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164 pages : illustrations (some color) ; 24 cm.
Toulouse : Presses universitaires du Mirail : IRD éditions, 2011.
Les cités du désert : des villes sahariennes aux saharatowns / Olivier Pliez.
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Description:
164 pages : illustrations (some color) ; 24 cm.
books
Toulouse : Presses universitaires du Mirail : IRD éditions, 2011.
Afshar Hoda:The fold
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"The fold" is a critical visual and psychological investigation into the enduring legacy of Orientalist and colonialist photographic practices, and the ways in which these gazes continue to shape how bodies—particularly veiled Islamic bodies—are seen, archived, and consumed. This new body of work by Iranian artist Hoda Afshar takes as its starting point the vast archive(...)
Afshar Hoda:The fold
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"The fold" is a critical visual and psychological investigation into the enduring legacy of Orientalist and colonialist photographic practices, and the ways in which these gazes continue to shape how bodies—particularly veiled Islamic bodies—are seen, archived, and consumed. This new body of work by Iranian artist Hoda Afshar takes as its starting point the vast archive of Gaëtan Gatian de Clérambault (1872–1934), a French psychiatrist and photographer who, in the early 20th century, produced thousands of images of veiled women—and sometimes men—in Morocco. Encountered by Afshar during her research at the musée du quai Branly – Jacques Chirac in Paris, these photographs were originally used by de Clérambault to support psychoanalytic theories around fantasy, covering, and desire, all filtered through a deeply colonial lens.
Photography monographs
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In "The elsewhere is black," Marisa Solomon examines how waste is a mundane part of poor Black survival and a condition of settler colonial racial capitalism. Tracing the flow of trash and waste across Black spaces, from Brooklyn's historically Black Bedford-Stuyvesant to the post-plantation towns of Virginia's Tidewater, Solomon contends that waste infrastructures(...)
The elsewhere is black: ecological violence and improvised life
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In "The elsewhere is black," Marisa Solomon examines how waste is a mundane part of poor Black survival and a condition of settler colonial racial capitalism. Tracing the flow of trash and waste across Black spaces, from Brooklyn's historically Black Bedford-Stuyvesant to the post-plantation towns of Virginia's Tidewater, Solomon contends that waste infrastructures concentrate environmental risk in an elsewhere that is routinely Black. Solomon emphasizes that ecological violence is a form of racialized heteropatriarchal environmental control that upholds whiteness as a propertied way of life and criminalizes Black survival. As she points to acute sites of toxicity, Solomon theorizes the relationship between the devaluation of land and Black and more-than-human life to reveal how the risks of poisoning, police violence, dispossession, and poverty hold Black life captive.
Social
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A companion to "The Abrams Guide to American House Styles", this stylish, compact guide makes it a snap to identify and incorporate various period styles into any design. Featuring 32 period styles of design common around the world, from Colonial to Art Deco to Modern, this comprehensive reference combines depth of content with ease of use. Further distinguishing this(...)
The Abrams guide to period styles for interiors
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$56.00
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A companion to "The Abrams Guide to American House Styles", this stylish, compact guide makes it a snap to identify and incorporate various period styles into any design. Featuring 32 period styles of design common around the world, from Colonial to Art Deco to Modern, this comprehensive reference combines depth of content with ease of use. Further distinguishing this volume is its consideration of the various substyles of the Modern period - the trendiest of all the period styles today - including International Style, Mid-century Modern, Italian Modern, Scandinavian Modern, and Sixties Style. Each featured style is described in a concise historical summary, as well as in a detailed discussion and by a list of its hallmark characteristics. Striking illustrative images, distinguishing color palettes, and fabric swatches complete each of the entries.
Interior Design
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In post-colonial Africa, «White Elephant» was the name given to buildings erected with international money and never put to use; relic of an enormous waste. Europe has its own fair share of such mammoths: a pratically unused railway station designed by Santiago Calatrava near Lyon, the frame of an Aldo Rossi shopping mall in Berlin, a lonely feeder road in the middle of(...)
Weisse Elefanten / White Elephants
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In post-colonial Africa, «White Elephant» was the name given to buildings erected with international money and never put to use; relic of an enormous waste. Europe has its own fair share of such mammoths: a pratically unused railway station designed by Santiago Calatrava near Lyon, the frame of an Aldo Rossi shopping mall in Berlin, a lonely feeder road in the middle of nowhere, now slowly being reclaimed by nature... On his search for new developments in ruins, the Swiss photographer Christian Helmle discovered a vast amount of monumental solitary buildings and complexes throughout Europe's cities and countrysides. Relieved of their original functions, the barren structures have lost any connection to their environments, appearing alien and surreal. Throught Christian Helmle's shots they develop their own individual, touchingly melancholic aesthetic.
Photography monographs
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One of the most acclaimed architects working in Brazil since the mid-twentieth century, Paulo Mendes da Rocha (1928–2021) began building in the 1950s, championing an approach often associated with "Brutalism" but expanding well beyond it. This retrospective catalogue is the first major publication on Mendes da Rocha since the establishment of his archive at the Casa da(...)
Architecture Monographs
November 2024
Constructed geographies: Paulo Mendes da Rocha
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One of the most acclaimed architects working in Brazil since the mid-twentieth century, Paulo Mendes da Rocha (1928–2021) began building in the 1950s, championing an approach often associated with "Brutalism" but expanding well beyond it. This retrospective catalogue is the first major publication on Mendes da Rocha since the establishment of his archive at the Casa da Arquitectura in 2021. A team of international scholars provides a comprehensive view of the architect’s trajectory and the collective dimension of his work, along with thematic essays. Mendes da Rocha’s identity as a South American architect interested in the geographic relation between nature and culture is underlined. The book’s contributors explore his concern with the social and anthropogenic impact of the continent’s development, as well as its colonial past and postcolonial future.
Architecture Monographs
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Little known among the general public, Alexander Henderson's work laid the foundations of the Canadian romantic landscape and its themes: the magic of winter, the endless lure of the country’s lakes and waterways, the metaphysical awe inspired by the vastness of its land and its great river. But Henderson also offered a colonial vision of the young North American city and(...)
Alexander Henderson: Art and nature
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Little known among the general public, Alexander Henderson's work laid the foundations of the Canadian romantic landscape and its themes: the magic of winter, the endless lure of the country’s lakes and waterways, the metaphysical awe inspired by the vastness of its land and its great river. But Henderson also offered a colonial vision of the young North American city and documented a number of Canada’s major railway projects. This publication accompanies the first exhibition devoted to Henderson’s entire oeuvre and focusses on photographs that highlight the tonalities, textures, and clarity characteristic of the prints of the period. Texts explore Henderson’s biography, the sources and forms of romanticism evident in his landscapes, and the genesis of his work as a process of adaptation to the New World in a context of British imperialism.
Photography monographs
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The tenth issue of "The Funambulist" operates somehow in continuity with issue 9 Islands (January-February 2017), which offered the words of indigenous and anticolonial struggles from various islands of the world. Voices from Kanaky, Mayotte, Hawai’i, and Puerto Rico resonate therefore here with those from Libya, Kenya, Palestine, and Java, in the colonial situations they(...)
The Funambulist 10: Architecture and colonialism
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The tenth issue of "The Funambulist" operates somehow in continuity with issue 9 Islands (January-February 2017), which offered the words of indigenous and anticolonial struggles from various islands of the world. Voices from Kanaky, Mayotte, Hawai’i, and Puerto Rico resonate therefore here with those from Libya, Kenya, Palestine, and Java, in the colonial situations they all describe. While the last issue was dedicated to the seminal work of Édouard Glissant, inscribed throughout the pages of this present one is the influence of another Martiniquais: Frantz Fanon. The two editorial arguments of this issue are simple: colonialism is not an era, it is a system of military/police, legal, administrative, social, and cultural system of domination; and, architecture is not (only) an aesthetic vessel, it is an apparatus organizing and hierarchizing bodies in space.
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In "Havana beyond the Ruins," prominent architects, scholars, and writers based in and outside of Cuba analyze how Havana has been portrayed in literature, music, and the visual arts since Soviet subsidies of Cuba ceased, and the Cuban state has re-imagined Havana as a destination for international tourists and business ventures. Cuba's capital has experienced little(...)
Havana, beyond the ruins: cultural mappings after 1989
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In "Havana beyond the Ruins," prominent architects, scholars, and writers based in and outside of Cuba analyze how Havana has been portrayed in literature, music, and the visual arts since Soviet subsidies of Cuba ceased, and the Cuban state has re-imagined Havana as a destination for international tourists and business ventures. Cuba's capital has experienced little construction since the revolution of 1959; many of its citizens live in poorly maintained colonial and modernist dwellings. It is this Havana--of crumbling houses, old cars, and a romantic aura of ruined hopes--that is marketed in picture books, memorabilia, and films. Bringing together assessments of the city's dwellings and urban development projects, "Havana beyond the Ruins" provides unique insights into issues of memory, citizenship, urban life, and the future of the revolution in Cuba.
Urban Theory
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Fashion is political. From the red carpets of the Met Gala to online fast fashion, clothes tell a story of inequality, racism and climate crisis. In this book, Tansy E. Hoskins unpicks the threads of capitalist industry to reveal the truth about our clothes. Fashion brands entice us to consume more by manipulating us to feel ugly, poor and worthless, sentiments that line(...)
The anti-capitalist book of fashion
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Fashion is political. From the red carpets of the Met Gala to online fast fashion, clothes tell a story of inequality, racism and climate crisis. In this book, Tansy E. Hoskins unpicks the threads of capitalist industry to reveal the truth about our clothes. Fashion brands entice us to consume more by manipulating us to feel ugly, poor and worthless, sentiments that line the pockets of billionaires exploiting colonial supply chains. Garment workers on poverty pay risk their lives in dangerous factories, animals are tortured, fossil fuels extracted and toxic chemicals spread just to keep this season's collections fresh. This volume goes beyond ethical fashion and consumer responsibility showing that if we want to feel comfortable in our clothes, we need to reshape the system and ensure this is not our last season.
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