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''Clothing Politics #2'' is the sequel of the third issue of The Funambulist, published two years earlier. The articles and projects presented in this issue feature instances of clothing that act as subversions of the gendered, colonial, racialized, and/or ableist normative contexts in which they are respectively worn.
The Funambulist 15, Clothing politics #2. January-February 2018
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''Clothing Politics #2'' is the sequel of the third issue of The Funambulist, published two years earlier. The articles and projects presented in this issue feature instances of clothing that act as subversions of the gendered, colonial, racialized, and/or ableist normative contexts in which they are respectively worn.
Magazines
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22 GAMMA Grid, 1953. The End of CIAM and the Bidonvilles of Casablanca For a short time in the 1950s the planning practices of European architects in North Africa and their studies of everyday life in the bidonvilles were of central importance in the CIAM debates about a redefinition of the modern movement. In spite of their great interest in the reality of life in(...)
Anarchitektur: produktion und gebrauch gebauter umwelt
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22 GAMMA Grid, 1953. The End of CIAM and the Bidonvilles of Casablanca For a short time in the 1950s the planning practices of European architects in North Africa and their studies of everyday life in the bidonvilles were of central importance in the CIAM debates about a redefinition of the modern movement. In spite of their great interest in the reality of life in Casablanca´s bidonvilles as analyzed in the GAMMA grid, the architects ignored the colonial conditions of their research: the repressive nature of the regime as well as the anti-colonial struggles. While opening up a discussion about an architecture that includes the local and thinks about processes and users, this study is also exemplary for the dilemma of post-war modernism, that of giving mainly aesthetic answers to social and political questions.
Magazines
Deserts are not empty
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Colonial and imperial powers have often portrayed arid lands as “empty” spaces ready to be occupied, exploited, extracted, and polluted. Despite the undeniable presence of human and nonhuman lives and forces in desert territories, the “regime of emptiness” has inhabited, and is still inhabiting, many imaginaries. This volume challenges this colonial tendency, questions(...)
Deserts are not empty
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Colonial and imperial powers have often portrayed arid lands as “empty” spaces ready to be occupied, exploited, extracted, and polluted. Despite the undeniable presence of human and nonhuman lives and forces in desert territories, the “regime of emptiness” has inhabited, and is still inhabiting, many imaginaries. This volume challenges this colonial tendency, questions its roots and ramifications, and remaps the representations, theories, histories, and stories of arid lands—which comprise approximately one-third of the Earth’s land surface. It brings together poems in original languages, conversations with collectives, and essays by scholars and professionals from the fields of architecture, architectural history and theory, curatorial studies, comparative literature, film studies, landscape architecture, and photography. These different approaches and diverse voices draw on a framework of decoloniality to unsettle and unlearn the desert, opening up possibilities to see, think, imagine it otherwise.
Architecture ecologies
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The Funambulist, issue 20. ''Settler Colonialism in Turtle Island'' is a first ever issue of The Funambulist that was guest-edited. This issue was edited by Turtle Island Indigenous scholars and activists Melanie K. Yazzie and Nick Estes (who had contributed twice to the magazine in the past). The issue proposes several facets of Indigenous struggles in Turtle Island(...)
The Funambulist 20, November/December
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The Funambulist, issue 20. ''Settler Colonialism in Turtle Island'' is a first ever issue of The Funambulist that was guest-edited. This issue was edited by Turtle Island Indigenous scholars and activists Melanie K. Yazzie and Nick Estes (who had contributed twice to the magazine in the past). The issue proposes several facets of Indigenous struggles in Turtle Island (what many people call ''North America''.) Most of them depict Native lives in spaces that are not the reservations where the colonial narrative usually situates them. Whether in large cities such as Los Angeles or Saskatoon, or settler border towns in the periphery of reservations, the urban dimension of the first half of the dossier is omnipresent. The second half is dedicated to various forms of Indigenous resistance through space-making, anti-colonial solidarities, representative transgression, or architecture researches/projects.
Magazines
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In ''¡Presente!: the politics of presence'' Diana Taylor asks what it means to be physically and politically present in situations where it seems that nothing can be done. As much an act, a word, an attitude, a theoretical intervention, and a performance pedagogy, Taylor maps ''¡Presente!'' at work in scenarios ranging from conquest, through colonial enactments and(...)
¡Presente!: the politics of presence
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In ''¡Presente!: the politics of presence'' Diana Taylor asks what it means to be physically and politically present in situations where it seems that nothing can be done. As much an act, a word, an attitude, a theoretical intervention, and a performance pedagogy, Taylor maps ''¡Presente!'' at work in scenarios ranging from conquest, through colonial enactments and resistance movements, to present moments of capitalist extractivism and forced migration in the Americas. ''¡Presente!''—present among, with, and to; a walking and talking with others; an ontological and epistemic reflection on presence and subjectivity as participatory and relational, founded on mutual recognition—requires rethinking and unlearning in ways that challenge colonial epistemologies. Showing how knowledge is not something to be harvested but a process of being, knowing, and acting with others, Taylor models a way for scholarship to be present in political struggles.
Critical Theory
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After visiting hundreds of museums across Alberta, Lianne McTavish chronicles some of the most challenging and unexpected sites where the idea of the museum is being reshaped. Addressing themes of place, land, colonization, rurality, heritage, childhood, and play, McTavish reveals the museum visitor as multifaceted, with locals and tourists often interpreting museums(...)
Voluntary detours: small town and rural museums
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After visiting hundreds of museums across Alberta, Lianne McTavish chronicles some of the most challenging and unexpected sites where the idea of the museum is being reshaped. Addressing themes of place, land, colonization, rurality, heritage, childhood, and play, McTavish reveals the museum visitor as multifaceted, with locals and tourists often interpreting museums very differently. Case studies include the World Famous Gopher Hole Museum, Fort Chipewyan Bicentennial Museum, Blackfoot Crossing Historical Park, and the Museum of Fear and Wonder. A key chapter analyzing sites devoted to resource extraction explores how these places promote settler colonial understandings of land use. By contrast, Indigenous museums and cultural centres defy colonial messages in displays that adapt and refuse conventional museum formats. Honouring local, rural, and Indigenous knowledge, 'Voluntary Detours' enriches critical accounts of the past, present, and future of museums.
Museology
New Brazilian gardens
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Roberto Silva considers the evolution of the Brazilian garden since the Colonial period and examines Burle Marx’s influence in the light of current trends. Gardens are then grouped into four sections, Water, Planting, Abstraction and Sculpture, with each project presented in detail, including descriptions with the designer’s own plans, drawings and plant lists.
New Brazilian gardens
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Roberto Silva considers the evolution of the Brazilian garden since the Colonial period and examines Burle Marx’s influence in the light of current trends. Gardens are then grouped into four sections, Water, Planting, Abstraction and Sculpture, with each project presented in detail, including descriptions with the designer’s own plans, drawings and plant lists.
Gardens
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America's most beguiling metropolis started out as a snake-infested, hurricane-battered swamp. Through intense imperial rivalries and ambitious settlers who risked their lives to succeed in colonial America, the site became a crossroads for the Atlantic world. Powell gives us the full sweep of the city's history from its founding through statehood.
The accidental city : improvising New Orleans
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America's most beguiling metropolis started out as a snake-infested, hurricane-battered swamp. Through intense imperial rivalries and ambitious settlers who risked their lives to succeed in colonial America, the site became a crossroads for the Atlantic world. Powell gives us the full sweep of the city's history from its founding through statehood.
History until 1900, North America
books
Station to station
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Parissien discusses the history and development of railway station architecture from the early provincial and colonial railways through the Victorian Gothic of St. Pancras, the Beaux-Arts Grand Central Station in New York to Grimshaw's Waterloo International Terminal and Calatrava's Lyon Satolas. Archival photographs and railway ephemera complement the(...)
Station to station
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Parissien discusses the history and development of railway station architecture from the early provincial and colonial railways through the Victorian Gothic of St. Pancras, the Beaux-Arts Grand Central Station in New York to Grimshaw's Waterloo International Terminal and Calatrava's Lyon Satolas. Archival photographs and railway ephemera complement the contemporary photographs in this volume.
books
September 1997, London
Engineering Structures
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In Kitchens, Smokehouses, and Privies, Michael Olmert takes us into the eighteenth-century backyards of colonial America. He explores the many small outbuildings that can still be found at obscure rural farmsteads throughout the Tidewater and greater mid-Atlantic, in towns like Williamsburg and Annapolis, and at elite plantations such as Mount Vernon and Monticello.
Kitchens, smokehouses, and privies: outbuildings and the architecture of daily life in the eighteenth-century mid-atlantic
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In Kitchens, Smokehouses, and Privies, Michael Olmert takes us into the eighteenth-century backyards of colonial America. He explores the many small outbuildings that can still be found at obscure rural farmsteads throughout the Tidewater and greater mid-Atlantic, in towns like Williamsburg and Annapolis, and at elite plantations such as Mount Vernon and Monticello.
History until 1900, North America