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viii, 196 pages ; 24 cm
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viii, 196 pages ; 24 cm
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Princeton, N.J. : Princeton University Press, ©2010.
Princeton, N.J. : Princeton University Press, ©2010.
Title:
Making waste : leftovers and the eighteenth-century imagination / Sophie Gee.
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viii, 196 pages ; 24 cm
Making waste : leftovers and the eighteenth-century imagination / Sophie Gee.
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viii, 196 pages ; 24 cm
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books
books
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Princeton, N.J. : Princeton University Press, ©2010.
Princeton, N.J. : Princeton University Press, ©2010.
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books
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LOT/EK urban scan
LOT/EK urban scan
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The New York-based architectural firm LOT/EK (pronounced "low-tech") has made a distinctive mark on the architectural landscape through a series of seemingly whimsical projects that make a point of using prefabricated industrial materials in unexpected ways. In their hands, a shipping container can be transformed into a mobile working unit, a museum, or a restaurant. In(...)
$62.00
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The New York-based architectural firm LOT/EK (pronounced "low-tech") has made a distinctive mark on the architectural landscape through a series of seemingly whimsical projects that make a point of using prefabricated industrial materials in unexpected ways. In their hands, a shipping container can be transformed into a mobile working unit, a museum, or a restaurant. In(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
February 2002, New York
February 2002, New York
Title:
LOT/EK urban scan
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The New York-based architectural firm LOT/EK (pronounced "low-tech") has made a distinctive mark on the architectural landscape through a series of seemingly whimsical projects that make a point of using prefabricated industrial materials in unexpected ways. In their hands, a shipping container can be transformed into a mobile working unit, a museum, or a restaurant. In the process, they question our relation to the industrial environment and the artificiality of the urban landscape. LOT/EK: Urban Scan, the first and only monograph on the firm, is organized categorically and alphabetically. Twenty-three projects are presented in detail, including American Diner (a restaurant in a container), the InspiroTrainer (created for the Museum of Modern Art), Mixer (a cement mixer-cum-video immersion unit), the Meltzer Gallery, the Boon boutique, the MDU (Mobule Dwelling Unit), and the Goree Memorial and Museum. It also includes more than 1,000 photographs of infrastructural objects--everything from air conditioners to water tanks--that serve as the raw material and inspiration for this creative practice. Ada Tolla and Giuseppe Lignano, LOT/EK's founding partners, are natives of Naples, Italy. They opened their New York studio after graduating from Columbia University.
LOT/EK urban scan
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$62.00
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The New York-based architectural firm LOT/EK (pronounced "low-tech") has made a distinctive mark on the architectural landscape through a series of seemingly whimsical projects that make a point of using prefabricated industrial materials in unexpected ways. In their hands, a shipping container can be transformed into a mobile working unit, a museum, or a restaurant. In the process, they question our relation to the industrial environment and the artificiality of the urban landscape. LOT/EK: Urban Scan, the first and only monograph on the firm, is organized categorically and alphabetically. Twenty-three projects are presented in detail, including American Diner (a restaurant in a container), the InspiroTrainer (created for the Museum of Modern Art), Mixer (a cement mixer-cum-video immersion unit), the Meltzer Gallery, the Boon boutique, the MDU (Mobule Dwelling Unit), and the Goree Memorial and Museum. It also includes more than 1,000 photographs of infrastructural objects--everything from air conditioners to water tanks--that serve as the raw material and inspiration for this creative practice. Ada Tolla and Giuseppe Lignano, LOT/EK's founding partners, are natives of Naples, Italy. They opened their New York studio after graduating from Columbia University.
Form:
books
books
Publication:
February 2002, New York
February 2002, New York
Subject:
Architecture Monographs
Architecture Monographs
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books
books
Title:
Museum builders II
Museum builders II
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$122.99
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Summary:
"Museum Builders II" explores 27 contemporary museum commissions, which both demonstrate and generate aspects of identity, be they national, ethnic, regional, civic, or personal. The dialogue of "identity and difference" finds many and varied architectural expressions in the contemporary museum buildings highlighted, which are drawn from across the globe. The projects(...)
$122.99
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"Museum Builders II" explores 27 contemporary museum commissions, which both demonstrate and generate aspects of identity, be they national, ethnic, regional, civic, or personal. The dialogue of "identity and difference" finds many and varied architectural expressions in the contemporary museum buildings highlighted, which are drawn from across the globe. The projects(...)
Subject:
Commercial interiors, Building types
Commercial interiors, Building types
Publication:
February 2004, Chichester
February 2004, Chichester
Title:
Museum builders II
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$122.99
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"Museum Builders II" explores 27 contemporary museum commissions, which both demonstrate and generate aspects of identity, be they national, ethnic, regional, civic, or personal. The dialogue of "identity and difference" finds many and varied architectural expressions in the contemporary museum buildings highlighted, which are drawn from across the globe. The projects vary dramatically in scale, context, thematics and intent, but all raise questions of architectural representation. Many museum architects have turned to the natural landscape for inspiration, often for aesthetic or pragmatic reasons, but at times to invest their buildings with a specific identity. Similarly, rich archaeological and architectural caches have been plundered by designers in a quest to give identity to their built form. Several featured museum projects address the meeting of cultures, which were defining moments in history, and these encounters have left a tenacious legacy on the architecture and exhibitions of those museums. Most resonant here is the United States Holocaust Memorial Museum: a deeply poignant physical monument to one of the most horrifying and inhumane encounters in human history, and a most extreme example of the museum’s lasting role in the construction and depiction of identities.
Museum builders II
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$122.99
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Summary:
"Museum Builders II" explores 27 contemporary museum commissions, which both demonstrate and generate aspects of identity, be they national, ethnic, regional, civic, or personal. The dialogue of "identity and difference" finds many and varied architectural expressions in the contemporary museum buildings highlighted, which are drawn from across the globe. The projects vary dramatically in scale, context, thematics and intent, but all raise questions of architectural representation. Many museum architects have turned to the natural landscape for inspiration, often for aesthetic or pragmatic reasons, but at times to invest their buildings with a specific identity. Similarly, rich archaeological and architectural caches have been plundered by designers in a quest to give identity to their built form. Several featured museum projects address the meeting of cultures, which were defining moments in history, and these encounters have left a tenacious legacy on the architecture and exhibitions of those museums. Most resonant here is the United States Holocaust Memorial Museum: a deeply poignant physical monument to one of the most horrifying and inhumane encounters in human history, and a most extreme example of the museum’s lasting role in the construction and depiction of identities.
Form:
books
books
Publication:
February 2004, Chichester
February 2004, Chichester
Subject:
Commercial interiors, Building types
Commercial interiors, Building types
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books
books
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$37.95
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Summary:
The passage of time and the reality of an aging survivor population have made it increasingly urgent to document and give expression to testimony, experience, and memory of the Holocaust. At the same time, artists have struggled to find a language to describe and retell a legacy often considered "unimaginable." Contrary to those who insist that the Holocaust defies(...)
$37.95
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Summary:
The passage of time and the reality of an aging survivor population have made it increasingly urgent to document and give expression to testimony, experience, and memory of the Holocaust. At the same time, artists have struggled to find a language to describe and retell a legacy often considered "unimaginable." Contrary to those who insist that the Holocaust defies(...)
Subject:
Architectural Theory
Architectural Theory
Publication:
December 2002, Bloomington and Indianapolis
December 2002, Bloomington and Indianapolis
Title:
Image and remembrance : representation and the Holocaust
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$37.95
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The passage of time and the reality of an aging survivor population have made it increasingly urgent to document and give expression to testimony, experience, and memory of the Holocaust. At the same time, artists have struggled to find a language to describe and retell a legacy often considered "unimaginable." Contrary to those who insist that the Holocaust defies representation, Image and Remembrance demonstrates that artistic representations are central to the practice of remembrance and commemoration. Including essays on representations of the Holocaust in film, architecture, painting, photography, memorials, and monuments, this thought-provoking volume considers ways in which visual artists have given form to the experience of the Holocaust and addresses the role that imagination plays in shaping historical memory. Among works discussed are Daniel Libeskind's Jewish Museum in Berlin, Rachel Whiteread's Holocaust Memorial in Vienna, Morris Louis's series of paintings Charred Journal, photographer Shimon Attie's Writing on the Wall, and Mikael Levin's series Untitled. Image and Remembrance provides a thoughtful site for personal reflection and commemoration as well as a context for reconsidering the processes of art making and the cultural significance of artistic images.
Image and remembrance : representation and the Holocaust
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$37.95
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Summary:
The passage of time and the reality of an aging survivor population have made it increasingly urgent to document and give expression to testimony, experience, and memory of the Holocaust. At the same time, artists have struggled to find a language to describe and retell a legacy often considered "unimaginable." Contrary to those who insist that the Holocaust defies representation, Image and Remembrance demonstrates that artistic representations are central to the practice of remembrance and commemoration. Including essays on representations of the Holocaust in film, architecture, painting, photography, memorials, and monuments, this thought-provoking volume considers ways in which visual artists have given form to the experience of the Holocaust and addresses the role that imagination plays in shaping historical memory. Among works discussed are Daniel Libeskind's Jewish Museum in Berlin, Rachel Whiteread's Holocaust Memorial in Vienna, Morris Louis's series of paintings Charred Journal, photographer Shimon Attie's Writing on the Wall, and Mikael Levin's series Untitled. Image and Remembrance provides a thoughtful site for personal reflection and commemoration as well as a context for reconsidering the processes of art making and the cultural significance of artistic images.
Form:
books
books
Publication:
December 2002, Bloomington and Indianapolis
December 2002, Bloomington and Indianapolis
Subject:
Architectural Theory
Architectural Theory
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books
books
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$130.00
(available to order)
Summary:
Designated by King George V to replace Calcutta as capital of British India, New Delhi was constructed between 1912 and 1929 under the eye of architect Sir Edward Lutyens who sought to bring to this British colony a sense of classicism, order, and institutional beauty. With more than 300 colour and black and white illustrations, plans and photographs, this book presents(...)
$130.00
(available to order)
Summary:
Designated by King George V to replace Calcutta as capital of British India, New Delhi was constructed between 1912 and 1929 under the eye of architect Sir Edward Lutyens who sought to bring to this British colony a sense of classicism, order, and institutional beauty. With more than 300 colour and black and white illustrations, plans and photographs, this book presents(...)
Title:
Imperial Delhi : the British capital of the Indian Empire
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$130.00
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Designated by King George V to replace Calcutta as capital of British India, New Delhi was constructed between 1912 and 1929 under the eye of architect Sir Edward Lutyens who sought to bring to this British colony a sense of classicism, order, and institutional beauty. With more than 300 colour and black and white illustrations, plans and photographs, this book presents the most comprehensive examination to date of how this city was envisioned, planned, and constructed. From the massive war memorial arch and resplendent sandstone and marble government house to the spacious gardens and the gloriously imposing Viceroy's House, the evidence of Lutyen’s architectural genius is everywhere throughout New Delhi. As architectural historian Andreas Volwahsen discusses the importance of Lutyen’s work he provides a fascinating account of the making of a city: the contentious debates and cultural considerations, the inspiration and the painstaking construction, and finally the ways in which New Delhi has evolved into a modern city. With the growing interest in the preservation of historic sights worldwide, this magnificently detailed yet highly accessible history is certain to become a classic in the fields of architecture and urban design.
Imperial Delhi : the British capital of the Indian Empire
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$130.00
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Summary:
Designated by King George V to replace Calcutta as capital of British India, New Delhi was constructed between 1912 and 1929 under the eye of architect Sir Edward Lutyens who sought to bring to this British colony a sense of classicism, order, and institutional beauty. With more than 300 colour and black and white illustrations, plans and photographs, this book presents the most comprehensive examination to date of how this city was envisioned, planned, and constructed. From the massive war memorial arch and resplendent sandstone and marble government house to the spacious gardens and the gloriously imposing Viceroy's House, the evidence of Lutyen’s architectural genius is everywhere throughout New Delhi. As architectural historian Andreas Volwahsen discusses the importance of Lutyen’s work he provides a fascinating account of the making of a city: the contentious debates and cultural considerations, the inspiration and the painstaking construction, and finally the ways in which New Delhi has evolved into a modern city. With the growing interest in the preservation of historic sights worldwide, this magnificently detailed yet highly accessible history is certain to become a classic in the fields of architecture and urban design.
Form:
books
books
Publication:
October 2002, Munich
October 2002, Munich
Subject:
Arch Middle East
Arch Middle East
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books
books
Title:
Fertilizers: olin/eisenman
Fertilizers: olin/eisenman
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$32.00
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Summary:
Architect Peter Eisenman and landscape architect Laurie Olin have been collaborating since 1980 on projects both built and unbuilt. Their key works include the Wexner Center for the Arts and the Holocaust Memorial in Berlin. This first book on their important and unusually egalitarian working relationship offers a revealing look at the development of a 25-year(...)
$32.00
(available to order)
Summary:
Architect Peter Eisenman and landscape architect Laurie Olin have been collaborating since 1980 on projects both built and unbuilt. Their key works include the Wexner Center for the Arts and the Holocaust Memorial in Berlin. This first book on their important and unusually egalitarian working relationship offers a revealing look at the development of a 25-year(...)
Subject:
Landscape Architecture, Monographs
Landscape Architecture, Monographs
Publication:
June 2007, Philadelphia
June 2007, Philadelphia
Title:
Fertilizers: olin/eisenman
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$32.00
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Summary:
Architect Peter Eisenman and landscape architect Laurie Olin have been collaborating since 1980 on projects both built and unbuilt. Their key works include the Wexner Center for the Arts and the Holocaust Memorial in Berlin. This first book on their important and unusually egalitarian working relationship offers a revealing look at the development of a 25-year collaboration, beginning with the title work, a recent site-specific environmental installation, and continuing through a survey of their portfolio. Each of the two also maintains an individual practice and teaches: Olin is the Practice Professor of Landscape Architecture and Regional Planning at the University of Pennsylvania and the author of Across the Open Field, Essays Drawn on the English Landscape, and co-author of Vizcaya, An American Villa and its Makers. Peter Eisenman was the first Irwin S. Chanin Distinguished Professor of Architecture at The Cooper Union and is currently the Louis I. Kahn Professor of Architecture at Yale. His books include Diagram Diaries and Chora L Works, co-authored with Jacques Derrida. Fertilizers includes essays by each of them, an interview and many seldom-seen images.
Fertilizers: olin/eisenman
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$32.00
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Summary:
Architect Peter Eisenman and landscape architect Laurie Olin have been collaborating since 1980 on projects both built and unbuilt. Their key works include the Wexner Center for the Arts and the Holocaust Memorial in Berlin. This first book on their important and unusually egalitarian working relationship offers a revealing look at the development of a 25-year collaboration, beginning with the title work, a recent site-specific environmental installation, and continuing through a survey of their portfolio. Each of the two also maintains an individual practice and teaches: Olin is the Practice Professor of Landscape Architecture and Regional Planning at the University of Pennsylvania and the author of Across the Open Field, Essays Drawn on the English Landscape, and co-author of Vizcaya, An American Villa and its Makers. Peter Eisenman was the first Irwin S. Chanin Distinguished Professor of Architecture at The Cooper Union and is currently the Louis I. Kahn Professor of Architecture at Yale. His books include Diagram Diaries and Chora L Works, co-authored with Jacques Derrida. Fertilizers includes essays by each of them, an interview and many seldom-seen images.
Form:
books
books
Publication:
June 2007, Philadelphia
June 2007, Philadelphia
Subject:
Landscape Architecture, Monographs
Landscape Architecture, Monographs
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books
books
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$45.00
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Summary:
Scott Ruff’s studio, 'Gullah/Geechee Institute', investigated architecture’s role as a cultural signifier in the African-American Gullah–Geechee community off the South Carolina coast. It challenged students to translate cultural ideas into tectonic and spatial strategies for a monument, museum, and memorial that serves as a gateway to the Gullah–Geechee corridor,(...)
$45.00
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Summary:
Scott Ruff’s studio, 'Gullah/Geechee Institute', investigated architecture’s role as a cultural signifier in the African-American Gullah–Geechee community off the South Carolina coast. It challenged students to translate cultural ideas into tectonic and spatial strategies for a monument, museum, and memorial that serves as a gateway to the Gullah–Geechee corridor,(...)
Title:
Within or without (Louis I. Kahn assistant professorship)
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$45.00
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Scott Ruff’s studio, 'Gullah/Geechee Institute', investigated architecture’s role as a cultural signifier in the African-American Gullah–Geechee community off the South Carolina coast. It challenged students to translate cultural ideas into tectonic and spatial strategies for a monument, museum, and memorial that serves as a gateway to the Gullah–Geechee corridor, incorporating public interpretive and historical programs. In Florencia Pita and Jackilin Bloom’s studio, 'Easy Office', students experimented with ways of generating new spatial, formal, material, and narrative ideas through the processes of collecting, collaging, and casting everyday objects. The studio considered notions of the creative office and the workplace based on the unexpected space, form, and materiality that emerged from these processes. Students in Omar Gandhi’s studio, 'Where the Wild Things Are', designed a campus of creatures for Rabbit Snare Gorge on the north coast of Cape Breton Island. They focused on a series of interventions that used vernacular approaches to produce specific functions, develop a process or ideology, and frame sensory experience. The students explored how Nova Scotia’s regional architecture takes advantage of phenomenological opportunities available on the site and inspires new responses to climate and geography.
Within or without (Louis I. Kahn assistant professorship)
Actions:
Price:
$45.00
(available to order)
Summary:
Scott Ruff’s studio, 'Gullah/Geechee Institute', investigated architecture’s role as a cultural signifier in the African-American Gullah–Geechee community off the South Carolina coast. It challenged students to translate cultural ideas into tectonic and spatial strategies for a monument, museum, and memorial that serves as a gateway to the Gullah–Geechee corridor, incorporating public interpretive and historical programs. In Florencia Pita and Jackilin Bloom’s studio, 'Easy Office', students experimented with ways of generating new spatial, formal, material, and narrative ideas through the processes of collecting, collaging, and casting everyday objects. The studio considered notions of the creative office and the workplace based on the unexpected space, form, and materiality that emerged from these processes. Students in Omar Gandhi’s studio, 'Where the Wild Things Are', designed a campus of creatures for Rabbit Snare Gorge on the north coast of Cape Breton Island. They focused on a series of interventions that used vernacular approaches to produce specific functions, develop a process or ideology, and frame sensory experience. The students explored how Nova Scotia’s regional architecture takes advantage of phenomenological opportunities available on the site and inspires new responses to climate and geography.
Form:
books
books
Publication:
January 2020
January 2020
Subject:
Architectural Theory
Architectural Theory
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books
books
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$61.95
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Summary:
This publication documents more than 130 alternative spaces, groups, and projects, and the significant contributions these organizations have made to the aesthetic and social fabric of New York City. Alternative art spaces offer sites for experimentation for artists to innovate, perform, and exhibit outside the commercial gallery-and-museum circuit. In New York City, the(...)
$61.95
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Summary:
This publication documents more than 130 alternative spaces, groups, and projects, and the significant contributions these organizations have made to the aesthetic and social fabric of New York City. Alternative art spaces offer sites for experimentation for artists to innovate, perform, and exhibit outside the commercial gallery-and-museum circuit. In New York City, the(...)
Publication:
September 2012
September 2012
Title:
Alternative histories: New York art spaces 1960 to 2010
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$61.95
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This publication documents more than 130 alternative spaces, groups, and projects, and the significant contributions these organizations have made to the aesthetic and social fabric of New York City. Alternative art spaces offer sites for experimentation for artists to innovate, perform, and exhibit outside the commercial gallery-and-museum circuit. In New York City, the development of alternative spaces was almost synonymous with the rise of the contemporary art scene. Beginning in the 1960s and early 1970s, it was within a network of alternative sites--including 112 Greene Street, The Kitchen, P.S.1, FOOD, and many others--that the work of young artists like Yvonne Rainer, Vito Acconci, Gordon Matta-Clark, Ana Mendieta, David Wojnarowicz, David Hammons, Adrian Piper, Martin Wong, Jimmie Durham, and dozens of other now familiar names first circulated. Through interviews, photographs, essays, and archival material, Alternative Histories tells the story of such famous sites and organizations as Judson Memorial Church, Anthology Film Archives, A.I.R. Gallery, El Museo del Barrio, Franklin Furnace, and Eyebeam, as well as many less well-known sites and organizations. Essays by the exhibition curators and scholars, and excerpts of interviews with alternative space founders and staff, provide cultural and historical context.
Alternative histories: New York art spaces 1960 to 2010
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$61.95
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Summary:
This publication documents more than 130 alternative spaces, groups, and projects, and the significant contributions these organizations have made to the aesthetic and social fabric of New York City. Alternative art spaces offer sites for experimentation for artists to innovate, perform, and exhibit outside the commercial gallery-and-museum circuit. In New York City, the development of alternative spaces was almost synonymous with the rise of the contemporary art scene. Beginning in the 1960s and early 1970s, it was within a network of alternative sites--including 112 Greene Street, The Kitchen, P.S.1, FOOD, and many others--that the work of young artists like Yvonne Rainer, Vito Acconci, Gordon Matta-Clark, Ana Mendieta, David Wojnarowicz, David Hammons, Adrian Piper, Martin Wong, Jimmie Durham, and dozens of other now familiar names first circulated. Through interviews, photographs, essays, and archival material, Alternative Histories tells the story of such famous sites and organizations as Judson Memorial Church, Anthology Film Archives, A.I.R. Gallery, El Museo del Barrio, Franklin Furnace, and Eyebeam, as well as many less well-known sites and organizations. Essays by the exhibition curators and scholars, and excerpts of interviews with alternative space founders and staff, provide cultural and historical context.
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books
books
Publication:
September 2012
September 2012
Form:
books
books
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Description:
volumes : illustrations, maps, plans ; 25-29 cm
Description:
volumes : illustrations, maps, plans ; 25-29 cm
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Publication:
Baltimore : Johns Hopkins University Press, [1997-2020]
Baltimore : Johns Hopkins University Press, [1997-2020]
Title:
The papers of Frederick Law Olmsted. Supplementary series.
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Description:
volumes : illustrations, maps, plans ; 25-29 cm
The papers of Frederick Law Olmsted. Supplementary series.
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volumes : illustrations, maps, plans ; 25-29 cm
Form:
books
books
Publication:
Baltimore : Johns Hopkins University Press, [1997-2020]
Baltimore : Johns Hopkins University Press, [1997-2020]
Author:
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Form:
books
books
Title:
Tracing Eisenman
Tracing Eisenman
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$100.00
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Summary:
Perhaps more than any other architect practicing today, Peter Eisenman has made a career out of devising a dialectic of oppositions in architecture. With references to societal alienation and existing architectural forms, his work derives much from Friedrich Nietzsche, Noam Chomsky, and Jacques Derrida. He led the loosely knit group of architects known as "The New York(...)
$100.00
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Summary:
Perhaps more than any other architect practicing today, Peter Eisenman has made a career out of devising a dialectic of oppositions in architecture. With references to societal alienation and existing architectural forms, his work derives much from Friedrich Nietzsche, Noam Chomsky, and Jacques Derrida. He led the loosely knit group of architects known as "The New York(...)
Title:
Tracing Eisenman
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$100.00
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Summary:
Perhaps more than any other architect practicing today, Peter Eisenman has made a career out of devising a dialectic of oppositions in architecture. With references to societal alienation and existing architectural forms, his work derives much from Friedrich Nietzsche, Noam Chomsky, and Jacques Derrida. He led the loosely knit group of architects known as "The New York Five" (which included John Hejduk, Michael Graves, Charles Gwathmey, and Richard Meier), who made an effort to introduce a theory and artistry of modernist architecture as rigorous as that of the European avant-garde. This is the first comprehensive single-volume overview ever published on Eisenman's buildings and projects, from his first work, House I (1960), to his most recent projects, currently under construction in Spain and Germany. The book includes all the projects Eisenman has created, with essays from international architects and critics, including Greg Lynn, Sanford Kwinter, and Stan Allen.Eisenman currently teaches at New York's Cooper Union and at Princeton University. He has designed a wide range of projects, including the Wexner Center at Ohio State University, which received a 1993 National Honor Award from the American Institute of Architects, and the Holocaust Memorial in Berlin, which opened in spring 2005.
Tracing Eisenman
Actions:
Price:
$100.00
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Summary:
Perhaps more than any other architect practicing today, Peter Eisenman has made a career out of devising a dialectic of oppositions in architecture. With references to societal alienation and existing architectural forms, his work derives much from Friedrich Nietzsche, Noam Chomsky, and Jacques Derrida. He led the loosely knit group of architects known as "The New York Five" (which included John Hejduk, Michael Graves, Charles Gwathmey, and Richard Meier), who made an effort to introduce a theory and artistry of modernist architecture as rigorous as that of the European avant-garde. This is the first comprehensive single-volume overview ever published on Eisenman's buildings and projects, from his first work, House I (1960), to his most recent projects, currently under construction in Spain and Germany. The book includes all the projects Eisenman has created, with essays from international architects and critics, including Greg Lynn, Sanford Kwinter, and Stan Allen.Eisenman currently teaches at New York's Cooper Union and at Princeton University. He has designed a wide range of projects, including the Wexner Center at Ohio State University, which received a 1993 National Honor Award from the American Institute of Architects, and the Holocaust Memorial in Berlin, which opened in spring 2005.
Form:
books
books
Publication:
October 2006, New York
October 2006, New York
Subject:
Architecture Monographs
Architecture Monographs
