25306 Results
Level of archival description:
Series
Series
Reference number:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
People:
Date:
1994 - 2004
1994 - 2004
Title:
Project records from Neil Denari
Actions:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Project records from Neil Denari
Actions:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Level of archival description:
Series
Series
Date:
1994 - 2004
1994 - 2004
People:
Form:
textual records
textual records
Actions:
Reference number:
DR1999:0462
Description:
documents include 3 computer diskettes (one damaged),1 audio cassette, general information on: DAAP College, School of Design, School of Architecture, School of Art and School of Planning (i.e.: class schedules, classroom space, administrative space, program description, reference book on visual resource collections), University of Cincinnati basis of contract, working materials, DAAP proposals, DAAP program reports, memos, transparencies, University bulletins '84-'86
DR1999:0462
Description:
documents include 3 computer diskettes (one damaged),1 audio cassette, general information on: DAAP College, School of Design, School of Architecture, School of Art and School of Planning (i.e.: class schedules, classroom space, administrative space, program description, reference book on visual resource collections), University of Cincinnati basis of contract, working materials, DAAP proposals, DAAP program reports, memos, transparencies, University bulletins '84-'86
People:
Title:
reference and administrative records for Aronoff Center for Design and Art
Actions:
DR1999:0462
Description:
documents include 3 computer diskettes (one damaged),1 audio cassette, general information on: DAAP College, School of Design, School of Architecture, School of Art and School of Planning (i.e.: class schedules, classroom space, administrative space, program description, reference book on visual resource collections), University of Cincinnati basis of contract, working materials, DAAP proposals, DAAP program reports, memos, transparencies, University bulletins '84-'86
reference and administrative records for Aronoff Center for Design and Art
Actions:
DR1999:0462
Description:
documents include 3 computer diskettes (one damaged),1 audio cassette, general information on: DAAP College, School of Design, School of Architecture, School of Art and School of Planning (i.e.: class schedules, classroom space, administrative space, program description, reference book on visual resource collections), University of Cincinnati basis of contract, working materials, DAAP proposals, DAAP program reports, memos, transparencies, University bulletins '84-'86
Form:
textual records
textual records
People:
Form:
textual records
textual records
Reference number:
DR2001:0020
Description:
Documents include Business development General files: Alteka office building correspondences, Wexner correspondences, Centre of Berlin correspondences, memorandums, capital improvements bulletin from Ohio Department of Administrative services, Aleppo telephone conversation records, drawings, maps, plans, Purpose of the project bibliotheque de France, notes, World Architecture Triennial correspondences, qualification submission package for design of Museum of science and technology for Phoenix Arizona. Business development for Museum of Contemporary Art: documentations, correspondences, memo, notes, business contracts, telephone conversation records. Business development for San Diego Convention Centre competition: documentation and correspondences. Business development for Matrix: documentation, correspondences, plans, elevations. New Business Proposals rejected: the county of Mobile, Alabama in cooperation with the City of Mobile, documentation, correspondences, clippings. UC Riverside: photographs, draft-qualification statement science library, notes, telephone conversation records, fax transmittals, correspondences, documentation report, list of articles on Peter Eisenman in books, periodicals and catalogues. American Centre for Physics: statement of interest, correspondences, documentation, notes, faxes transmittals. Business Development General for Time-Pack Museum: fax communications. The Mandell Companies, Inc: report exhibits to the business plan, memo, correspondences, documentation, business plan, report of the Rick Mandell trip to Israel, clipping, curriculum vitea of Rick Mandell. Business Development for General Lake Superior Centre: statement of interest, correspondences, notes. Cleveland State University: capital improvements bulletin (Ohio department of administrative service) request for professional design services, telephone conversation records, documentation records, documentation program and Urban Design phase, clippings. Charlestown Navy Yard: notes, clippings, telephone conversation records, competition fees, professional cards, fax transmittals, project program, Harbor Park District Zoning amendment. Case Western Reserve University macromolecular science facility: proposal of phase one, memorandum 1990, chemistry note DRCON1999:0015:087:004. Koc University: statement of interest, meeting minutes, memo, correspondences, documentation, map of Istanbul, fax transmittals. The JBSpeed Art Museum, Louisville, Kentucky: promotion material folder, correspondences, meeting minutes, notes. The Environmental design building, University of California: proposal for detailed project program, maps, fax transmittals, notes, and documentations. Aerospace Centre Washington DC: Album with photographs, drawings and plans.
DR2001:0020
Description:
Documents include Business development General files: Alteka office building correspondences, Wexner correspondences, Centre of Berlin correspondences, memorandums, capital improvements bulletin from Ohio Department of Administrative services, Aleppo telephone conversation records, drawings, maps, plans, Purpose of the project bibliotheque de France, notes, World Architecture Triennial correspondences, qualification submission package for design of Museum of science and technology for Phoenix Arizona. Business development for Museum of Contemporary Art: documentations, correspondences, memo, notes, business contracts, telephone conversation records. Business development for San Diego Convention Centre competition: documentation and correspondences. Business development for Matrix: documentation, correspondences, plans, elevations. New Business Proposals rejected: the county of Mobile, Alabama in cooperation with the City of Mobile, documentation, correspondences, clippings. UC Riverside: photographs, draft-qualification statement science library, notes, telephone conversation records, fax transmittals, correspondences, documentation report, list of articles on Peter Eisenman in books, periodicals and catalogues. American Centre for Physics: statement of interest, correspondences, documentation, notes, faxes transmittals. Business Development General for Time-Pack Museum: fax communications. The Mandell Companies, Inc: report exhibits to the business plan, memo, correspondences, documentation, business plan, report of the Rick Mandell trip to Israel, clipping, curriculum vitea of Rick Mandell. Business Development for General Lake Superior Centre: statement of interest, correspondences, notes. Cleveland State University: capital improvements bulletin (Ohio department of administrative service) request for professional design services, telephone conversation records, documentation records, documentation program and Urban Design phase, clippings. Charlestown Navy Yard: notes, clippings, telephone conversation records, competition fees, professional cards, fax transmittals, project program, Harbor Park District Zoning amendment. Case Western Reserve University macromolecular science facility: proposal of phase one, memorandum 1990, chemistry note DRCON1999:0015:087:004. Koc University: statement of interest, meeting minutes, memo, correspondences, documentation, map of Istanbul, fax transmittals. The JBSpeed Art Museum, Louisville, Kentucky: promotion material folder, correspondences, meeting minutes, notes. The Environmental design building, University of California: proposal for detailed project program, maps, fax transmittals, notes, and documentations. Aerospace Centre Washington DC: Album with photographs, drawings and plans.
People:
Title:
Correspondence and other administrative records for various projects
Actions:
DR2001:0020
Description:
Documents include Business development General files: Alteka office building correspondences, Wexner correspondences, Centre of Berlin correspondences, memorandums, capital improvements bulletin from Ohio Department of Administrative services, Aleppo telephone conversation records, drawings, maps, plans, Purpose of the project bibliotheque de France, notes, World Architecture Triennial correspondences, qualification submission package for design of Museum of science and technology for Phoenix Arizona. Business development for Museum of Contemporary Art: documentations, correspondences, memo, notes, business contracts, telephone conversation records. Business development for San Diego Convention Centre competition: documentation and correspondences. Business development for Matrix: documentation, correspondences, plans, elevations. New Business Proposals rejected: the county of Mobile, Alabama in cooperation with the City of Mobile, documentation, correspondences, clippings. UC Riverside: photographs, draft-qualification statement science library, notes, telephone conversation records, fax transmittals, correspondences, documentation report, list of articles on Peter Eisenman in books, periodicals and catalogues. American Centre for Physics: statement of interest, correspondences, documentation, notes, faxes transmittals. Business Development General for Time-Pack Museum: fax communications. The Mandell Companies, Inc: report exhibits to the business plan, memo, correspondences, documentation, business plan, report of the Rick Mandell trip to Israel, clipping, curriculum vitea of Rick Mandell. Business Development for General Lake Superior Centre: statement of interest, correspondences, notes. Cleveland State University: capital improvements bulletin (Ohio department of administrative service) request for professional design services, telephone conversation records, documentation records, documentation program and Urban Design phase, clippings. Charlestown Navy Yard: notes, clippings, telephone conversation records, competition fees, professional cards, fax transmittals, project program, Harbor Park District Zoning amendment. Case Western Reserve University macromolecular science facility: proposal of phase one, memorandum 1990, chemistry note DRCON1999:0015:087:004. Koc University: statement of interest, meeting minutes, memo, correspondences, documentation, map of Istanbul, fax transmittals. The JBSpeed Art Museum, Louisville, Kentucky: promotion material folder, correspondences, meeting minutes, notes. The Environmental design building, University of California: proposal for detailed project program, maps, fax transmittals, notes, and documentations. Aerospace Centre Washington DC: Album with photographs, drawings and plans.
Correspondence and other administrative records for various projects
Actions:
DR2001:0020
Description:
Documents include Business development General files: Alteka office building correspondences, Wexner correspondences, Centre of Berlin correspondences, memorandums, capital improvements bulletin from Ohio Department of Administrative services, Aleppo telephone conversation records, drawings, maps, plans, Purpose of the project bibliotheque de France, notes, World Architecture Triennial correspondences, qualification submission package for design of Museum of science and technology for Phoenix Arizona. Business development for Museum of Contemporary Art: documentations, correspondences, memo, notes, business contracts, telephone conversation records. Business development for San Diego Convention Centre competition: documentation and correspondences. Business development for Matrix: documentation, correspondences, plans, elevations. New Business Proposals rejected: the county of Mobile, Alabama in cooperation with the City of Mobile, documentation, correspondences, clippings. UC Riverside: photographs, draft-qualification statement science library, notes, telephone conversation records, fax transmittals, correspondences, documentation report, list of articles on Peter Eisenman in books, periodicals and catalogues. American Centre for Physics: statement of interest, correspondences, documentation, notes, faxes transmittals. Business Development General for Time-Pack Museum: fax communications. The Mandell Companies, Inc: report exhibits to the business plan, memo, correspondences, documentation, business plan, report of the Rick Mandell trip to Israel, clipping, curriculum vitea of Rick Mandell. Business Development for General Lake Superior Centre: statement of interest, correspondences, notes. Cleveland State University: capital improvements bulletin (Ohio department of administrative service) request for professional design services, telephone conversation records, documentation records, documentation program and Urban Design phase, clippings. Charlestown Navy Yard: notes, clippings, telephone conversation records, competition fees, professional cards, fax transmittals, project program, Harbor Park District Zoning amendment. Case Western Reserve University macromolecular science facility: proposal of phase one, memorandum 1990, chemistry note DRCON1999:0015:087:004. Koc University: statement of interest, meeting minutes, memo, correspondences, documentation, map of Istanbul, fax transmittals. The JBSpeed Art Museum, Louisville, Kentucky: promotion material folder, correspondences, meeting minutes, notes. The Environmental design building, University of California: proposal for detailed project program, maps, fax transmittals, notes, and documentations. Aerospace Centre Washington DC: Album with photographs, drawings and plans.
Form:
textual records
textual records
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Actions:
Reference number:
AP183
Synopsis:
The Ulrich Königs Chemnitz Stadium project records, 1995-1996, document the competition entry and design for an innovative stadium in Chemnitz, Germany. The project was a collaboration between Peter Kulka, Ulrich Königs, Cecil Balmond, and Arup Group, Ltd. The design was primarily driven by the theoretical and methodological processes made possible by computer-aided design, rather than aesthetics. The project records have both digital and physical components, which chiefly include renderings, wireframe drawings, digital 3D models, photographs, slides, video, and a booklet.
AP183
Synopsis:
The Ulrich Königs Chemnitz Stadium project records, 1995-1996, document the competition entry and design for an innovative stadium in Chemnitz, Germany. The project was a collaboration between Peter Kulka, Ulrich Königs, Cecil Balmond, and Arup Group, Ltd. The design was primarily driven by the theoretical and methodological processes made possible by computer-aided design, rather than aesthetics. The project records have both digital and physical components, which chiefly include renderings, wireframe drawings, digital 3D models, photographs, slides, video, and a booklet.
People:
Date:
1995-1996
1995-1996
Title:
Ulrich Königs Chemnitz Stadium project records
Actions:
AP183
Synopsis:
The Ulrich Königs Chemnitz Stadium project records, 1995-1996, document the competition entry and design for an innovative stadium in Chemnitz, Germany. The project was a collaboration between Peter Kulka, Ulrich Königs, Cecil Balmond, and Arup Group, Ltd. The design was primarily driven by the theoretical and methodological processes made possible by computer-aided design, rather than aesthetics. The project records have both digital and physical components, which chiefly include renderings, wireframe drawings, digital 3D models, photographs, slides, video, and a booklet.
Ulrich Königs Chemnitz Stadium project records
Actions:
AP183
Synopsis:
The Ulrich Königs Chemnitz Stadium project records, 1995-1996, document the competition entry and design for an innovative stadium in Chemnitz, Germany. The project was a collaboration between Peter Kulka, Ulrich Königs, Cecil Balmond, and Arup Group, Ltd. The design was primarily driven by the theoretical and methodological processes made possible by computer-aided design, rather than aesthetics. The project records have both digital and physical components, which chiefly include renderings, wireframe drawings, digital 3D models, photographs, slides, video, and a booklet.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1995-1996
1995-1996
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP018.S1.1973.PR03
Description:
This project series documents the design and construction of the Eaton’s store building at Dundas Square in Toronto from 1973-1977. The office identified the project number as 7303. This project, commissioned by The T. Eaton Co. Limited, consisted of a one million square foot department store with thirteen floors, ten above ground and three below. The building boasted nine floor of retail space, seamlessly connected through elevators and escalators. The remaining floors hosted office and storage spaces. Located at the corner of Yonge and Dundas streets, the Eaton’s store was connected to the Eaton Centre mall to its south. The mall, designed and built simultaneously with the Eaton’s store, was designed by the architecture firm Craig Zeidler Strong. For the Eaton’s store project, Parkin Architects Planners created a joint venture with architect C. Blakeway Millar, referred to as Parkin Millar in the documentation. Parkin Millar was the associate architects on this project, with the Eaton’s company architect, E.L. Hankinson, working as the primary architect. Each of the firms mentioned worked closely together to develop a cohesive design for the Eaton’s store and Eaton’s Centre mall, which is evident in the materials. The project is recorded through drawings, textual records, a book and presentation boards dating from 1973-1977. There are a large number of original drawings and sketches for the project. Most of the reprographic copies are arranged within the textual materials. There are presentation boards of the Vancouver Eaton's store in this project series that were likely used as reference by the architects. The textual records consist of correspondence, meeting minutes, site reports, change orders, consultancy records, inter-office letters, and specifications. Also in this project series is a special edition of the Eaton News, a monograph with in depth descriptions of the project.
AP018.S1.1973.PR03
Description:
This project series documents the design and construction of the Eaton’s store building at Dundas Square in Toronto from 1973-1977. The office identified the project number as 7303. This project, commissioned by The T. Eaton Co. Limited, consisted of a one million square foot department store with thirteen floors, ten above ground and three below. The building boasted nine floor of retail space, seamlessly connected through elevators and escalators. The remaining floors hosted office and storage spaces. Located at the corner of Yonge and Dundas streets, the Eaton’s store was connected to the Eaton Centre mall to its south. The mall, designed and built simultaneously with the Eaton’s store, was designed by the architecture firm Craig Zeidler Strong. For the Eaton’s store project, Parkin Architects Planners created a joint venture with architect C. Blakeway Millar, referred to as Parkin Millar in the documentation. Parkin Millar was the associate architects on this project, with the Eaton’s company architect, E.L. Hankinson, working as the primary architect. Each of the firms mentioned worked closely together to develop a cohesive design for the Eaton’s store and Eaton’s Centre mall, which is evident in the materials. The project is recorded through drawings, textual records, a book and presentation boards dating from 1973-1977. There are a large number of original drawings and sketches for the project. Most of the reprographic copies are arranged within the textual materials. There are presentation boards of the Vancouver Eaton's store in this project series that were likely used as reference by the architects. The textual records consist of correspondence, meeting minutes, site reports, change orders, consultancy records, inter-office letters, and specifications. Also in this project series is a special edition of the Eaton News, a monograph with in depth descriptions of the project.
People:
Date:
1973-1977
1973-1977
Title:
Eaton's Store Building, Dundas Square, Toronto (1973-1977)
Actions:
AP018.S1.1973.PR03
Description:
This project series documents the design and construction of the Eaton’s store building at Dundas Square in Toronto from 1973-1977. The office identified the project number as 7303. This project, commissioned by The T. Eaton Co. Limited, consisted of a one million square foot department store with thirteen floors, ten above ground and three below. The building boasted nine floor of retail space, seamlessly connected through elevators and escalators. The remaining floors hosted office and storage spaces. Located at the corner of Yonge and Dundas streets, the Eaton’s store was connected to the Eaton Centre mall to its south. The mall, designed and built simultaneously with the Eaton’s store, was designed by the architecture firm Craig Zeidler Strong. For the Eaton’s store project, Parkin Architects Planners created a joint venture with architect C. Blakeway Millar, referred to as Parkin Millar in the documentation. Parkin Millar was the associate architects on this project, with the Eaton’s company architect, E.L. Hankinson, working as the primary architect. Each of the firms mentioned worked closely together to develop a cohesive design for the Eaton’s store and Eaton’s Centre mall, which is evident in the materials. The project is recorded through drawings, textual records, a book and presentation boards dating from 1973-1977. There are a large number of original drawings and sketches for the project. Most of the reprographic copies are arranged within the textual materials. There are presentation boards of the Vancouver Eaton's store in this project series that were likely used as reference by the architects. The textual records consist of correspondence, meeting minutes, site reports, change orders, consultancy records, inter-office letters, and specifications. Also in this project series is a special edition of the Eaton News, a monograph with in depth descriptions of the project.
Eaton's Store Building, Dundas Square, Toronto (1973-1977)
Actions:
AP018.S1.1973.PR03
Description:
This project series documents the design and construction of the Eaton’s store building at Dundas Square in Toronto from 1973-1977. The office identified the project number as 7303. This project, commissioned by The T. Eaton Co. Limited, consisted of a one million square foot department store with thirteen floors, ten above ground and three below. The building boasted nine floor of retail space, seamlessly connected through elevators and escalators. The remaining floors hosted office and storage spaces. Located at the corner of Yonge and Dundas streets, the Eaton’s store was connected to the Eaton Centre mall to its south. The mall, designed and built simultaneously with the Eaton’s store, was designed by the architecture firm Craig Zeidler Strong. For the Eaton’s store project, Parkin Architects Planners created a joint venture with architect C. Blakeway Millar, referred to as Parkin Millar in the documentation. Parkin Millar was the associate architects on this project, with the Eaton’s company architect, E.L. Hankinson, working as the primary architect. Each of the firms mentioned worked closely together to develop a cohesive design for the Eaton’s store and Eaton’s Centre mall, which is evident in the materials. The project is recorded through drawings, textual records, a book and presentation boards dating from 1973-1977. There are a large number of original drawings and sketches for the project. Most of the reprographic copies are arranged within the textual materials. There are presentation boards of the Vancouver Eaton's store in this project series that were likely used as reference by the architects. The textual records consist of correspondence, meeting minutes, site reports, change orders, consultancy records, inter-office letters, and specifications. Also in this project series is a special edition of the Eaton News, a monograph with in depth descriptions of the project.
Level of archival description:
Project
Project
Date:
1973-1977
1973-1977
People:
Form:
born digital, photographs
born digital, photographs
Actions:
Reference number:
AP170.S4.002
Description:
This directory chiefly contains images and animated GIFs for various publications related to HypoSurface and other dECOi projects, including Art and Architecture magazine and an unidentified book. Directory also includes Paul Steenhuisen audio files of modified cow sounds. Original directory name: "ftp-data". Most common file formats: Aegis Files, Tagged Image File Format, Graphics Interchange Format, Audio Interchange File Format, Exchangeable Image File Format (Compressed).
AP170.S4.002
Description:
This directory chiefly contains images and animated GIFs for various publications related to HypoSurface and other dECOi projects, including Art and Architecture magazine and an unidentified book. Directory also includes Paul Steenhuisen audio files of modified cow sounds. Original directory name: "ftp-data". Most common file formats: Aegis Files, Tagged Image File Format, Graphics Interchange Format, Audio Interchange File Format, Exchangeable Image File Format (Compressed).
People:
Date:
25 February 1999 - 23 April 2007
25 February 1999 - 23 April 2007
Title:
Publication images and animations for HypoSurface and other dECOi projects (1 of 2)
Actions:
AP170.S4.002
Description:
This directory chiefly contains images and animated GIFs for various publications related to HypoSurface and other dECOi projects, including Art and Architecture magazine and an unidentified book. Directory also includes Paul Steenhuisen audio files of modified cow sounds. Original directory name: "ftp-data". Most common file formats: Aegis Files, Tagged Image File Format, Graphics Interchange Format, Audio Interchange File Format, Exchangeable Image File Format (Compressed).
Publication images and animations for HypoSurface and other dECOi projects (1 of 2)
Actions:
AP170.S4.002
Description:
This directory chiefly contains images and animated GIFs for various publications related to HypoSurface and other dECOi projects, including Art and Architecture magazine and an unidentified book. Directory also includes Paul Steenhuisen audio files of modified cow sounds. Original directory name: "ftp-data". Most common file formats: Aegis Files, Tagged Image File Format, Graphics Interchange Format, Audio Interchange File Format, Exchangeable Image File Format (Compressed).
Form:
born digital, photographs
born digital, photographs
Date:
25 February 1999 - 23 April 2007
25 February 1999 - 23 April 2007
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Bernard Cache fonds
Bernard Cache fonds
Actions:
Reference number:
AP169
Synopsis:
Bernard Cache, fonds, 1991-2011, document the development and design process for the Objectile firm and its decorative panels and furniture. The records focus mostly on daily activities of the firm, the collaboration of principal Bernard Cache with TopSolid software, and his parallel academic work. The records consist solely of original born-digital material.
AP169
Synopsis:
Bernard Cache, fonds, 1991-2011, document the development and design process for the Objectile firm and its decorative panels and furniture. The records focus mostly on daily activities of the firm, the collaboration of principal Bernard Cache with TopSolid software, and his parallel academic work. The records consist solely of original born-digital material.
People:
Date:
1992-2011
1992-2011
Title:
Bernard Cache fonds
Actions:
AP169
Synopsis:
Bernard Cache, fonds, 1991-2011, document the development and design process for the Objectile firm and its decorative panels and furniture. The records focus mostly on daily activities of the firm, the collaboration of principal Bernard Cache with TopSolid software, and his parallel academic work. The records consist solely of original born-digital material.
Bernard Cache fonds
Actions:
AP169
Synopsis:
Bernard Cache, fonds, 1991-2011, document the development and design process for the Objectile firm and its decorative panels and furniture. The records focus mostly on daily activities of the firm, the collaboration of principal Bernard Cache with TopSolid software, and his parallel academic work. The records consist solely of original born-digital material.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1992-2011
1992-2011
People:
Level of archival description:
Project
Project
Reference number:
AP148.S1.1972.PR01
Description:
Project series documents Poli's research and design work on his major project about a peasant farmer named Zeno from Riparbella. This project, entitled "Zeno, una cultura autosufficiente," was presented at the 1978 Venice Biennale with Superstudio as "La Coscienza di Zeno (Zeno's consciousness)". The project also appears to have some overlap with another research project in which Poli and other members of Superstudio were involved: Culture materiale extraurbane. This involved research and the development of a course in the architecture programme at the University of Florence on research into traditional tools and other aspects of rural material culture. The research work on rural culture was published in the magazine Modo (no.7) in March 1978. The Zeno project reflects a major project in Poli's output, with work beginning on it in 1972 and into 1980. There are numerous narratives at work in this project. There is the narrative of Zeno's relationship to the small house built by his grandfather and in which he was born, and has always lived. Alongside this, is Poli's interest in Zeno's relationship to his tools, his clothes, all the material elements of his life in the only house he has ever known. The fictional narrative that Poli weaves into this project involves an imagined encounter between Zeno and astronaut Buzz Aldrin. Poli's fascination with Zeno's material culture extends into a comparison of these two men and their physical interactions with their worlds: both self-sufficient capsules of a kind. Material in this project includes a large number of drawings and collages depicting different domestic and working spaces and tools in Zeno's life. A number of these drawings feature artefacts, such as cloth pillowcases, metal pieces, and a rope. In addition, the project series includes a number of physical artefacts, such as tools and even Zeno's door. A notable element in this series is an artist book by Poli which features a catalogue or register of elements in Zeno's life, detailing everything about his spaces, his working days, and even the food he eats.
AP148.S1.1972.PR01
Description:
Project series documents Poli's research and design work on his major project about a peasant farmer named Zeno from Riparbella. This project, entitled "Zeno, una cultura autosufficiente," was presented at the 1978 Venice Biennale with Superstudio as "La Coscienza di Zeno (Zeno's consciousness)". The project also appears to have some overlap with another research project in which Poli and other members of Superstudio were involved: Culture materiale extraurbane. This involved research and the development of a course in the architecture programme at the University of Florence on research into traditional tools and other aspects of rural material culture. The research work on rural culture was published in the magazine Modo (no.7) in March 1978. The Zeno project reflects a major project in Poli's output, with work beginning on it in 1972 and into 1980. There are numerous narratives at work in this project. There is the narrative of Zeno's relationship to the small house built by his grandfather and in which he was born, and has always lived. Alongside this, is Poli's interest in Zeno's relationship to his tools, his clothes, all the material elements of his life in the only house he has ever known. The fictional narrative that Poli weaves into this project involves an imagined encounter between Zeno and astronaut Buzz Aldrin. Poli's fascination with Zeno's material culture extends into a comparison of these two men and their physical interactions with their worlds: both self-sufficient capsules of a kind. Material in this project includes a large number of drawings and collages depicting different domestic and working spaces and tools in Zeno's life. A number of these drawings feature artefacts, such as cloth pillowcases, metal pieces, and a rope. In addition, the project series includes a number of physical artefacts, such as tools and even Zeno's door. A notable element in this series is an artist book by Poli which features a catalogue or register of elements in Zeno's life, detailing everything about his spaces, his working days, and even the food he eats.
People:
Date:
1972-1980
1972-1980
Title:
Zeno, una cultura autosufficiente [Zeno, a self-sufficient culture] (1972-1980)
Actions:
AP148.S1.1972.PR01
Description:
Project series documents Poli's research and design work on his major project about a peasant farmer named Zeno from Riparbella. This project, entitled "Zeno, una cultura autosufficiente," was presented at the 1978 Venice Biennale with Superstudio as "La Coscienza di Zeno (Zeno's consciousness)". The project also appears to have some overlap with another research project in which Poli and other members of Superstudio were involved: Culture materiale extraurbane. This involved research and the development of a course in the architecture programme at the University of Florence on research into traditional tools and other aspects of rural material culture. The research work on rural culture was published in the magazine Modo (no.7) in March 1978. The Zeno project reflects a major project in Poli's output, with work beginning on it in 1972 and into 1980. There are numerous narratives at work in this project. There is the narrative of Zeno's relationship to the small house built by his grandfather and in which he was born, and has always lived. Alongside this, is Poli's interest in Zeno's relationship to his tools, his clothes, all the material elements of his life in the only house he has ever known. The fictional narrative that Poli weaves into this project involves an imagined encounter between Zeno and astronaut Buzz Aldrin. Poli's fascination with Zeno's material culture extends into a comparison of these two men and their physical interactions with their worlds: both self-sufficient capsules of a kind. Material in this project includes a large number of drawings and collages depicting different domestic and working spaces and tools in Zeno's life. A number of these drawings feature artefacts, such as cloth pillowcases, metal pieces, and a rope. In addition, the project series includes a number of physical artefacts, such as tools and even Zeno's door. A notable element in this series is an artist book by Poli which features a catalogue or register of elements in Zeno's life, detailing everything about his spaces, his working days, and even the food he eats.
Zeno, una cultura autosufficiente [Zeno, a self-sufficient culture] (1972-1980)
Actions:
AP148.S1.1972.PR01
Description:
Project series documents Poli's research and design work on his major project about a peasant farmer named Zeno from Riparbella. This project, entitled "Zeno, una cultura autosufficiente," was presented at the 1978 Venice Biennale with Superstudio as "La Coscienza di Zeno (Zeno's consciousness)". The project also appears to have some overlap with another research project in which Poli and other members of Superstudio were involved: Culture materiale extraurbane. This involved research and the development of a course in the architecture programme at the University of Florence on research into traditional tools and other aspects of rural material culture. The research work on rural culture was published in the magazine Modo (no.7) in March 1978. The Zeno project reflects a major project in Poli's output, with work beginning on it in 1972 and into 1980. There are numerous narratives at work in this project. There is the narrative of Zeno's relationship to the small house built by his grandfather and in which he was born, and has always lived. Alongside this, is Poli's interest in Zeno's relationship to his tools, his clothes, all the material elements of his life in the only house he has ever known. The fictional narrative that Poli weaves into this project involves an imagined encounter between Zeno and astronaut Buzz Aldrin. Poli's fascination with Zeno's material culture extends into a comparison of these two men and their physical interactions with their worlds: both self-sufficient capsules of a kind. Material in this project includes a large number of drawings and collages depicting different domestic and working spaces and tools in Zeno's life. A number of these drawings feature artefacts, such as cloth pillowcases, metal pieces, and a rope. In addition, the project series includes a number of physical artefacts, such as tools and even Zeno's door. A notable element in this series is an artist book by Poli which features a catalogue or register of elements in Zeno's life, detailing everything about his spaces, his working days, and even the food he eats.
Level of archival description:
Project
Project
Date:
1972-1980
1972-1980
People:
Form:
photographs
photographs
Actions:
Reference number:
DR2012:0015:024:003
Description:
File containing photographic materials held in plastic sleeves and glassine, related to the following events, locations, and/or projects: - Melvin Charney’s travels through Italy (118 black-and-white negative frames, 91 contact sheet frames, 1 colour slide); - Corridart project (1 gelatin silver print); - CCA garden (5 colour slides); - Montréal, plus ou moins? (19 black-and-white slides). Materials possibly gathered for inclusion in Louis Martin's 2013 book, On architecture: Melvin Charney: a critical anthology. Original folder inscribed in graphite: AIGEUS MORT OSTIA ANTICA 1961
DR2012:0015:024:003
Description:
File containing photographic materials held in plastic sleeves and glassine, related to the following events, locations, and/or projects: - Melvin Charney’s travels through Italy (118 black-and-white negative frames, 91 contact sheet frames, 1 colour slide); - Corridart project (1 gelatin silver print); - CCA garden (5 colour slides); - Montréal, plus ou moins? (19 black-and-white slides). Materials possibly gathered for inclusion in Louis Martin's 2013 book, On architecture: Melvin Charney: a critical anthology. Original folder inscribed in graphite: AIGEUS MORT OSTIA ANTICA 1961
People:
Date:
1960-1961, 1986, 2000
1960-1961, 1986, 2000
Title:
Photographs of various artworks from Melvin Charney's projects and events
Actions:
DR2012:0015:024:003
Description:
File containing photographic materials held in plastic sleeves and glassine, related to the following events, locations, and/or projects: - Melvin Charney’s travels through Italy (118 black-and-white negative frames, 91 contact sheet frames, 1 colour slide); - Corridart project (1 gelatin silver print); - CCA garden (5 colour slides); - Montréal, plus ou moins? (19 black-and-white slides). Materials possibly gathered for inclusion in Louis Martin's 2013 book, On architecture: Melvin Charney: a critical anthology. Original folder inscribed in graphite: AIGEUS MORT OSTIA ANTICA 1961
Photographs of various artworks from Melvin Charney's projects and events
Actions:
DR2012:0015:024:003
Description:
File containing photographic materials held in plastic sleeves and glassine, related to the following events, locations, and/or projects: - Melvin Charney’s travels through Italy (118 black-and-white negative frames, 91 contact sheet frames, 1 colour slide); - Corridart project (1 gelatin silver print); - CCA garden (5 colour slides); - Montréal, plus ou moins? (19 black-and-white slides). Materials possibly gathered for inclusion in Louis Martin's 2013 book, On architecture: Melvin Charney: a critical anthology. Original folder inscribed in graphite: AIGEUS MORT OSTIA ANTICA 1961
Form:
photographs
photographs
Date:
1960-1961, 1986, 2000
1960-1961, 1986, 2000
People:
Form:
drawings
drawings
Actions:
Reference number:
DR1988:0357
Description:
- These reprographic copies show two headings, possibly chapters of a book or article. Both headings were written inside scrolled borders which also incorporate small drawings of buildings. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
DR1988:0357
Description:
- These reprographic copies show two headings, possibly chapters of a book or article. Both headings were written inside scrolled borders which also incorporate small drawings of buildings. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
People:
Subject:
architecture
architecture
Date:
printed in the 1920s ?
printed in the 1920s ?
Title:
Layout for the head titles "Music in stone..." and "The treatment of corners"
Actions:
DR1988:0357
Description:
- These reprographic copies show two headings, possibly chapters of a book or article. Both headings were written inside scrolled borders which also incorporate small drawings of buildings. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
Layout for the head titles "Music in stone..." and "The treatment of corners"
Actions:
DR1988:0357
Description:
- These reprographic copies show two headings, possibly chapters of a book or article. Both headings were written inside scrolled borders which also incorporate small drawings of buildings. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
Form:
drawings
drawings
Date:
printed in the 1920s ?
printed in the 1920s ?
People:
Subject:
architecture
architecture
