books
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xxii, 513 pages : illustrations (some color), maps ; 31 cm.
Roma : Ministero per i beni e le attività culturali, Direzione generale per gli archivi, 2003.
Le case del fascio in Italia e nelle terre d'oltremare / Flavio Mangione.
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Description:
xxii, 513 pages : illustrations (some color), maps ; 31 cm.
books
Roma : Ministero per i beni e le attività culturali, Direzione generale per gli archivi, 2003.
This house is not a home
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After a hunting trip one fall, a family in the far reaches of so-called Canada’s north return to nothing but an empty space where their home once stood. Finding themselves suddenly homeless, they have no choice but to assimilate into settler-colonial society in a mining town that has encroached on their freedom.This intergenerational coming-of-age novel follows Ko`, a(...)
This house is not a home
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After a hunting trip one fall, a family in the far reaches of so-called Canada’s north return to nothing but an empty space where their home once stood. Finding themselves suddenly homeless, they have no choice but to assimilate into settler-colonial society in a mining town that has encroached on their freedom.This intergenerational coming-of-age novel follows Ko`, a Dene man who grew up entirely on the land before being taken to residential school. When he finally returns home, he struggles to connect with his family: his younger brother whom he has never met, his mother because he has lost his language, and an absent father whose disappearance he is too afraid to question. The third book from acclaimed Dene, Cree and Metis writer Katlià, this is a fictional story based on true events, presenting a clear trajectory of how settlers dispossessed Indigenous Peoples of their land — and how Indigenous communities, with dignity and resilience, continue to live and honour their culture, values, inherent knowledge systems, and Indigenous rights towards re-establishing sovereignty.
indigenous
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First observed in 1950s London, and theorised by leading thinkers such as Ruth Glass, Jane Jacobs and Sharon Zukin, the devastating process of displacement now can be found in every city and most neighbourhoods and impacts the most vulnerable communities. Leslie Kern proposes an intersectional way at looking at the crisis that seek to reveal the violence based on class,(...)
Gentrification is inevitable, and other lies
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First observed in 1950s London, and theorised by leading thinkers such as Ruth Glass, Jane Jacobs and Sharon Zukin, the devastating process of displacement now can be found in every city and most neighbourhoods and impacts the most vulnerable communities. Leslie Kern proposes an intersectional way at looking at the crisis that seek to reveal the violence based on class, race, gender and sexuality. She argues that gentrification is not natural That it can not be understood in economics terms, or by class. That it is not a question of taste. That it can only be measured only by the physical displacement of certain people. Rather, she argues, it is an continuation of the setter colonial project that removed natives from their land. And it can be seen today is rising rents and evictions, transformed retail areas, increased policing and broken communities. Kern proposes a genuinely decolonial, feminist, queer, anti-gentrification. One that demands the right to the city for everyone and the return of land and reparations for those who have been displaced.
Humans and cities
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In Nairobi’s underserved neighborhoods, “hustle” has emerged as both a vital survival strategy and a way of life for youth. Exploring the multiple meanings and manifestations of the hustle economy across different scenarios of provisioning, distribution, exchange, learning, and mobilizing, ''Hustle Urbanism'' draws on more than a decade of ethnographic engagement to(...)
Hustle urbanism: Making life work in Nairobi
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In Nairobi’s underserved neighborhoods, “hustle” has emerged as both a vital survival strategy and a way of life for youth. Exploring the multiple meanings and manifestations of the hustle economy across different scenarios of provisioning, distribution, exchange, learning, and mobilizing, ''Hustle Urbanism'' draws on more than a decade of ethnographic engagement to center the logics, perspectives, and inventive strategies of a group of youth who constantly navigate job scarcity, inadequate basic services, and climate-induced harms. Tatiana Thieme shows how young people develop tools of resistance against the legacies of colonial violence and uneven urban development while carving out spaces of opportunity for themselves and their peers. The stories she includes bring thick ethnographic detail and longitudinal perspective to the lives and livelihoods of youth whose diverse skill sets and knowledges span from circular economies and eco-activism to hip hop and local leadership. Filling a significant gap in both existing scholarship and popular discussion, ''Hustle Urbanism'' offers critical theorization of precarious urban environments and the affirmative modes of making life work in the city against the odds.
Urban Theory
The witch studies reader
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Stories about witches are by their nature stories about the most basic and profound of human experiences—healing, sex, violence, tragedies, aging, death, and encountering the mystery and magic of the unknown. It is no surprise, then, that witches loom large in our cultural imaginations. In academia, studies of witches rarely emerge from scholars who are themselves witches(...)
The witch studies reader
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Stories about witches are by their nature stories about the most basic and profound of human experiences—healing, sex, violence, tragedies, aging, death, and encountering the mystery and magic of the unknown. It is no surprise, then, that witches loom large in our cultural imaginations. In academia, studies of witches rarely emerge from scholars who are themselves witches and/or embedded in communities of witchcraft practitioners. ''The Witch Studies Reader'' brings together a diverse group of scholars, practitioners, and scholar-practitioners who examine witchcraft from a critical decolonial feminist perspective that decenters Europe and departs from exoticizing and pathologizing writing on witchcraft in the global South. The authors show how witches are keepers of suppressed knowledges, builders of new futures, exemplars of praxis, and theorists in their own right. Throughout, they account for the vastly different national, political-economic, and cultural contexts in which “the witch” is currently being claimed and repudiated. Offering a pathbreaking transnational feminist examination of witches and witchcraft that upends white supremacist, colonial, patriarchal knowledge regimes, this volume brings into being the interdisciplinary field of feminist witch studies.
Social
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A monographic publication featuring multilingual text-film transcripts engaging with the legacy of the German colonial project in Cameroon and Germany, as well as broader questions of border crossings, asylum, and exclusion.The works collected for this publication span installation, video art, and ciné-poems, emerging from anti-racist movements and debates around(...)
Contemporary Art Monographs
February 2026
Brigitta Kuster: Territoires / Territories / Territorien – Filmtranskripte
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A monographic publication featuring multilingual text-film transcripts engaging with the legacy of the German colonial project in Cameroon and Germany, as well as broader questions of border crossings, asylum, and exclusion.The works collected for this publication span installation, video art, and ciné-poems, emerging from anti-racist movements and debates around disidentification, representation, and institutional critique—through the medium of moving images. A key part of the publication comprises films created in French and German as part of the research project ''Choix d'un passé'', in collaboration with Moïse Merlin Mabouna. These films are accompanied by textual and visual sequences from the video works S. – ''Je suis, je lis à haute voix and Erase them!'' – The image as it is falling apart into looks. The reader series ''Scriptings: Political Scenarios'', edited by Achim Lengerer, publishes carefully selected scripts and texts by artists that refer neither to academic forms nor to purely literary forms of writing, but rather embed "text" as a fully integral part of contemporary political and visual art practice.
Contemporary Art Monographs
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Has corporate business overtaken the art world? It's no secret that art and business have always mixed, but their relationship today sparks more questions than ever. "Museum, inc." describes the new art conglomerates from an insider's perspective, probing how their roots run deep into corporate culture. Paul Werner draws on his nine years at the Guggenheim Museum to(...)
Museum, inc : inside the global art world
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Has corporate business overtaken the art world? It's no secret that art and business have always mixed, but their relationship today sparks more questions than ever. "Museum, inc." describes the new art conglomerates from an insider's perspective, probing how their roots run deep into corporate culture. Paul Werner draws on his nine years at the Guggenheim Museum to reveal that contemporary art museums have not broken radically with the past, as often claimed. Rather, Werner observes, they are the logical outcome of the evolution of cultural institutions rooted in the eighteenth-century Enlightenment, the colonial expansion of the liberal nation-state, and the rhetoric of democracy. Werner critically analyzes today's art institutions and reframes the public's accepted view of them, exposing how their apparent success belies the troubling forces operating within them. He ultimately argues that the art museum we know and love may have already run its course. An engaging discourse structured as an informal gallery talk, "Museum, inc." is a thought-provoking and passionate polemic that offers ideas for a new, more democratic museum.
Museums and Universal Exhibitions
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The iconic architecture of the brutalist modernist megastructure of Simon Fraser University in Vancouver, Canada built by architect Arthur Erickson in the 1960s is the site of the artistic research project into the history of this "radical campus" and its built environment by Vancouver and Vienna based artists Sabine Bitter and Helmut Weber. The collaborative research(...)
Unsettling educational modernism: Simon Fraser University
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The iconic architecture of the brutalist modernist megastructure of Simon Fraser University in Vancouver, Canada built by architect Arthur Erickson in the 1960s is the site of the artistic research project into the history of this "radical campus" and its built environment by Vancouver and Vienna based artists Sabine Bitter and Helmut Weber. The collaborative research group, "Guests and Hosts", formed by Bitter & Weber and Métis scholar June Scudeler including Métis scholar and student Treena Chambers, Kanien’kehá:ka Mohawk student Toni-Leah Yake, as well as Rachel Warwick and Hannah Campbell, has challenged the narrative of the radical campus, so called because it was informed by experimental concepts of learning and teaching. Using the spaces of a settler colonial institution, the project shifts perspectives by unsettling and challenging western- based concepts of pedagogy and knowledge. Combining archival photographic material, architectural photographs by the artists, and interventions into the institutional spaces by Guests and Hosts, the project performs the claim for places rather than spaces for Indigenous ways of knowing and learning.
Canadian Architects
te magazine n.3: Mirroring
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Much in our life at this moment is often marked by an absence of clarity. Many have experienced a malaise and come to know its persistence. We seem to have become used to stasis and theoretical discussions, lingering in silence and hoping from time to time for something extraordinary to happen. Yet it might also have been a blessing; an opportunity to free ourselves from(...)
te magazine n.3: Mirroring
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Much in our life at this moment is often marked by an absence of clarity. Many have experienced a malaise and come to know its persistence. We seem to have become used to stasis and theoretical discussions, lingering in silence and hoping from time to time for something extraordinary to happen. Yet it might also have been a blessing; an opportunity to free ourselves from overarching narratives, to direct our attention to the individual, the local, and to subjects that have long been part of our own lives—a more agile, intuitive mindset. The third issue of te magazine took shape in this context, and chose to confront experiences of 'plight'—plight of the persecuted, of the artists, of the forgotten, and of those living with colonial legacies. How might we, as individuals, transmute plights in order to learn to live in this world? If each piece in this issue can be said to propose a mode of healing, the aim is not only about specific pathologies, but rather to recommend adjustments and defenses in moments of crisis.
Magazines
Louisville guide
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Louisville is one of the overlooked gems of American architecture, a city of Southern charm and grace with a catalogue of buildings by such masters as D.H. Burnham, Bruce Goff, and Herb Greene. An important destination for people interested in everything from colonial to postmodern architecture, this riverfront city is historically rich, while being beautifully planned(...)
City Guides
August 2004, New York
Louisville guide
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Louisville is one of the overlooked gems of American architecture, a city of Southern charm and grace with a catalogue of buildings by such masters as D.H. Burnham, Bruce Goff, and Herb Greene. An important destination for people interested in everything from colonial to postmodern architecture, this riverfront city is historically rich, while being beautifully planned with a boulevard and park system designed by Frederick Law Olmsted. The Louisville Guide takes readers on a journey through the city, describing its most notable buildings while providing a complete overview of its architectural history. Essays by Louisville scholars Grady Clay and Edie Bingham add colour and life to the story of the city and its makers. From Carrére and Hastings's Memorial Hall to Michael Graves's Humana Building, The Louisville Guide offers visitors and residents alike never-before published scholarship of the city's rich architectural heritage. At the University of Kentucky, Gregory A. Luhan is an Assistant Professor and David Mohney is the Dean of the College of Architecture, while Dennis Domer is Helen Edwards Abell Chair in Historic Preservation.
City Guides