31224 Results
Form:
photographs
photographs
Reference number:
PH1987:1078
Description:
- The group of 86 photographs PH1987:0996 - PH1987:1081 by Bernd and Hilla Becher show 75 views of steel mill blast furnaces and 11 views of mines. There are 45 views of steel mill blast furnaces in Germany, 15 in the United States, and five in each of France, Luxembourg and Belgium. There are five views of mines in Germany, two in Belgium, two in the United States, and one in each of France and Wales. - The group of 86 photographs PH1987:0996 - PH1987:1081 by Bernd and Hilla Becher show 11 views of mines including: five views of mines in Germany (PH1987:1071 - PH1987:1075); two views of mines in Belgium (PH1987:1076 - PH1987:1077); two views of a mine in the United States (PH1987:1080 - PH1987:1081); and one view each of a mine in France (PH1987:1078) and a mine in Wales (PH1987:1079). - The photographers have not indicated the exhibition layout for the group of eleven photographs PH1987:1071 - PH1987:1081 of views of mining "landscapes" which are numbered from "R 1" through "R 11" (Kicken Pauseback, 1987).
PH1987:1078
Description:
- The group of 86 photographs PH1987:0996 - PH1987:1081 by Bernd and Hilla Becher show 75 views of steel mill blast furnaces and 11 views of mines. There are 45 views of steel mill blast furnaces in Germany, 15 in the United States, and five in each of France, Luxembourg and Belgium. There are five views of mines in Germany, two in Belgium, two in the United States, and one in each of France and Wales. - The group of 86 photographs PH1987:0996 - PH1987:1081 by Bernd and Hilla Becher show 11 views of mines including: five views of mines in Germany (PH1987:1071 - PH1987:1075); two views of mines in Belgium (PH1987:1076 - PH1987:1077); two views of a mine in the United States (PH1987:1080 - PH1987:1081); and one view each of a mine in France (PH1987:1078) and a mine in Wales (PH1987:1079). - The photographers have not indicated the exhibition layout for the group of eleven photographs PH1987:1071 - PH1987:1081 of views of mining "landscapes" which are numbered from "R 1" through "R 11" (Kicken Pauseback, 1987).
People:
Subject:
architecture, engineering
architecture, engineering
Date:
1967
1967
Title:
View of Courrières No. 3 mine, Sallaumines, Lens, France
Actions:
PH1987:1078
Description:
- The group of 86 photographs PH1987:0996 - PH1987:1081 by Bernd and Hilla Becher show 75 views of steel mill blast furnaces and 11 views of mines. There are 45 views of steel mill blast furnaces in Germany, 15 in the United States, and five in each of France, Luxembourg and Belgium. There are five views of mines in Germany, two in Belgium, two in the United States, and one in each of France and Wales. - The group of 86 photographs PH1987:0996 - PH1987:1081 by Bernd and Hilla Becher show 11 views of mines including: five views of mines in Germany (PH1987:1071 - PH1987:1075); two views of mines in Belgium (PH1987:1076 - PH1987:1077); two views of a mine in the United States (PH1987:1080 - PH1987:1081); and one view each of a mine in France (PH1987:1078) and a mine in Wales (PH1987:1079). - The photographers have not indicated the exhibition layout for the group of eleven photographs PH1987:1071 - PH1987:1081 of views of mining "landscapes" which are numbered from "R 1" through "R 11" (Kicken Pauseback, 1987).
View of Courrières No. 3 mine, Sallaumines, Lens, France
Actions:
PH1987:1078
Description:
- The group of 86 photographs PH1987:0996 - PH1987:1081 by Bernd and Hilla Becher show 75 views of steel mill blast furnaces and 11 views of mines. There are 45 views of steel mill blast furnaces in Germany, 15 in the United States, and five in each of France, Luxembourg and Belgium. There are five views of mines in Germany, two in Belgium, two in the United States, and one in each of France and Wales. - The group of 86 photographs PH1987:0996 - PH1987:1081 by Bernd and Hilla Becher show 11 views of mines including: five views of mines in Germany (PH1987:1071 - PH1987:1075); two views of mines in Belgium (PH1987:1076 - PH1987:1077); two views of a mine in the United States (PH1987:1080 - PH1987:1081); and one view each of a mine in France (PH1987:1078) and a mine in Wales (PH1987:1079). - The photographers have not indicated the exhibition layout for the group of eleven photographs PH1987:1071 - PH1987:1081 of views of mining "landscapes" which are numbered from "R 1" through "R 11" (Kicken Pauseback, 1987).
Form:
photographs
photographs
Date:
1967
1967
People:
Subject:
architecture, engineering
architecture, engineering
Form:
photographs
photographs
Actions:
Reference number:
PH1987:1079
Description:
- The group of 86 photographs PH1987:0996 - PH1987:1081 by Bernd and Hilla Becher show 75 views of steel mill blast furnaces and 11 views of mines. There are 45 views of steel mill blast furnaces in Germany, 15 in the United States, and five in each of France, Luxembourg and Belgium. There are five views of mines in Germany, two in Belgium, two in the United States, and one in each of France and Wales. - The group of 86 photographs PH1987:0996 - PH1987:1081 by Bernd and Hilla Becher show 11 views of mines including: five views of mines in Germany (PH1987:1071 - PH1987:1075); two views of mines in Belgium (PH1987:1076 - PH1987:1077); two views of a mine in the United States (PH1987:1080 - PH1987:1081); and one view each of a mine in France (PH1987:1078) and a mine in Wales (PH1987:1079). - The photographers have not indicated the exhibition layout for the group of eleven photographs PH1987:1071 - PH1987:1081 of views of mining "landscapes" which are numbered from "R 1" through "R 11" (Kicken Pauseback, 1987).
PH1987:1079
Description:
- The group of 86 photographs PH1987:0996 - PH1987:1081 by Bernd and Hilla Becher show 75 views of steel mill blast furnaces and 11 views of mines. There are 45 views of steel mill blast furnaces in Germany, 15 in the United States, and five in each of France, Luxembourg and Belgium. There are five views of mines in Germany, two in Belgium, two in the United States, and one in each of France and Wales. - The group of 86 photographs PH1987:0996 - PH1987:1081 by Bernd and Hilla Becher show 11 views of mines including: five views of mines in Germany (PH1987:1071 - PH1987:1075); two views of mines in Belgium (PH1987:1076 - PH1987:1077); two views of a mine in the United States (PH1987:1080 - PH1987:1081); and one view each of a mine in France (PH1987:1078) and a mine in Wales (PH1987:1079). - The photographers have not indicated the exhibition layout for the group of eleven photographs PH1987:1071 - PH1987:1081 of views of mining "landscapes" which are numbered from "R 1" through "R 11" (Kicken Pauseback, 1987).
People:
Subject:
architecture, engineering
architecture, engineering
Date:
1966
1966
Title:
View of the winding tower of Cwmcynon Colliery, Mountain Ash, South Wales
Actions:
PH1987:1079
Description:
- The group of 86 photographs PH1987:0996 - PH1987:1081 by Bernd and Hilla Becher show 75 views of steel mill blast furnaces and 11 views of mines. There are 45 views of steel mill blast furnaces in Germany, 15 in the United States, and five in each of France, Luxembourg and Belgium. There are five views of mines in Germany, two in Belgium, two in the United States, and one in each of France and Wales. - The group of 86 photographs PH1987:0996 - PH1987:1081 by Bernd and Hilla Becher show 11 views of mines including: five views of mines in Germany (PH1987:1071 - PH1987:1075); two views of mines in Belgium (PH1987:1076 - PH1987:1077); two views of a mine in the United States (PH1987:1080 - PH1987:1081); and one view each of a mine in France (PH1987:1078) and a mine in Wales (PH1987:1079). - The photographers have not indicated the exhibition layout for the group of eleven photographs PH1987:1071 - PH1987:1081 of views of mining "landscapes" which are numbered from "R 1" through "R 11" (Kicken Pauseback, 1987).
View of the winding tower of Cwmcynon Colliery, Mountain Ash, South Wales
Actions:
PH1987:1079
Description:
- The group of 86 photographs PH1987:0996 - PH1987:1081 by Bernd and Hilla Becher show 75 views of steel mill blast furnaces and 11 views of mines. There are 45 views of steel mill blast furnaces in Germany, 15 in the United States, and five in each of France, Luxembourg and Belgium. There are five views of mines in Germany, two in Belgium, two in the United States, and one in each of France and Wales. - The group of 86 photographs PH1987:0996 - PH1987:1081 by Bernd and Hilla Becher show 11 views of mines including: five views of mines in Germany (PH1987:1071 - PH1987:1075); two views of mines in Belgium (PH1987:1076 - PH1987:1077); two views of a mine in the United States (PH1987:1080 - PH1987:1081); and one view each of a mine in France (PH1987:1078) and a mine in Wales (PH1987:1079). - The photographers have not indicated the exhibition layout for the group of eleven photographs PH1987:1071 - PH1987:1081 of views of mining "landscapes" which are numbered from "R 1" through "R 11" (Kicken Pauseback, 1987).
Form:
photographs
photographs
Date:
1966
1966
People:
Subject:
architecture, engineering
architecture, engineering
Form:
photographs
photographs
Actions:
Reference number:
PH1987:1080
Description:
- The group of 86 photographs PH1987:0996 - PH1987:1081 by Bernd and Hilla Becher show 75 views of steel mill blast furnaces and 11 views of mines. There are 45 views of steel mill blast furnaces in Germany, 15 in the United States, and five in each of France, Luxembourg and Belgium. There are five views of mines in Germany, two in Belgium, two in the United States, and one in each of France and Wales. - The group of 86 photographs PH1987:0996 - PH1987:1081 by Bernd and Hilla Becher show 11 views of mines including: five views of mines in Germany (PH1987:1071 - PH1987:1075); two views of mines in Belgium (PH1987:1076 - PH1987:1077); two views of a mine in the United States (PH1987:1080 - PH1987:1081); and one view each of a mine in France (PH1987:1078) and a mine in Wales (PH1987:1079). - The photographers have not indicated the exhibition layout for the group of eleven photographs PH1987:1071 - PH1987:1081 of views of mining "landscapes" which are numbered from "R 1" through "R 11" (Kicken Pauseback, 1987).
PH1987:1080
Description:
- The group of 86 photographs PH1987:0996 - PH1987:1081 by Bernd and Hilla Becher show 75 views of steel mill blast furnaces and 11 views of mines. There are 45 views of steel mill blast furnaces in Germany, 15 in the United States, and five in each of France, Luxembourg and Belgium. There are five views of mines in Germany, two in Belgium, two in the United States, and one in each of France and Wales. - The group of 86 photographs PH1987:0996 - PH1987:1081 by Bernd and Hilla Becher show 11 views of mines including: five views of mines in Germany (PH1987:1071 - PH1987:1075); two views of mines in Belgium (PH1987:1076 - PH1987:1077); two views of a mine in the United States (PH1987:1080 - PH1987:1081); and one view each of a mine in France (PH1987:1078) and a mine in Wales (PH1987:1079). - The photographers have not indicated the exhibition layout for the group of eleven photographs PH1987:1071 - PH1987:1081 of views of mining "landscapes" which are numbered from "R 1" through "R 11" (Kicken Pauseback, 1987).
People:
Subject:
architecture, engineering
architecture, engineering
Date:
1974
1974
Title:
View of a coal mine tipple of S & T Coal Co. mine, Bear Valley, Pottsville, Pennsylvania
Actions:
PH1987:1080
Description:
- The group of 86 photographs PH1987:0996 - PH1987:1081 by Bernd and Hilla Becher show 75 views of steel mill blast furnaces and 11 views of mines. There are 45 views of steel mill blast furnaces in Germany, 15 in the United States, and five in each of France, Luxembourg and Belgium. There are five views of mines in Germany, two in Belgium, two in the United States, and one in each of France and Wales. - The group of 86 photographs PH1987:0996 - PH1987:1081 by Bernd and Hilla Becher show 11 views of mines including: five views of mines in Germany (PH1987:1071 - PH1987:1075); two views of mines in Belgium (PH1987:1076 - PH1987:1077); two views of a mine in the United States (PH1987:1080 - PH1987:1081); and one view each of a mine in France (PH1987:1078) and a mine in Wales (PH1987:1079). - The photographers have not indicated the exhibition layout for the group of eleven photographs PH1987:1071 - PH1987:1081 of views of mining "landscapes" which are numbered from "R 1" through "R 11" (Kicken Pauseback, 1987).
View of a coal mine tipple of S & T Coal Co. mine, Bear Valley, Pottsville, Pennsylvania
Actions:
PH1987:1080
Description:
- The group of 86 photographs PH1987:0996 - PH1987:1081 by Bernd and Hilla Becher show 75 views of steel mill blast furnaces and 11 views of mines. There are 45 views of steel mill blast furnaces in Germany, 15 in the United States, and five in each of France, Luxembourg and Belgium. There are five views of mines in Germany, two in Belgium, two in the United States, and one in each of France and Wales. - The group of 86 photographs PH1987:0996 - PH1987:1081 by Bernd and Hilla Becher show 11 views of mines including: five views of mines in Germany (PH1987:1071 - PH1987:1075); two views of mines in Belgium (PH1987:1076 - PH1987:1077); two views of a mine in the United States (PH1987:1080 - PH1987:1081); and one view each of a mine in France (PH1987:1078) and a mine in Wales (PH1987:1079). - The photographers have not indicated the exhibition layout for the group of eleven photographs PH1987:1071 - PH1987:1081 of views of mining "landscapes" which are numbered from "R 1" through "R 11" (Kicken Pauseback, 1987).
Form:
photographs
photographs
Date:
1974
1974
People:
Subject:
architecture, engineering
architecture, engineering
Form:
photographs
photographs
Actions:
Reference number:
PH1987:1081
Description:
- The group of 86 photographs PH1987:0996 - PH1987:1081 by Bernd and Hilla Becher show 75 views of steel mill blast furnaces and 11 views of mines. There are 45 views of steel mill blast furnaces in Germany, 15 in the United States, and five in each of France, Luxembourg and Belgium. There are five views of mines in Germany, two in Belgium, two in the United States, and one in each of France and Wales. - The group of 86 photographs PH1987:0996 - PH1987:1081 by Bernd and Hilla Becher show 11 views of mines including: five views of mines in Germany (PH1987:1071 - PH1987:1075); two views of mines in Belgium (PH1987:1076 - PH1987:1077); two views of a mine in the United States (PH1987:1080 - PH1987:1081); and one view each of a mine in France (PH1987:1078) and a mine in Wales (PH1987:1079). - The photographers have not indicated the exhibition layout for the group of eleven photographs PH1987:1071 - PH1987:1081 of views of mining "landscapes" which are numbered from "R 1" through "R 11" (Kicken Pauseback, 1987).
PH1987:1081
Description:
- The group of 86 photographs PH1987:0996 - PH1987:1081 by Bernd and Hilla Becher show 75 views of steel mill blast furnaces and 11 views of mines. There are 45 views of steel mill blast furnaces in Germany, 15 in the United States, and five in each of France, Luxembourg and Belgium. There are five views of mines in Germany, two in Belgium, two in the United States, and one in each of France and Wales. - The group of 86 photographs PH1987:0996 - PH1987:1081 by Bernd and Hilla Becher show 11 views of mines including: five views of mines in Germany (PH1987:1071 - PH1987:1075); two views of mines in Belgium (PH1987:1076 - PH1987:1077); two views of a mine in the United States (PH1987:1080 - PH1987:1081); and one view each of a mine in France (PH1987:1078) and a mine in Wales (PH1987:1079). - The photographers have not indicated the exhibition layout for the group of eleven photographs PH1987:1071 - PH1987:1081 of views of mining "landscapes" which are numbered from "R 1" through "R 11" (Kicken Pauseback, 1987).
People:
Subject:
architecture, engineering
architecture, engineering
Date:
1974
1974
Title:
View of a coal mine tipple of S & T Coal Co. mine, Bear Valley, Pottsville, Pennsylvania
Actions:
PH1987:1081
Description:
- The group of 86 photographs PH1987:0996 - PH1987:1081 by Bernd and Hilla Becher show 75 views of steel mill blast furnaces and 11 views of mines. There are 45 views of steel mill blast furnaces in Germany, 15 in the United States, and five in each of France, Luxembourg and Belgium. There are five views of mines in Germany, two in Belgium, two in the United States, and one in each of France and Wales. - The group of 86 photographs PH1987:0996 - PH1987:1081 by Bernd and Hilla Becher show 11 views of mines including: five views of mines in Germany (PH1987:1071 - PH1987:1075); two views of mines in Belgium (PH1987:1076 - PH1987:1077); two views of a mine in the United States (PH1987:1080 - PH1987:1081); and one view each of a mine in France (PH1987:1078) and a mine in Wales (PH1987:1079). - The photographers have not indicated the exhibition layout for the group of eleven photographs PH1987:1071 - PH1987:1081 of views of mining "landscapes" which are numbered from "R 1" through "R 11" (Kicken Pauseback, 1987).
View of a coal mine tipple of S & T Coal Co. mine, Bear Valley, Pottsville, Pennsylvania
Actions:
PH1987:1081
Description:
- The group of 86 photographs PH1987:0996 - PH1987:1081 by Bernd and Hilla Becher show 75 views of steel mill blast furnaces and 11 views of mines. There are 45 views of steel mill blast furnaces in Germany, 15 in the United States, and five in each of France, Luxembourg and Belgium. There are five views of mines in Germany, two in Belgium, two in the United States, and one in each of France and Wales. - The group of 86 photographs PH1987:0996 - PH1987:1081 by Bernd and Hilla Becher show 11 views of mines including: five views of mines in Germany (PH1987:1071 - PH1987:1075); two views of mines in Belgium (PH1987:1076 - PH1987:1077); two views of a mine in the United States (PH1987:1080 - PH1987:1081); and one view each of a mine in France (PH1987:1078) and a mine in Wales (PH1987:1079). - The photographers have not indicated the exhibition layout for the group of eleven photographs PH1987:1071 - PH1987:1081 of views of mining "landscapes" which are numbered from "R 1" through "R 11" (Kicken Pauseback, 1987).
Form:
photographs
photographs
Date:
1974
1974
People:
Subject:
architecture, engineering
architecture, engineering
Form:
photographs
photographs
Actions:
Reference number:
ARCH255005
Description:
A series of files (labelled "Photo-Prints") containing mostly photographs of projects, drawings and models: Bank of Canada; Massey Hall (site study); Markham Fairgrounds; Prime Miniser's Office; Prime Minister's Residence; UBC Faculty Club interiors; Lethbridge University; MacMillan Bloedel Building; Canadian National Exhibition (monorail model); Royal Bank Ottawa project; Imperial Oil (Don Mills); TTC Spadina Line - Eglinton West Station; Hassard Residence; Hall Residence; Hilborn Residence; Heller Residence; Theme pavilion Expo 1967 (Canadian Pavilion); Osaka Pavilion; Simon Fraser University; Sikh Temple, Vancouver; Shanon Estates; Nelson Towers; Village Lake Louise; East End Lake, Vancouver; Point Grey Townhouses; Whistler Condominiums; Port Moody Condominiums, F.P.19 Vancouver; X. Kaly Mini-Village; M-3 Montreal (Cite des terraces); False Creek (Fisherman's Quay); Winnipeg Studies; Metro Centre (Toronto); TTC Yorkdale station; Blocks 51, 61, and 71; Museum of Anthropology; Expo 1967 Pavilion, Eaton's (Toronto original building); Fuldaver Residence; Grouse Mountain project; Filberg Residence; Danto Residence; Bank of Canada (mock up)
ARCH255005
Description:
A series of files (labelled "Photo-Prints") containing mostly photographs of projects, drawings and models: Bank of Canada; Massey Hall (site study); Markham Fairgrounds; Prime Miniser's Office; Prime Minister's Residence; UBC Faculty Club interiors; Lethbridge University; MacMillan Bloedel Building; Canadian National Exhibition (monorail model); Royal Bank Ottawa project; Imperial Oil (Don Mills); TTC Spadina Line - Eglinton West Station; Hassard Residence; Hall Residence; Hilborn Residence; Heller Residence; Theme pavilion Expo 1967 (Canadian Pavilion); Osaka Pavilion; Simon Fraser University; Sikh Temple, Vancouver; Shanon Estates; Nelson Towers; Village Lake Louise; East End Lake, Vancouver; Point Grey Townhouses; Whistler Condominiums; Port Moody Condominiums, F.P.19 Vancouver; X. Kaly Mini-Village; M-3 Montreal (Cite des terraces); False Creek (Fisherman's Quay); Winnipeg Studies; Metro Centre (Toronto); TTC Yorkdale station; Blocks 51, 61, and 71; Museum of Anthropology; Expo 1967 Pavilion, Eaton's (Toronto original building); Fuldaver Residence; Grouse Mountain project; Filberg Residence; Danto Residence; Bank of Canada (mock up)
People:
Title:
Projects photographs for promotion
Actions:
ARCH255005
Description:
A series of files (labelled "Photo-Prints") containing mostly photographs of projects, drawings and models: Bank of Canada; Massey Hall (site study); Markham Fairgrounds; Prime Miniser's Office; Prime Minister's Residence; UBC Faculty Club interiors; Lethbridge University; MacMillan Bloedel Building; Canadian National Exhibition (monorail model); Royal Bank Ottawa project; Imperial Oil (Don Mills); TTC Spadina Line - Eglinton West Station; Hassard Residence; Hall Residence; Hilborn Residence; Heller Residence; Theme pavilion Expo 1967 (Canadian Pavilion); Osaka Pavilion; Simon Fraser University; Sikh Temple, Vancouver; Shanon Estates; Nelson Towers; Village Lake Louise; East End Lake, Vancouver; Point Grey Townhouses; Whistler Condominiums; Port Moody Condominiums, F.P.19 Vancouver; X. Kaly Mini-Village; M-3 Montreal (Cite des terraces); False Creek (Fisherman's Quay); Winnipeg Studies; Metro Centre (Toronto); TTC Yorkdale station; Blocks 51, 61, and 71; Museum of Anthropology; Expo 1967 Pavilion, Eaton's (Toronto original building); Fuldaver Residence; Grouse Mountain project; Filberg Residence; Danto Residence; Bank of Canada (mock up)
Projects photographs for promotion
Actions:
ARCH255005
Description:
A series of files (labelled "Photo-Prints") containing mostly photographs of projects, drawings and models: Bank of Canada; Massey Hall (site study); Markham Fairgrounds; Prime Miniser's Office; Prime Minister's Residence; UBC Faculty Club interiors; Lethbridge University; MacMillan Bloedel Building; Canadian National Exhibition (monorail model); Royal Bank Ottawa project; Imperial Oil (Don Mills); TTC Spadina Line - Eglinton West Station; Hassard Residence; Hall Residence; Hilborn Residence; Heller Residence; Theme pavilion Expo 1967 (Canadian Pavilion); Osaka Pavilion; Simon Fraser University; Sikh Temple, Vancouver; Shanon Estates; Nelson Towers; Village Lake Louise; East End Lake, Vancouver; Point Grey Townhouses; Whistler Condominiums; Port Moody Condominiums, F.P.19 Vancouver; X. Kaly Mini-Village; M-3 Montreal (Cite des terraces); False Creek (Fisherman's Quay); Winnipeg Studies; Metro Centre (Toronto); TTC Yorkdale station; Blocks 51, 61, and 71; Museum of Anthropology; Expo 1967 Pavilion, Eaton's (Toronto original building); Fuldaver Residence; Grouse Mountain project; Filberg Residence; Danto Residence; Bank of Canada (mock up)
Form:
photographs
photographs
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Aditya Prakash fonds
Aditya Prakash fonds
Reference number:
AP206
Synopsis:
The Aditya Prakash fonds documents the professional practice of modernist Indian architect Aditya Prakash from his studies in London in 1947 to his death in 2008. His seminal work as a junior architect on the Chandigarh Capitol Project in the 1950s is recorded along with documentation from his solo career after 1960, including approximately 82 architectural projects. His professional work as an artist, photographer, writer, academic and theatre enthusiast are also well documented through drawings, photographic materials and textual records.
AP206
Synopsis:
The Aditya Prakash fonds documents the professional practice of modernist Indian architect Aditya Prakash from his studies in London in 1947 to his death in 2008. His seminal work as a junior architect on the Chandigarh Capitol Project in the 1950s is recorded along with documentation from his solo career after 1960, including approximately 82 architectural projects. His professional work as an artist, photographer, writer, academic and theatre enthusiast are also well documented through drawings, photographic materials and textual records.
People:
Date:
1947-2008
1947-2008
Title:
Aditya Prakash fonds
Actions:
AP206
Synopsis:
The Aditya Prakash fonds documents the professional practice of modernist Indian architect Aditya Prakash from his studies in London in 1947 to his death in 2008. His seminal work as a junior architect on the Chandigarh Capitol Project in the 1950s is recorded along with documentation from his solo career after 1960, including approximately 82 architectural projects. His professional work as an artist, photographer, writer, academic and theatre enthusiast are also well documented through drawings, photographic materials and textual records.
Aditya Prakash fonds
Actions:
AP206
Synopsis:
The Aditya Prakash fonds documents the professional practice of modernist Indian architect Aditya Prakash from his studies in London in 1947 to his death in 2008. His seminal work as a junior architect on the Chandigarh Capitol Project in the 1950s is recorded along with documentation from his solo career after 1960, including approximately 82 architectural projects. His professional work as an artist, photographer, writer, academic and theatre enthusiast are also well documented through drawings, photographic materials and textual records.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1947-2008
1947-2008
People:
Form:
exhibitions
exhibitions
Actions:
Description:
The exhibition examines the important role the Pantheon played in French artistic and political life from its foundation in 1744 well into the twentieth century. Coinciding with the international celebrations of the bicentennial of the French Revolution, the exhibition focuses on one of the central architectural episodes of the Revolution—the transformation of Saint(...)
The exhibition examines the important role the Pantheon played in French artistic and political life from its foundation in 1744 well into the twentieth century. Coinciding with the international celebrations of the bicentennial of the French Revolution, the exhibition focuses on one of the central architectural episodes of the Revolution—the transformation of Saint(...)
Location:
Main galleries
Main galleries
Date:
19 September 1989 to 19 November 1989
19 September 1989 to 19 November 1989
Title:
Le Panthéon: Symbol of Revolution
Actions:
Description:
The exhibition examines the important role the Pantheon played in French artistic and political life from its foundation in 1744 well into the twentieth century. Coinciding with the international celebrations of the bicentennial of the French Revolution, the exhibition focuses on one of the central architectural episodes of the Revolution—the transformation of Saint(...)
Le Panthéon: Symbol of Revolution
Actions:
Description:
The exhibition examines the important role the Pantheon played in French artistic and political life from its foundation in 1744 well into the twentieth century. Coinciding with the international celebrations of the bicentennial of the French Revolution, the exhibition focuses on one of the central architectural episodes of the Revolution—the transformation of Saint(...)
Form:
exhibitions
exhibitions
Date:
19 September 1989 to
19 November 1989
19 September 1989 to
19 November 1989
Location:
Main galleries
Main galleries
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Álvaro Siza fonds
Álvaro Siza fonds
Reference number:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
People:
Date:
1958-2002
1958-2002
Title:
Álvaro Siza fonds
Actions:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
Álvaro Siza fonds
Actions:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1958-2002
1958-2002
People:
Form:
articles
articles
Title:
Still the Housing Question
Still the Housing Question
Actions:
Joaquim Moreno reviews one of the episodes of the Open University’s course A305, History of Architecture and Design 1890–1939
Published:
27 July 2026
27 July 2026
Title:
Still the Housing Question
Joaquim Moreno reviews one of the episodes of the Open University’s course A305, History of Architecture and Design 1890–1939
Actions:
Still the Housing Question
Joaquim Moreno reviews one of the episodes of the Open University’s course A305, History of Architecture and Design 1890–1939
Actions:
Form:
events
events
Title:
In Response
In Response
Actions:
Description:
In Response is a series of public seminars that mark the final weeks of the exhibition The Other Architect. If the exhibition presents alternative approaches and models that have challenged traditional design practices, the seminars offer alternative curatorial views on the exhibition and accompanying publication. Respondents include: Felicity Scott (Thursday 10 March),(...)
In Response is a series of public seminars that mark the final weeks of the exhibition The Other Architect. If the exhibition presents alternative approaches and models that have challenged traditional design practices, the seminars offer alternative curatorial views on the exhibition and accompanying publication. Respondents include: Felicity Scott (Thursday 10 March),(...)
Location:
Main galleries
Main galleries
Date:
10 March 2016 to 1 April 2016
10 March 2016 to 1 April 2016
Title:
In Response
Actions:
Description:
In Response is a series of public seminars that mark the final weeks of the exhibition The Other Architect. If the exhibition presents alternative approaches and models that have challenged traditional design practices, the seminars offer alternative curatorial views on the exhibition and accompanying publication. Respondents include: Felicity Scott (Thursday 10 March),(...)
In Response
Actions:
Description:
In Response is a series of public seminars that mark the final weeks of the exhibition The Other Architect. If the exhibition presents alternative approaches and models that have challenged traditional design practices, the seminars offer alternative curatorial views on the exhibition and accompanying publication. Respondents include: Felicity Scott (Thursday 10 March),(...)
Form:
events
events
Date:
10 March 2016 to
1 April 2016
10 March 2016 to
1 April 2016
Location:
Main galleries
Main galleries
