56745 Results
Form:
drawings, photographs
drawings, photographs
Actions:
Reference number:
DR2012:0011:032
Description:
Ring binder containing drawings, photographs, reprographic copies, stats of architectural, art, and graphic design work, and a watercolour related to Melvin Charney's activities as a student at McGill University, and include the following early projects: - Kitchen details for Mr. and Mrs. A. Zion (1 stat); - Design of vol. 2, no. 2 of YES: A Creative Quarterly (1 copy); - Small weekend house (3 stats); - Curb-service restaurant, for summer use only, on a Laurentian road (2 stat); - Studio-house in the Laurentian mountains (2 stats); - Apartment house to complete an existing pattern of older garden apartments (3 stats); - Community library for the Town of Mount Royal (6 stats); - Motel near the St. Lawrence River (2 stats); - Child centre (3 stats); - Building for the Province of Quebec Architects Association (4 stats); - Cloverdale shopping centre (1 stat); - Morse Jewellers (4 stats); - Steinberg's supermarket, Montreal North; - Reinforced concrete canopy, Molson Stadium (1 sketch, 1 photograph, 1 stat); - Town of Dorval subdivision proposal (1 stat); - Ottawa City Hall, study of lighting of areas in the building (1 stat); - Entrance vestibule, 1552 St. Matthew Street, Montreal (1 stat).
DR2012:0011:032
Description:
Ring binder containing drawings, photographs, reprographic copies, stats of architectural, art, and graphic design work, and a watercolour related to Melvin Charney's activities as a student at McGill University, and include the following early projects: - Kitchen details for Mr. and Mrs. A. Zion (1 stat); - Design of vol. 2, no. 2 of YES: A Creative Quarterly (1 copy); - Small weekend house (3 stats); - Curb-service restaurant, for summer use only, on a Laurentian road (2 stat); - Studio-house in the Laurentian mountains (2 stats); - Apartment house to complete an existing pattern of older garden apartments (3 stats); - Community library for the Town of Mount Royal (6 stats); - Motel near the St. Lawrence River (2 stats); - Child centre (3 stats); - Building for the Province of Quebec Architects Association (4 stats); - Cloverdale shopping centre (1 stat); - Morse Jewellers (4 stats); - Steinberg's supermarket, Montreal North; - Reinforced concrete canopy, Molson Stadium (1 sketch, 1 photograph, 1 stat); - Town of Dorval subdivision proposal (1 stat); - Ottawa City Hall, study of lighting of areas in the building (1 stat); - Entrance vestibule, 1552 St. Matthew Street, Montreal (1 stat).
People:
Date:
1955-1957
1955-1957
Title:
Portfolio for application to the graduate program at Yale University
Actions:
DR2012:0011:032
Description:
Ring binder containing drawings, photographs, reprographic copies, stats of architectural, art, and graphic design work, and a watercolour related to Melvin Charney's activities as a student at McGill University, and include the following early projects: - Kitchen details for Mr. and Mrs. A. Zion (1 stat); - Design of vol. 2, no. 2 of YES: A Creative Quarterly (1 copy); - Small weekend house (3 stats); - Curb-service restaurant, for summer use only, on a Laurentian road (2 stat); - Studio-house in the Laurentian mountains (2 stats); - Apartment house to complete an existing pattern of older garden apartments (3 stats); - Community library for the Town of Mount Royal (6 stats); - Motel near the St. Lawrence River (2 stats); - Child centre (3 stats); - Building for the Province of Quebec Architects Association (4 stats); - Cloverdale shopping centre (1 stat); - Morse Jewellers (4 stats); - Steinberg's supermarket, Montreal North; - Reinforced concrete canopy, Molson Stadium (1 sketch, 1 photograph, 1 stat); - Town of Dorval subdivision proposal (1 stat); - Ottawa City Hall, study of lighting of areas in the building (1 stat); - Entrance vestibule, 1552 St. Matthew Street, Montreal (1 stat).
Portfolio for application to the graduate program at Yale University
Actions:
DR2012:0011:032
Description:
Ring binder containing drawings, photographs, reprographic copies, stats of architectural, art, and graphic design work, and a watercolour related to Melvin Charney's activities as a student at McGill University, and include the following early projects: - Kitchen details for Mr. and Mrs. A. Zion (1 stat); - Design of vol. 2, no. 2 of YES: A Creative Quarterly (1 copy); - Small weekend house (3 stats); - Curb-service restaurant, for summer use only, on a Laurentian road (2 stat); - Studio-house in the Laurentian mountains (2 stats); - Apartment house to complete an existing pattern of older garden apartments (3 stats); - Community library for the Town of Mount Royal (6 stats); - Motel near the St. Lawrence River (2 stats); - Child centre (3 stats); - Building for the Province of Quebec Architects Association (4 stats); - Cloverdale shopping centre (1 stat); - Morse Jewellers (4 stats); - Steinberg's supermarket, Montreal North; - Reinforced concrete canopy, Molson Stadium (1 sketch, 1 photograph, 1 stat); - Town of Dorval subdivision proposal (1 stat); - Ottawa City Hall, study of lighting of areas in the building (1 stat); - Entrance vestibule, 1552 St. Matthew Street, Montreal (1 stat).
Form:
drawings, photographs
drawings, photographs
Date:
1955-1957
1955-1957
People:
Level of archival description:
Series
Series
Actions:
Reference number:
AP193.S1
Description:
Series 1, Water Flux and Scrambled Flat, 2002-2010, documents the conception and evolution of a project that was originally a farm building and later became a geology and glaciology museum and research center focused on the Swiss Alps. The project was never realized. R&Sie(n) conceptualized Scrambled Flat as an experimental farm. The project goal was to reconcile European Union’s agricultural regulations, imposing a separation between animal and human living, to the community of Évolène traditional way of living, contiguously with animals, benefiting from the resources they offer. As conceived, Scrambled Flat creates an environment where fluidity between the existence of the animals and the humans is materialized. The size of the form is also adapted from a typical local rural house and exploits the heat of the animals and the insulation of the hay. For this project, R&Sie(n) approached the mayor of the community with the design proposition. The mayor then called for a competition, while also changing the program to an ecology museum and research center illustrating the local effects of global warming and the thawing of the Alps. R&Sie(n) won the competition with Water Flux, a reinterpretation of Scrambled Flat. The project was intended to uncover and exorcise the anxieties of ecological disaster, and the principle of flux related to seasonal change and, more broadly, climate change. The firm designed rooms that reproduce the geological and meteorological environment of the high mountains making it visible and experimental, offering refrigerated spaces for art installations and scientific demonstrations. The concept was also to build with the use of new technologies such as digital modelling, point scanning, and computer numerical control (CNC), combined with ancient local knowledge of knocking on trees to decide which specific pines have the best wood for construction. The building is designed to be constructed with local lamellar wood milled by nearby CNC. The resulting parts would be used for the structure, the insulation, the waterproofing and both the interior and exterior finishes. The design includes a grille wrapping the building, reproducing the profile of traditional houses and enclosure and making it possible to hold the snow inside a typo-morphological imprint. Therefore, the transformable envelope of the building reacts to the rhythm of the seasons. In the winter, the structure would appear like a solid cut-out of ice and snow, with cavities similar to those found in glaciers. In the summer, it would resemble piles of stones used in these areas to make borders. A small pool would collect rainwater and supply it to an interior artificial snowmaking system designed for the gallery. Transformation of the water is an integral part of the design. The records contain images of plans, sections, details for the structure of the façade, renderings, plans of the engineered structure, and photographs documenting the conception of the models with the CNC machinery. The Rhino 3D modelling files are also part of the records along with AutoCAD models and a video documenting the process. The records contain two physical models: a smaller polymer model at 1:20 scale representing the whole structure of the building, and a larger 1:1 latch wood fragment representing detail of the structure in its integrality.
AP193.S1
Description:
Series 1, Water Flux and Scrambled Flat, 2002-2010, documents the conception and evolution of a project that was originally a farm building and later became a geology and glaciology museum and research center focused on the Swiss Alps. The project was never realized. R&Sie(n) conceptualized Scrambled Flat as an experimental farm. The project goal was to reconcile European Union’s agricultural regulations, imposing a separation between animal and human living, to the community of Évolène traditional way of living, contiguously with animals, benefiting from the resources they offer. As conceived, Scrambled Flat creates an environment where fluidity between the existence of the animals and the humans is materialized. The size of the form is also adapted from a typical local rural house and exploits the heat of the animals and the insulation of the hay. For this project, R&Sie(n) approached the mayor of the community with the design proposition. The mayor then called for a competition, while also changing the program to an ecology museum and research center illustrating the local effects of global warming and the thawing of the Alps. R&Sie(n) won the competition with Water Flux, a reinterpretation of Scrambled Flat. The project was intended to uncover and exorcise the anxieties of ecological disaster, and the principle of flux related to seasonal change and, more broadly, climate change. The firm designed rooms that reproduce the geological and meteorological environment of the high mountains making it visible and experimental, offering refrigerated spaces for art installations and scientific demonstrations. The concept was also to build with the use of new technologies such as digital modelling, point scanning, and computer numerical control (CNC), combined with ancient local knowledge of knocking on trees to decide which specific pines have the best wood for construction. The building is designed to be constructed with local lamellar wood milled by nearby CNC. The resulting parts would be used for the structure, the insulation, the waterproofing and both the interior and exterior finishes. The design includes a grille wrapping the building, reproducing the profile of traditional houses and enclosure and making it possible to hold the snow inside a typo-morphological imprint. Therefore, the transformable envelope of the building reacts to the rhythm of the seasons. In the winter, the structure would appear like a solid cut-out of ice and snow, with cavities similar to those found in glaciers. In the summer, it would resemble piles of stones used in these areas to make borders. A small pool would collect rainwater and supply it to an interior artificial snowmaking system designed for the gallery. Transformation of the water is an integral part of the design. The records contain images of plans, sections, details for the structure of the façade, renderings, plans of the engineered structure, and photographs documenting the conception of the models with the CNC machinery. The Rhino 3D modelling files are also part of the records along with AutoCAD models and a video documenting the process. The records contain two physical models: a smaller polymer model at 1:20 scale representing the whole structure of the building, and a larger 1:1 latch wood fragment representing detail of the structure in its integrality.
People:
Date:
2002-2010
2002-2010
Title:
Water Flux and Scrambled Flat
Actions:
AP193.S1
Description:
Series 1, Water Flux and Scrambled Flat, 2002-2010, documents the conception and evolution of a project that was originally a farm building and later became a geology and glaciology museum and research center focused on the Swiss Alps. The project was never realized. R&Sie(n) conceptualized Scrambled Flat as an experimental farm. The project goal was to reconcile European Union’s agricultural regulations, imposing a separation between animal and human living, to the community of Évolène traditional way of living, contiguously with animals, benefiting from the resources they offer. As conceived, Scrambled Flat creates an environment where fluidity between the existence of the animals and the humans is materialized. The size of the form is also adapted from a typical local rural house and exploits the heat of the animals and the insulation of the hay. For this project, R&Sie(n) approached the mayor of the community with the design proposition. The mayor then called for a competition, while also changing the program to an ecology museum and research center illustrating the local effects of global warming and the thawing of the Alps. R&Sie(n) won the competition with Water Flux, a reinterpretation of Scrambled Flat. The project was intended to uncover and exorcise the anxieties of ecological disaster, and the principle of flux related to seasonal change and, more broadly, climate change. The firm designed rooms that reproduce the geological and meteorological environment of the high mountains making it visible and experimental, offering refrigerated spaces for art installations and scientific demonstrations. The concept was also to build with the use of new technologies such as digital modelling, point scanning, and computer numerical control (CNC), combined with ancient local knowledge of knocking on trees to decide which specific pines have the best wood for construction. The building is designed to be constructed with local lamellar wood milled by nearby CNC. The resulting parts would be used for the structure, the insulation, the waterproofing and both the interior and exterior finishes. The design includes a grille wrapping the building, reproducing the profile of traditional houses and enclosure and making it possible to hold the snow inside a typo-morphological imprint. Therefore, the transformable envelope of the building reacts to the rhythm of the seasons. In the winter, the structure would appear like a solid cut-out of ice and snow, with cavities similar to those found in glaciers. In the summer, it would resemble piles of stones used in these areas to make borders. A small pool would collect rainwater and supply it to an interior artificial snowmaking system designed for the gallery. Transformation of the water is an integral part of the design. The records contain images of plans, sections, details for the structure of the façade, renderings, plans of the engineered structure, and photographs documenting the conception of the models with the CNC machinery. The Rhino 3D modelling files are also part of the records along with AutoCAD models and a video documenting the process. The records contain two physical models: a smaller polymer model at 1:20 scale representing the whole structure of the building, and a larger 1:1 latch wood fragment representing detail of the structure in its integrality.
Water Flux and Scrambled Flat
Actions:
AP193.S1
Description:
Series 1, Water Flux and Scrambled Flat, 2002-2010, documents the conception and evolution of a project that was originally a farm building and later became a geology and glaciology museum and research center focused on the Swiss Alps. The project was never realized. R&Sie(n) conceptualized Scrambled Flat as an experimental farm. The project goal was to reconcile European Union’s agricultural regulations, imposing a separation between animal and human living, to the community of Évolène traditional way of living, contiguously with animals, benefiting from the resources they offer. As conceived, Scrambled Flat creates an environment where fluidity between the existence of the animals and the humans is materialized. The size of the form is also adapted from a typical local rural house and exploits the heat of the animals and the insulation of the hay. For this project, R&Sie(n) approached the mayor of the community with the design proposition. The mayor then called for a competition, while also changing the program to an ecology museum and research center illustrating the local effects of global warming and the thawing of the Alps. R&Sie(n) won the competition with Water Flux, a reinterpretation of Scrambled Flat. The project was intended to uncover and exorcise the anxieties of ecological disaster, and the principle of flux related to seasonal change and, more broadly, climate change. The firm designed rooms that reproduce the geological and meteorological environment of the high mountains making it visible and experimental, offering refrigerated spaces for art installations and scientific demonstrations. The concept was also to build with the use of new technologies such as digital modelling, point scanning, and computer numerical control (CNC), combined with ancient local knowledge of knocking on trees to decide which specific pines have the best wood for construction. The building is designed to be constructed with local lamellar wood milled by nearby CNC. The resulting parts would be used for the structure, the insulation, the waterproofing and both the interior and exterior finishes. The design includes a grille wrapping the building, reproducing the profile of traditional houses and enclosure and making it possible to hold the snow inside a typo-morphological imprint. Therefore, the transformable envelope of the building reacts to the rhythm of the seasons. In the winter, the structure would appear like a solid cut-out of ice and snow, with cavities similar to those found in glaciers. In the summer, it would resemble piles of stones used in these areas to make borders. A small pool would collect rainwater and supply it to an interior artificial snowmaking system designed for the gallery. Transformation of the water is an integral part of the design. The records contain images of plans, sections, details for the structure of the façade, renderings, plans of the engineered structure, and photographs documenting the conception of the models with the CNC machinery. The Rhino 3D modelling files are also part of the records along with AutoCAD models and a video documenting the process. The records contain two physical models: a smaller polymer model at 1:20 scale representing the whole structure of the building, and a larger 1:1 latch wood fragment representing detail of the structure in its integrality.
Level of archival description:
Series
Series
Date:
2002-2010
2002-2010
People:
Actions:
Reference number:
DR2007:0020
Description:
This consists of a boxed set of related pieces from L.W. Richards participation in "The Architecture Series" at the Power Plant contemporary art gallery in 1988-89. L.W. Richards renovated and drove a Pontiac Firebird, named "Power Plant". The project was the subject of Vikky Alexander's essay "Back to the Future" in the Power Plant Gallery's "The Architecture Series", 1989, pp.25-31. The project was reviewed by Adele Freedman (Globe and Mail, March 5, 1988, p.C12), Christopher Hume (Architect designs gallery on wheels, Toronto Star, Feb. 27, 1988, p. G15), and pictured and discussed in The Canadian Architect, Vol. 33, no. 4, April 1988, p.6. The set pf pieces includes: a) B&W photograph of the Power Plant car in an auto-body workshop, b) The Architecture Series, booklet with Alexander's essay, c)newspaper and magazine clippings/reviews, d)orangesteel brochure rack, that L.W. Richards designed, from the Power Plant car (~ 18" x 18" x 3"), e) nine B&W brochures titled "Cars by Architects" that fit into the red-orange rack, and f) ~ 20 colour slides of the Power Plant car in various locations in Toronto.
DR2007:0020
Description:
This consists of a boxed set of related pieces from L.W. Richards participation in "The Architecture Series" at the Power Plant contemporary art gallery in 1988-89. L.W. Richards renovated and drove a Pontiac Firebird, named "Power Plant". The project was the subject of Vikky Alexander's essay "Back to the Future" in the Power Plant Gallery's "The Architecture Series", 1989, pp.25-31. The project was reviewed by Adele Freedman (Globe and Mail, March 5, 1988, p.C12), Christopher Hume (Architect designs gallery on wheels, Toronto Star, Feb. 27, 1988, p. G15), and pictured and discussed in The Canadian Architect, Vol. 33, no. 4, April 1988, p.6. The set pf pieces includes: a) B&W photograph of the Power Plant car in an auto-body workshop, b) The Architecture Series, booklet with Alexander's essay, c)newspaper and magazine clippings/reviews, d)orangesteel brochure rack, that L.W. Richards designed, from the Power Plant car (~ 18" x 18" x 3"), e) nine B&W brochures titled "Cars by Architects" that fit into the red-orange rack, and f) ~ 20 colour slides of the Power Plant car in various locations in Toronto.
People:
Date:
1988-1989
1988-1989
Title:
Power Plant (Cars by Architects), 1988-1989
Actions:
DR2007:0020
Description:
This consists of a boxed set of related pieces from L.W. Richards participation in "The Architecture Series" at the Power Plant contemporary art gallery in 1988-89. L.W. Richards renovated and drove a Pontiac Firebird, named "Power Plant". The project was the subject of Vikky Alexander's essay "Back to the Future" in the Power Plant Gallery's "The Architecture Series", 1989, pp.25-31. The project was reviewed by Adele Freedman (Globe and Mail, March 5, 1988, p.C12), Christopher Hume (Architect designs gallery on wheels, Toronto Star, Feb. 27, 1988, p. G15), and pictured and discussed in The Canadian Architect, Vol. 33, no. 4, April 1988, p.6. The set pf pieces includes: a) B&W photograph of the Power Plant car in an auto-body workshop, b) The Architecture Series, booklet with Alexander's essay, c)newspaper and magazine clippings/reviews, d)orangesteel brochure rack, that L.W. Richards designed, from the Power Plant car (~ 18" x 18" x 3"), e) nine B&W brochures titled "Cars by Architects" that fit into the red-orange rack, and f) ~ 20 colour slides of the Power Plant car in various locations in Toronto.
Power Plant (Cars by Architects), 1988-1989
Actions:
DR2007:0020
Description:
This consists of a boxed set of related pieces from L.W. Richards participation in "The Architecture Series" at the Power Plant contemporary art gallery in 1988-89. L.W. Richards renovated and drove a Pontiac Firebird, named "Power Plant". The project was the subject of Vikky Alexander's essay "Back to the Future" in the Power Plant Gallery's "The Architecture Series", 1989, pp.25-31. The project was reviewed by Adele Freedman (Globe and Mail, March 5, 1988, p.C12), Christopher Hume (Architect designs gallery on wheels, Toronto Star, Feb. 27, 1988, p. G15), and pictured and discussed in The Canadian Architect, Vol. 33, no. 4, April 1988, p.6. The set pf pieces includes: a) B&W photograph of the Power Plant car in an auto-body workshop, b) The Architecture Series, booklet with Alexander's essay, c)newspaper and magazine clippings/reviews, d)orangesteel brochure rack, that L.W. Richards designed, from the Power Plant car (~ 18" x 18" x 3"), e) nine B&W brochures titled "Cars by Architects" that fit into the red-orange rack, and f) ~ 20 colour slides of the Power Plant car in various locations in Toronto.
Date:
1988-1989
1988-1989
People:
Form:
graphic materials
graphic materials
Actions:
Reference number:
AP179.S1.025
Description:
Banner featured in the Fabrications exhibition at the Museum of Modern Art, New York, in 1998.
AP179.S1.025
Description:
Banner featured in the Fabrications exhibition at the Museum of Modern Art, New York, in 1998.
People:
Date:
circa 1995
circa 1995
Title:
Photographic reproduction of model on banner, Casa La Roca, Caracas
Actions:
AP179.S1.025
Description:
Banner featured in the Fabrications exhibition at the Museum of Modern Art, New York, in 1998.
Photographic reproduction of model on banner, Casa La Roca, Caracas
Actions:
AP179.S1.025
Description:
Banner featured in the Fabrications exhibition at the Museum of Modern Art, New York, in 1998.
Form:
graphic materials
graphic materials
Date:
circa 1995
circa 1995
People:
Form:
drawings
drawings
Title:
Crypte funéraire, Rome
Crypte funéraire, Rome
Actions:
Reference number:
ARCH276914
Description:
Dessin provenant du concours d'émulation de l'École Nationale des Beaux-Arts de Paris.
ARCH276914
Description:
Dessin provenant du concours d'émulation de l'École Nationale des Beaux-Arts de Paris.
People:
Date:
1900 - 1920
1900 - 1920
Title:
Crypte funéraire, Rome
Actions:
ARCH276914
Description:
Dessin provenant du concours d'émulation de l'École Nationale des Beaux-Arts de Paris.
Crypte funéraire, Rome
Actions:
ARCH276914
Description:
Dessin provenant du concours d'émulation de l'École Nationale des Beaux-Arts de Paris.
Form:
drawings
drawings
Date:
1900 - 1920
1900 - 1920
People:
Form:
textual records
textual records
Actions:
Reference number:
AP075.S3.SS2.012
Description:
Original folder entitled: "MISSISSAUGA LIVING ARTS CENTRE / WINTER + ASS.".
AP075.S3.SS2.012
Description:
Original folder entitled: "MISSISSAUGA LIVING ARTS CENTRE / WINTER + ASS.".
People:
Date:
1992
1992
Title:
Consultant service proposal for the Mississauga Living Arts Centre
Actions:
AP075.S3.SS2.012
Description:
Original folder entitled: "MISSISSAUGA LIVING ARTS CENTRE / WINTER + ASS.".
Consultant service proposal for the Mississauga Living Arts Centre
Actions:
AP075.S3.SS2.012
Description:
Original folder entitled: "MISSISSAUGA LIVING ARTS CENTRE / WINTER + ASS.".
Form:
textual records
textual records
Date:
1992
1992
People:
Form:
textual records
textual records
Actions:
Reference number:
AP075.S1.1992.PR03.004
Description:
Original folder entitled "PERFORMING ARTS CENTRE / UBC / TREE SURVEY".
AP075.S1.1992.PR03.004
Description:
Original folder entitled "PERFORMING ARTS CENTRE / UBC / TREE SURVEY".
People:
Date:
circa 1992
circa 1992
Title:
Trees survey for the Chan Shun Performing Arts Centre, University of British Columbia, Vancouver, British Columbia
Actions:
AP075.S1.1992.PR03.004
Description:
Original folder entitled "PERFORMING ARTS CENTRE / UBC / TREE SURVEY".
Trees survey for the Chan Shun Performing Arts Centre, University of British Columbia, Vancouver, British Columbia
Actions:
AP075.S1.1992.PR03.004
Description:
Original folder entitled "PERFORMING ARTS CENTRE / UBC / TREE SURVEY".
Form:
textual records
textual records
Date:
circa 1992
circa 1992
People:
Form:
photographs
photographs
Actions:
Reference number:
ARCH258620
Description:
Contient une carte postale de la classe à l'École des Beaux-Arts. Comprend aussi 4 photographies (photocopies): l'atelier de l'École des Beaux-Arts (?); appartement à Paris de Cormier; appartement à Paris avec Berthe Cormier qui joue la harpe; appartement inconnu.
ARCH258620
Description:
Contient une carte postale de la classe à l'École des Beaux-Arts. Comprend aussi 4 photographies (photocopies): l'atelier de l'École des Beaux-Arts (?); appartement à Paris de Cormier; appartement à Paris avec Berthe Cormier qui joue la harpe; appartement inconnu.
People:
Date:
circa 1910
circa 1910
Title:
Diverses photographies de l'École des Beaux-Arts et de Cormier à Paris
Actions:
ARCH258620
Description:
Contient une carte postale de la classe à l'École des Beaux-Arts. Comprend aussi 4 photographies (photocopies): l'atelier de l'École des Beaux-Arts (?); appartement à Paris de Cormier; appartement à Paris avec Berthe Cormier qui joue la harpe; appartement inconnu.
Diverses photographies de l'École des Beaux-Arts et de Cormier à Paris
Actions:
ARCH258620
Description:
Contient une carte postale de la classe à l'École des Beaux-Arts. Comprend aussi 4 photographies (photocopies): l'atelier de l'École des Beaux-Arts (?); appartement à Paris de Cormier; appartement à Paris avec Berthe Cormier qui joue la harpe; appartement inconnu.
Form:
photographs
photographs
Date:
circa 1910
circa 1910
People:
Reference number:
ARCH264521
Description:
Le manuscrit traite, entre autres, d'art, d'artisanat, de beauté, de dignité, de richesse et de pauvreté.
ARCH264521
Description:
Le manuscrit traite, entre autres, d'art, d'artisanat, de beauté, de dignité, de richesse et de pauvreté.
People:
Date:
s.d.
s.d.
Title:
Manuscrit traitant de l'art et de la dignité
Actions:
ARCH264521
Description:
Le manuscrit traite, entre autres, d'art, d'artisanat, de beauté, de dignité, de richesse et de pauvreté.
Manuscrit traitant de l'art et de la dignité
Actions:
ARCH264521
Description:
Le manuscrit traite, entre autres, d'art, d'artisanat, de beauté, de dignité, de richesse et de pauvreté.
Date:
s.d.
s.d.
People:
Reference number:
ARCH264522
Description:
Entre autres, le manuscrit traite de l'art, l'artisanat, la beauté, la dignité, la richesse et la pauvreté.
ARCH264522
Description:
Entre autres, le manuscrit traite de l'art, l'artisanat, la beauté, la dignité, la richesse et la pauvreté.
People:
Date:
s.d.
s.d.
Title:
Manuscrit traitant de l'art et de la dignité
Actions:
ARCH264522
Description:
Entre autres, le manuscrit traite de l'art, l'artisanat, la beauté, la dignité, la richesse et la pauvreté.
Manuscrit traitant de l'art et de la dignité
Actions:
ARCH264522
Description:
Entre autres, le manuscrit traite de l'art, l'artisanat, la beauté, la dignité, la richesse et la pauvreté.
Date:
s.d.
s.d.
People:
