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This groundbreaking project summarizes how contemporary Indigenous photographers have taken over the conversation about how their cultures and lives are depicted through their dynamic embrace of three interwoven themes: Survivance, Nation and Indigenous Visuality. These photographers enact a key shift away from privileging settler-colonialism, foregrounding instead an(...)
$84.00
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Summary:
This groundbreaking project summarizes how contemporary Indigenous photographers have taken over the conversation about how their cultures and lives are depicted through their dynamic embrace of three interwoven themes: Survivance, Nation and Indigenous Visuality. These photographers enact a key shift away from privileging settler-colonialism, foregrounding instead an(...)
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Speaking with light: contemporary indigenous photography
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This groundbreaking project summarizes how contemporary Indigenous photographers have taken over the conversation about how their cultures and lives are depicted through their dynamic embrace of three interwoven themes: Survivance, Nation and Indigenous Visuality. These photographers enact a key shift away from privileging settler-colonialism, foregrounding instead an Indigenous sense of community and visuality. ''Speaking with Light'' reveals and examines these Indigenous artists’ explorations of themes such as identity, the contribution of customary practice to contemporary life, belonging and the assistance that Indigenous worldviews can provide to building healthier relationships with each other and the earth. The book comprises four sections bridged by transitions and ending with a globalization of the discussion. Texts by key Indigenous scholars are followed by a series of plates illustrating many of the exhibition works. ''Speaking with Light'' is a summary statement about the preoccupations and dynamism of Indigenous photography today.
Speaking with light: contemporary indigenous photography
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$84.00
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Summary:
This groundbreaking project summarizes how contemporary Indigenous photographers have taken over the conversation about how their cultures and lives are depicted through their dynamic embrace of three interwoven themes: Survivance, Nation and Indigenous Visuality. These photographers enact a key shift away from privileging settler-colonialism, foregrounding instead an Indigenous sense of community and visuality. ''Speaking with Light'' reveals and examines these Indigenous artists’ explorations of themes such as identity, the contribution of customary practice to contemporary life, belonging and the assistance that Indigenous worldviews can provide to building healthier relationships with each other and the earth. The book comprises four sections bridged by transitions and ending with a globalization of the discussion. Texts by key Indigenous scholars are followed by a series of plates illustrating many of the exhibition works. ''Speaking with Light'' is a summary statement about the preoccupations and dynamism of Indigenous photography today.
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books
books
Publication:
November 2023
November 2023
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Photography Collections
Photography Collections
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books
books
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$65.95
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Un photojournaliste, c'est d'abord un reporter qui écrit en images. La définition est simple et convoque immédiatement dans la mémoire collective une séries de noms et d'images entrés dans la postérité comme Robert Capa et la guerre d'Espagne ou Don McCullin et la guerre de Vietnam. Si les conflits, militaires ou sociaux, occupent toujours une place particulière dans le(...)
$65.95
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Un photojournaliste, c'est d'abord un reporter qui écrit en images. La définition est simple et convoque immédiatement dans la mémoire collective une séries de noms et d'images entrés dans la postérité comme Robert Capa et la guerre d'Espagne ou Don McCullin et la guerre de Vietnam. Si les conflits, militaires ou sociaux, occupent toujours une place particulière dans le(...)
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Ce monde-là : voyage aux frontières du photojournalisme
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Un photojournaliste, c'est d'abord un reporter qui écrit en images. La définition est simple et convoque immédiatement dans la mémoire collective une séries de noms et d'images entrés dans la postérité comme Robert Capa et la guerre d'Espagne ou Don McCullin et la guerre de Vietnam. Si les conflits, militaires ou sociaux, occupent toujours une place particulière dans le monde de photoreportage, le regard des photojournalistes s'est ouvert ces dernières décennies à d'autres réalités, développant des visions et des écritures plus singulières. Cet ouvrage réunit 134 photographes faisant oeuvre commune. Dans « Ce monde là », voyage unique à travers près de trente ans de photojournalisme, ils proposent une sélection personelle des images qu'ils on réalisées et qui ont marqué leurs parcours.
Ce monde-là : voyage aux frontières du photojournalisme
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Un photojournaliste, c'est d'abord un reporter qui écrit en images. La définition est simple et convoque immédiatement dans la mémoire collective une séries de noms et d'images entrés dans la postérité comme Robert Capa et la guerre d'Espagne ou Don McCullin et la guerre de Vietnam. Si les conflits, militaires ou sociaux, occupent toujours une place particulière dans le monde de photoreportage, le regard des photojournalistes s'est ouvert ces dernières décennies à d'autres réalités, développant des visions et des écritures plus singulières. Cet ouvrage réunit 134 photographes faisant oeuvre commune. Dans « Ce monde là », voyage unique à travers près de trente ans de photojournalisme, ils proposent une sélection personelle des images qu'ils on réalisées et qui ont marqué leurs parcours.
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books
books
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December 2022
December 2022
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Photography Collections
Photography Collections
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books
books
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$60.00
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This volume presents a selection of portraits of artists by three of the most prominent portrait artists of our time. Bringing together the diverse and distinctive work of Tacita Dean, Brigitte Lacombe, and Catherine Opie, this book forms an investigation into the charged genre of portraiture and its various approaches, navigating tensions between intimacy and(...)
$60.00
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Summary:
This volume presents a selection of portraits of artists by three of the most prominent portrait artists of our time. Bringing together the diverse and distinctive work of Tacita Dean, Brigitte Lacombe, and Catherine Opie, this book forms an investigation into the charged genre of portraiture and its various approaches, navigating tensions between intimacy and(...)
Title:
Face to face: Portraits of artists by Tacita Dean, Brigitte Lacombe, and Catherine Opie
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This volume presents a selection of portraits of artists by three of the most prominent portrait artists of our time. Bringing together the diverse and distinctive work of Tacita Dean, Brigitte Lacombe, and Catherine Opie, this book forms an investigation into the charged genre of portraiture and its various approaches, navigating tensions between intimacy and publicity. Published in conjunction with an exhibition at the International Center of Photography (ICP), New York, the book includes essays by the exhibition’s curator, Helen Molesworth, and the artist and writer Jarrett Earnest.
Face to face: Portraits of artists by Tacita Dean, Brigitte Lacombe, and Catherine Opie
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$60.00
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Summary:
This volume presents a selection of portraits of artists by three of the most prominent portrait artists of our time. Bringing together the diverse and distinctive work of Tacita Dean, Brigitte Lacombe, and Catherine Opie, this book forms an investigation into the charged genre of portraiture and its various approaches, navigating tensions between intimacy and publicity. Published in conjunction with an exhibition at the International Center of Photography (ICP), New York, the book includes essays by the exhibition’s curator, Helen Molesworth, and the artist and writer Jarrett Earnest.
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books
books
Publication:
January 2023
January 2023
Subject:
Photography Collections
Photography Collections
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books
books
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$71.50
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Coast to Coast presents an extraordinary journey—via rail, steamboat, automobile, and even horseback— of a continent just beginning to discover itself. Traveling through the great cities, magnificent landscapes, and highways of a bygone America, the book is illustrated with vintage photographs, posters, travel brochures, and other charming ephemera.
$71.50
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Summary:
Coast to Coast presents an extraordinary journey—via rail, steamboat, automobile, and even horseback— of a continent just beginning to discover itself. Traveling through the great cities, magnificent landscapes, and highways of a bygone America, the book is illustrated with vintage photographs, posters, travel brochures, and other charming ephemera.
Title:
Coast to coast: vintage travel in North America
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$71.50
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Coast to Coast presents an extraordinary journey—via rail, steamboat, automobile, and even horseback— of a continent just beginning to discover itself. Traveling through the great cities, magnificent landscapes, and highways of a bygone America, the book is illustrated with vintage photographs, posters, travel brochures, and other charming ephemera.
Coast to coast: vintage travel in North America
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$71.50
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Summary:
Coast to Coast presents an extraordinary journey—via rail, steamboat, automobile, and even horseback— of a continent just beginning to discover itself. Traveling through the great cities, magnificent landscapes, and highways of a bygone America, the book is illustrated with vintage photographs, posters, travel brochures, and other charming ephemera.
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books
books
Publication:
October 2009
October 2009
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Photography Collections
Photography Collections
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books
books
Title:
New Topographics
New Topographics
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The New Topographics: Photographs of a Man-Altered Landscape was one of those rare exhibitions that permanently alters how an art form is perceived. Held at the International Museum of Photography in Rochester, New York, in January 1975, curator William Jenkins brought together ten contemporary photographers: Robert Adams, Lewis Baltz, Bernd and Hilla Becher, Joe Deal,(...)
$85.00
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Summary:
The New Topographics: Photographs of a Man-Altered Landscape was one of those rare exhibitions that permanently alters how an art form is perceived. Held at the International Museum of Photography in Rochester, New York, in January 1975, curator William Jenkins brought together ten contemporary photographers: Robert Adams, Lewis Baltz, Bernd and Hilla Becher, Joe Deal,(...)
Title:
New Topographics
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Summary:
The New Topographics: Photographs of a Man-Altered Landscape was one of those rare exhibitions that permanently alters how an art form is perceived. Held at the International Museum of Photography in Rochester, New York, in January 1975, curator William Jenkins brought together ten contemporary photographers: Robert Adams, Lewis Baltz, Bernd and Hilla Becher, Joe Deal, Frank Gohlke, Nicholas Nixon, John Schott, Stephen Shore and Henry Wessel, Jr. Signaling the emergence of a new approach to landscape, New Topographics has since come to be understood as marking a paradigm shift, for the show occurred just as photography ceased to be an isolated, self-defined practice and took its place within the contemporary art world. In this vital reassessment of the genre, essays by Britt Salvesen and Alison Nordström accompany illustrations of selected works from the 1975 exhibition, with installation views and contextual comparisons, to demonstrate both the historical significance of New Topographics and its continued relevance today.
New Topographics
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$85.00
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Summary:
The New Topographics: Photographs of a Man-Altered Landscape was one of those rare exhibitions that permanently alters how an art form is perceived. Held at the International Museum of Photography in Rochester, New York, in January 1975, curator William Jenkins brought together ten contemporary photographers: Robert Adams, Lewis Baltz, Bernd and Hilla Becher, Joe Deal, Frank Gohlke, Nicholas Nixon, John Schott, Stephen Shore and Henry Wessel, Jr. Signaling the emergence of a new approach to landscape, New Topographics has since come to be understood as marking a paradigm shift, for the show occurred just as photography ceased to be an isolated, self-defined practice and took its place within the contemporary art world. In this vital reassessment of the genre, essays by Britt Salvesen and Alison Nordström accompany illustrations of selected works from the 1975 exhibition, with installation views and contextual comparisons, to demonstrate both the historical significance of New Topographics and its continued relevance today.
Form:
books
books
Publication:
January 2010
January 2010
Subject:
Photography Collections
Photography Collections
Form:
books
books
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$75.00
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Summary:
While the public’s acceptance of photographs as visual evidence made documentary photography possible, canny interventions employed by image makers and their editors alternately exploit and dismantle assumptions of the medium’s transparency, testing our wish to see pictures inspire social change. Among the photographers included in the exhibition and book are Berenice(...)
$75.00
(available to order)
Summary:
While the public’s acceptance of photographs as visual evidence made documentary photography possible, canny interventions employed by image makers and their editors alternately exploit and dismantle assumptions of the medium’s transparency, testing our wish to see pictures inspire social change. Among the photographers included in the exhibition and book are Berenice(...)
Subject:
Photography Collections
Photography Collections
Publication:
January 2018
January 2018
Title:
Subjective objective: a century of social photography
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While the public’s acceptance of photographs as visual evidence made documentary photography possible, canny interventions employed by image makers and their editors alternately exploit and dismantle assumptions of the medium’s transparency, testing our wish to see pictures inspire social change. Among the photographers included in the exhibition and book are Berenice Abbott, Max Alpert, William Castellana, Walker Evans, Larry Fink, LaToya Ruby Frazier, Lewis Hine, Boris Ignatovich, Dorothea Lange, Igor Moukhin, Gordon Parks, Alexander Rodchenko, Arthur Rothstein, Sebastião Salgado, Arkady Shaikhet, Aaron Siskind, W. Eugene Smith, Weegee et al.
Subjective objective: a century of social photography
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$75.00
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Summary:
While the public’s acceptance of photographs as visual evidence made documentary photography possible, canny interventions employed by image makers and their editors alternately exploit and dismantle assumptions of the medium’s transparency, testing our wish to see pictures inspire social change. Among the photographers included in the exhibition and book are Berenice Abbott, Max Alpert, William Castellana, Walker Evans, Larry Fink, LaToya Ruby Frazier, Lewis Hine, Boris Ignatovich, Dorothea Lange, Igor Moukhin, Gordon Parks, Alexander Rodchenko, Arthur Rothstein, Sebastião Salgado, Arkady Shaikhet, Aaron Siskind, W. Eugene Smith, Weegee et al.
Form:
books
books
Publication:
January 2018
January 2018
Subject:
Photography Collections
Photography Collections
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books
books
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$61.95
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John Ruskin was an influential English art critic and social thinker of the Victorian era, who famously argued that the principal concern of the artist is “truth to nature.” For Ruskin, this truth entailed more than merely adept technical representation, but rather, should depict the natural world as mankind experiences it, with all the sensations of both beauty and(...)
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Summary:
John Ruskin was an influential English art critic and social thinker of the Victorian era, who famously argued that the principal concern of the artist is “truth to nature.” For Ruskin, this truth entailed more than merely adept technical representation, but rather, should depict the natural world as mankind experiences it, with all the sensations of both beauty and(...)
Title:
Landscapes after Ruskin: redefining the sublime
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John Ruskin was an influential English art critic and social thinker of the Victorian era, who famously argued that the principal concern of the artist is “truth to nature.” For Ruskin, this truth entailed more than merely adept technical representation, but rather, should depict the natural world as mankind experiences it, with all the sensations of both beauty and terror it elicits. Today, in a world overwhelmed by industrial development and environmental uncertainty, contemporary artists are discovering new beauties and terrors associated with nature, invoking a sense of the sublime that is uniquely modern. "Landscapes after Ruskin" explores how a joyful experience of nature is now mixed with a particular dread as the earth and its atmosphere are increasingly touched by human activity.
Landscapes after Ruskin: redefining the sublime
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$61.95
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Summary:
John Ruskin was an influential English art critic and social thinker of the Victorian era, who famously argued that the principal concern of the artist is “truth to nature.” For Ruskin, this truth entailed more than merely adept technical representation, but rather, should depict the natural world as mankind experiences it, with all the sensations of both beauty and terror it elicits. Today, in a world overwhelmed by industrial development and environmental uncertainty, contemporary artists are discovering new beauties and terrors associated with nature, invoking a sense of the sublime that is uniquely modern. "Landscapes after Ruskin" explores how a joyful experience of nature is now mixed with a particular dread as the earth and its atmosphere are increasingly touched by human activity.
Form:
books
books
Publication:
June 2018
June 2018
Subject:
Photography Collections
Photography Collections
Form:
books
books
Price:
$68.95
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Summary:
The New Photography in Japan, influenced by Germany’s ‘Neue Sachlichkeit’, the New Objectivity, and surrealism, differed strikingly from the pictorialism that had been the leading form of art photography prior to 1930. ‘Koga’ was a small-press magazine that remained in print for less than two years, yet featured a number of amateur photographers, largely from the Kansai(...)
$68.95
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Summary:
The New Photography in Japan, influenced by Germany’s ‘Neue Sachlichkeit’, the New Objectivity, and surrealism, differed strikingly from the pictorialism that had been the leading form of art photography prior to 1930. ‘Koga’ was a small-press magazine that remained in print for less than two years, yet featured a number of amateur photographers, largely from the Kansai(...)
Title:
The magazine & The New Photography: Koga and Japanese modernism
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$68.95
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The New Photography in Japan, influenced by Germany’s ‘Neue Sachlichkeit’, the New Objectivity, and surrealism, differed strikingly from the pictorialism that had been the leading form of art photography prior to 1930. ‘Koga’ was a small-press magazine that remained in print for less than two years, yet featured a number of amateur photographers, largely from the Kansai region, who became a driving force behind the New Photography movement. The catalogue for an exhibition featuring photographs printed in ‘Koga’, this publication examines the influence of foreign photographers on the New Photography and subsequent modes of photographic expression in Japan.
The magazine & The New Photography: Koga and Japanese modernism
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$68.95
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Summary:
The New Photography in Japan, influenced by Germany’s ‘Neue Sachlichkeit’, the New Objectivity, and surrealism, differed strikingly from the pictorialism that had been the leading form of art photography prior to 1930. ‘Koga’ was a small-press magazine that remained in print for less than two years, yet featured a number of amateur photographers, largely from the Kansai region, who became a driving force behind the New Photography movement. The catalogue for an exhibition featuring photographs printed in ‘Koga’, this publication examines the influence of foreign photographers on the New Photography and subsequent modes of photographic expression in Japan.
Form:
books
books
Publication:
March 2018
March 2018
Subject:
Photography Collections
Photography Collections
Form:
books
books
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$58.95
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The film "Il deserto rosso" (The Red Desert) by Michelangelo Antonioni, produced in the industrial region around Ravenna, Italy, in 1964, is considered one of the most important works in contemporary film history. Because of its innovative use of color, uncomfortably slow pacing, and existential environment, the film has long held appeal to filmmakers, artists, and(...)
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Summary:
The film "Il deserto rosso" (The Red Desert) by Michelangelo Antonioni, produced in the industrial region around Ravenna, Italy, in 1964, is considered one of the most important works in contemporary film history. Because of its innovative use of color, uncomfortably slow pacing, and existential environment, the film has long held appeal to filmmakers, artists, and(...)
Title:
In reference to: Red Desert by Michelangelo Antonioni. The streets, the factories, the colors, the sky, the people
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The film "Il deserto rosso" (The Red Desert) by Michelangelo Antonioni, produced in the industrial region around Ravenna, Italy, in 1964, is considered one of the most important works in contemporary film history. Because of its innovative use of color, uncomfortably slow pacing, and existential environment, the film has long held appeal to filmmakers, artists, and photographers. As a response to the film, a joint endeavor between the students at the Academy of fine Arts, Leipzig, led by artists and professors Joachim Brohm and Anna voswinckel, with the photo initiatives Linea di Confine and Osservatorio fotografico, Italy, were asked to create an exhibition of living photographers influenced by the film. The catalog features more than thirty photographers, all associated in some way with the university and photo initiatives. The photographers were asked to provide their reaction to the film along with their associated images. The project was then exhibited at SK Stiftung Kultur (Cologne, September 2017January 2018). Among the featured artists are Joachim Brohm, Guido Guidi, Valentina Seidel, and Francesco Neri.
In reference to: Red Desert by Michelangelo Antonioni. The streets, the factories, the colors, the sky, the people
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$58.95
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Summary:
The film "Il deserto rosso" (The Red Desert) by Michelangelo Antonioni, produced in the industrial region around Ravenna, Italy, in 1964, is considered one of the most important works in contemporary film history. Because of its innovative use of color, uncomfortably slow pacing, and existential environment, the film has long held appeal to filmmakers, artists, and photographers. As a response to the film, a joint endeavor between the students at the Academy of fine Arts, Leipzig, led by artists and professors Joachim Brohm and Anna voswinckel, with the photo initiatives Linea di Confine and Osservatorio fotografico, Italy, were asked to create an exhibition of living photographers influenced by the film. The catalog features more than thirty photographers, all associated in some way with the university and photo initiatives. The photographers were asked to provide their reaction to the film along with their associated images. The project was then exhibited at SK Stiftung Kultur (Cologne, September 2017January 2018). Among the featured artists are Joachim Brohm, Guido Guidi, Valentina Seidel, and Francesco Neri.
Form:
books
books
Publication:
May 2018
May 2018
Subject:
Photography Collections
Photography Collections
Form:
books
books
Title:
Eye on the West
Eye on the West
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The histories of the North American West and photography have been intertwined since photography reached America. From the middle of the 19th century, images of the West have continuously played a significant role in defining the ways the region is perceived not only within America but around the world. "Eye on the West" presents the work of seventeen contemporary(...)
$65.00
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Summary:
The histories of the North American West and photography have been intertwined since photography reached America. From the middle of the 19th century, images of the West have continuously played a significant role in defining the ways the region is perceived not only within America but around the world. "Eye on the West" presents the work of seventeen contemporary(...)
Title:
Eye on the West
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$65.00
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The histories of the North American West and photography have been intertwined since photography reached America. From the middle of the 19th century, images of the West have continuously played a significant role in defining the ways the region is perceived not only within America but around the world. "Eye on the West" presents the work of seventeen contemporary photographers of the West, including David Plowden, Laura McPhee, Miguel Gandert, Karen Halverson, Toba Tucker, Richard Buswell, John Willis, David Ottenstein, Lauren Henkin, and Will Wilson. Beautiful reproductions of 34 photographs are accompanied by brief essays by George Miles and by the artists themselves, contributing to multiple conversations about how visual art continues to reflect and shape our understanding of Western American society, culture, and politics.
Eye on the West
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$65.00
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The histories of the North American West and photography have been intertwined since photography reached America. From the middle of the 19th century, images of the West have continuously played a significant role in defining the ways the region is perceived not only within America but around the world. "Eye on the West" presents the work of seventeen contemporary photographers of the West, including David Plowden, Laura McPhee, Miguel Gandert, Karen Halverson, Toba Tucker, Richard Buswell, John Willis, David Ottenstein, Lauren Henkin, and Will Wilson. Beautiful reproductions of 34 photographs are accompanied by brief essays by George Miles and by the artists themselves, contributing to multiple conversations about how visual art continues to reflect and shape our understanding of Western American society, culture, and politics.
Form:
books
books
Publication:
September 2018
September 2018
Subject:
Photography Collections
Photography Collections
