textual records
AP075.S4.SS2.047
1981-1997
textual records
1981-1997
textual records
AP075.S4.SS2.048
1968-2010
textual records
1968-2010
textual records
AP075.S4.SS2.049
1995-2012
textual records
1995-2012
drawings
ARCH260095
1990
drawings
1990
drawings
Quantity:
49 reprographic copy(ies)
ARCH220215
drawings
Quantity:
49 reprographic copy(ies)
drawings
AP046.S1.1983.PR01.012
Description:
This file includes the original landscaping plans for Baile Park with Shaughnessy House as the office space for the CCA.
circa 1981
Original scheme site plan and landscape proposal for Shaughnessy House, Canadian Centre for Architecture, Montréal, Québec
Actions:
AP046.S1.1983.PR01.012
Description:
This file includes the original landscaping plans for Baile Park with Shaughnessy House as the office space for the CCA.
drawings
circa 1981
DR1994:0007:010
architecture
1941-1943
Axonometric sketch for Museum for a Small City with surrounding landscape
Actions:
DR1994:0007:010
architecture
DR2019:0003
Description:
One of a series of eight city scenes created for the CCA exhibition "Our Happy Life: Architecture and Well-Being in the Age of Emotional Capitalism" (May 8-October 13, 2019).
2019
"Windsor landscape" from the series "Our happy life: city scenes"
Actions:
DR2019:0003
Description:
One of a series of eight city scenes created for the CCA exhibition "Our Happy Life: Architecture and Well-Being in the Age of Emotional Capitalism" (May 8-October 13, 2019).
ARCH400124
Description:
Notes and sketches about the Pygmy funerary songs selected for the opening scenes of the film that describe the rhythm as "creating a sound landscape".
ca. 1970-1971
Notes and sketches for Architettura Interplanetaria [Interplanetary Architecture]
Actions:
ARCH400124
Description:
Notes and sketches about the Pygmy funerary songs selected for the opening scenes of the film that describe the rhythm as "creating a sound landscape".
DR1967:0010:001
Description:
- The two halves of this drawing show alternate stage sets from which the patron could make his choice. It is unclear whether this design was for a painted trompe-l'oeil stage backdrop and/or a constructed stage set. The deep unified space of the architectural interior and low vanishing point of the central landscape indicates that this part of the drawing is probably intended to be a painted trompe-l'oeil, however, the inscribed scale suggests that some of the architectural elements may have been constructed (Fuhring, 161 and 570). The prickings indicate that the overall design was intended to be executed. A crown above the central cartouche in drawing DR1967:0010:002 which is probably by the same hand, indicates a possible royal connection.
theatre design, interior design
probably between 1745-1775
Presentation drawing for a stage set with a central trompe-l'oeil landscape
Actions:
DR1967:0010:001
Description:
- The two halves of this drawing show alternate stage sets from which the patron could make his choice. It is unclear whether this design was for a painted trompe-l'oeil stage backdrop and/or a constructed stage set. The deep unified space of the architectural interior and low vanishing point of the central landscape indicates that this part of the drawing is probably intended to be a painted trompe-l'oeil, however, the inscribed scale suggests that some of the architectural elements may have been constructed (Fuhring, 161 and 570). The prickings indicate that the overall design was intended to be executed. A crown above the central cartouche in drawing DR1967:0010:002 which is probably by the same hand, indicates a possible royal connection.
theatre design, interior design