5166 Results
Level of archival description:
Project
Project
Reference number:
AP178.S1.1988.PR07
Description:
This project series documents the Reconstrução do Chiado in Lisbon, Portugal. The office's archives identified this project as 58/80. The office assigned the dates 1988-1998 for this project. Chiado is a historic district in the center of Lisbon, Portugal, and a linchpin between the Baixa Pombalina and the Bairro Alto Hill. After a devastating earthquake in 1755, the city was rebuilt and reorganized by military architects and engineers. The Pombaline style, specific to Lisbon, includes pre-fabricated anti-seismic structure and sober style. On August 25, 1988, a fire started in one of the oldest department stores of Lisbon, the Grandella building, damaging partially or totally seventeen buildings, between the Rua Do Carmo, Rua Nova do Almada and Rua Garret. Álvaro Siza was selected by the mayor of Lisbon, Nuno Krus Abecasis, to reorganize and rebuild the district. After public consultations, it was decided to maintain the historic image of the Chiado by restoring the façades and ornamentations. Adjustments by Siza include introducing residential and cultural functions to the district, with the exception of the Grandes Armazéns building and the Grandella building, which had their own program. As Siza said himself: "It’s not about drawing a new section of the city, but rather just introducing corrections and adjustments, reinforce the whole city." Siza started to work on the layout plan in January 1989 and presented it to the municipal authorities of Lisbon in April 1990. The reconstruction of the Chiado had several goals, but there were two general concepts behind his plan. The aesthetic aspect of the program included restorations of buildings to reinstitute the historical spirit of the district. The spatial reorganization, in a really Siza way, focused on finding architectural solutions that would bring more functionality to the city. The idea was to think of the reconstruction in relation with the urban revitalization of the Baixa Pombalina and to maintain as much as possible the patrimonial value of the district. Siza's intentions were to stimulate the commercial and residential functions of the district, which was on the decline over the last years prior to the fire. Some of the measures taken were: improving the traffic fluidity; creating parking spaces for the future residents and shopkeepers, improving the access to stores and others facilities, creating a staired passageway between Rua do Crucifixo and Rua Nova do Almada, and a pedestrian passageway between the rear of those buildings giving onto Rua Garret and Rua Do Carmo. They also studied the integration of a subway station to the district. Municipal authorities decided to rebuild or restore the original facades, reorganize the interior and improve the safety of the buildings. The biggest challenge was to convert the Grandes Armazéns do Chiado into a hotel and rebuild the Grandella with its original 20th century façade, while rethinking the interior division(s?) in order to add different functions to the building, including offices and leisure and cultural facilities. The reconstruction plan was divided into six distinct blocks: Bloco A, Bloco B, Bloco C, Bloco D, Bloco E, and Bloco F. Each Block includes several buildings and each was individually numbered. The first three blocks (A, B, C) were the most damaged, and required massive work, stonework, technical and mechanical work, replacing doors and windows, as well as repainting, repaving, and restoring decorative elements. Reconstruction for Blocks D, E, and F, which are less documented in the fonds, focused on making changes that complemented the neighboring building. Siza also worked specifically on the Edifício Castro e Melo, Câmara Chaves, Edifício Leonel, Edifício Grandella, and Recuperaçäo do Edifício dos Grandes Armazéns. The rest of the buildings were restored by other architects and firms. "Chiado" is often referring to two different things: the districts between the Baixa Pombalina and the Bairro Alto Hill, as well as a building, also known as the Hotel do Chiado. To avoid confusion, in this finding aid the term "Chiado" is always referring to the district, and the Chiado building will be referred to as the Grandes Armazéns do Chiado building. To fully understand the nature of the project, it is important to comprehend the reconstruction of the Chiado as a whole project, rather than as individual components. Siza himself saw the Chiado as one big building. Bloco A (plots 7,8,9,10,11 and 20) Bloco B (plots 12, 13, 14/15 and 16) Bloco C (plots 2, 3 and 6) Bloco D (plots 4 and 5) Bloco E (plots 1,17,18 and 19) This project series includes eleven subseries : Subseries 1) AP178.S1.1988.PR07.SS1 Master plans and exterior spaces, Reconstruction of Chiado, 2) AP178.S1.1988.PR07.SS2 Bloco A, 3) AP178.S1.1988.PR07.SS3 Edificio Camara Chaves building, 4) AP178.S1.1988.PR07.SS4 Edifício Castro e Melo, 5) AP178.S1.1988.PR07.SS5 Bloco B, 6) AP178.S1.1988.PR07.SS6– Bloco, B Chiado, Edifício Leonel, Lisboa, Portugal (1988-1998), 7) AP178.S1.1988.PR07.SS7 Bloco C, 8) AP178.S1.1988.PR07.SS8 - Bloco C, Chiado, Recuperaçäo do Edifício Grandella, 9) AP178.S1.1988.PR07.SS9 - Bloco C, Chiado, Recuperaçäo do Edifício dos Grandes Armazéns, 10) AP178.S1.1988.PR07.SS10 Ligacao Pedonal do Patio B, 11) AP178.S1.1988.PR07.SS11 Chiado, Estação de Metropolitano Baixa Chiado. It is important to note that the project AP178.S1.1994.PR08 Renovação do Elevador de Santa Justa, Chiado, 1994 is also related to the Reconstruction of the Chiado. All documentation for this project series, including the project subseries, has been kept together to maintain the office's arrangement.
AP178.S1.1988.PR07
Description:
This project series documents the Reconstrução do Chiado in Lisbon, Portugal. The office's archives identified this project as 58/80. The office assigned the dates 1988-1998 for this project. Chiado is a historic district in the center of Lisbon, Portugal, and a linchpin between the Baixa Pombalina and the Bairro Alto Hill. After a devastating earthquake in 1755, the city was rebuilt and reorganized by military architects and engineers. The Pombaline style, specific to Lisbon, includes pre-fabricated anti-seismic structure and sober style. On August 25, 1988, a fire started in one of the oldest department stores of Lisbon, the Grandella building, damaging partially or totally seventeen buildings, between the Rua Do Carmo, Rua Nova do Almada and Rua Garret. Álvaro Siza was selected by the mayor of Lisbon, Nuno Krus Abecasis, to reorganize and rebuild the district. After public consultations, it was decided to maintain the historic image of the Chiado by restoring the façades and ornamentations. Adjustments by Siza include introducing residential and cultural functions to the district, with the exception of the Grandes Armazéns building and the Grandella building, which had their own program. As Siza said himself: "It’s not about drawing a new section of the city, but rather just introducing corrections and adjustments, reinforce the whole city." Siza started to work on the layout plan in January 1989 and presented it to the municipal authorities of Lisbon in April 1990. The reconstruction of the Chiado had several goals, but there were two general concepts behind his plan. The aesthetic aspect of the program included restorations of buildings to reinstitute the historical spirit of the district. The spatial reorganization, in a really Siza way, focused on finding architectural solutions that would bring more functionality to the city. The idea was to think of the reconstruction in relation with the urban revitalization of the Baixa Pombalina and to maintain as much as possible the patrimonial value of the district. Siza's intentions were to stimulate the commercial and residential functions of the district, which was on the decline over the last years prior to the fire. Some of the measures taken were: improving the traffic fluidity; creating parking spaces for the future residents and shopkeepers, improving the access to stores and others facilities, creating a staired passageway between Rua do Crucifixo and Rua Nova do Almada, and a pedestrian passageway between the rear of those buildings giving onto Rua Garret and Rua Do Carmo. They also studied the integration of a subway station to the district. Municipal authorities decided to rebuild or restore the original facades, reorganize the interior and improve the safety of the buildings. The biggest challenge was to convert the Grandes Armazéns do Chiado into a hotel and rebuild the Grandella with its original 20th century façade, while rethinking the interior division(s?) in order to add different functions to the building, including offices and leisure and cultural facilities. The reconstruction plan was divided into six distinct blocks: Bloco A, Bloco B, Bloco C, Bloco D, Bloco E, and Bloco F. Each Block includes several buildings and each was individually numbered. The first three blocks (A, B, C) were the most damaged, and required massive work, stonework, technical and mechanical work, replacing doors and windows, as well as repainting, repaving, and restoring decorative elements. Reconstruction for Blocks D, E, and F, which are less documented in the fonds, focused on making changes that complemented the neighboring building. Siza also worked specifically on the Edifício Castro e Melo, Câmara Chaves, Edifício Leonel, Edifício Grandella, and Recuperaçäo do Edifício dos Grandes Armazéns. The rest of the buildings were restored by other architects and firms. "Chiado" is often referring to two different things: the districts between the Baixa Pombalina and the Bairro Alto Hill, as well as a building, also known as the Hotel do Chiado. To avoid confusion, in this finding aid the term "Chiado" is always referring to the district, and the Chiado building will be referred to as the Grandes Armazéns do Chiado building. To fully understand the nature of the project, it is important to comprehend the reconstruction of the Chiado as a whole project, rather than as individual components. Siza himself saw the Chiado as one big building. Bloco A (plots 7,8,9,10,11 and 20) Bloco B (plots 12, 13, 14/15 and 16) Bloco C (plots 2, 3 and 6) Bloco D (plots 4 and 5) Bloco E (plots 1,17,18 and 19) This project series includes eleven subseries : Subseries 1) AP178.S1.1988.PR07.SS1 Master plans and exterior spaces, Reconstruction of Chiado, 2) AP178.S1.1988.PR07.SS2 Bloco A, 3) AP178.S1.1988.PR07.SS3 Edificio Camara Chaves building, 4) AP178.S1.1988.PR07.SS4 Edifício Castro e Melo, 5) AP178.S1.1988.PR07.SS5 Bloco B, 6) AP178.S1.1988.PR07.SS6– Bloco, B Chiado, Edifício Leonel, Lisboa, Portugal (1988-1998), 7) AP178.S1.1988.PR07.SS7 Bloco C, 8) AP178.S1.1988.PR07.SS8 - Bloco C, Chiado, Recuperaçäo do Edifício Grandella, 9) AP178.S1.1988.PR07.SS9 - Bloco C, Chiado, Recuperaçäo do Edifício dos Grandes Armazéns, 10) AP178.S1.1988.PR07.SS10 Ligacao Pedonal do Patio B, 11) AP178.S1.1988.PR07.SS11 Chiado, Estação de Metropolitano Baixa Chiado. It is important to note that the project AP178.S1.1994.PR08 Renovação do Elevador de Santa Justa, Chiado, 1994 is also related to the Reconstruction of the Chiado. All documentation for this project series, including the project subseries, has been kept together to maintain the office's arrangement.
People:
Date:
1942-2012
1942-2012
Title:
Reconstrução do Chiado [Reconstruction of the Chiado area], Lisbon, Portugal (1988-1998)
Actions:
AP178.S1.1988.PR07
Description:
This project series documents the Reconstrução do Chiado in Lisbon, Portugal. The office's archives identified this project as 58/80. The office assigned the dates 1988-1998 for this project. Chiado is a historic district in the center of Lisbon, Portugal, and a linchpin between the Baixa Pombalina and the Bairro Alto Hill. After a devastating earthquake in 1755, the city was rebuilt and reorganized by military architects and engineers. The Pombaline style, specific to Lisbon, includes pre-fabricated anti-seismic structure and sober style. On August 25, 1988, a fire started in one of the oldest department stores of Lisbon, the Grandella building, damaging partially or totally seventeen buildings, between the Rua Do Carmo, Rua Nova do Almada and Rua Garret. Álvaro Siza was selected by the mayor of Lisbon, Nuno Krus Abecasis, to reorganize and rebuild the district. After public consultations, it was decided to maintain the historic image of the Chiado by restoring the façades and ornamentations. Adjustments by Siza include introducing residential and cultural functions to the district, with the exception of the Grandes Armazéns building and the Grandella building, which had their own program. As Siza said himself: "It’s not about drawing a new section of the city, but rather just introducing corrections and adjustments, reinforce the whole city." Siza started to work on the layout plan in January 1989 and presented it to the municipal authorities of Lisbon in April 1990. The reconstruction of the Chiado had several goals, but there were two general concepts behind his plan. The aesthetic aspect of the program included restorations of buildings to reinstitute the historical spirit of the district. The spatial reorganization, in a really Siza way, focused on finding architectural solutions that would bring more functionality to the city. The idea was to think of the reconstruction in relation with the urban revitalization of the Baixa Pombalina and to maintain as much as possible the patrimonial value of the district. Siza's intentions were to stimulate the commercial and residential functions of the district, which was on the decline over the last years prior to the fire. Some of the measures taken were: improving the traffic fluidity; creating parking spaces for the future residents and shopkeepers, improving the access to stores and others facilities, creating a staired passageway between Rua do Crucifixo and Rua Nova do Almada, and a pedestrian passageway between the rear of those buildings giving onto Rua Garret and Rua Do Carmo. They also studied the integration of a subway station to the district. Municipal authorities decided to rebuild or restore the original facades, reorganize the interior and improve the safety of the buildings. The biggest challenge was to convert the Grandes Armazéns do Chiado into a hotel and rebuild the Grandella with its original 20th century façade, while rethinking the interior division(s?) in order to add different functions to the building, including offices and leisure and cultural facilities. The reconstruction plan was divided into six distinct blocks: Bloco A, Bloco B, Bloco C, Bloco D, Bloco E, and Bloco F. Each Block includes several buildings and each was individually numbered. The first three blocks (A, B, C) were the most damaged, and required massive work, stonework, technical and mechanical work, replacing doors and windows, as well as repainting, repaving, and restoring decorative elements. Reconstruction for Blocks D, E, and F, which are less documented in the fonds, focused on making changes that complemented the neighboring building. Siza also worked specifically on the Edifício Castro e Melo, Câmara Chaves, Edifício Leonel, Edifício Grandella, and Recuperaçäo do Edifício dos Grandes Armazéns. The rest of the buildings were restored by other architects and firms. "Chiado" is often referring to two different things: the districts between the Baixa Pombalina and the Bairro Alto Hill, as well as a building, also known as the Hotel do Chiado. To avoid confusion, in this finding aid the term "Chiado" is always referring to the district, and the Chiado building will be referred to as the Grandes Armazéns do Chiado building. To fully understand the nature of the project, it is important to comprehend the reconstruction of the Chiado as a whole project, rather than as individual components. Siza himself saw the Chiado as one big building. Bloco A (plots 7,8,9,10,11 and 20) Bloco B (plots 12, 13, 14/15 and 16) Bloco C (plots 2, 3 and 6) Bloco D (plots 4 and 5) Bloco E (plots 1,17,18 and 19) This project series includes eleven subseries : Subseries 1) AP178.S1.1988.PR07.SS1 Master plans and exterior spaces, Reconstruction of Chiado, 2) AP178.S1.1988.PR07.SS2 Bloco A, 3) AP178.S1.1988.PR07.SS3 Edificio Camara Chaves building, 4) AP178.S1.1988.PR07.SS4 Edifício Castro e Melo, 5) AP178.S1.1988.PR07.SS5 Bloco B, 6) AP178.S1.1988.PR07.SS6– Bloco, B Chiado, Edifício Leonel, Lisboa, Portugal (1988-1998), 7) AP178.S1.1988.PR07.SS7 Bloco C, 8) AP178.S1.1988.PR07.SS8 - Bloco C, Chiado, Recuperaçäo do Edifício Grandella, 9) AP178.S1.1988.PR07.SS9 - Bloco C, Chiado, Recuperaçäo do Edifício dos Grandes Armazéns, 10) AP178.S1.1988.PR07.SS10 Ligacao Pedonal do Patio B, 11) AP178.S1.1988.PR07.SS11 Chiado, Estação de Metropolitano Baixa Chiado. It is important to note that the project AP178.S1.1994.PR08 Renovação do Elevador de Santa Justa, Chiado, 1994 is also related to the Reconstruction of the Chiado. All documentation for this project series, including the project subseries, has been kept together to maintain the office's arrangement.
Reconstrução do Chiado [Reconstruction of the Chiado area], Lisbon, Portugal (1988-1998)
Actions:
AP178.S1.1988.PR07
Description:
This project series documents the Reconstrução do Chiado in Lisbon, Portugal. The office's archives identified this project as 58/80. The office assigned the dates 1988-1998 for this project. Chiado is a historic district in the center of Lisbon, Portugal, and a linchpin between the Baixa Pombalina and the Bairro Alto Hill. After a devastating earthquake in 1755, the city was rebuilt and reorganized by military architects and engineers. The Pombaline style, specific to Lisbon, includes pre-fabricated anti-seismic structure and sober style. On August 25, 1988, a fire started in one of the oldest department stores of Lisbon, the Grandella building, damaging partially or totally seventeen buildings, between the Rua Do Carmo, Rua Nova do Almada and Rua Garret. Álvaro Siza was selected by the mayor of Lisbon, Nuno Krus Abecasis, to reorganize and rebuild the district. After public consultations, it was decided to maintain the historic image of the Chiado by restoring the façades and ornamentations. Adjustments by Siza include introducing residential and cultural functions to the district, with the exception of the Grandes Armazéns building and the Grandella building, which had their own program. As Siza said himself: "It’s not about drawing a new section of the city, but rather just introducing corrections and adjustments, reinforce the whole city." Siza started to work on the layout plan in January 1989 and presented it to the municipal authorities of Lisbon in April 1990. The reconstruction of the Chiado had several goals, but there were two general concepts behind his plan. The aesthetic aspect of the program included restorations of buildings to reinstitute the historical spirit of the district. The spatial reorganization, in a really Siza way, focused on finding architectural solutions that would bring more functionality to the city. The idea was to think of the reconstruction in relation with the urban revitalization of the Baixa Pombalina and to maintain as much as possible the patrimonial value of the district. Siza's intentions were to stimulate the commercial and residential functions of the district, which was on the decline over the last years prior to the fire. Some of the measures taken were: improving the traffic fluidity; creating parking spaces for the future residents and shopkeepers, improving the access to stores and others facilities, creating a staired passageway between Rua do Crucifixo and Rua Nova do Almada, and a pedestrian passageway between the rear of those buildings giving onto Rua Garret and Rua Do Carmo. They also studied the integration of a subway station to the district. Municipal authorities decided to rebuild or restore the original facades, reorganize the interior and improve the safety of the buildings. The biggest challenge was to convert the Grandes Armazéns do Chiado into a hotel and rebuild the Grandella with its original 20th century façade, while rethinking the interior division(s?) in order to add different functions to the building, including offices and leisure and cultural facilities. The reconstruction plan was divided into six distinct blocks: Bloco A, Bloco B, Bloco C, Bloco D, Bloco E, and Bloco F. Each Block includes several buildings and each was individually numbered. The first three blocks (A, B, C) were the most damaged, and required massive work, stonework, technical and mechanical work, replacing doors and windows, as well as repainting, repaving, and restoring decorative elements. Reconstruction for Blocks D, E, and F, which are less documented in the fonds, focused on making changes that complemented the neighboring building. Siza also worked specifically on the Edifício Castro e Melo, Câmara Chaves, Edifício Leonel, Edifício Grandella, and Recuperaçäo do Edifício dos Grandes Armazéns. The rest of the buildings were restored by other architects and firms. "Chiado" is often referring to two different things: the districts between the Baixa Pombalina and the Bairro Alto Hill, as well as a building, also known as the Hotel do Chiado. To avoid confusion, in this finding aid the term "Chiado" is always referring to the district, and the Chiado building will be referred to as the Grandes Armazéns do Chiado building. To fully understand the nature of the project, it is important to comprehend the reconstruction of the Chiado as a whole project, rather than as individual components. Siza himself saw the Chiado as one big building. Bloco A (plots 7,8,9,10,11 and 20) Bloco B (plots 12, 13, 14/15 and 16) Bloco C (plots 2, 3 and 6) Bloco D (plots 4 and 5) Bloco E (plots 1,17,18 and 19) This project series includes eleven subseries : Subseries 1) AP178.S1.1988.PR07.SS1 Master plans and exterior spaces, Reconstruction of Chiado, 2) AP178.S1.1988.PR07.SS2 Bloco A, 3) AP178.S1.1988.PR07.SS3 Edificio Camara Chaves building, 4) AP178.S1.1988.PR07.SS4 Edifício Castro e Melo, 5) AP178.S1.1988.PR07.SS5 Bloco B, 6) AP178.S1.1988.PR07.SS6– Bloco, B Chiado, Edifício Leonel, Lisboa, Portugal (1988-1998), 7) AP178.S1.1988.PR07.SS7 Bloco C, 8) AP178.S1.1988.PR07.SS8 - Bloco C, Chiado, Recuperaçäo do Edifício Grandella, 9) AP178.S1.1988.PR07.SS9 - Bloco C, Chiado, Recuperaçäo do Edifício dos Grandes Armazéns, 10) AP178.S1.1988.PR07.SS10 Ligacao Pedonal do Patio B, 11) AP178.S1.1988.PR07.SS11 Chiado, Estação de Metropolitano Baixa Chiado. It is important to note that the project AP178.S1.1994.PR08 Renovação do Elevador de Santa Justa, Chiado, 1994 is also related to the Reconstruction of the Chiado. All documentation for this project series, including the project subseries, has been kept together to maintain the office's arrangement.
Level of archival description:
Project
Project
Date:
1942-2012
1942-2012
People:
Form:
drawings
drawings
Title:
Détails des installations
Détails des installations
Actions:
Reference number:
ARCH276399
Description:
Détails des enseignes sur mât, des décorations de l'Hôtel de Ville de Montréal, des motifs décoratifs généraux, de l'agencement du stade de baseball, des mâts, des oriflammes et du hall, des tables et du balcon de l'Hôtel Windsor.
ARCH276399
Description:
Détails des enseignes sur mât, des décorations de l'Hôtel de Ville de Montréal, des motifs décoratifs généraux, de l'agencement du stade de baseball, des mâts, des oriflammes et du hall, des tables et du balcon de l'Hôtel Windsor.
People:
Date:
1939
1939
Title:
Détails des installations
Actions:
ARCH276399
Description:
Détails des enseignes sur mât, des décorations de l'Hôtel de Ville de Montréal, des motifs décoratifs généraux, de l'agencement du stade de baseball, des mâts, des oriflammes et du hall, des tables et du balcon de l'Hôtel Windsor.
Détails des installations
Actions:
ARCH276399
Description:
Détails des enseignes sur mât, des décorations de l'Hôtel de Ville de Montréal, des motifs décoratifs généraux, de l'agencement du stade de baseball, des mâts, des oriflammes et du hall, des tables et du balcon de l'Hôtel Windsor.
Form:
drawings
drawings
Date:
1939
1939
People:
Actions:
Reference number:
ARCH263805
Description:
La carte postale fait référence à l'Hôtel des Béziers.
ARCH263805
Description:
La carte postale fait référence à l'Hôtel des Béziers.
People:
Date:
20 février 1920
20 février 1920
Title:
Carte postale de Henriette Uranie Émilie Moser [?] à Pierre Jeanneret
Actions:
ARCH263805
Description:
La carte postale fait référence à l'Hôtel des Béziers.
Carte postale de Henriette Uranie Émilie Moser [?] à Pierre Jeanneret
Actions:
ARCH263805
Description:
La carte postale fait référence à l'Hôtel des Béziers.
Date:
20 février 1920
20 février 1920
People:
Actions:
Reference number:
ARCH263804
Description:
La carte postale fait référence à l'Hôtel de Nice.
ARCH263804
Description:
La carte postale fait référence à l'Hôtel de Nice.
People:
Date:
ca 1920
ca 1920
Title:
Carte postale de Henriette Uranie Émilie Moser [?] à Pierre Jeanneret
Actions:
ARCH263804
Description:
La carte postale fait référence à l'Hôtel de Nice.
Carte postale de Henriette Uranie Émilie Moser [?] à Pierre Jeanneret
Actions:
ARCH263804
Description:
La carte postale fait référence à l'Hôtel de Nice.
Date:
ca 1920
ca 1920
People:
Form:
drawings, photographs
Quantity:
131 photograph(s) photomechanical print
drawings, photographs
Quantity:
131 photograph(s) photomechanical print
Title:
V.S. Balikhin Archive
V.S. Balikhin Archive
Actions:
Reference number:
PH1998:0020:001-131
Description:
- This archive which was collected by the Soviet architect, V.S. Balikhin (1893-1953), includes 129 views of cities, towns, and/or projects designed by various architects from 1923 through 1935, one photograph of a perspective drawing (PH11998:0020:112) and one magazine article by Balikhin (PH1998:0020:131). The photographer(s) of this archive have not been determined. -- There are 63 views of subjects in Moscow (PH1998:0020:001-028; PH1998:0020:033-067), mostly of housing, and these include: 20 views of the Dubrovka complex; 16 views of the Usachevka complex; 6 views of the Shabolovka complex; 3 views of the Dangauerovka complex; 2 views of the Serpukhovskii complex; 2 views of the Sharikopodshipnik [Bearing] plant complex; 1 view of the AMO plant complex; 2 views of the house-commune of the students of the Textile Institute; 2 views of the housing complex at 45/51 Bol'shaia Pirogovskaia Street; and 1 view of a student dormitory complex on Donskoi Val. Other subjects in Moscow include 3 views of the street decorations for the celebration of the 17th anniversary of the October Revolution, 2 views of Sverdlova Square, and one view of the Foto Insnab building, a market, and a park. -- There are 4 views of the village of Kozhukhovo near Moscow (PH1998:0020:029-032) including views of houses, barracks, a summer stage, and tents. -- The 18 views of Sverdlovsk (now Ekaterinburg, Russia) (PH1998:0020:113-130) include 7 views of 1905 Goda Square showing the various buildings around the square; 3 views of the Second House of Soviets; 2 views of the monument to Iakov Sverdlov, one with the "Chekist City" housing complex in the background (now Hotel Iset'); 2 views of the water sports station Dinamo; and one view of the Verkhne-Isetskii metalworking plant, the District Trade Union Soviet garden, the Higher Communist Agricultural School in Narodnoi Mesti Square, and a collage of views of a city square in 1914 and 1933. -- The 17 views of Magnitogorsk (PH1998:0020:096-112) include the earth-made shack constructed by the first inhabitants of the area; a city view; 14 views of the First Block showing mostly housing; and one photograph of a perspective drawing for the Second Block. -- The 10 views of Novosibirsk (PH1998:0020:086-095) include housing, government office buildings, a multipurpose building, a Palace of Labor, and the Sibir' Hotel. -- There are 14 photographs of subjects in cities and towns in Kemerovskaia oblast', a subdivision of southern Russia in Asia, and these include: 6 views of Prokopyevsk (PH1998:0020:072-077) showing clubs or palaces of culture and housing; 4 views of Kemerovo (PH1998:0020:068-071) showing the Palace of Labor, housing, and general views of the city; 3 views of Leninsk-Kuznetskiy (PH1998:0020:078-080) showing a house, clubs, and a playground; 1 view of Kuznetsk (now Novokuznetsk) (PH1998:0020:081) showing housing; and 3 views of Stalinsk (now Novokuznetsk) (PH1998:0020:082-085) showing housing and an hotel.
PH1998:0020:001-131
Description:
- This archive which was collected by the Soviet architect, V.S. Balikhin (1893-1953), includes 129 views of cities, towns, and/or projects designed by various architects from 1923 through 1935, one photograph of a perspective drawing (PH11998:0020:112) and one magazine article by Balikhin (PH1998:0020:131). The photographer(s) of this archive have not been determined. -- There are 63 views of subjects in Moscow (PH1998:0020:001-028; PH1998:0020:033-067), mostly of housing, and these include: 20 views of the Dubrovka complex; 16 views of the Usachevka complex; 6 views of the Shabolovka complex; 3 views of the Dangauerovka complex; 2 views of the Serpukhovskii complex; 2 views of the Sharikopodshipnik [Bearing] plant complex; 1 view of the AMO plant complex; 2 views of the house-commune of the students of the Textile Institute; 2 views of the housing complex at 45/51 Bol'shaia Pirogovskaia Street; and 1 view of a student dormitory complex on Donskoi Val. Other subjects in Moscow include 3 views of the street decorations for the celebration of the 17th anniversary of the October Revolution, 2 views of Sverdlova Square, and one view of the Foto Insnab building, a market, and a park. -- There are 4 views of the village of Kozhukhovo near Moscow (PH1998:0020:029-032) including views of houses, barracks, a summer stage, and tents. -- The 18 views of Sverdlovsk (now Ekaterinburg, Russia) (PH1998:0020:113-130) include 7 views of 1905 Goda Square showing the various buildings around the square; 3 views of the Second House of Soviets; 2 views of the monument to Iakov Sverdlov, one with the "Chekist City" housing complex in the background (now Hotel Iset'); 2 views of the water sports station Dinamo; and one view of the Verkhne-Isetskii metalworking plant, the District Trade Union Soviet garden, the Higher Communist Agricultural School in Narodnoi Mesti Square, and a collage of views of a city square in 1914 and 1933. -- The 17 views of Magnitogorsk (PH1998:0020:096-112) include the earth-made shack constructed by the first inhabitants of the area; a city view; 14 views of the First Block showing mostly housing; and one photograph of a perspective drawing for the Second Block. -- The 10 views of Novosibirsk (PH1998:0020:086-095) include housing, government office buildings, a multipurpose building, a Palace of Labor, and the Sibir' Hotel. -- There are 14 photographs of subjects in cities and towns in Kemerovskaia oblast', a subdivision of southern Russia in Asia, and these include: 6 views of Prokopyevsk (PH1998:0020:072-077) showing clubs or palaces of culture and housing; 4 views of Kemerovo (PH1998:0020:068-071) showing the Palace of Labor, housing, and general views of the city; 3 views of Leninsk-Kuznetskiy (PH1998:0020:078-080) showing a house, clubs, and a playground; 1 view of Kuznetsk (now Novokuznetsk) (PH1998:0020:081) showing housing; and 3 views of Stalinsk (now Novokuznetsk) (PH1998:0020:082-085) showing housing and an hotel.
People:
Subject:
architecture, portrait, sculpture
architecture, portrait, sculpture
Date:
published before 15 September 1936
published before 15 September 1936
Title:
V.S. Balikhin Archive
Actions:
PH1998:0020:001-131
Description:
- This archive which was collected by the Soviet architect, V.S. Balikhin (1893-1953), includes 129 views of cities, towns, and/or projects designed by various architects from 1923 through 1935, one photograph of a perspective drawing (PH11998:0020:112) and one magazine article by Balikhin (PH1998:0020:131). The photographer(s) of this archive have not been determined. -- There are 63 views of subjects in Moscow (PH1998:0020:001-028; PH1998:0020:033-067), mostly of housing, and these include: 20 views of the Dubrovka complex; 16 views of the Usachevka complex; 6 views of the Shabolovka complex; 3 views of the Dangauerovka complex; 2 views of the Serpukhovskii complex; 2 views of the Sharikopodshipnik [Bearing] plant complex; 1 view of the AMO plant complex; 2 views of the house-commune of the students of the Textile Institute; 2 views of the housing complex at 45/51 Bol'shaia Pirogovskaia Street; and 1 view of a student dormitory complex on Donskoi Val. Other subjects in Moscow include 3 views of the street decorations for the celebration of the 17th anniversary of the October Revolution, 2 views of Sverdlova Square, and one view of the Foto Insnab building, a market, and a park. -- There are 4 views of the village of Kozhukhovo near Moscow (PH1998:0020:029-032) including views of houses, barracks, a summer stage, and tents. -- The 18 views of Sverdlovsk (now Ekaterinburg, Russia) (PH1998:0020:113-130) include 7 views of 1905 Goda Square showing the various buildings around the square; 3 views of the Second House of Soviets; 2 views of the monument to Iakov Sverdlov, one with the "Chekist City" housing complex in the background (now Hotel Iset'); 2 views of the water sports station Dinamo; and one view of the Verkhne-Isetskii metalworking plant, the District Trade Union Soviet garden, the Higher Communist Agricultural School in Narodnoi Mesti Square, and a collage of views of a city square in 1914 and 1933. -- The 17 views of Magnitogorsk (PH1998:0020:096-112) include the earth-made shack constructed by the first inhabitants of the area; a city view; 14 views of the First Block showing mostly housing; and one photograph of a perspective drawing for the Second Block. -- The 10 views of Novosibirsk (PH1998:0020:086-095) include housing, government office buildings, a multipurpose building, a Palace of Labor, and the Sibir' Hotel. -- There are 14 photographs of subjects in cities and towns in Kemerovskaia oblast', a subdivision of southern Russia in Asia, and these include: 6 views of Prokopyevsk (PH1998:0020:072-077) showing clubs or palaces of culture and housing; 4 views of Kemerovo (PH1998:0020:068-071) showing the Palace of Labor, housing, and general views of the city; 3 views of Leninsk-Kuznetskiy (PH1998:0020:078-080) showing a house, clubs, and a playground; 1 view of Kuznetsk (now Novokuznetsk) (PH1998:0020:081) showing housing; and 3 views of Stalinsk (now Novokuznetsk) (PH1998:0020:082-085) showing housing and an hotel.
V.S. Balikhin Archive
Actions:
PH1998:0020:001-131
Description:
- This archive which was collected by the Soviet architect, V.S. Balikhin (1893-1953), includes 129 views of cities, towns, and/or projects designed by various architects from 1923 through 1935, one photograph of a perspective drawing (PH11998:0020:112) and one magazine article by Balikhin (PH1998:0020:131). The photographer(s) of this archive have not been determined. -- There are 63 views of subjects in Moscow (PH1998:0020:001-028; PH1998:0020:033-067), mostly of housing, and these include: 20 views of the Dubrovka complex; 16 views of the Usachevka complex; 6 views of the Shabolovka complex; 3 views of the Dangauerovka complex; 2 views of the Serpukhovskii complex; 2 views of the Sharikopodshipnik [Bearing] plant complex; 1 view of the AMO plant complex; 2 views of the house-commune of the students of the Textile Institute; 2 views of the housing complex at 45/51 Bol'shaia Pirogovskaia Street; and 1 view of a student dormitory complex on Donskoi Val. Other subjects in Moscow include 3 views of the street decorations for the celebration of the 17th anniversary of the October Revolution, 2 views of Sverdlova Square, and one view of the Foto Insnab building, a market, and a park. -- There are 4 views of the village of Kozhukhovo near Moscow (PH1998:0020:029-032) including views of houses, barracks, a summer stage, and tents. -- The 18 views of Sverdlovsk (now Ekaterinburg, Russia) (PH1998:0020:113-130) include 7 views of 1905 Goda Square showing the various buildings around the square; 3 views of the Second House of Soviets; 2 views of the monument to Iakov Sverdlov, one with the "Chekist City" housing complex in the background (now Hotel Iset'); 2 views of the water sports station Dinamo; and one view of the Verkhne-Isetskii metalworking plant, the District Trade Union Soviet garden, the Higher Communist Agricultural School in Narodnoi Mesti Square, and a collage of views of a city square in 1914 and 1933. -- The 17 views of Magnitogorsk (PH1998:0020:096-112) include the earth-made shack constructed by the first inhabitants of the area; a city view; 14 views of the First Block showing mostly housing; and one photograph of a perspective drawing for the Second Block. -- The 10 views of Novosibirsk (PH1998:0020:086-095) include housing, government office buildings, a multipurpose building, a Palace of Labor, and the Sibir' Hotel. -- There are 14 photographs of subjects in cities and towns in Kemerovskaia oblast', a subdivision of southern Russia in Asia, and these include: 6 views of Prokopyevsk (PH1998:0020:072-077) showing clubs or palaces of culture and housing; 4 views of Kemerovo (PH1998:0020:068-071) showing the Palace of Labor, housing, and general views of the city; 3 views of Leninsk-Kuznetskiy (PH1998:0020:078-080) showing a house, clubs, and a playground; 1 view of Kuznetsk (now Novokuznetsk) (PH1998:0020:081) showing housing; and 3 views of Stalinsk (now Novokuznetsk) (PH1998:0020:082-085) showing housing and an hotel.
Form:
drawings, photographs
Quantity:
131 photograph(s) photomechanical print
drawings, photographs
Quantity:
131 photograph(s) photomechanical print
Date:
published before 15 September 1936
published before 15 September 1936
People:
Subject:
architecture, portrait, sculpture
architecture, portrait, sculpture
Form:
textual records
textual records
Actions:
Reference number:
ARCH259216
Description:
Correspondance avec l'Hôtel-Dieu de Québec, incluant des dessins, de la documentation photographique.
ARCH259216
Description:
Correspondance avec l'Hôtel-Dieu de Québec, incluant des dessins, de la documentation photographique.
People:
Date:
1949-1952
1949-1952
Title:
Correspondance avec clients, dessins et documentation photographique
Actions:
ARCH259216
Description:
Correspondance avec l'Hôtel-Dieu de Québec, incluant des dessins, de la documentation photographique.
Correspondance avec clients, dessins et documentation photographique
Actions:
ARCH259216
Description:
Correspondance avec l'Hôtel-Dieu de Québec, incluant des dessins, de la documentation photographique.
Form:
textual records
textual records
Date:
1949-1952
1949-1952
People:
Form:
photographs
photographs
Title:
Vues et Monuments de France
Vues et Monuments de France
Actions:
Reference number:
PH1986:0054:001-044
Description:
Album consists of 44 photographs of views of monuments of France, namely, churches, castles, ramparts, antique theatres and amphitheaters, hôtel de ville (city hall), palais de justice (law court), from such cities as Blois, Brioude, Arles, Nîmes, Avignon, Orange, Périgueux, Caen, Rouen and Lyons. As well, natural views are depicted from the regions of the Alps, the Dauphiné, the Savoy and the massif central. Baldus photographed the natural landscapes of glaciers, rocky chasms, alpine peaks and valleys of France. Several photographs of this album are also part of the album PLM (Chemins de Fer de Paris à la Méditerranée: PH1981:0816:001-069) and of the album Chemins de Fer du Nord: PH1981:1025:001-050).
PH1986:0054:001-044
Description:
Album consists of 44 photographs of views of monuments of France, namely, churches, castles, ramparts, antique theatres and amphitheaters, hôtel de ville (city hall), palais de justice (law court), from such cities as Blois, Brioude, Arles, Nîmes, Avignon, Orange, Périgueux, Caen, Rouen and Lyons. As well, natural views are depicted from the regions of the Alps, the Dauphiné, the Savoy and the massif central. Baldus photographed the natural landscapes of glaciers, rocky chasms, alpine peaks and valleys of France. Several photographs of this album are also part of the album PLM (Chemins de Fer de Paris à la Méditerranée: PH1981:0816:001-069) and of the album Chemins de Fer du Nord: PH1981:1025:001-050).
People:
Subject:
architecture
architecture
Date:
ca. 1861
ca. 1861
Title:
Vues et Monuments de France
Actions:
PH1986:0054:001-044
Description:
Album consists of 44 photographs of views of monuments of France, namely, churches, castles, ramparts, antique theatres and amphitheaters, hôtel de ville (city hall), palais de justice (law court), from such cities as Blois, Brioude, Arles, Nîmes, Avignon, Orange, Périgueux, Caen, Rouen and Lyons. As well, natural views are depicted from the regions of the Alps, the Dauphiné, the Savoy and the massif central. Baldus photographed the natural landscapes of glaciers, rocky chasms, alpine peaks and valleys of France. Several photographs of this album are also part of the album PLM (Chemins de Fer de Paris à la Méditerranée: PH1981:0816:001-069) and of the album Chemins de Fer du Nord: PH1981:1025:001-050).
Vues et Monuments de France
Actions:
PH1986:0054:001-044
Description:
Album consists of 44 photographs of views of monuments of France, namely, churches, castles, ramparts, antique theatres and amphitheaters, hôtel de ville (city hall), palais de justice (law court), from such cities as Blois, Brioude, Arles, Nîmes, Avignon, Orange, Périgueux, Caen, Rouen and Lyons. As well, natural views are depicted from the regions of the Alps, the Dauphiné, the Savoy and the massif central. Baldus photographed the natural landscapes of glaciers, rocky chasms, alpine peaks and valleys of France. Several photographs of this album are also part of the album PLM (Chemins de Fer de Paris à la Méditerranée: PH1981:0816:001-069) and of the album Chemins de Fer du Nord: PH1981:1025:001-050).
Form:
photographs
photographs
Date:
ca. 1861
ca. 1861
People:
Subject:
architecture
architecture
Level of archival description:
Sub-series
Sub-series
Title:
Domestic Commissions
Domestic Commissions
Reference number:
CI001.S1.D2
Description:
Hubert and Charles Rohault de Fleury received domestic commissions for both urban housing -hôtel particuliers and apartment houses- and rural dwellings -châteaux, country houses and estates. Hubert also executed designs for furniture and garden pavilions. Hubert' work is characterized by restrained classical exteriors and luxurious Empire style interiors; both Charles' exteriors and interiors, especially those for Hôtels Sauvage and Soltykoff, reflect the exuberance of the Second Empire. The CCA albums include drawings from all stages of the design process but with an emphasis on design development drawings. Hubert's albums contain cost calculations and estimates, notes and letters. In general, the drawings by Charles are from a more developed phase of design than Hubert's; Hubert's commissions are more varied than Charles'. The austere classicism of Hubert's domestic work reflects the prevailing taste of the day and reveals the strong influence of his teacher, Jean Nicholas Louis Durand. The compostional effect of the houses' façades relies on the shape and rhythm of the fenestration and the geometric division by string courses and occasionally, pilasters. Columns are used infrequently as is decorative stonework. The plans are symmetrical and modular. This approach to design is especially evident in the series of proposals for a country house for comte Treilhard (DR1974:0002:034:001-082) and in a group of unidentified designs for houses (DR1974:0002:035:001-034), all of which illustrate an emphasis on plan in the design process and a distinct approach to the composition of the elevations, both derived from Durand. Hubert's domestic work was also influenced by Palladio (see especially DR1974:0002:038:001-029). The interiors and furniture designed by Hubert are typical of the Empire style (1). The drawings in the CCA collection illustrate the materials, palette and ornamental motifs of the period. The garden structures in Hubert's albums are more fanciful than his houses and are either Rustic, Chinoiserie or classical in style (2). His garden designs follow the contemporary French trend for "jardins anglais" with winding paths and naturalistic placement of the vegetation, sometimes in combination with more formal French gardens (3). One of the most comprehensively documented domestic project by Hubert is the Rohault de Fleury House (12-14 rue d'Aguesseau; 1824). The CCA collection contains an interesting series of preliminary drawings for alternate proposals for this house, a number of highly finished wash drawings (including the interior decorative scheme) for the final scheme (DR1974:0002:011:001-08) and several earlier (ca. 1806) proposals (DR1974:0002:035:001-034). The Domaine de la Vallée album (DR1974:0002:025:001-059) is notable for the range of subject matter included as well as for the insights into the character of a working country estate in the nineteenth century. The proposed modifications encompassed both functional (a bridge, a levee, granaries and stables) and aesthetic improvements, such as ornamental garden temples. The renovation of the house also exhibits both functional and aesthetic improvements. (1) Examples of Hubert's interiors and furniture can be found in albums, DR1974:0002:007:001-068, DR1974:0002:011:001-089, DR1974:0002:025:001-059, DR1974:0002:030:001-065 and DR1974:0002:035:001-034. (2) The best examples of his pavilions are found in album, DR1974:0002:038:001-029 with other examples in albums, DR1974:0002:025:001-059, DR1974:0002:030:001-065 and DR1974:0002:035:001-034. (3) Examples are found in albums, DR1974:0002:035:001-034 and DR1974:0002 :025:001-059. Also of note are drawings, DR1974:0002:007:007 and DR1974:0002:007:068.
CI001.S1.D2
Description:
Hubert and Charles Rohault de Fleury received domestic commissions for both urban housing -hôtel particuliers and apartment houses- and rural dwellings -châteaux, country houses and estates. Hubert also executed designs for furniture and garden pavilions. Hubert' work is characterized by restrained classical exteriors and luxurious Empire style interiors; both Charles' exteriors and interiors, especially those for Hôtels Sauvage and Soltykoff, reflect the exuberance of the Second Empire. The CCA albums include drawings from all stages of the design process but with an emphasis on design development drawings. Hubert's albums contain cost calculations and estimates, notes and letters. In general, the drawings by Charles are from a more developed phase of design than Hubert's; Hubert's commissions are more varied than Charles'. The austere classicism of Hubert's domestic work reflects the prevailing taste of the day and reveals the strong influence of his teacher, Jean Nicholas Louis Durand. The compostional effect of the houses' façades relies on the shape and rhythm of the fenestration and the geometric division by string courses and occasionally, pilasters. Columns are used infrequently as is decorative stonework. The plans are symmetrical and modular. This approach to design is especially evident in the series of proposals for a country house for comte Treilhard (DR1974:0002:034:001-082) and in a group of unidentified designs for houses (DR1974:0002:035:001-034), all of which illustrate an emphasis on plan in the design process and a distinct approach to the composition of the elevations, both derived from Durand. Hubert's domestic work was also influenced by Palladio (see especially DR1974:0002:038:001-029). The interiors and furniture designed by Hubert are typical of the Empire style (1). The drawings in the CCA collection illustrate the materials, palette and ornamental motifs of the period. The garden structures in Hubert's albums are more fanciful than his houses and are either Rustic, Chinoiserie or classical in style (2). His garden designs follow the contemporary French trend for "jardins anglais" with winding paths and naturalistic placement of the vegetation, sometimes in combination with more formal French gardens (3). One of the most comprehensively documented domestic project by Hubert is the Rohault de Fleury House (12-14 rue d'Aguesseau; 1824). The CCA collection contains an interesting series of preliminary drawings for alternate proposals for this house, a number of highly finished wash drawings (including the interior decorative scheme) for the final scheme (DR1974:0002:011:001-08) and several earlier (ca. 1806) proposals (DR1974:0002:035:001-034). The Domaine de la Vallée album (DR1974:0002:025:001-059) is notable for the range of subject matter included as well as for the insights into the character of a working country estate in the nineteenth century. The proposed modifications encompassed both functional (a bridge, a levee, granaries and stables) and aesthetic improvements, such as ornamental garden temples. The renovation of the house also exhibits both functional and aesthetic improvements. (1) Examples of Hubert's interiors and furniture can be found in albums, DR1974:0002:007:001-068, DR1974:0002:011:001-089, DR1974:0002:025:001-059, DR1974:0002:030:001-065 and DR1974:0002:035:001-034. (2) The best examples of his pavilions are found in album, DR1974:0002:038:001-029 with other examples in albums, DR1974:0002:025:001-059, DR1974:0002:030:001-065 and DR1974:0002:035:001-034. (3) Examples are found in albums, DR1974:0002:035:001-034 and DR1974:0002 :025:001-059. Also of note are drawings, DR1974:0002:007:007 and DR1974:0002:007:068.
People:
Date:
1802-[1840]
1802-[1840]
Title:
Domestic Commissions
CI001.S1.D2
Description:
Hubert and Charles Rohault de Fleury received domestic commissions for both urban housing -hôtel particuliers and apartment houses- and rural dwellings -châteaux, country houses and estates. Hubert also executed designs for furniture and garden pavilions. Hubert' work is characterized by restrained classical exteriors and luxurious Empire style interiors; both Charles' exteriors and interiors, especially those for Hôtels Sauvage and Soltykoff, reflect the exuberance of the Second Empire. The CCA albums include drawings from all stages of the design process but with an emphasis on design development drawings. Hubert's albums contain cost calculations and estimates, notes and letters. In general, the drawings by Charles are from a more developed phase of design than Hubert's; Hubert's commissions are more varied than Charles'. The austere classicism of Hubert's domestic work reflects the prevailing taste of the day and reveals the strong influence of his teacher, Jean Nicholas Louis Durand. The compostional effect of the houses' façades relies on the shape and rhythm of the fenestration and the geometric division by string courses and occasionally, pilasters. Columns are used infrequently as is decorative stonework. The plans are symmetrical and modular. This approach to design is especially evident in the series of proposals for a country house for comte Treilhard (DR1974:0002:034:001-082) and in a group of unidentified designs for houses (DR1974:0002:035:001-034), all of which illustrate an emphasis on plan in the design process and a distinct approach to the composition of the elevations, both derived from Durand. Hubert's domestic work was also influenced by Palladio (see especially DR1974:0002:038:001-029). The interiors and furniture designed by Hubert are typical of the Empire style (1). The drawings in the CCA collection illustrate the materials, palette and ornamental motifs of the period. The garden structures in Hubert's albums are more fanciful than his houses and are either Rustic, Chinoiserie or classical in style (2). His garden designs follow the contemporary French trend for "jardins anglais" with winding paths and naturalistic placement of the vegetation, sometimes in combination with more formal French gardens (3). One of the most comprehensively documented domestic project by Hubert is the Rohault de Fleury House (12-14 rue d'Aguesseau; 1824). The CCA collection contains an interesting series of preliminary drawings for alternate proposals for this house, a number of highly finished wash drawings (including the interior decorative scheme) for the final scheme (DR1974:0002:011:001-08) and several earlier (ca. 1806) proposals (DR1974:0002:035:001-034). The Domaine de la Vallée album (DR1974:0002:025:001-059) is notable for the range of subject matter included as well as for the insights into the character of a working country estate in the nineteenth century. The proposed modifications encompassed both functional (a bridge, a levee, granaries and stables) and aesthetic improvements, such as ornamental garden temples. The renovation of the house also exhibits both functional and aesthetic improvements. (1) Examples of Hubert's interiors and furniture can be found in albums, DR1974:0002:007:001-068, DR1974:0002:011:001-089, DR1974:0002:025:001-059, DR1974:0002:030:001-065 and DR1974:0002:035:001-034. (2) The best examples of his pavilions are found in album, DR1974:0002:038:001-029 with other examples in albums, DR1974:0002:025:001-059, DR1974:0002:030:001-065 and DR1974:0002:035:001-034. (3) Examples are found in albums, DR1974:0002:035:001-034 and DR1974:0002 :025:001-059. Also of note are drawings, DR1974:0002:007:007 and DR1974:0002:007:068.
Domestic Commissions
CI001.S1.D2
Description:
Hubert and Charles Rohault de Fleury received domestic commissions for both urban housing -hôtel particuliers and apartment houses- and rural dwellings -châteaux, country houses and estates. Hubert also executed designs for furniture and garden pavilions. Hubert' work is characterized by restrained classical exteriors and luxurious Empire style interiors; both Charles' exteriors and interiors, especially those for Hôtels Sauvage and Soltykoff, reflect the exuberance of the Second Empire. The CCA albums include drawings from all stages of the design process but with an emphasis on design development drawings. Hubert's albums contain cost calculations and estimates, notes and letters. In general, the drawings by Charles are from a more developed phase of design than Hubert's; Hubert's commissions are more varied than Charles'. The austere classicism of Hubert's domestic work reflects the prevailing taste of the day and reveals the strong influence of his teacher, Jean Nicholas Louis Durand. The compostional effect of the houses' façades relies on the shape and rhythm of the fenestration and the geometric division by string courses and occasionally, pilasters. Columns are used infrequently as is decorative stonework. The plans are symmetrical and modular. This approach to design is especially evident in the series of proposals for a country house for comte Treilhard (DR1974:0002:034:001-082) and in a group of unidentified designs for houses (DR1974:0002:035:001-034), all of which illustrate an emphasis on plan in the design process and a distinct approach to the composition of the elevations, both derived from Durand. Hubert's domestic work was also influenced by Palladio (see especially DR1974:0002:038:001-029). The interiors and furniture designed by Hubert are typical of the Empire style (1). The drawings in the CCA collection illustrate the materials, palette and ornamental motifs of the period. The garden structures in Hubert's albums are more fanciful than his houses and are either Rustic, Chinoiserie or classical in style (2). His garden designs follow the contemporary French trend for "jardins anglais" with winding paths and naturalistic placement of the vegetation, sometimes in combination with more formal French gardens (3). One of the most comprehensively documented domestic project by Hubert is the Rohault de Fleury House (12-14 rue d'Aguesseau; 1824). The CCA collection contains an interesting series of preliminary drawings for alternate proposals for this house, a number of highly finished wash drawings (including the interior decorative scheme) for the final scheme (DR1974:0002:011:001-08) and several earlier (ca. 1806) proposals (DR1974:0002:035:001-034). The Domaine de la Vallée album (DR1974:0002:025:001-059) is notable for the range of subject matter included as well as for the insights into the character of a working country estate in the nineteenth century. The proposed modifications encompassed both functional (a bridge, a levee, granaries and stables) and aesthetic improvements, such as ornamental garden temples. The renovation of the house also exhibits both functional and aesthetic improvements. (1) Examples of Hubert's interiors and furniture can be found in albums, DR1974:0002:007:001-068, DR1974:0002:011:001-089, DR1974:0002:025:001-059, DR1974:0002:030:001-065 and DR1974:0002:035:001-034. (2) The best examples of his pavilions are found in album, DR1974:0002:038:001-029 with other examples in albums, DR1974:0002:025:001-059, DR1974:0002:030:001-065 and DR1974:0002:035:001-034. (3) Examples are found in albums, DR1974:0002:035:001-034 and DR1974:0002 :025:001-059. Also of note are drawings, DR1974:0002:007:007 and DR1974:0002:007:068.
Level of archival description:
File 2
File 2
Date:
1802-[1840]
1802-[1840]
People:
Form:
drawings
drawings
Actions:
Reference number:
ARCH276351
Description:
Ce dessin sera utilisé comme modèle pour la bannière lors du banquet royal à l'Hôtel Windsor de Montréal.
ARCH276351
Description:
Ce dessin sera utilisé comme modèle pour la bannière lors du banquet royal à l'Hôtel Windsor de Montréal.
People:
Date:
1939
1939
Title:
Détails des armoiries du Canada : A mari usque ad mare
Actions:
ARCH276351
Description:
Ce dessin sera utilisé comme modèle pour la bannière lors du banquet royal à l'Hôtel Windsor de Montréal.
Détails des armoiries du Canada : A mari usque ad mare
Actions:
ARCH276351
Description:
Ce dessin sera utilisé comme modèle pour la bannière lors du banquet royal à l'Hôtel Windsor de Montréal.
Form:
drawings
drawings
Date:
1939
1939
People:
Form:
drawings
drawings
Actions:
Reference number:
ARCH276707
Description:
Détails du Nouvel Opéra de Paris, de l'Arc de triomphe, de l'Académie Nationale de Musique et de l'Hôtel de invalides.
ARCH276707
Description:
Détails du Nouvel Opéra de Paris, de l'Arc de triomphe, de l'Académie Nationale de Musique et de l'Hôtel de invalides.
People:
Date:
1900 - 1980
1900 - 1980
Title:
Détails des façades, de ferronnerie et de sculptures ornementales
Actions:
ARCH276707
Description:
Détails du Nouvel Opéra de Paris, de l'Arc de triomphe, de l'Académie Nationale de Musique et de l'Hôtel de invalides.
Détails des façades, de ferronnerie et de sculptures ornementales
Actions:
ARCH276707
Description:
Détails du Nouvel Opéra de Paris, de l'Arc de triomphe, de l'Académie Nationale de Musique et de l'Hôtel de invalides.
Form:
drawings
drawings
Date:
1900 - 1980
1900 - 1980
People:
