56729 Results
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
John Hejduk fonds
John Hejduk fonds
Reference number:
AP145
Synopsis:
The John Hejduk fonds documents the professional practice of architect John Hejduk. Drawings of nearly every project by Hejduk are present, with many of his most significant architectural, exhibition, and publishing projects particularly well represented. Material in this fonds was produced between 1947 and 2000.
AP145
Synopsis:
The John Hejduk fonds documents the professional practice of architect John Hejduk. Drawings of nearly every project by Hejduk are present, with many of his most significant architectural, exhibition, and publishing projects particularly well represented. Material in this fonds was produced between 1947 and 2000.
People:
Date:
1947-2000, predominant 1947-1996
1947-2000, predominant 1947-1996
Title:
John Hejduk fonds
Actions:
AP145
Synopsis:
The John Hejduk fonds documents the professional practice of architect John Hejduk. Drawings of nearly every project by Hejduk are present, with many of his most significant architectural, exhibition, and publishing projects particularly well represented. Material in this fonds was produced between 1947 and 2000.
John Hejduk fonds
Actions:
AP145
Synopsis:
The John Hejduk fonds documents the professional practice of architect John Hejduk. Drawings of nearly every project by Hejduk are present, with many of his most significant architectural, exhibition, and publishing projects particularly well represented. Material in this fonds was produced between 1947 and 2000.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1947-2000, predominant 1947-1996
1947-2000, predominant 1947-1996
People:
Form:
drawings
drawings
Actions:
Reference number:
DR1960:0021
Description:
- This drawing, by an unknown Italian artist, active probably in the area of Bologna in the last half of the 17th century, illustrates some of the conventions of quadratura design - the art of illusionistic wall and ceiling painting - that evolved during that century. Part of a wall and adjacent ceiling are shown as one continuous unfurling of space on a flat sheet of paper. The curve between the vertical and diagonal lines at the left-hand edge of the design indicate a modest coving. Around and above a doorway several ionic columns support an arch and archivolt which is decorated with acanthus leaves, putti, ram's head, and urn below, and satyrs, putti, garlands and urns above. A cornice, cartouche, balustrade, and scrolled pediment complete the decorations.
DR1960:0021
Description:
- This drawing, by an unknown Italian artist, active probably in the area of Bologna in the last half of the 17th century, illustrates some of the conventions of quadratura design - the art of illusionistic wall and ceiling painting - that evolved during that century. Part of a wall and adjacent ceiling are shown as one continuous unfurling of space on a flat sheet of paper. The curve between the vertical and diagonal lines at the left-hand edge of the design indicate a modest coving. Around and above a doorway several ionic columns support an arch and archivolt which is decorated with acanthus leaves, putti, ram's head, and urn below, and satyrs, putti, garlands and urns above. A cornice, cartouche, balustrade, and scrolled pediment complete the decorations.
People:
Subject:
interior design
interior design
Date:
ca. 1675-1725
ca. 1675-1725
Title:
Quadratura drawing for door-frame and surround
Actions:
DR1960:0021
Description:
- This drawing, by an unknown Italian artist, active probably in the area of Bologna in the last half of the 17th century, illustrates some of the conventions of quadratura design - the art of illusionistic wall and ceiling painting - that evolved during that century. Part of a wall and adjacent ceiling are shown as one continuous unfurling of space on a flat sheet of paper. The curve between the vertical and diagonal lines at the left-hand edge of the design indicate a modest coving. Around and above a doorway several ionic columns support an arch and archivolt which is decorated with acanthus leaves, putti, ram's head, and urn below, and satyrs, putti, garlands and urns above. A cornice, cartouche, balustrade, and scrolled pediment complete the decorations.
Quadratura drawing for door-frame and surround
Actions:
DR1960:0021
Description:
- This drawing, by an unknown Italian artist, active probably in the area of Bologna in the last half of the 17th century, illustrates some of the conventions of quadratura design - the art of illusionistic wall and ceiling painting - that evolved during that century. Part of a wall and adjacent ceiling are shown as one continuous unfurling of space on a flat sheet of paper. The curve between the vertical and diagonal lines at the left-hand edge of the design indicate a modest coving. Around and above a doorway several ionic columns support an arch and archivolt which is decorated with acanthus leaves, putti, ram's head, and urn below, and satyrs, putti, garlands and urns above. A cornice, cartouche, balustrade, and scrolled pediment complete the decorations.
Form:
drawings
drawings
Date:
ca. 1675-1725
ca. 1675-1725
People:
Subject:
interior design
interior design
Form:
events
events
Actions:
Description:
The history of architecture addresses the relationships between spaces, buildings, urban geometries, and social practices—it tells us how an experience of space corresponds to an experience of the world. To this end, this lecture will analyze the sixteenth-century debate around the completion of the facade of the Basilica of San Petronio in Bologna, partially built in the(...)
The history of architecture addresses the relationships between spaces, buildings, urban geometries, and social practices—it tells us how an experience of space corresponds to an experience of the world. To this end, this lecture will analyze the sixteenth-century debate around the completion of the facade of the Basilica of San Petronio in Bologna, partially built in the(...)
Location:
Paul Desmarais Theatre Keyword(s):
Guido Beltramini, church of San Petronio, Bologna, Andrea Palladio, Baldassare Peruzzi, Giacomo da Vignola
Paul Desmarais Theatre Keyword(s):
Guido Beltramini, church of San Petronio, Bologna, Andrea Palladio, Baldassare Peruzzi, Giacomo da Vignola
Date:
5 October 2017, 6:30pm
5 October 2017, 6:30pm
Title:
Guido Beltramini, what was history for patrons and architects in Bologna in 1579?
Actions:
Description:
The history of architecture addresses the relationships between spaces, buildings, urban geometries, and social practices—it tells us how an experience of space corresponds to an experience of the world. To this end, this lecture will analyze the sixteenth-century debate around the completion of the facade of the Basilica of San Petronio in Bologna, partially built in the(...)
Guido Beltramini, what was history for patrons and architects in Bologna in 1579?
Actions:
Description:
The history of architecture addresses the relationships between spaces, buildings, urban geometries, and social practices—it tells us how an experience of space corresponds to an experience of the world. To this end, this lecture will analyze the sixteenth-century debate around the completion of the facade of the Basilica of San Petronio in Bologna, partially built in the(...)
Form:
events
events
Date:
5 October 2017
6:30pm
5 October 2017
6:30pm
Location:
Paul Desmarais Theatre Keyword(s):
Guido Beltramini, church of San Petronio, Bologna, Andrea Palladio, Baldassare Peruzzi, Giacomo da Vignola
Paul Desmarais Theatre Keyword(s):
Guido Beltramini, church of San Petronio, Bologna, Andrea Palladio, Baldassare Peruzzi, Giacomo da Vignola
Form:
photographs
photographs
Actions:
Reference number:
DR2012:0012:083:001
Description:
Ring binder containing slides, including those related to the following projects: - Modern art (9 slides); - Fuller dome at McGill University 1956 (4 slides); - Le rapport Charney 1972 (8 slides); - Architectural models, drawings and photographs, including works by John M. Johansen (26 slides); - Architectural models, drawings and photographs of école Notre-Dame des Laurentides, by Melvin Charney 1965-1966 (34 slides); - Une histoire 1973-1975 (134 slides, 10 appear to be duplicates); - Maisons de la rue Sherbrooke 1976 (40 slides, 13 appear to be duplicates); - Fragments series (35 slides including: Wall facade (18 slides), Maison de Rivière-des-Prairies (9 slides) and Garage Lennoxville (8 slides); - Painted photographs series: The house in St. Bonaventure 1978 (10 slides).
DR2012:0012:083:001
Description:
Ring binder containing slides, including those related to the following projects: - Modern art (9 slides); - Fuller dome at McGill University 1956 (4 slides); - Le rapport Charney 1972 (8 slides); - Architectural models, drawings and photographs, including works by John M. Johansen (26 slides); - Architectural models, drawings and photographs of école Notre-Dame des Laurentides, by Melvin Charney 1965-1966 (34 slides); - Une histoire 1973-1975 (134 slides, 10 appear to be duplicates); - Maisons de la rue Sherbrooke 1976 (40 slides, 13 appear to be duplicates); - Fragments series (35 slides including: Wall facade (18 slides), Maison de Rivière-des-Prairies (9 slides) and Garage Lennoxville (8 slides); - Painted photographs series: The house in St. Bonaventure 1978 (10 slides).
People:
Date:
1956-1980, predominant 1965-1979
1956-1980, predominant 1965-1979
Title:
Slides of Melvin Charney's artworks
Actions:
DR2012:0012:083:001
Description:
Ring binder containing slides, including those related to the following projects: - Modern art (9 slides); - Fuller dome at McGill University 1956 (4 slides); - Le rapport Charney 1972 (8 slides); - Architectural models, drawings and photographs, including works by John M. Johansen (26 slides); - Architectural models, drawings and photographs of école Notre-Dame des Laurentides, by Melvin Charney 1965-1966 (34 slides); - Une histoire 1973-1975 (134 slides, 10 appear to be duplicates); - Maisons de la rue Sherbrooke 1976 (40 slides, 13 appear to be duplicates); - Fragments series (35 slides including: Wall facade (18 slides), Maison de Rivière-des-Prairies (9 slides) and Garage Lennoxville (8 slides); - Painted photographs series: The house in St. Bonaventure 1978 (10 slides).
Slides of Melvin Charney's artworks
Actions:
DR2012:0012:083:001
Description:
Ring binder containing slides, including those related to the following projects: - Modern art (9 slides); - Fuller dome at McGill University 1956 (4 slides); - Le rapport Charney 1972 (8 slides); - Architectural models, drawings and photographs, including works by John M. Johansen (26 slides); - Architectural models, drawings and photographs of école Notre-Dame des Laurentides, by Melvin Charney 1965-1966 (34 slides); - Une histoire 1973-1975 (134 slides, 10 appear to be duplicates); - Maisons de la rue Sherbrooke 1976 (40 slides, 13 appear to be duplicates); - Fragments series (35 slides including: Wall facade (18 slides), Maison de Rivière-des-Prairies (9 slides) and Garage Lennoxville (8 slides); - Painted photographs series: The house in St. Bonaventure 1978 (10 slides).
Form:
photographs
photographs
Date:
1956-1980, predominant 1965-1979
1956-1980, predominant 1965-1979
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Lars Spuybroek fonds
Lars Spuybroek fonds
Reference number:
AP173
Synopsis:
The Lars Spuybroek fonds documents the professional practice of architect Lars Spuybroek from his early projects in the 1990s to projects undertaken with his firm NOX from 1995 to 2010. The majority of the documents in the fonds consist of photographic materials, drawings and textual records relating to over 70 projects, such as the H2Oexpo in Neeltje Jans Island, Netherlands (1997), the Maison Folie in Nantes, France (2001) and the D-Tower in Doetinchem, Netherlands (2004).
AP173
Synopsis:
The Lars Spuybroek fonds documents the professional practice of architect Lars Spuybroek from his early projects in the 1990s to projects undertaken with his firm NOX from 1995 to 2010. The majority of the documents in the fonds consist of photographic materials, drawings and textual records relating to over 70 projects, such as the H2Oexpo in Neeltje Jans Island, Netherlands (1997), the Maison Folie in Nantes, France (2001) and the D-Tower in Doetinchem, Netherlands (2004).
People:
Date:
1980s-2010
1980s-2010
Title:
Lars Spuybroek fonds
Actions:
AP173
Synopsis:
The Lars Spuybroek fonds documents the professional practice of architect Lars Spuybroek from his early projects in the 1990s to projects undertaken with his firm NOX from 1995 to 2010. The majority of the documents in the fonds consist of photographic materials, drawings and textual records relating to over 70 projects, such as the H2Oexpo in Neeltje Jans Island, Netherlands (1997), the Maison Folie in Nantes, France (2001) and the D-Tower in Doetinchem, Netherlands (2004).
Lars Spuybroek fonds
Actions:
AP173
Synopsis:
The Lars Spuybroek fonds documents the professional practice of architect Lars Spuybroek from his early projects in the 1990s to projects undertaken with his firm NOX from 1995 to 2010. The majority of the documents in the fonds consist of photographic materials, drawings and textual records relating to over 70 projects, such as the H2Oexpo in Neeltje Jans Island, Netherlands (1997), the Maison Folie in Nantes, France (2001) and the D-Tower in Doetinchem, Netherlands (2004).
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1980s-2010
1980s-2010
People:
Form:
textual records
textual records
Reference number:
AP197.S1.SS9.002
Description:
This box is comprised of notes, drafts, articles, interviews, conference addresses by Kenneth Frampton. The materials are organized alphabetically by either title or the architect's last name, from A-FO. Subjects and architects explored in these texts include: the Patkau Architects's Agosta House; Tadao Ando; Demetri and Suzana Antonakakis; ULM; architectural design; architecture as a humanistic discipline; architecture vs. art; Hannah Arendt; Wiel Arets; Emre Arolat; the avant-garde; Barcelona; basque architecture; Anatole de Baudot; Salvatore Bisogni; Mario Botta; the British Library; Angelo Bucci; William Butterfield; James Carpenter; la Casa Cooper; Alan Colquhuon; Casco Centrale; Charles Correa; constructivism; Czech architecture; the Duetsche Werkbund; developments in contemporary architecture; architectural education; Peter Eisenman; Shushei Endo; English architecture; and Arthur Erikson.
AP197.S1.SS9.002
Description:
This box is comprised of notes, drafts, articles, interviews, conference addresses by Kenneth Frampton. The materials are organized alphabetically by either title or the architect's last name, from A-FO. Subjects and architects explored in these texts include: the Patkau Architects's Agosta House; Tadao Ando; Demetri and Suzana Antonakakis; ULM; architectural design; architecture as a humanistic discipline; architecture vs. art; Hannah Arendt; Wiel Arets; Emre Arolat; the avant-garde; Barcelona; basque architecture; Anatole de Baudot; Salvatore Bisogni; Mario Botta; the British Library; Angelo Bucci; William Butterfield; James Carpenter; la Casa Cooper; Alan Colquhuon; Casco Centrale; Charles Correa; constructivism; Czech architecture; the Duetsche Werkbund; developments in contemporary architecture; architectural education; Peter Eisenman; Shushei Endo; English architecture; and Arthur Erikson.
People:
Date:
1965-2015
1965-2015
Title:
Kenneth Frampton texts, articles and notes A-FO
Actions:
AP197.S1.SS9.002
Description:
This box is comprised of notes, drafts, articles, interviews, conference addresses by Kenneth Frampton. The materials are organized alphabetically by either title or the architect's last name, from A-FO. Subjects and architects explored in these texts include: the Patkau Architects's Agosta House; Tadao Ando; Demetri and Suzana Antonakakis; ULM; architectural design; architecture as a humanistic discipline; architecture vs. art; Hannah Arendt; Wiel Arets; Emre Arolat; the avant-garde; Barcelona; basque architecture; Anatole de Baudot; Salvatore Bisogni; Mario Botta; the British Library; Angelo Bucci; William Butterfield; James Carpenter; la Casa Cooper; Alan Colquhuon; Casco Centrale; Charles Correa; constructivism; Czech architecture; the Duetsche Werkbund; developments in contemporary architecture; architectural education; Peter Eisenman; Shushei Endo; English architecture; and Arthur Erikson.
Kenneth Frampton texts, articles and notes A-FO
Actions:
AP197.S1.SS9.002
Description:
This box is comprised of notes, drafts, articles, interviews, conference addresses by Kenneth Frampton. The materials are organized alphabetically by either title or the architect's last name, from A-FO. Subjects and architects explored in these texts include: the Patkau Architects's Agosta House; Tadao Ando; Demetri and Suzana Antonakakis; ULM; architectural design; architecture as a humanistic discipline; architecture vs. art; Hannah Arendt; Wiel Arets; Emre Arolat; the avant-garde; Barcelona; basque architecture; Anatole de Baudot; Salvatore Bisogni; Mario Botta; the British Library; Angelo Bucci; William Butterfield; James Carpenter; la Casa Cooper; Alan Colquhuon; Casco Centrale; Charles Correa; constructivism; Czech architecture; the Duetsche Werkbund; developments in contemporary architecture; architectural education; Peter Eisenman; Shushei Endo; English architecture; and Arthur Erikson.
Form:
textual records
textual records
Date:
1965-2015
1965-2015
People:
Level of archival description:
Sub-series
Sub-series
Actions:
Reference number:
AP018.S1.1980.PR09.SS1
Description:
This project series documents the design and construction of an office building for Marathon Realty in Toronto at the corner of York and Front Streets from 1980-1983. The office identified the project number as 8009. The project consisted of two nineteen storey towers with stainless steel and glass exteriors connected by a glass atrium on each floor. Owned and commissioned by Marathon Realty, the majority of the building’s space was designed for rental. Due to this, the design was highly modular with no interior walls on most floors. Each floor was approximately 18,000 square feet. The ground floor consisted of a lobby, a bank and a restaurant. At the beginning of this project, the project was named Marathon Realty Office Building, Front and York Streets. Soon after, the office building became known as University Place, which it is often referred to as in these materials. Eventually, the building would become the headquarters of CitiBank and renamed Citigroup Place. The project is recorded through drawings, photographs, textual records and other materials dating from 1980-1987. The majority of the drawings are located within the textual records and show the design of building details. Other drawings include site surveys, design development drawings, presentation drawings, and construction drawings. The photographs show construction progress, tests, models, and the finished project. The textual records contain the project proposal, contracts, client and contractor correspondence, inter-office memos, meeting minutes, financial records, change orders, supplementary instructions, specifications, detail planning, artist’s portfolios for the building’s art competition, site inspection reports, and schedules. File AP018.S1.1980.PR09.004 contains an index to the textual records, which was created by the office. The CCA also holds materials for a subproject under this project series, which document the installation of signs to the top of the building after the building's construction (AP018.S1.1980.PR09.SS1). Subproject materials are viewed separately from the project due to the different project numbers originally assigned by the office.
AP018.S1.1980.PR09.SS1
Description:
This project series documents the design and construction of an office building for Marathon Realty in Toronto at the corner of York and Front Streets from 1980-1983. The office identified the project number as 8009. The project consisted of two nineteen storey towers with stainless steel and glass exteriors connected by a glass atrium on each floor. Owned and commissioned by Marathon Realty, the majority of the building’s space was designed for rental. Due to this, the design was highly modular with no interior walls on most floors. Each floor was approximately 18,000 square feet. The ground floor consisted of a lobby, a bank and a restaurant. At the beginning of this project, the project was named Marathon Realty Office Building, Front and York Streets. Soon after, the office building became known as University Place, which it is often referred to as in these materials. Eventually, the building would become the headquarters of CitiBank and renamed Citigroup Place. The project is recorded through drawings, photographs, textual records and other materials dating from 1980-1987. The majority of the drawings are located within the textual records and show the design of building details. Other drawings include site surveys, design development drawings, presentation drawings, and construction drawings. The photographs show construction progress, tests, models, and the finished project. The textual records contain the project proposal, contracts, client and contractor correspondence, inter-office memos, meeting minutes, financial records, change orders, supplementary instructions, specifications, detail planning, artist’s portfolios for the building’s art competition, site inspection reports, and schedules. File AP018.S1.1980.PR09.004 contains an index to the textual records, which was created by the office. The CCA also holds materials for a subproject under this project series, which document the installation of signs to the top of the building after the building's construction (AP018.S1.1980.PR09.SS1). Subproject materials are viewed separately from the project due to the different project numbers originally assigned by the office.
People:
Date:
1980-1987
1980-1987
Title:
University Place Building, Front and York Streets, Toronto (1980-1987)
Actions:
AP018.S1.1980.PR09.SS1
Description:
This project series documents the design and construction of an office building for Marathon Realty in Toronto at the corner of York and Front Streets from 1980-1983. The office identified the project number as 8009. The project consisted of two nineteen storey towers with stainless steel and glass exteriors connected by a glass atrium on each floor. Owned and commissioned by Marathon Realty, the majority of the building’s space was designed for rental. Due to this, the design was highly modular with no interior walls on most floors. Each floor was approximately 18,000 square feet. The ground floor consisted of a lobby, a bank and a restaurant. At the beginning of this project, the project was named Marathon Realty Office Building, Front and York Streets. Soon after, the office building became known as University Place, which it is often referred to as in these materials. Eventually, the building would become the headquarters of CitiBank and renamed Citigroup Place. The project is recorded through drawings, photographs, textual records and other materials dating from 1980-1987. The majority of the drawings are located within the textual records and show the design of building details. Other drawings include site surveys, design development drawings, presentation drawings, and construction drawings. The photographs show construction progress, tests, models, and the finished project. The textual records contain the project proposal, contracts, client and contractor correspondence, inter-office memos, meeting minutes, financial records, change orders, supplementary instructions, specifications, detail planning, artist’s portfolios for the building’s art competition, site inspection reports, and schedules. File AP018.S1.1980.PR09.004 contains an index to the textual records, which was created by the office. The CCA also holds materials for a subproject under this project series, which document the installation of signs to the top of the building after the building's construction (AP018.S1.1980.PR09.SS1). Subproject materials are viewed separately from the project due to the different project numbers originally assigned by the office.
University Place Building, Front and York Streets, Toronto (1980-1987)
Actions:
AP018.S1.1980.PR09.SS1
Description:
This project series documents the design and construction of an office building for Marathon Realty in Toronto at the corner of York and Front Streets from 1980-1983. The office identified the project number as 8009. The project consisted of two nineteen storey towers with stainless steel and glass exteriors connected by a glass atrium on each floor. Owned and commissioned by Marathon Realty, the majority of the building’s space was designed for rental. Due to this, the design was highly modular with no interior walls on most floors. Each floor was approximately 18,000 square feet. The ground floor consisted of a lobby, a bank and a restaurant. At the beginning of this project, the project was named Marathon Realty Office Building, Front and York Streets. Soon after, the office building became known as University Place, which it is often referred to as in these materials. Eventually, the building would become the headquarters of CitiBank and renamed Citigroup Place. The project is recorded through drawings, photographs, textual records and other materials dating from 1980-1987. The majority of the drawings are located within the textual records and show the design of building details. Other drawings include site surveys, design development drawings, presentation drawings, and construction drawings. The photographs show construction progress, tests, models, and the finished project. The textual records contain the project proposal, contracts, client and contractor correspondence, inter-office memos, meeting minutes, financial records, change orders, supplementary instructions, specifications, detail planning, artist’s portfolios for the building’s art competition, site inspection reports, and schedules. File AP018.S1.1980.PR09.004 contains an index to the textual records, which was created by the office. The CCA also holds materials for a subproject under this project series, which document the installation of signs to the top of the building after the building's construction (AP018.S1.1980.PR09.SS1). Subproject materials are viewed separately from the project due to the different project numbers originally assigned by the office.
Level of archival description:
Project
Project
Date:
1980-1987
1980-1987
People:
Form:
exhibitions
exhibitions
Actions:
Description:
The exhibition addresses a central and timely aspect of the work of Carlo Scarpa: its distinctive approach to contending with the layers of history that mark the fabric of a city and a building. In addressing Scarpa’s ability to weave new work into, and often out of, the disparate fragments of the old, Carlo Scarpa, Architect: Intervening with History begins to unravel(...)
The exhibition addresses a central and timely aspect of the work of Carlo Scarpa: its distinctive approach to contending with the layers of history that mark the fabric of a city and a building. In addressing Scarpa’s ability to weave new work into, and often out of, the disparate fragments of the old, Carlo Scarpa, Architect: Intervening with History begins to unravel(...)
Location:
Main galleries
Main galleries
Date:
26 May 1999 to 31 October 1999
26 May 1999 to 31 October 1999
Title:
Carlo Scarpa, Architect: Intervening with History
Actions:
Description:
The exhibition addresses a central and timely aspect of the work of Carlo Scarpa: its distinctive approach to contending with the layers of history that mark the fabric of a city and a building. In addressing Scarpa’s ability to weave new work into, and often out of, the disparate fragments of the old, Carlo Scarpa, Architect: Intervening with History begins to unravel(...)
Carlo Scarpa, Architect: Intervening with History
Actions:
Description:
The exhibition addresses a central and timely aspect of the work of Carlo Scarpa: its distinctive approach to contending with the layers of history that mark the fabric of a city and a building. In addressing Scarpa’s ability to weave new work into, and often out of, the disparate fragments of the old, Carlo Scarpa, Architect: Intervening with History begins to unravel(...)
Form:
exhibitions
exhibitions
Date:
26 May 1999 to
31 October 1999
26 May 1999 to
31 October 1999
Location:
Main galleries
Main galleries
Level of archival description:
Project
Project
Actions:
Reference number:
AP198.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The international competition called to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces, and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. Digital files, in particular, show the process to achieve the projected design. Drawings provide views of streamed particles and of resulting peels. They also include plans, elevations and axonometric views of the structure. Most files are raster or vector images, likely saved from CAD software. A few files are in CAD formats such as Microstation, 3D Studio and form*Z. Digital files also present sine wave analysis and resulting charts for each component of the program. The analysis and charts present the relationships between various components of the building’s program such as the Art Museum, the Concert Halls, the technical space, and the Common facilities. These files are raster images and spreadsheets. Photographs of the site in Jyväskylä and of models built by OCEAN North were digitized and are included with the digital working files. Physical drawings are chiefly floor plans for the building, but also include sections and sketches. Finally, project files include photographic prints of two built models. One of these models, a small model of the conceptual masses of the building structure, is itself in the archive. Photographs show the model in the context of a city scape model. The second model, not part of the archive at CCA, was built at a bigger scale and was an intricate cardboard and wooden stick structure. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
AP198.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The international competition called to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces, and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. Digital files, in particular, show the process to achieve the projected design. Drawings provide views of streamed particles and of resulting peels. They also include plans, elevations and axonometric views of the structure. Most files are raster or vector images, likely saved from CAD software. A few files are in CAD formats such as Microstation, 3D Studio and form*Z. Digital files also present sine wave analysis and resulting charts for each component of the program. The analysis and charts present the relationships between various components of the building’s program such as the Art Museum, the Concert Halls, the technical space, and the Common facilities. These files are raster images and spreadsheets. Photographs of the site in Jyväskylä and of models built by OCEAN North were digitized and are included with the digital working files. Physical drawings are chiefly floor plans for the building, but also include sections and sketches. Finally, project files include photographic prints of two built models. One of these models, a small model of the conceptual masses of the building structure, is itself in the archive. Photographs show the model in the context of a city scape model. The second model, not part of the archive at CCA, was built at a bigger scale and was an intricate cardboard and wooden stick structure. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
People:
Date:
1997
1997
Title:
Terra Cultura – Jyväskylä Music and Arts Centre, international competition entry
Actions:
AP198.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The international competition called to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces, and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. Digital files, in particular, show the process to achieve the projected design. Drawings provide views of streamed particles and of resulting peels. They also include plans, elevations and axonometric views of the structure. Most files are raster or vector images, likely saved from CAD software. A few files are in CAD formats such as Microstation, 3D Studio and form*Z. Digital files also present sine wave analysis and resulting charts for each component of the program. The analysis and charts present the relationships between various components of the building’s program such as the Art Museum, the Concert Halls, the technical space, and the Common facilities. These files are raster images and spreadsheets. Photographs of the site in Jyväskylä and of models built by OCEAN North were digitized and are included with the digital working files. Physical drawings are chiefly floor plans for the building, but also include sections and sketches. Finally, project files include photographic prints of two built models. One of these models, a small model of the conceptual masses of the building structure, is itself in the archive. Photographs show the model in the context of a city scape model. The second model, not part of the archive at CCA, was built at a bigger scale and was an intricate cardboard and wooden stick structure. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Terra Cultura – Jyväskylä Music and Arts Centre, international competition entry
Actions:
AP198.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The international competition called to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces, and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. Digital files, in particular, show the process to achieve the projected design. Drawings provide views of streamed particles and of resulting peels. They also include plans, elevations and axonometric views of the structure. Most files are raster or vector images, likely saved from CAD software. A few files are in CAD formats such as Microstation, 3D Studio and form*Z. Digital files also present sine wave analysis and resulting charts for each component of the program. The analysis and charts present the relationships between various components of the building’s program such as the Art Museum, the Concert Halls, the technical space, and the Common facilities. These files are raster images and spreadsheets. Photographs of the site in Jyväskylä and of models built by OCEAN North were digitized and are included with the digital working files. Physical drawings are chiefly floor plans for the building, but also include sections and sketches. Finally, project files include photographic prints of two built models. One of these models, a small model of the conceptual masses of the building structure, is itself in the archive. Photographs show the model in the context of a city scape model. The second model, not part of the archive at CCA, was built at a bigger scale and was an intricate cardboard and wooden stick structure. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Level of archival description:
Project
Project
Date:
1997
1997
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Álvaro Siza fonds
Álvaro Siza fonds
Reference number:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
People:
Date:
1958-2002
1958-2002
Title:
Álvaro Siza fonds
Actions:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
Álvaro Siza fonds
Actions:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1958-2002
1958-2002
People:
