practices around photo-based images, centred on the current challenges faced by curators and artist working with photography. How do they navigate its constantly changing appearance? How are issues of representation dealt with? And what kind of mediation is necessary while seeking new forms of authorship and interaction with audiences? Offering(...)
Why exhibit? vol. 2 : On curating photography
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A discussion on curatorial practices around photo-based images, centred on the current challenges faced by curators and artist working with photography. How do they navigate its constantly changing appearance? How are issues of representation dealt with? And what kind of mediation is necessary while seeking new forms of authorship and interaction with audiences? Offering insights into a wide range of experiences, reflections, and views from various curators, writers, and researchers, this book focuses on practical perspectives intertwining photography and curation – conversations which are vital for curating photography in light of pressing issues surrounding the medium.
Museology
The war of appearances
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Produced and designed by Joke Brouwer of the V2_Institute for the Unstable Media, this book presents new essays by nine contributors, among them Paul Frissen, Graham Harman, Luciana Parisi, Lars Spuybroek, and McKenzie Wark, plus artworks by Paolo Cirio, Wim Delvoye, Tomás Saraceno, and Diana Scherer. Two strategies (opacity and radiance) are developed against the(...)
The war of appearances
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$36.00
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Produced and designed by Joke Brouwer of the V2_Institute for the Unstable Media, this book presents new essays by nine contributors, among them Paul Frissen, Graham Harman, Luciana Parisi, Lars Spuybroek, and McKenzie Wark, plus artworks by Paolo Cirio, Wim Delvoye, Tomás Saraceno, and Diana Scherer. Two strategies (opacity and radiance) are developed against the Enlightenment ideal of transparency, since transformed into a global state of mediation and automation. Although they initially appear to be diametrically opposed, the strategies soon begin to overlap, together evolving into a kind of spook-phenomenology that opens up new ways of thinking and seeing.
Architectural Theory
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For Bernard Tschumi, "drawing is thinking" and "being with a piece of paper and a pen does not feel like working. It can be sheer bliss",he writes, "seeing thought materialise itself in front of your eyes through the almost unconscious mediation of your hand. It is a form of notation of the mind." This collection of previously unpublished drawings, diagrams, and other(...)
Bernard Tschumi: Notations - Diagrammes & séquences
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For Bernard Tschumi, "drawing is thinking" and "being with a piece of paper and a pen does not feel like working. It can be sheer bliss",he writes, "seeing thought materialise itself in front of your eyes through the almost unconscious mediation of your hand. It is a form of notation of the mind." This collection of previously unpublished drawings, diagrams, and other remnants of the architectural process provides new insight into well-known projects like the Parc de la villette and the New Acropolis Museum, as well as tracing a number of unbuilt proposals and spéculations.
Architectural Theory
EP Vol.3: Post-craft
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The notion of the handmade has shifted from the margins to center stage. Craft’s value is increasingly recognized across creative, economic, social, cultural, and political contexts. Because of its widespread appropriation, and the dissolution of disciplinary boundaries, the meaning of handicrafts is changing. While craft’s claims of authenticity and anti-consumerism are(...)
EP Vol.3: Post-craft
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The notion of the handmade has shifted from the margins to center stage. Craft’s value is increasingly recognized across creative, economic, social, cultural, and political contexts. Because of its widespread appropriation, and the dissolution of disciplinary boundaries, the meaning of handicrafts is changing. While craft’s claims of authenticity and anti-consumerism are in question, its role is poised for optimization within the contemporary climate. Amid new economies of making, craft is moving from modern craft to post-craft. Through essays, conversations, and projects by designers, artists, and scholars, the third volume in the EP series examines not only the practice of post-craft but also its mediation and interpretation.
Art Theory
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With this latest book Absalon Kirkeby presents a range of image types as seen through the extended eye, accessing a state of intimate reality riddled with meaning. X-rays, objects turned into patterns, machines, traces and signs, luminous red, yellow and blue, doors and urban sites all create a sense and narrative of a place that elucidates something revelatory. Kirkeby(...)
Absalon Kirkeby: Still fantasy
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With this latest book Absalon Kirkeby presents a range of image types as seen through the extended eye, accessing a state of intimate reality riddled with meaning. X-rays, objects turned into patterns, machines, traces and signs, luminous red, yellow and blue, doors and urban sites all create a sense and narrative of a place that elucidates something revelatory. Kirkeby employs digitally manipulated photography to engage the quotidian with a surreal and dreamlike gaze, evoking artificial experiences of physical gestures and tactility through means of mediation and abstraction. The work highlights themes on the opacity and complex experience of life today, offering subtle comments on contemporary society.
Photography monographs
books
Description:
xv, 664 pages : illustrations, portraits ; 25 cm
Berkeley : University of California Press, 1968.
Theories of modern art : a source book by artists and critics / Herschel B. Chipp [with] contributions by Peter Selz and Joshua C. Taylor.
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xv, 664 pages : illustrations, portraits ; 25 cm
books
Berkeley : University of California Press, 1968.
books
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This book presents a number of experimental projects to gain experience in communication design as a symbolic and public practice. It proceeds from a critical position vis-à-vis the customary mediation of information. This is more necessary than ever now that design operates in the entertaining and marketing spectacle organized by the neo-liberal world order as an(...)
Architecture since 1900, Europe
January 2007, Amsterdam/Rotterdam
Jan van Toorn design's delight
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This book presents a number of experimental projects to gain experience in communication design as a symbolic and public practice. It proceeds from a critical position vis-à-vis the customary mediation of information. This is more necessary than ever now that design operates in the entertaining and marketing spectacle organized by the neo-liberal world order as an instrument for the colonization of human existence. Unlike the classic form of visual communication, the dialogic approach is a connective model of visual rhetoric with a polemic nature and polyphonic visual form. A storytelling structure that seeks to reveal the opposing elements of the message and opts for active interpretation by the spectator.
books
January 2007, Amsterdam/Rotterdam
Architecture since 1900, Europe
The lottery in Babylon
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"The drunkard who comes out with an absurd order, the dreamer who suddenly wakes and with his bare hands strangles the woman sleeping beside him - are they perhaps not carrying out one of the Company's secret decisions? These silent workings, so like those of God, give rise to all manner of speculation." The affairs of Babylon are dictated by a lottery. Discreetly(...)
The lottery in Babylon
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"The drunkard who comes out with an absurd order, the dreamer who suddenly wakes and with his bare hands strangles the woman sleeping beside him - are they perhaps not carrying out one of the Company's secret decisions? These silent workings, so like those of God, give rise to all manner of speculation." The affairs of Babylon are dictated by a lottery. Discreetly administered by a mysterious and seemingly omnipotent Company, the lottery can elevate citizens to positions of wealth and power or condemn them to the most shameful punishments. Taking this fantastical conceit as its starting point, Jorge Luis Borges's short story is a characteristically brilliant achievement - a haunting mediation on the nature of chance, paranoia and divinity.
Literature and poetry