388 Results
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born digital
born digital
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Zifzafa.
Zifzafa.
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1 online resource
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[Place of publication not identified] : Earshot, 2025.
[Place of publication not identified] : Earshot, 2025.
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born digital
born digital
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[Place of publication not identified] : Earshot, 2025.
[Place of publication not identified] : Earshot, 2025.
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books
books
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$35.95
(available to order)
Summary:
In 'Atmospheric Noise', Marina Peterson traces entanglements of environmental noise, atmosphere, sense, and matter that cohere in and through encounters with airport noise since the 1960s. Exploring spaces shaped by noise around Los Angeles International Airport (LAX), she shows how noise is a way of attuning toward the atmospheric: through noise we learn to listen to the(...)
$35.95
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Summary:
In 'Atmospheric Noise', Marina Peterson traces entanglements of environmental noise, atmosphere, sense, and matter that cohere in and through encounters with airport noise since the 1960s. Exploring spaces shaped by noise around Los Angeles International Airport (LAX), she shows how noise is a way of attuning toward the atmospheric: through noise we learn to listen to the(...)
Title:
Atmospheric noise: the indefinite urbanism of Los Angeles
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$35.95
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Summary:
In 'Atmospheric Noise', Marina Peterson traces entanglements of environmental noise, atmosphere, sense, and matter that cohere in and through encounters with airport noise since the 1960s. Exploring spaces shaped by noise around Los Angeles International Airport (LAX), she shows how noise is a way of attuning toward the atmospheric: through noise we learn to listen to the sky and imagine the permeability of bodies and matter, sensing and conceiving that which is diffuse, indefinite, vague, and unformed. Offering a conceptualization of sound as immanent and non-objectified, she demonstrates ways in which noise is central to how we know, feel, and think atmospherically.
Atmospheric noise: the indefinite urbanism of Los Angeles
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$35.95
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Summary:
In 'Atmospheric Noise', Marina Peterson traces entanglements of environmental noise, atmosphere, sense, and matter that cohere in and through encounters with airport noise since the 1960s. Exploring spaces shaped by noise around Los Angeles International Airport (LAX), she shows how noise is a way of attuning toward the atmospheric: through noise we learn to listen to the sky and imagine the permeability of bodies and matter, sensing and conceiving that which is diffuse, indefinite, vague, and unformed. Offering a conceptualization of sound as immanent and non-objectified, she demonstrates ways in which noise is central to how we know, feel, and think atmospherically.
Form:
books
books
Publication:
February 2021
February 2021
Subject:
Urban Theory
Urban Theory
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books
books
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Publication:
Asia Art Archive 2017
Asia Art Archive 2017
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books
books
Publication:
Asia Art Archive 2017
Asia Art Archive 2017
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books
books
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Description:
vii, 353 pages : illustrations (some color) ; 27 cm
Description:
vii, 353 pages : illustrations (some color) ; 27 cm
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Publication:
New Haven : Yale University Press, ©2001.
New Haven : Yale University Press, ©2001.
Title:
The prime minister of taste : a portrait of Horace Walpole / Morris R. Brownell.
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Description:
vii, 353 pages : illustrations (some color) ; 27 cm
The prime minister of taste : a portrait of Horace Walpole / Morris R. Brownell.
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Description:
vii, 353 pages : illustrations (some color) ; 27 cm
Form:
books
books
Publication:
New Haven : Yale University Press, ©2001.
New Haven : Yale University Press, ©2001.
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books
books
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$24.95
(available to order)
Summary:
In this book, David Brown locates jazz music within the broad aesthetic, political, and theoretical upheavals of our time, asserting that modern architecture and urbanism in particular can be strongly influenced and defined by the ways that improvisation is facilitated in jazz. Improvised music consists of diverse properties that fail to register in the(...)
$24.95
(available to order)
Summary:
In this book, David Brown locates jazz music within the broad aesthetic, political, and theoretical upheavals of our time, asserting that modern architecture and urbanism in particular can be strongly influenced and defined by the ways that improvisation is facilitated in jazz. Improvised music consists of diverse properties that fail to register in the(...)
Title:
Noise orders : jazz, improvisation, and architecture
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$24.95
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Summary:
In this book, David Brown locates jazz music within the broad aesthetic, political, and theoretical upheavals of our time, asserting that modern architecture and urbanism in particular can be strongly influenced and defined by the ways that improvisation is facilitated in jazz. Improvised music consists of diverse properties that fail to register in the object-oriented understanding of composition. As a result, it is often dismissed as noise — an interfering signal. However, Brown asserts, such interference can bear meaning and stimulate change. "Noise orders" identifies how architecture can respond to the inclusive dynamics of extemporaneous movements, variable conceptions of composition, multiple durations, and wide manipulation of resources found in jazz to enable outcomes that far exceed a design’s seeming potential. By exploring overlapping moments between modernism and the cultural dimensions of jazz, "Noise orders" suggests that the discipline of improvisation continues to open and redefine architectural theory and practice, creating a world where designers contribute to emerging environments rather than make predetermined ones. Comparing modern and avant-garde artists and architects with individuals and groups in jazz—including Piet Mondrian and boogie-woogie, John Cage and Rahsaan Roland Kirk, Le Corbusier and Louis Armstrong, and Ludwig Mies van der Rohe and the Association for the Advancement of Creative Musicians (AACM)—Brown examines how jazz can offer alternative design ideas and directions, be incorporated in contemporary architectural practices, and provide insight on how to develop dynamic metropolitan environments. Interdisciplinary in its approace, "Noise orders" argues for a deeper understanding of the infinite potential inherent in both music and architecture.
Noise orders : jazz, improvisation, and architecture
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Price:
$24.95
(available to order)
Summary:
In this book, David Brown locates jazz music within the broad aesthetic, political, and theoretical upheavals of our time, asserting that modern architecture and urbanism in particular can be strongly influenced and defined by the ways that improvisation is facilitated in jazz. Improvised music consists of diverse properties that fail to register in the object-oriented understanding of composition. As a result, it is often dismissed as noise — an interfering signal. However, Brown asserts, such interference can bear meaning and stimulate change. "Noise orders" identifies how architecture can respond to the inclusive dynamics of extemporaneous movements, variable conceptions of composition, multiple durations, and wide manipulation of resources found in jazz to enable outcomes that far exceed a design’s seeming potential. By exploring overlapping moments between modernism and the cultural dimensions of jazz, "Noise orders" suggests that the discipline of improvisation continues to open and redefine architectural theory and practice, creating a world where designers contribute to emerging environments rather than make predetermined ones. Comparing modern and avant-garde artists and architects with individuals and groups in jazz—including Piet Mondrian and boogie-woogie, John Cage and Rahsaan Roland Kirk, Le Corbusier and Louis Armstrong, and Ludwig Mies van der Rohe and the Association for the Advancement of Creative Musicians (AACM)—Brown examines how jazz can offer alternative design ideas and directions, be incorporated in contemporary architectural practices, and provide insight on how to develop dynamic metropolitan environments. Interdisciplinary in its approace, "Noise orders" argues for a deeper understanding of the infinite potential inherent in both music and architecture.
Form:
books
books
Publication:
February 2006, Minneapolis, London
February 2006, Minneapolis, London
Subject:
Acoustics
Acoustics
Form:
books
books
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Publication:
Lateral Addition 2017
Lateral Addition 2017
Form:
books
books
Publication:
Lateral Addition 2017
Lateral Addition 2017
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books
books
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Description:
736 pages : illustrations (some color), maps ; 21 cm
Description:
736 pages : illustrations (some color), maps ; 21 cm
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Publication:
Rotterdam : 010 Publishers, [1998 or 1999]
Rotterdam : 010 Publishers, [1998 or 1999]
Title:
FARMAX : excursions on density / edited by Winy Maas and Jacob van Rijs with Richard Koek ; [translations from Dutch into English were made by John Kirkpatrick].
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Description:
736 pages : illustrations (some color), maps ; 21 cm
FARMAX : excursions on density / edited by Winy Maas and Jacob van Rijs with Richard Koek ; [translations from Dutch into English were made by John Kirkpatrick].
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Description:
736 pages : illustrations (some color), maps ; 21 cm
Form:
books
books
Publication:
Rotterdam : 010 Publishers, [1998 or 1999]
Rotterdam : 010 Publishers, [1998 or 1999]
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books
books
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$41.00
(available to order)
Summary:
Karin Bijsterveld examines the persistence of noise on the public agenda, looking at four episodes of noise and the public response to it in Europe and the United States between 1875 and 1975: industrial noise, traffic noise, noise from neighborhood radios and gramophones, and aircraft noise. She also looks at a twentieth-century counterpoint to complaints about noise:(...)
$41.00
(available to order)
Summary:
Karin Bijsterveld examines the persistence of noise on the public agenda, looking at four episodes of noise and the public response to it in Europe and the United States between 1875 and 1975: industrial noise, traffic noise, noise from neighborhood radios and gramophones, and aircraft noise. She also looks at a twentieth-century counterpoint to complaints about noise:(...)
Title:
Mechanical sound, technology, culture, and public problems of noise in the twentieth century
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$41.00
(available to order)
Summary:
Karin Bijsterveld examines the persistence of noise on the public agenda, looking at four episodes of noise and the public response to it in Europe and the United States between 1875 and 1975: industrial noise, traffic noise, noise from neighborhood radios and gramophones, and aircraft noise. She also looks at a twentieth-century counterpoint to complaints about noise: the celebration of mechanical sound in avant-garde music composed between the two world wars.
Mechanical sound, technology, culture, and public problems of noise in the twentieth century
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Price:
$41.00
(available to order)
Summary:
Karin Bijsterveld examines the persistence of noise on the public agenda, looking at four episodes of noise and the public response to it in Europe and the United States between 1875 and 1975: industrial noise, traffic noise, noise from neighborhood radios and gramophones, and aircraft noise. She also looks at a twentieth-century counterpoint to complaints about noise: the celebration of mechanical sound in avant-garde music composed between the two world wars.
Form:
books
books
Publication:
August 2008, Cambridge
August 2008, Cambridge
Subject:
Acoustics
Acoustics
Form:
books
books
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Publication:
RMIT Design Hub Gallery 2020
RMIT Design Hub Gallery 2020
Form:
books
books
Publication:
RMIT Design Hub Gallery 2020
RMIT Design Hub Gallery 2020
Subject:
Form:
books
books
Actions:
Price:
$45.95
(available to order)
Summary:
When did the "silent deeps" become cacophonous and galaxies begin to swim in a sea of cosmic noise? Why do we think that noises have colors and that colors can be loud? How loud is too loud, and says who? Attending, as ears do, to a surround of sounds at once physical and political, Hillel Schwartz listens across millennia for changes in the Western experience and(...)
$45.95
(available to order)
Summary:
When did the "silent deeps" become cacophonous and galaxies begin to swim in a sea of cosmic noise? Why do we think that noises have colors and that colors can be loud? How loud is too loud, and says who? Attending, as ears do, to a surround of sounds at once physical and political, Hillel Schwartz listens across millennia for changes in the Western experience and(...)
Title:
Making noise: From Babel to the Big Bang & beyond
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Price:
$45.95
(available to order)
Summary:
When did the "silent deeps" become cacophonous and galaxies begin to swim in a sea of cosmic noise? Why do we think that noises have colors and that colors can be loud? How loud is too loud, and says who? Attending, as ears do, to a surround of sounds at once physical and political, Hillel Schwartz listens across millennia for changes in the Western experience and understanding of noise. From the uproarious junior gods of Babylonian epics to crying infants heard over baby monitors, from doubly mythic Echo to amplifier feedback, from shouts frozen in Rabelaisian air to the squawk of loudspeakers and the static of shortwave radio, Making Noise follows "unwanted sound" on its surprisingly revealing path through terrains domestic and industrial, urban and rural, legal and religious, musical and medical, poetic and scientific.
Making noise: From Babel to the Big Bang & beyond
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Price:
$45.95
(available to order)
Summary:
When did the "silent deeps" become cacophonous and galaxies begin to swim in a sea of cosmic noise? Why do we think that noises have colors and that colors can be loud? How loud is too loud, and says who? Attending, as ears do, to a surround of sounds at once physical and political, Hillel Schwartz listens across millennia for changes in the Western experience and understanding of noise. From the uproarious junior gods of Babylonian epics to crying infants heard over baby monitors, from doubly mythic Echo to amplifier feedback, from shouts frozen in Rabelaisian air to the squawk of loudspeakers and the static of shortwave radio, Making Noise follows "unwanted sound" on its surprisingly revealing path through terrains domestic and industrial, urban and rural, legal and religious, musical and medical, poetic and scientific.
Form:
books
books
Publication:
November 2011
November 2011
Subject:
Architectural Theory
Architectural Theory
