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Wallace Neff may have been the preeminent architect of Spanish colonial-revival houses in Southern California. Neff was an inventive designer who was not only adept at manipulating traditional styles to please famous, wealthy clients like Cary Grant, Claudette Colbert, and Darryl Zanuck; he was also a pioneer in low-cost housing and pneumatic building. The Bubble House,(...)
Wallace Neff and the grand houses of the golden state
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Wallace Neff may have been the preeminent architect of Spanish colonial-revival houses in Southern California. Neff was an inventive designer who was not only adept at manipulating traditional styles to please famous, wealthy clients like Cary Grant, Claudette Colbert, and Darryl Zanuck; he was also a pioneer in low-cost housing and pneumatic building. The Bubble House, as his best-known Airform structure was fondly nicknamed, had a social vision as compelling as that of any modernist housing project. "Wallace Neff and the grand houses of the golden state" tells the life story of this architect, who was raised as Southern California aristocracy - an heir to one of the founders of Rand McNally & Company -- and grew up to influence the course of architectural history in California. Illustrated throughout with black-and-white archival photographs that document Neff's family life and professional accomplishments, journalist Diane Kanner's compelling narrative offers a behind-the-scenes look at the development of residential architecture in Southern California.
Architecture Monographs
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Coffee, tea, and chocolate were all the rage in Enlightenment Europe. These fashionable beverages profoundly shaped modes of sociability and patterns of consumption, yet none of the plants required for their preparation was native to the continent: coffee was imported from the Levant, tea from Asia, and chocolate from Mesoamerica. Their introduction to 17th-century Europe(...)
Coffee, tea, and chocolate: consuming the world
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Coffee, tea, and chocolate were all the rage in Enlightenment Europe. These fashionable beverages profoundly shaped modes of sociability and patterns of consumption, yet none of the plants required for their preparation was native to the continent: coffee was imported from the Levant, tea from Asia, and chocolate from Mesoamerica. Their introduction to 17th-century Europe revolutionized drinking habits and social customs. It also spurred an insatiable demand for specialized vessels such as hot beverage services and tea canisters, coffee cups and chocolate pots. This beautiful book demonstrates how the paraphernalia associated with coffee, tea, and chocolate can eloquently evoke the culture of these new beverages and the material pleasures that surrounded them. Contributors address such topics as the politics of coffee consumption in 18th-century Germany; 18th-century visual satires on the European consumption of tea, coffee, and chocolate; and the design history of coffee pots in the United States between the colonial period and the present.
Food
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A protocol drawn up long ago in 1945 by Otto Koenigsberger, adopted in nearly one hundred instances in India and in more than half the world, provides the framework and rules for the planning of the prototypes of planned cities, and tells us that the so-called "participative architecture" aimed at intercultural inclusion, originated in the post-colonial territories(...)
Warm modernity: Indian architecture building democracy
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A protocol drawn up long ago in 1945 by Otto Koenigsberger, adopted in nearly one hundred instances in India and in more than half the world, provides the framework and rules for the planning of the prototypes of planned cities, and tells us that the so-called "participative architecture" aimed at intercultural inclusion, originated in the post-colonial territories between India and Africa. The catalogue, the fruition of a 5-year long Italian-Indian research, illustrates the consequences of democratic choice in independent India, its factual existence and its globalized outcomes, present even today. Presented in the installation, are four examples of Democratic New Towns – Jamshedpur, Bhubaneswar, Faridabad and Chandigarh- outcomes of the interface between the experiences of Frey, Drew and Le Corbusier and the ideas of their Indian counterparts, Varma, Doshi, Correa, Rewal. The cities are analytically described and documented through photographs of their present condition, preserved as the modern protected areas in Europe.
Arch Middle East
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The years around 1700 were marked by transformations in European and colonial capital cities. This era saw the creation not only of palatial complexes and urban spaces appropriate to autocratic power, but also of essential infrastructure such as roads, ports, and fortifications. In addition, many of the civic structures and background buildings that form the familiar(...)
Circa 1700 : architecture in Europe and the Americas
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The years around 1700 were marked by transformations in European and colonial capital cities. This era saw the creation not only of palatial complexes and urban spaces appropriate to autocratic power, but also of essential infrastructure such as roads, ports, and fortifications. In addition, many of the civic structures and background buildings that form the familiar urban images of the eighteenth century date from this period. In all of this activity, architects and architectural ideas, formed mostly in Italy and influenced by the baroque architecture of Rome, especially the late works of Francesco Borromini and Gian Lorenzo Bernini, played a central role. Twelve contributors provide a comprehensive look at the design, renewal, and expansion of capitals and countries including Naples, Rome, Vienna, Stockholm, Saint Petersburg, England, Amsterdam, Cádiz, Lisbon, Quebec City, and Lima. The result is a fascinating cross section that allows a comparative reading of baroque architecture: from country to country, from region to region, and from the Old World to the New.
History until 1900
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The moment human fingertips lifted from the ground, upright walking became a privilege rather than a mere posture. The liberated hands could now be used to create tools for defense and hunting. The pupils’ gazes shifted from a level view to a downward perspective, a physical change that also translated into an awareness that overlooked other species. The spine, situated(...)
te magazine no.4: Spinal Memory
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The moment human fingertips lifted from the ground, upright walking became a privilege rather than a mere posture. The liberated hands could now be used to create tools for defense and hunting. The pupils’ gazes shifted from a level view to a downward perspective, a physical change that also translated into an awareness that overlooked other species. The spine, situated at the center of the human body, acts like a covert ruler, measuring the scale of evolution and supporting the illusion of being "human-centric." Thus, humans stand, placing themselves far above all other creatures. Following this profound gestural revolution came the imagination and manipulation of non-human animals (the Others), turning them into livestock and companions, as their wildness was rewritten as docility. Their bodies became resources to be medicated and refined, transforming into instruments for milk and nutritious meat production. They became basic knowledge and research data, linking humanity’s ever-expanding and illusory colonial territories.
Magazines
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Known for her monumental wooden wall pieces and outdoor sculptures, Louise Nevelson (1899–1988) was a towering figure in twentieth-century American art. A more nuanced picture of Nevelson emerges in ''The world outside: Louise Nevelson at midcentury''. Discussions about Nevelson’s early involvement with modern dance and subsequent immersion in avant-garde theater bring(...)
The world outside: Louise Nevelson at midcentury
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Known for her monumental wooden wall pieces and outdoor sculptures, Louise Nevelson (1899–1988) was a towering figure in twentieth-century American art. A more nuanced picture of Nevelson emerges in ''The world outside: Louise Nevelson at midcentury''. Discussions about Nevelson’s early involvement with modern dance and subsequent immersion in avant-garde theater bring new understandings of her drawings and sculptures. A reframing of her travels to Mexico and Guatemala in the early 1950s demonstrates, for the first time, how colonial archaeology haunted her visual language for decades. Other little-known facets of Nevelson’s life—her interest in folk art, architecture, and period furniture—open up a conversation about the artist’s approach to America’s past material culture.The book also reconsiders Nevelson’s work in the context of the environmental movement. Additionally, three contemporary artists relate Nevelson’s role in their careers and lives, a local expert describes her roots and relationship to Maine, and the artist’s granddaughter shares thoughts on Nevelson’s spirituality.
Contemporary Art Monographs
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''Humane ecology: Eight positions'' features a group of contemporary artists who consider the intertwined natural and social dimensions of environmental questions: Eddie Rodolfo Aparicio, Korakrit Arunanondchai, Carolina Caycedo, Allison Janae Hamilton, Juan Antonio Olivares, Christine Howard Sandoval, Pallavi Sen, and Kandis Williams. These artists—through their work in(...)
September 2023
Humane ecology: Eight positions
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''Humane ecology: Eight positions'' features a group of contemporary artists who consider the intertwined natural and social dimensions of environmental questions: Eddie Rodolfo Aparicio, Korakrit Arunanondchai, Carolina Caycedo, Allison Janae Hamilton, Juan Antonio Olivares, Christine Howard Sandoval, Pallavi Sen, and Kandis Williams. These artists—through their work in sculpture, video, sound installation, and plantings—think in the relational terms implied by ecology, the study of how organisms relate to one another and their environment. They explore themes such as the extraction and exploitation of both places and people, kinships with the more-than-human world, and ancient traditions of relation to the land that take on new urgency and form. Against posthumanist tendencies to “decenter” the human, these artists center different humans, ones routinely excluded from dominant discourses of environmentalism. The publication presents entries on each artist in addition to scholarly essays on the exhibition concept, genealogies of land art, and settler colonial histories of the Berkshires.
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Environments associated with migration are often seen as provisional, lacking history or architecture. As Anooradha Iyer Siddiqi demonstrates in "Architecture of migration," a refugee camp's aesthetic and material landscapes-even if born out of emergency-reveal histories, futures, politics, and rhetorics. She identifies forces of colonial and humanitarian settlement,(...)
Architecture of migration: The Dadaab Refugee Camps and Humanitarian Settlement
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Environments associated with migration are often seen as provisional, lacking history or architecture. As Anooradha Iyer Siddiqi demonstrates in "Architecture of migration," a refugee camp's aesthetic and material landscapes-even if born out of emergency-reveal histories, futures, politics, and rhetorics. She identifies forces of colonial and humanitarian settlement, tracing spatial and racial politics in the Dadaab refugee camps established in 1991 on the Kenya-Somalia border-at once a dense setting that manifests decades of architectural, planning, and design initiatives and a much older constructed environment that reflects its own ways of knowing. She moves beyond ahistorical representations of camps and their inhabitants by constructing a material and visual archive of Dadaab, finding long migratory traditions in the architecture, spatial practices, landscapes, and iconography of refugees and humanitarians. Countering conceptualizations of refugee camps as sites of border transgression, criminality, and placelessness, Siddiqi instead theorizes them as complex settlements, ecologies, and material archives created through histories of partitions, sedentarizations, domesticities, and migrations.
Architectural Theory
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With more than fifty contributors, ''Indigenous critical reflections on traditional ecological knowledge'' offers important perspectives by Indigenous Peoples on Traditional Ecological Knowledge and Indigenous value systems. The book aims to educate and inspire readers about the importance of decolonizing how Indigenous Knowledges are considered and used outside of Native(...)
Indigenous critical reflections on traditional ecological knowledge
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With more than fifty contributors, ''Indigenous critical reflections on traditional ecological knowledge'' offers important perspectives by Indigenous Peoples on Traditional Ecological Knowledge and Indigenous value systems. The book aims to educate and inspire readers about the importance of decolonizing how Indigenous Knowledges are considered and used outside of Native communities. By including the work of Indigenous storytellers, poets, and scholars from around the globe, editor Lara Jacobs and chapter authors effectively explore the Indigenous value systems-relationships, reciprocity, and responsibility-that are fundamental to Indigenous Knowledge systems and cultures. Indigenous languages and positionality statements are featured for each of the contributors to frame their cultural and geographical background and to allow each Indigenous voice to lead discussions and contribute critical discourse to the literature on Indigenous Knowledges and value systems. By creating space for each of these individual voices, this volume challenges colonial extraction norms and highlights the importance of decolonial methods in understanding and protecting Indigenous Knowledges.
indigenous
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Just like the rebels in Star Wars fighting for freedom against oppressive forces, urban planner, architect and political scientist Caroline Newton was drawn to the struggles over space and rights around the world. Over the years, her work has been driven by a desire to understand – and intervene in – the spatial conditions that shape human lives and social relations.(...)
Envisioning spatial justice: Explorations, Reflections, Design
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Just like the rebels in Star Wars fighting for freedom against oppressive forces, urban planner, architect and political scientist Caroline Newton was drawn to the struggles over space and rights around the world. Over the years, her work has been driven by a desire to understand – and intervene in – the spatial conditions that shape human lives and social relations. Envisioning Spatial Justice is both a reflection and a proposition. It synthesises insights accumulated through research and teaching and from years of collaborating with students whose graduation projects placed justice at the core of their spatial investigations. Structured around theory, reflection, and design, the book explores what it means to design with justice in mind. Challenging neoliberal paradigms and drawing on feminist, post-colonial, and radical urban theory, it insists on the political power of imagination. Part provocation, part toolkit, part manifesto, "Envisioning spatial justice" speaks to urbanists, designers, educators, and activists committed to co-creating more just and inclusive futures.