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Orientalism's Interlocutors contests the idea that Orientalist art simply expresses the politics of Western domination and argues instead that it was often produced through cross-cultural interactions. Focusing on paintings and other representations of North African and Ottoman cultures, by both local artists and Westerners, the contributors contend that the stylistic(...)
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Orientalism's Interlocutors contests the idea that Orientalist art simply expresses the politics of Western domination and argues instead that it was often produced through cross-cultural interactions. Focusing on paintings and other representations of North African and Ottoman cultures, by both local artists and Westerners, the contributors contend that the stylistic(...)
Subject:
Arch Southwest Asia & North Africa
Arch Southwest Asia & North Africa
Publication:
November 2002, Durham, N.C.
November 2002, Durham, N.C.
Title:
Orientalism's interlocutors : painting, architecture and photography
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Orientalism's Interlocutors contests the idea that Orientalist art simply expresses the politics of Western domination and argues instead that it was often produced through cross-cultural interactions. Focusing on paintings and other representations of North African and Ottoman cultures, by both local artists and Westerners, the contributors contend that the stylistic similarities between indigenous and Western Orientalist art mask profound interpretive differences, which, upon examination, can reveal a visual language of resistance to colonization. The essays also demonstrate how marginalized voices and viewpoints—especially women‘s—within Western Orientalism decentered and destabilized colonial authority Among the artists considered are the Algerian painters Azouoau Mammeri and Mohammed Racim; Turkish painter Osman Hamdi Bey; British landscape painter Barbara Bodichon; and the French painter Henri Regnault.
Orientalism's interlocutors : painting, architecture and photography
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Orientalism's Interlocutors contests the idea that Orientalist art simply expresses the politics of Western domination and argues instead that it was often produced through cross-cultural interactions. Focusing on paintings and other representations of North African and Ottoman cultures, by both local artists and Westerners, the contributors contend that the stylistic similarities between indigenous and Western Orientalist art mask profound interpretive differences, which, upon examination, can reveal a visual language of resistance to colonization. The essays also demonstrate how marginalized voices and viewpoints—especially women‘s—within Western Orientalism decentered and destabilized colonial authority Among the artists considered are the Algerian painters Azouoau Mammeri and Mohammed Racim; Turkish painter Osman Hamdi Bey; British landscape painter Barbara Bodichon; and the French painter Henri Regnault.
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books
books
Publication:
November 2002, Durham, N.C.
November 2002, Durham, N.C.
Subject:
Arch Southwest Asia & North Africa
Arch Southwest Asia & North Africa
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books
books
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$40.00
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This book bridges generations of powerful Indigenous feminist thinking to demonstrate the movement’s cruciality for today. ''Indigenous feminists'' in the first edition fought for feminism to be considered a valid and essential intellectual and activist position. The second edition animated Indigenous feminisms through real-world applications. This third edition, curated(...)
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This book bridges generations of powerful Indigenous feminist thinking to demonstrate the movement’s cruciality for today. ''Indigenous feminists'' in the first edition fought for feminism to be considered a valid and essential intellectual and activist position. The second edition animated Indigenous feminisms through real-world applications. This third edition, curated(...)
Title:
Making space for indigenous feminism 3rd edition
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This book bridges generations of powerful Indigenous feminist thinking to demonstrate the movement’s cruciality for today. ''Indigenous feminists'' in the first edition fought for feminism to be considered a valid and essential intellectual and activist position. The second edition animated Indigenous feminisms through real-world applications. This third edition, curated by award-winning scholar Gina Starblanket, reflects and celebrates Indigenous feminism’s intergenerational longevity through the changing landscape of anti-colonial struggle and theory. Diverse contributors examine Indigenous feminism’s ongoing relevance to contemporary contexts and debates, including queer and Two-Spirit approaches to decolonization, gendered and sexualized violence, storytelling and narrative, land-based presence, Black and Indigenous relationalities and more. Feminism has much to offer Indigenous women, and all Indigenous Peoples, in their struggles against oppression.
Making space for indigenous feminism 3rd edition
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This book bridges generations of powerful Indigenous feminist thinking to demonstrate the movement’s cruciality for today. ''Indigenous feminists'' in the first edition fought for feminism to be considered a valid and essential intellectual and activist position. The second edition animated Indigenous feminisms through real-world applications. This third edition, curated by award-winning scholar Gina Starblanket, reflects and celebrates Indigenous feminism’s intergenerational longevity through the changing landscape of anti-colonial struggle and theory. Diverse contributors examine Indigenous feminism’s ongoing relevance to contemporary contexts and debates, including queer and Two-Spirit approaches to decolonization, gendered and sexualized violence, storytelling and narrative, land-based presence, Black and Indigenous relationalities and more. Feminism has much to offer Indigenous women, and all Indigenous Peoples, in their struggles against oppression.
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books
books
Publication:
May 2024
May 2024
Subject:
indigenous
indigenous
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books
books
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$50.00
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Since the beginning of humanity's existence, plants have provided us with everything we need for our survival - they sustain us with air to breathe, food to eat, materials to make clothes and shelter with, and medicine to treat and prevent disease. Their beauty can also enhance our mood and provide spiritual and emotional nourishment. Western science has 'discovered'(...)
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Since the beginning of humanity's existence, plants have provided us with everything we need for our survival - they sustain us with air to breathe, food to eat, materials to make clothes and shelter with, and medicine to treat and prevent disease. Their beauty can also enhance our mood and provide spiritual and emotional nourishment. Western science has 'discovered'(...)
Title:
The Ethnobotanical: A world tour of indigenous plant knowledge
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Since the beginning of humanity's existence, plants have provided us with everything we need for our survival - they sustain us with air to breathe, food to eat, materials to make clothes and shelter with, and medicine to treat and prevent disease. Their beauty can also enhance our mood and provide spiritual and emotional nourishment. Western science has 'discovered' and named innumerable plant species over the course of its colonial history. To many Indigenous peoples, however, plants have been recognised for centuries as sentient beings, imbued with spirit and agency to help humanity. Publishing in partnership with the Royal Botanic Gardens at Kew, ''The Ethnobotanical'' offers a unique and beautiful perspective on plants and their roles in the lives of peoples from across the planet.
The Ethnobotanical: A world tour of indigenous plant knowledge
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Since the beginning of humanity's existence, plants have provided us with everything we need for our survival - they sustain us with air to breathe, food to eat, materials to make clothes and shelter with, and medicine to treat and prevent disease. Their beauty can also enhance our mood and provide spiritual and emotional nourishment. Western science has 'discovered' and named innumerable plant species over the course of its colonial history. To many Indigenous peoples, however, plants have been recognised for centuries as sentient beings, imbued with spirit and agency to help humanity. Publishing in partnership with the Royal Botanic Gardens at Kew, ''The Ethnobotanical'' offers a unique and beautiful perspective on plants and their roles in the lives of peoples from across the planet.
Form:
books
books
Publication:
February 2024
February 2024
Subject:
Fauna and flora
Fauna and flora
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books
books
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$48.00
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Shek Kip Mei was the first public housing estate development in Hong Kong built by the British colonial government in 1954. The resettlement project was an immediate response to the need for temporary relief as a result of the massive fire that destroyed the Shek Kip Mei squatter area on Christmas Eve 1953, when over 53,000 Chinese immigrants lost their makeshift homes(...)
$48.00
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Shek Kip Mei was the first public housing estate development in Hong Kong built by the British colonial government in 1954. The resettlement project was an immediate response to the need for temporary relief as a result of the massive fire that destroyed the Shek Kip Mei squatter area on Christmas Eve 1953, when over 53,000 Chinese immigrants lost their makeshift homes(...)
Title:
Our home: Shek Kip Mei 1954-2006
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$48.00
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Shek Kip Mei was the first public housing estate development in Hong Kong built by the British colonial government in 1954. The resettlement project was an immediate response to the need for temporary relief as a result of the massive fire that destroyed the Shek Kip Mei squatter area on Christmas Eve 1953, when over 53,000 Chinese immigrants lost their makeshift homes overnight. This carefully designed book reproduces and explains the documentation of the aerea made by Governor Sir Alexander Grantham in 1954 to the British Government on the Great Fire. It includes a letter of appeal to the Governor, statistics about the residents, but abovw all it shows in 128, mostly full page b/w photographs, the appartments of the complex and their habitants.
Our home: Shek Kip Mei 1954-2006
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$48.00
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Shek Kip Mei was the first public housing estate development in Hong Kong built by the British colonial government in 1954. The resettlement project was an immediate response to the need for temporary relief as a result of the massive fire that destroyed the Shek Kip Mei squatter area on Christmas Eve 1953, when over 53,000 Chinese immigrants lost their makeshift homes overnight. This carefully designed book reproduces and explains the documentation of the aerea made by Governor Sir Alexander Grantham in 1954 to the British Government on the Great Fire. It includes a letter of appeal to the Governor, statistics about the residents, but abovw all it shows in 128, mostly full page b/w photographs, the appartments of the complex and their habitants.
Form:
books
books
Publication:
October 2007
October 2007
Subject:
Photography by Region
Photography by Region
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books
books
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$32.00
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Summary:
The Domestic Scene reveals Niedecken as a forward-looking designer influenced by European Art Nouveau and Secessionist design as well as by the Arts and Crafts Movement. Cheryl Robertson focuses on three examples of Niedecken’s commissions and an article by Niedecken himself (reprinted in this volume) to explore the evolving relationship between architect, interior(...)
$32.00
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Summary:
The Domestic Scene reveals Niedecken as a forward-looking designer influenced by European Art Nouveau and Secessionist design as well as by the Arts and Crafts Movement. Cheryl Robertson focuses on three examples of Niedecken’s commissions and an article by Niedecken himself (reprinted in this volume) to explore the evolving relationship between architect, interior(...)
Title:
The domestic scene (1897-1927)
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The Domestic Scene reveals Niedecken as a forward-looking designer influenced by European Art Nouveau and Secessionist design as well as by the Arts and Crafts Movement. Cheryl Robertson focuses on three examples of Niedecken’s commissions and an article by Niedecken himself (reprinted in this volume) to explore the evolving relationship between architect, interior designer, and client in the first quarter of the twentieth century. This expanded second edition includes updated photography, additional color images, and an essay by John C. Eastberg that deepens our understanding of Niedecken’s career by presenting his lesser-known work in the context of Milwaukee’s artistic and social history. Niedecken worked also in the Colonial and Renaissance Revival modes, and these works illustrate his versatility as a designer and entrepreneur.
The domestic scene (1897-1927)
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The Domestic Scene reveals Niedecken as a forward-looking designer influenced by European Art Nouveau and Secessionist design as well as by the Arts and Crafts Movement. Cheryl Robertson focuses on three examples of Niedecken’s commissions and an article by Niedecken himself (reprinted in this volume) to explore the evolving relationship between architect, interior designer, and client in the first quarter of the twentieth century. This expanded second edition includes updated photography, additional color images, and an essay by John C. Eastberg that deepens our understanding of Niedecken’s career by presenting his lesser-known work in the context of Milwaukee’s artistic and social history. Niedecken worked also in the Colonial and Renaissance Revival modes, and these works illustrate his versatility as a designer and entrepreneur.
Form:
books
books
Publication:
March 2008, Milwaukee
March 2008, Milwaukee
Subject:
Design Monographs
Design Monographs
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books
books
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$62.50
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Summary:
Montecito, California is home to some of America's most spectacular private residences. Most amazing perhaps is Val Verde, the house built in 1915 on a breathtaking seventeen-and-one-half-acre coastal plot by American architect Bertram Goodhue. Besides its status as the most preserved of the great early-twentieth-century Southern California estate properties, Val Verde(...)
$62.50
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Montecito, California is home to some of America's most spectacular private residences. Most amazing perhaps is Val Verde, the house built in 1915 on a breathtaking seventeen-and-one-half-acre coastal plot by American architect Bertram Goodhue. Besides its status as the most preserved of the great early-twentieth-century Southern California estate properties, Val Verde(...)
Title:
Austin Val Verde : a Montecito masterpiece
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$62.50
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Montecito, California is home to some of America's most spectacular private residences. Most amazing perhaps is Val Verde, the house built in 1915 on a breathtaking seventeen-and-one-half-acre coastal plot by American architect Bertram Goodhue. Besides its status as the most preserved of the great early-twentieth-century Southern California estate properties, Val Verde also bears the distinction of being the earliest American free-standing single-family house in the Spanish Colonial Revival style. Austin Val Verde: A Montecito Masterpiece is the first book to reveal the full extent and richness of Val Verde's architecture, interiors, and gardens. The book includes never-before-published color photographs of the house and its gardens by the late Berge Aran
Austin Val Verde : a Montecito masterpiece
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$62.50
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Montecito, California is home to some of America's most spectacular private residences. Most amazing perhaps is Val Verde, the house built in 1915 on a breathtaking seventeen-and-one-half-acre coastal plot by American architect Bertram Goodhue. Besides its status as the most preserved of the great early-twentieth-century Southern California estate properties, Val Verde also bears the distinction of being the earliest American free-standing single-family house in the Spanish Colonial Revival style. Austin Val Verde: A Montecito Masterpiece is the first book to reveal the full extent and richness of Val Verde's architecture, interiors, and gardens. The book includes never-before-published color photographs of the house and its gardens by the late Berge Aran
Form:
books
books
Publication:
August 2006, Santa Barbara
August 2006, Santa Barbara
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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$39.95
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Summary:
This volume revives the work of late nineteenth-century landscape photographers who shaped the environmental attitudes of settlers in the colonies of the Tasman World and in California. Despite having little association with one another, these photographers developed remarkably similar visions of nature. In both the American West and the Tasman World, landscape(...)
$39.95
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Summary:
This volume revives the work of late nineteenth-century landscape photographers who shaped the environmental attitudes of settlers in the colonies of the Tasman World and in California. Despite having little association with one another, these photographers developed remarkably similar visions of nature. In both the American West and the Tasman World, landscape(...)
Title:
Visions of nature: How landscape photography shaped settler colonialism
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This volume revives the work of late nineteenth-century landscape photographers who shaped the environmental attitudes of settlers in the colonies of the Tasman World and in California. Despite having little association with one another, these photographers developed remarkably similar visions of nature. In both the American West and the Tasman World, landscape photography fed into settler belonging and produced new ways of thinking about territory and history. During this key period of settler revolution, a generation of photographers came to associate “nature” with remoteness, antiquity, and emptiness, a perspective that disguised the realities of Indigenous presence and reinforced colonial fantasies of environmental abundance. This book lifts the work of these photographers out of their provincial contexts and repositions it within a new comparative frame.
Visions of nature: How landscape photography shaped settler colonialism
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$39.95
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Summary:
This volume revives the work of late nineteenth-century landscape photographers who shaped the environmental attitudes of settlers in the colonies of the Tasman World and in California. Despite having little association with one another, these photographers developed remarkably similar visions of nature. In both the American West and the Tasman World, landscape photography fed into settler belonging and produced new ways of thinking about territory and history. During this key period of settler revolution, a generation of photographers came to associate “nature” with remoteness, antiquity, and emptiness, a perspective that disguised the realities of Indigenous presence and reinforced colonial fantasies of environmental abundance. This book lifts the work of these photographers out of their provincial contexts and repositions it within a new comparative frame.
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books
books
Publication:
May 2022
May 2022
Form:
journals and magazines
journals and magazines
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$16.95
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With this issue, the funambulist offers a critique of their own framework of knowledge production. The concept of “Global South” has been turned into a handy word to lazily designate two-thirds of the world’s earthly area and 90% of its population, thus flattening the millions of specificities that characterize this grouping. It also often embodies an entity that only(...)
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Summary:
With this issue, the funambulist offers a critique of their own framework of knowledge production. The concept of “Global South” has been turned into a handy word to lazily designate two-thirds of the world’s earthly area and 90% of its population, thus flattening the millions of specificities that characterize this grouping. It also often embodies an entity that only(...)
Title:
The Funambulist 66: Beyond the global South
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With this issue, the funambulist offers a critique of their own framework of knowledge production. The concept of “Global South” has been turned into a handy word to lazily designate two-thirds of the world’s earthly area and 90% of its population, thus flattening the millions of specificities that characterize this grouping. It also often embodies an entity that only exists dependent on its alter ego, the Global North. As such, it denies any form of agency to the peoples designated as “the South” independently from their relationship to the “North,” as we examine in the case of the war in the eastern Congo (Josaphat Musamba). The South/North binary also designates borders as lines (rather than as regimes operating on both sides of these lines) and essentializes the difference between sides. Can Blackness and Indigeneity in Abya Yala be read without a fundamental split at the settler colonial line that separates North and Central-South Americas (Ashley Ngozi Agbasoga)? Can 20th century Korea’s history show us that the line that currently separates the north (usually presented as part of the Global South) and the south (usually presented as part of the Global North) particularly illustrates the North/South framework’s lack of complexity (Lina Eunji Chang and Andrei-Sergei Kim)? What kind of colonial violence the Non-Aligned Movement invisibilizes in West Papua (Quito Swan), in Kashmir (Choakkeladd) or Western Sahara (Buhari Lehbib) and, in contrast, what kind of solidarities it allowed from Yugoslavia (Dubravka Sekulic and Sanja Horvatincic)? And, crucially, how can we honor the complexity of politics by being able to hold two contradictory truths together as Micol Meghnagi reminds us in the context of Gaddafi’s Libya and Pan-Arabism.
The Funambulist 66: Beyond the global South
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With this issue, the funambulist offers a critique of their own framework of knowledge production. The concept of “Global South” has been turned into a handy word to lazily designate two-thirds of the world’s earthly area and 90% of its population, thus flattening the millions of specificities that characterize this grouping. It also often embodies an entity that only exists dependent on its alter ego, the Global North. As such, it denies any form of agency to the peoples designated as “the South” independently from their relationship to the “North,” as we examine in the case of the war in the eastern Congo (Josaphat Musamba). The South/North binary also designates borders as lines (rather than as regimes operating on both sides of these lines) and essentializes the difference between sides. Can Blackness and Indigeneity in Abya Yala be read without a fundamental split at the settler colonial line that separates North and Central-South Americas (Ashley Ngozi Agbasoga)? Can 20th century Korea’s history show us that the line that currently separates the north (usually presented as part of the Global South) and the south (usually presented as part of the Global North) particularly illustrates the North/South framework’s lack of complexity (Lina Eunji Chang and Andrei-Sergei Kim)? What kind of colonial violence the Non-Aligned Movement invisibilizes in West Papua (Quito Swan), in Kashmir (Choakkeladd) or Western Sahara (Buhari Lehbib) and, in contrast, what kind of solidarities it allowed from Yugoslavia (Dubravka Sekulic and Sanja Horvatincic)? And, crucially, how can we honor the complexity of politics by being able to hold two contradictory truths together as Micol Meghnagi reminds us in the context of Gaddafi’s Libya and Pan-Arabism.
Form:
journals and magazines
journals and magazines
Publication:
July 2026
July 2026
Subject:
Magazines
Magazines
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books
books
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Description:
164 pages : illustrations (some color) ; 24 cm.
Description:
164 pages : illustrations (some color) ; 24 cm.
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Publication:
Toulouse : Presses universitaires du Mirail : IRD éditions, 2011.
Toulouse : Presses universitaires du Mirail : IRD éditions, 2011.
Title:
Les cités du désert : des villes sahariennes aux saharatowns / Olivier Pliez.
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164 pages : illustrations (some color) ; 24 cm.
Les cités du désert : des villes sahariennes aux saharatowns / Olivier Pliez.
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Description:
164 pages : illustrations (some color) ; 24 cm.
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books
books
Publication:
Toulouse : Presses universitaires du Mirail : IRD éditions, 2011.
Toulouse : Presses universitaires du Mirail : IRD éditions, 2011.
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books
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$30.95
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Summary:
In "Havana beyond the Ruins," prominent architects, scholars, and writers based in and outside of Cuba analyze how Havana has been portrayed in literature, music, and the visual arts since Soviet subsidies of Cuba ceased, and the Cuban state has re-imagined Havana as a destination for international tourists and business ventures. Cuba's capital has experienced little(...)
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In "Havana beyond the Ruins," prominent architects, scholars, and writers based in and outside of Cuba analyze how Havana has been portrayed in literature, music, and the visual arts since Soviet subsidies of Cuba ceased, and the Cuban state has re-imagined Havana as a destination for international tourists and business ventures. Cuba's capital has experienced little(...)
Title:
Havana, beyond the ruins: cultural mappings after 1989
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In "Havana beyond the Ruins," prominent architects, scholars, and writers based in and outside of Cuba analyze how Havana has been portrayed in literature, music, and the visual arts since Soviet subsidies of Cuba ceased, and the Cuban state has re-imagined Havana as a destination for international tourists and business ventures. Cuba's capital has experienced little construction since the revolution of 1959; many of its citizens live in poorly maintained colonial and modernist dwellings. It is this Havana--of crumbling houses, old cars, and a romantic aura of ruined hopes--that is marketed in picture books, memorabilia, and films. Bringing together assessments of the city's dwellings and urban development projects, "Havana beyond the Ruins" provides unique insights into issues of memory, citizenship, urban life, and the future of the revolution in Cuba.
Havana, beyond the ruins: cultural mappings after 1989
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$30.95
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In "Havana beyond the Ruins," prominent architects, scholars, and writers based in and outside of Cuba analyze how Havana has been portrayed in literature, music, and the visual arts since Soviet subsidies of Cuba ceased, and the Cuban state has re-imagined Havana as a destination for international tourists and business ventures. Cuba's capital has experienced little construction since the revolution of 1959; many of its citizens live in poorly maintained colonial and modernist dwellings. It is this Havana--of crumbling houses, old cars, and a romantic aura of ruined hopes--that is marketed in picture books, memorabilia, and films. Bringing together assessments of the city's dwellings and urban development projects, "Havana beyond the Ruins" provides unique insights into issues of memory, citizenship, urban life, and the future of the revolution in Cuba.
Form:
books
books
Publication:
September 2011
September 2011
Subject:
Urban Theory
Urban Theory
