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"Emilio Ambasz" is a monograph devoted to the internationally celebrated architect and designer who is known for designs that skilfully unite architecture and city landscapes and showcase spatial and urbanistic proposals of an absolute originality. Ambasz creates urban complexes that rise like volcanoes of glass-works of architecture that are natural landscapes and(...)
Emilio Ambasz : a technological Arcadia
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"Emilio Ambasz" is a monograph devoted to the internationally celebrated architect and designer who is known for designs that skilfully unite architecture and city landscapes and showcase spatial and urbanistic proposals of an absolute originality. Ambasz creates urban complexes that rise like volcanoes of glass-works of architecture that are natural landscapes and gardens that turn into artificial mechanisms. This monograph documents the creative world of this New York-based architect-designer in both large- and small-scale designs: from the crystalline complex of the San Antonio Botanical Center in Texas (1982) to the Aqua Dove Mineral Water Bottle and an opaque and granite office tower in Phoenix (1998). Ambasz is a master designer at the height of his genius and this book focuses on his more recent works throughout North America.
Architecture Monographs
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London’s modest eighteenth-century houses - those inhabited by artisans and laborers in the unseen parts of Georgian London - can tell us much about the culture of that period. This fascinating book examines largely forgotten small houses that survive from the eighteenth century and sheds new light on both the era’s urban architecture and the lives of a culturally(...)
The small house in eighteenth-century London
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London’s modest eighteenth-century houses - those inhabited by artisans and laborers in the unseen parts of Georgian London - can tell us much about the culture of that period. This fascinating book examines largely forgotten small houses that survive from the eighteenth century and sheds new light on both the era’s urban architecture and the lives of a culturally distinctive metropolitan population. Peter Guillery discusses how and where, by and for whom the houses were built, stressing vernacular continuity and local variability. He investigates the effects of creeping industrialization (both on house building and on the occupants), and considers the nature of speculative suburban growth. Providing rich and evocative illustrations, he compares these houses to urban domestic architecture elsewhere, as in North America, and suggests that the eighteenth-century vernacular metropolis has enduring influence.
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July 2004, New Haven / London
History until 1900
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This volume offers a welcome and long-awaited intervention for the field by shining a spotlight on constructions of race and their impact on architecture and theory in Europe and North America and across various global contexts since the eighteenth century. Challenging us to write race back into architectural history, contributors confront how racial thinking has(...)
Architectural Theory
July 2020
Race and modern architecture: a critical history from Enlightenment to the present
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This volume offers a welcome and long-awaited intervention for the field by shining a spotlight on constructions of race and their impact on architecture and theory in Europe and North America and across various global contexts since the eighteenth century. Challenging us to write race back into architectural history, contributors confront how racial thinking has intimately shaped some of the key concepts of modern architecture and culture over time, including freedom, revolution, character, national and indigenous style, progress, hybridity, climate, representation, and radicalism. By analyzing how architecture has intersected with histories of slavery, colonialism, and inequality — from eighteenth-century neoclassical governmental buildings to present-day housing projects for immigrants — 'Race and Modern Architecture' challenges, complicates, and revises the standard association of modern architecture with a universal project of emancipation and progress.
Architectural Theory
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In a manufacturing metropolis in south China lies Dafen, an urban village that famously houses thousands of workers who paint van Goghs, Da Vincis, Warhols, and other Western masterpieces for the world market, producing an astonishing five million paintings a year. To write about work and life in Dafen, Winnie Wong infiltrated this world, first investigating the work of(...)
Van Gogh on demand: China and the readymade
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In a manufacturing metropolis in south China lies Dafen, an urban village that famously houses thousands of workers who paint van Goghs, Da Vincis, Warhols, and other Western masterpieces for the world market, producing an astonishing five million paintings a year. To write about work and life in Dafen, Winnie Wong infiltrated this world, first investigating the work of conceptual artists who made projects there; then working as a dealer; apprenticing as a painter; surveying wholesalers and retailers in Europe, East Asia and North America; establishing relationships with local leaders; and organizing a conceptual art exhibition for the Shanghai World Expo. The result is Van Gogh on Demand, a book about a little-known aspect of the global art world—one that sheds surprising light on the workings of art, artists, and individual genius.
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October 2013
Art Theory
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Dan Graham
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Dan Graham is among the most influential of the Conceptual artists who emerged in America during the mid 1960s. A pioneer in performance and video art in the 1970s, Graham later turned his attention to architectural projects designed for social interaction in public spaces, among them The Children’s Pavilion (1989) with Jeff Wall. Writing has always been a major aspect(...)
Contemporary Art Monographs
May 2001, London
Dan Graham
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Dan Graham is among the most influential of the Conceptual artists who emerged in America during the mid 1960s. A pioneer in performance and video art in the 1970s, Graham later turned his attention to architectural projects designed for social interaction in public spaces, among them The Children’s Pavilion (1989) with Jeff Wall. Writing has always been a major aspect of Graham’s work. His texts range from early Conceptual art pieces inserted in mass-market magazines, to writing on his fellow artists, to analyses of popular culture, from Dean Martin to the post-Punk era. Well-known also among architects and urban theorists, during the 1990s Graham has been offered major public commissions throughout North America and Europe. London-based curator Mark Francis discusses with the artist how his public participation-based work has evolved. Brussels-based critic Birgit Pelzer draws on her extensive knowledge of Graham’s work and writings. New York-based architectural theorist Beatriz Colomina focuses on Graham’s Alteration to a Suburban House (1978). The artist has chosen an extract from the science fiction novel Ubik by Philip K Dick, whose writings were a formative influence. A substantial Artist’s Writings section, key to understanding Dan Graham, completes the book.
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May 2001, London
Contemporary Art Monographs
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448 pages : illustrations (some color), maps (some color), portraits (some color) ; 30 cm
Minneapolis : Walker Art Center, [2015], New York, NY : D.A.P./Distributed Art Publishers, ©2015
Hippie modernism : the struggle for utopia / [edited by] Andrew Blauvelt ; with contributions by Andrew Blauvelt, Greg Castillo, Esther Choi, Alison J. Clarke, Hugh Dubberly, Ross K. Elfline, Adam Gildar, Liz Glass, David Karwan, Paul Pangaro, Craig J. Peariso, Catharine Rossi, Tina Rivers Ryan, Simon Sadler, Jeffrey T. Schnapp, Felicity D. Scott, Susan Snodgrass, Lorraine Wild.
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448 pages : illustrations (some color), maps (some color), portraits (some color) ; 30 cm
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Minneapolis : Walker Art Center, [2015], New York, NY : D.A.P./Distributed Art Publishers, ©2015
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Description:
287 pages, 1 unnumbered page : illustrations (some color), facsimiles, plans, portraits ; 32 cm
Boston : Little, Brown and Company, [1997]., ©1997
Bernini : genius of the Baroque / Charles Avery ; special photography by David Finn.
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287 pages, 1 unnumbered page : illustrations (some color), facsimiles, plans, portraits ; 32 cm
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Boston : Little, Brown and Company, [1997]., ©1997
Impulse: Archeology
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Eldon Garnet was the editor and publisher of "Impulse" from 1975 to 1990, when it ceased publication, and with "Impulse Archaeology", he brings the magazine’s spirit back to life. The book is an eclectic collection of original and groundbreaking interviews, articles, and artwork that ranges in scope from pieces on Punk rock to early discussions on postmodernism, and that(...)
September 2005, Toronto
Impulse: Archeology
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Eldon Garnet was the editor and publisher of "Impulse" from 1975 to 1990, when it ceased publication, and with "Impulse Archaeology", he brings the magazine’s spirit back to life. The book is an eclectic collection of original and groundbreaking interviews, articles, and artwork that ranges in scope from pieces on Punk rock to early discussions on postmodernism, and that includes contributions from artists, architects, writers, and philosophers. "Impulse Archaeology" honours this important period in Canadian art and cultural history, recalling the early influence of like-minded publications from New York and the import of French theorists and European artists and writers into North America. "Impulse" brought the world into Canada and Canada to the world. Eldon Garnet is an international photographic artist and novelist based in Toronto and a professor at the Ontario College of Art and Design.
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Published to coincide with an exhibition at Chicago’s Newberry Library, Mapping Manifest Destiny: Chicago and the American West charts the historic role maps have played in imagining, understanding, promoting, and exploiting the Western frontier of North America. Featuring more than sixty full-color maps and views from the sixteenth through the twentieth centuries, this(...)
Architectural Plans and Cartography
August 2008, Chicago
Mapping manifest destiny: Chicago and the American West
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Published to coincide with an exhibition at Chicago’s Newberry Library, Mapping Manifest Destiny: Chicago and the American West charts the historic role maps have played in imagining, understanding, promoting, and exploiting the Western frontier of North America. Featuring more than sixty full-color maps and views from the sixteenth through the twentieth centuries, this fascinating book documents how maps encouraged Euro-Americans to see the West as a land of promise. Maps helped visualize a nation destined to expand across the continent to the Pacific Ocean. Curators Michael P. Conzen and Diane Dillon present an interpretively rich, carefully researched selection of items drawing on the Newberry’s superb collections of historic maps and Western Americana. They have organized the book into four sections: maps for empire, maps for building a new nation, maps for enlightenment, and maps for business.
Architectural Plans and Cartography
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The Funambulist, issue 20. ''Settler Colonialism in Turtle Island'' is a first ever issue of The Funambulist that was guest-edited. This issue was edited by Turtle Island Indigenous scholars and activists Melanie K. Yazzie and Nick Estes (who had contributed twice to the magazine in the past). The issue proposes several facets of Indigenous struggles in Turtle Island(...)
The Funambulist 20, November/December
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The Funambulist, issue 20. ''Settler Colonialism in Turtle Island'' is a first ever issue of The Funambulist that was guest-edited. This issue was edited by Turtle Island Indigenous scholars and activists Melanie K. Yazzie and Nick Estes (who had contributed twice to the magazine in the past). The issue proposes several facets of Indigenous struggles in Turtle Island (what many people call ''North America''.) Most of them depict Native lives in spaces that are not the reservations where the colonial narrative usually situates them. Whether in large cities such as Los Angeles or Saskatoon, or settler border towns in the periphery of reservations, the urban dimension of the first half of the dossier is omnipresent. The second half is dedicated to various forms of Indigenous resistance through space-making, anti-colonial solidarities, representative transgression, or architecture researches/projects.
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