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With more than fifty contributors, ''Indigenous critical reflections on traditional ecological knowledge'' offers important perspectives by Indigenous Peoples on Traditional Ecological Knowledge and Indigenous value systems. The book aims to educate and inspire readers about the importance of decolonizing how Indigenous Knowledges are considered and used outside of Native(...)
Indigenous critical reflections on traditional ecological knowledge
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With more than fifty contributors, ''Indigenous critical reflections on traditional ecological knowledge'' offers important perspectives by Indigenous Peoples on Traditional Ecological Knowledge and Indigenous value systems. The book aims to educate and inspire readers about the importance of decolonizing how Indigenous Knowledges are considered and used outside of Native communities. By including the work of Indigenous storytellers, poets, and scholars from around the globe, editor Lara Jacobs and chapter authors effectively explore the Indigenous value systems-relationships, reciprocity, and responsibility-that are fundamental to Indigenous Knowledge systems and cultures. Indigenous languages and positionality statements are featured for each of the contributors to frame their cultural and geographical background and to allow each Indigenous voice to lead discussions and contribute critical discourse to the literature on Indigenous Knowledges and value systems. By creating space for each of these individual voices, this volume challenges colonial extraction norms and highlights the importance of decolonial methods in understanding and protecting Indigenous Knowledges.
indigenous
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''The Mountain Speaks to the Sea'' delves into Tekla Aslanishvili’s experimental film trilogy, which investigates regimes of infrastructural governance by examining how ports, railways, and smart city projects act as technologies of citizenship and sovereignty. Images of distant geographies are connected with future orientations, revealing the disruptive impacts of(...)
Tekla Aslanishvili: The Mountain Speaks to the Sea
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''The Mountain Speaks to the Sea'' delves into Tekla Aslanishvili’s experimental film trilogy, which investigates regimes of infrastructural governance by examining how ports, railways, and smart city projects act as technologies of citizenship and sovereignty. Images of distant geographies are connected with future orientations, revealing the disruptive impacts of large-scale energy and transportation projects on the ecologies of the South Caucasus. The publication focuses on the potentiality of moving images in the making and unmaking of infrastructures. By zooming in and out on the grand narratives of infrastructural development, it assembles fragmented (hi)stories of people who live and work around sites of transit and extraction, sabotaging their material systems to challenge violent practices of statecraft. Positioned between an artist’s book and a reader, ''The Mountain Speaks to the Sea'' features contributions from writers and scholars in visual culture, political science and critical geography, and experiments with ways of translating film into printed matter.
Art Theory
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Depuis une dizaine d’années, que ce soit dans les bois de Sivens, à Notre-Dame-des-Landes, à Bure ou dans les Cévennes, il est évident qu’il se passe quelque chose du côté de la forêt. Certains ont commencé à habiter ces espaces, avec la détermination de sortir du monde mortifère de l’économie. Un tout autre rapport au monde s’y bâtit, à l’opposé de cette science(...)
Environment and environmental theory
October 2017
Être forêts : habiter des territoires en lutte
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Depuis une dizaine d’années, que ce soit dans les bois de Sivens, à Notre-Dame-des-Landes, à Bure ou dans les Cévennes, il est évident qu’il se passe quelque chose du côté de la forêt. Certains ont commencé à habiter ces espaces, avec la détermination de sortir du monde mortifère de l’économie. Un tout autre rapport au monde s’y bâtit, à l’opposé de cette science militaire qu’est l’aménagement du territoire – ici contre un barrage, là contre un aéroport, ou une extraction de biomasse. Ce n’est pas qu’une affaire locale : les paysans du Guerrero au Mexique se battent depuis plus de dix ans pour libérer leurs forêts des exploitants, les trappeurs du peuple cri du Canada défendent la forêt boréale de Broadback contre la déforestation, les Penan de Bornéo s’arment de sarbacanes contre les compagnies de plantation de palmiers à huile… Partout des luttes résonnent de cette même idée : la forêt n’est pas une réserve de biosphère ou un puits de carbone.
Environment and environmental theory
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How do we make sense of the Earth at a moment in which it is presented in crisis? ''Geostories'' is a manifesto on the environmental imagination that renders sensible the issues of climate change and through geographic fiction invites readers to relate to the complexity of Earth systems in their vast scales of time and space. The book is organized into three(...)
Geostories: another architecture for the environment
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How do we make sense of the Earth at a moment in which it is presented in crisis? ''Geostories'' is a manifesto on the environmental imagination that renders sensible the issues of climate change and through geographic fiction invites readers to relate to the complexity of Earth systems in their vast scales of time and space. The book is organized into three sections–terrarium, aquarium, planetarium, each of which revisits such devices of wonder that assemble publics around representations of the Earth. The series of architectural projects becomes a medium to synthesize different forms and scales of knowledge on technological externalities, such as oil extraction, deep-sea mining, ocean acidification, water shortage, air pollution, trash, space debris, and a host of other social-ecological issues. Through design research, ''Geostories'' brings together spatial history, geographic representation, projective design, and material public assemblies to speculate on ways of living with such legacy technologies on the planet.
Green Architecture
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La notion de métabolisme place la matérialité de nos modes de vie au cœur des débats scientifiques et médiatiques. En suivant les matières à travers leur «?vie sociale?» (extraction, transformation, consommation et rejet sous forme de déchets), le métabolisme lie les enjeux sociaux et écologiques de la consommation humaine. De plus en plus mobilisée par les(...)
Métabolisme(s) : Matière en circulation, matière en tranformation
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La notion de métabolisme place la matérialité de nos modes de vie au cœur des débats scientifiques et médiatiques. En suivant les matières à travers leur «?vie sociale?» (extraction, transformation, consommation et rejet sous forme de déchets), le métabolisme lie les enjeux sociaux et écologiques de la consommation humaine. De plus en plus mobilisée par les universitaires spécialistes des questions environnementales, la notion est également réappropriée par d’autres milieux professionnels (urbanistes, architectes). Cet ouvrage, issu des réflexions du Studio Métabolisme de l’École urbaine de Lyon, vise à offrir un aperçu des réflexions en cours tout en ouvrant le débat vers le grand public. Le livre met en avant les enjeux sociaux, politiques, économiques et culturels de la matérialité des transformations des cycles bio-géochimiques en insistant sur les dimensions politiques et socialement construites des circulations et des transformations de la matière, de la ressource au déchet. Il s’agit de prendre en considération les impacts des prélèvements ou des rejets de nos sociétés et de comprendre comment ces matières s’insèrent dans des dispositifs socio-politiques dédiés (infrastructures, pratiques, normes, etc.).
Environment and environmental theory
The beauty of impermanence: An architecture of adaptability from the Sharjah Architecture Triennial
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''The Beauty of Impermanence'' is a scholarly documentation of the 2023 Sharjah Architecture Triennial. It explores architectural responses to sustainability, resource scarcity, and adaptability, highlighting the contrasting resource management strategies of the global North and South over the last four hundred years. The North exploited resources through a belief in(...)
The beauty of impermanence: An architecture of adaptability from the Sharjah Architecture Triennial
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''The Beauty of Impermanence'' is a scholarly documentation of the 2023 Sharjah Architecture Triennial. It explores architectural responses to sustainability, resource scarcity, and adaptability, highlighting the contrasting resource management strategies of the global North and South over the last four hundred years. The North exploited resources through a belief in endless abundance and technological advances, underpinned by religious and mythological justifications for colonialism and slavery. The South, characterized by resource scarcity, has innovated within these constraints, developing adaptable, sustainable solutions that may offer a blueprint for future global resource management. The book advocates for a shift away from a consumption-driven approach to one that is ecologically and ethically responsible, urging a collective resolve to create systemic change for a sustainable future. It is structured around the thematic strands of “Renewed Contextual,” “Extraction Politics,” and “Intangible Bodies” and features essays by noted scholars and practitioners. Detailed project spreads from Triennial participants, showcasing innovative practices that integrate environmentally friendly methods and materials, round off this volume that serves as a vital resource for those engaged in the fields of architecture, sustainability, and urban planning.
Biennial
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Black gold. Liquid sunlight. Texas tea. Oil remains the ur-commodity of our global era, having been distilled from ancient algae and marine life to turn modernity's wheels. Wars are fought over it. Some communities are displaced by its extraction, so that others may reap its benefits. But despite its heated history, few will ever see oil on the ground. Shrouded within a(...)
Oil
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Black gold. Liquid sunlight. Texas tea. Oil remains the ur-commodity of our global era, having been distilled from ancient algae and marine life to turn modernity's wheels. Wars are fought over it. Some communities are displaced by its extraction, so that others may reap its benefits. But despite its heated history, few will ever see oil on the ground. Shrouded within a labyrinth of oil fields, pipelines, and manufacturies, it tends to be known only through its magical effects: the thrill of the road, the euphoria of flight, and the metamorphic allure of everything from vinyl records to celluloid film and synthetic clothing. Michael Tondre shows how hydrocarbon became today's pre-eminent power. How did oil come to structure selfhood and social relations? And to what extent is oil not only a commercial product but a cultural one-something shaped by widely imagined dreams and desires? Amid a warming world unleashed by fossil fuels, oil appears as a rich resource for thinking about histories of globalization and technology no less than the energetic underpinnings of literature, film, and art.
Critical Theory
Koh-i-noor
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It’s 2011 on Nova Scotia’s South Shore, and Sean Lohan is at a crossroads. The son of Colorado Buddhists, Sean wonders if he should accept his parents’ offer to join their natural cosmetics company or venture out on his own. When an art history professor opens Sean’s eyes to the contradictions of capitalism, he realizes he can’t avoid or transcend his own personal(...)
Koh-i-noor
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It’s 2011 on Nova Scotia’s South Shore, and Sean Lohan is at a crossroads. The son of Colorado Buddhists, Sean wonders if he should accept his parents’ offer to join their natural cosmetics company or venture out on his own. When an art history professor opens Sean’s eyes to the contradictions of capitalism, he realizes he can’t avoid or transcend his own personal dilemmas and instead chooses to face them head-on. Sean’s ultimate decision to found a social enterprise leads him to China. At the same time, his close friend Jerry becomes entangled in a Google-like tech enterprise in California, and his girlfriend Samantha pursues her own high-minded interventions in Cuba—each path leading to increasingly risky and complex outcomes. In the roving literary style of Thomas Pynchon and Mathias Énard, this enthralling debut offers readers a fast-paced adventure through the diverging nuances of economics, spirituality, and extraction. In a period of increasing uncertainty, Koh-i-Noor is a timely doomscroll through four decades of globalization, generational change, and the search for one’s own values.
Literature and poetry
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In ''Beyond the World's End,'' T. J. Demos explores cultural practices that provide radical propositions for living in a world beset by environmental and political crises. Rethinking relationships between aesthetics and an expanded political ecology that foregrounds just futurity, Demos examines how contemporary artists are diversely addressing urgent themes, including(...)
Beyond the world's end: arts of living at the crossing
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In ''Beyond the World's End,'' T. J. Demos explores cultural practices that provide radical propositions for living in a world beset by environmental and political crises. Rethinking relationships between aesthetics and an expanded political ecology that foregrounds just futurity, Demos examines how contemporary artists are diversely addressing urgent themes, including John Akomfrah's cinematic entanglements of racial capitalism with current environmental threats, the visual politics of climate refugees in work by Forensic Architecture and Teddy Cruz and Fonna Forman, and moving images of Afrofuturist climate justice in projects by Arthur Jafa and Martine Syms. Demos considers video and mixed-media art that responds to resource extraction in works by Angela Melitopoulos, Allora & Calzadilla, and Ursula Biemann, as well as the multispecies ecologies of Terike Haapoja and Public Studio. Throughout Demos contends that contemporary intersections of aesthetics and politics, as exemplified in the Standing Rock #NoDAPL campaign and the Zad's autonomous zone in France, are creating the imaginaries that will be crucial to building a socially just and flourishing future.
Environment and environmental theory
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A retrospective of Edward Burtynsky's (born 1955) photography from the past 40 years, The Great Acceleration reveals the depth of the photographer's investigation into the human alteration of natural landscapes around the world, showing their present fragility and enduring beauty in equal measure. "The Great Acceleration" is an established term used to describe the rapid(...)
Edward Burtynsky: The great acceleration
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A retrospective of Edward Burtynsky's (born 1955) photography from the past 40 years, The Great Acceleration reveals the depth of the photographer's investigation into the human alteration of natural landscapes around the world, showing their present fragility and enduring beauty in equal measure. "The Great Acceleration" is an established term used to describe the rapid rise of human impact on our planet, among them population growth, water usage, transportation, greenhouse gas emissions, resource extraction and food production, each of which Burtynsky has photographed the signs of in great detail throughout his career. From open pit mines across North America to oil derricks in Azerbaijan, from rice terraces in China to oil bunkering in Nigeria, Burtynsky has traveled the world and back again as part of his restless and seemingly inexhaustible drive to discover the ways, both old and new, that organized human activity has transformed the earth. Including many of Burtynsky's landmark images, and which have never been published, the book is an urgent call to action, inviting us to appreciate the sublimity that remains in nature while deepening our understanding of the challenges and responsibilities confronting us today.
Photography monographs