5560 Results
Form:
photographs
photographs
Actions:
Reference number:
PH2019:0007:018
Description:
The file number of the object depicted is AP156.S4.SS5.D1 Commissioned by the Canadian Centre for Architecture, Montréal, for "The Museum Is Not Enough," 2018
PH2019:0007:018
Description:
The file number of the object depicted is AP156.S4.SS5.D1 Commissioned by the Canadian Centre for Architecture, Montréal, for "The Museum Is Not Enough," 2018
People:
Date:
October 2018
October 2018
Title:
The Museum Is Not Enough: Photograph of a binder of photographs of Chandigarh, Pierre Jeanneret fonds
Actions:
PH2019:0007:018
Description:
The file number of the object depicted is AP156.S4.SS5.D1 Commissioned by the Canadian Centre for Architecture, Montréal, for "The Museum Is Not Enough," 2018
The Museum Is Not Enough: Photograph of a binder of photographs of Chandigarh, Pierre Jeanneret fonds
Actions:
PH2019:0007:018
Description:
The file number of the object depicted is AP156.S4.SS5.D1 Commissioned by the Canadian Centre for Architecture, Montréal, for "The Museum Is Not Enough," 2018
Form:
photographs
photographs
Date:
October 2018
October 2018
People:
Form:
photographs
photographs
Actions:
Reference number:
PH2019:0007:019
Description:
The file number of the object depicted is AP156.S4.SS5.D1 Commissioned by the Canadian Centre for Architecture, Montréal, for "The Museum Is Not Enough," 2018
PH2019:0007:019
Description:
The file number of the object depicted is AP156.S4.SS5.D1 Commissioned by the Canadian Centre for Architecture, Montréal, for "The Museum Is Not Enough," 2018
People:
Date:
October 2018
October 2018
Title:
The Museum Is Not Enough: Photograph of a binder of photographs of Chandigarh, Pierre Jeanneret fonds
Actions:
PH2019:0007:019
Description:
The file number of the object depicted is AP156.S4.SS5.D1 Commissioned by the Canadian Centre for Architecture, Montréal, for "The Museum Is Not Enough," 2018
The Museum Is Not Enough: Photograph of a binder of photographs of Chandigarh, Pierre Jeanneret fonds
Actions:
PH2019:0007:019
Description:
The file number of the object depicted is AP156.S4.SS5.D1 Commissioned by the Canadian Centre for Architecture, Montréal, for "The Museum Is Not Enough," 2018
Form:
photographs
photographs
Date:
October 2018
October 2018
People:
Form:
articles
articles
Title:
A way of being an architect
A way of being an architect
Actions:
Sebastián Adamo and Marcelo Faiden revisit the recent architectural history of Buenos Aires
Title:
A way of being an architect
Sebastián Adamo and Marcelo Faiden revisit the recent architectural history of Buenos Aires
Actions:
A way of being an architect
Sebastián Adamo and Marcelo Faiden revisit the recent architectural history of Buenos Aires
Actions:
Level of archival description:
Project
Project
Actions:
Reference number:
AP198.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The international competition called to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces, and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. Digital files, in particular, show the process to achieve the projected design. Drawings provide views of streamed particles and of resulting peels. They also include plans, elevations and axonometric views of the structure. Most files are raster or vector images, likely saved from CAD software. A few files are in CAD formats such as Microstation, 3D Studio and form*Z. Digital files also present sine wave analysis and resulting charts for each component of the program. The analysis and charts present the relationships between various components of the building’s program such as the Art Museum, the Concert Halls, the technical space, and the Common facilities. These files are raster images and spreadsheets. Photographs of the site in Jyväskylä and of models built by OCEAN North were digitized and are included with the digital working files. Physical drawings are chiefly floor plans for the building, but also include sections and sketches. Finally, project files include photographic prints of two built models. One of these models, a small model of the conceptual masses of the building structure, is itself in the archive. Photographs show the model in the context of a city scape model. The second model, not part of the archive at CCA, was built at a bigger scale and was an intricate cardboard and wooden stick structure. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
AP198.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The international competition called to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces, and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. Digital files, in particular, show the process to achieve the projected design. Drawings provide views of streamed particles and of resulting peels. They also include plans, elevations and axonometric views of the structure. Most files are raster or vector images, likely saved from CAD software. A few files are in CAD formats such as Microstation, 3D Studio and form*Z. Digital files also present sine wave analysis and resulting charts for each component of the program. The analysis and charts present the relationships between various components of the building’s program such as the Art Museum, the Concert Halls, the technical space, and the Common facilities. These files are raster images and spreadsheets. Photographs of the site in Jyväskylä and of models built by OCEAN North were digitized and are included with the digital working files. Physical drawings are chiefly floor plans for the building, but also include sections and sketches. Finally, project files include photographic prints of two built models. One of these models, a small model of the conceptual masses of the building structure, is itself in the archive. Photographs show the model in the context of a city scape model. The second model, not part of the archive at CCA, was built at a bigger scale and was an intricate cardboard and wooden stick structure. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
People:
Date:
1997
1997
Title:
Terra Cultura – Jyväskylä Music and Arts Centre, international competition entry
Actions:
AP198.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The international competition called to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces, and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. Digital files, in particular, show the process to achieve the projected design. Drawings provide views of streamed particles and of resulting peels. They also include plans, elevations and axonometric views of the structure. Most files are raster or vector images, likely saved from CAD software. A few files are in CAD formats such as Microstation, 3D Studio and form*Z. Digital files also present sine wave analysis and resulting charts for each component of the program. The analysis and charts present the relationships between various components of the building’s program such as the Art Museum, the Concert Halls, the technical space, and the Common facilities. These files are raster images and spreadsheets. Photographs of the site in Jyväskylä and of models built by OCEAN North were digitized and are included with the digital working files. Physical drawings are chiefly floor plans for the building, but also include sections and sketches. Finally, project files include photographic prints of two built models. One of these models, a small model of the conceptual masses of the building structure, is itself in the archive. Photographs show the model in the context of a city scape model. The second model, not part of the archive at CCA, was built at a bigger scale and was an intricate cardboard and wooden stick structure. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Terra Cultura – Jyväskylä Music and Arts Centre, international competition entry
Actions:
AP198.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The international competition called to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces, and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. Digital files, in particular, show the process to achieve the projected design. Drawings provide views of streamed particles and of resulting peels. They also include plans, elevations and axonometric views of the structure. Most files are raster or vector images, likely saved from CAD software. A few files are in CAD formats such as Microstation, 3D Studio and form*Z. Digital files also present sine wave analysis and resulting charts for each component of the program. The analysis and charts present the relationships between various components of the building’s program such as the Art Museum, the Concert Halls, the technical space, and the Common facilities. These files are raster images and spreadsheets. Photographs of the site in Jyväskylä and of models built by OCEAN North were digitized and are included with the digital working files. Physical drawings are chiefly floor plans for the building, but also include sections and sketches. Finally, project files include photographic prints of two built models. One of these models, a small model of the conceptual masses of the building structure, is itself in the archive. Photographs show the model in the context of a city scape model. The second model, not part of the archive at CCA, was built at a bigger scale and was an intricate cardboard and wooden stick structure. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Level of archival description:
Project
Project
Date:
1997
1997
People:
Form:
articles
articles
Issue:
A history of references
A history of references
Form:
articles
articles
Title:
What We Know
What We Know
Actions:
Felix McNamara writes to Christophe Van Gerrewey on the issue of demolition
Title:
What We Know
Felix McNamara writes to Christophe Van Gerrewey on the issue of demolition
Actions:
What We Know
Felix McNamara writes to Christophe Van Gerrewey on the issue of demolition
Actions:
Form:
research
research
Form:
research
research
Date:
January 2018
January 2018
Level of archival description:
Project
Project
Title:
Un dictionnaire
Un dictionnaire
Actions:
Reference number:
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
People:
Date:
1970-2001
1970-2001
Title:
Un dictionnaire
Actions:
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
Un dictionnaire
Actions:
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
Level of archival description:
Project
Project
Date:
1970-2001
1970-2001
People:
Form:
works of art
works of art
Actions:
Reference number:
DR1988:0274
Description:
- A set of fourteen silkscreen prints limited to five editions was submitted by Isozaki to the Tokyo City Hall Competition. Although complete, the CCA set was not that submitted. The prints, DR1988:0274 - DR1988:0287, compose a traditional set of architectural projections: plans, sections, elevations, and two perspectives.
DR1988:0274
Description:
- A set of fourteen silkscreen prints limited to five editions was submitted by Isozaki to the Tokyo City Hall Competition. Although complete, the CCA set was not that submitted. The prints, DR1988:0274 - DR1988:0287, compose a traditional set of architectural projections: plans, sections, elevations, and two perspectives.
People:
Subject:
architecture
architecture
Date:
printed 1986
printed 1986
Title:
Longitudinal section of main building for the Tokyo City Hall competition entry
Actions:
DR1988:0274
Description:
- A set of fourteen silkscreen prints limited to five editions was submitted by Isozaki to the Tokyo City Hall Competition. Although complete, the CCA set was not that submitted. The prints, DR1988:0274 - DR1988:0287, compose a traditional set of architectural projections: plans, sections, elevations, and two perspectives.
Longitudinal section of main building for the Tokyo City Hall competition entry
Actions:
DR1988:0274
Description:
- A set of fourteen silkscreen prints limited to five editions was submitted by Isozaki to the Tokyo City Hall Competition. Although complete, the CCA set was not that submitted. The prints, DR1988:0274 - DR1988:0287, compose a traditional set of architectural projections: plans, sections, elevations, and two perspectives.
Form:
works of art
works of art
Date:
printed 1986
printed 1986
People:
Subject:
architecture
architecture
Form:
works of art
works of art
Actions:
Reference number:
DR1988:0275
Description:
- A set of fourteen silkscreen prints limited to five editions was submitted by Isozaki to the Tokyo City Hall Competition. Although complete, the CCA set was not that submitted. The prints, DR1988:0274 - DR1988:0287, compose a traditional set of architectural projections: plans, sections, elevations, and two perspectives.
DR1988:0275
Description:
- A set of fourteen silkscreen prints limited to five editions was submitted by Isozaki to the Tokyo City Hall Competition. Although complete, the CCA set was not that submitted. The prints, DR1988:0274 - DR1988:0287, compose a traditional set of architectural projections: plans, sections, elevations, and two perspectives.
People:
Subject:
architecture
architecture
Date:
printed 1986
printed 1986
Title:
Second floor plan of complex for the Tokyo City Hall competition entry
Actions:
DR1988:0275
Description:
- A set of fourteen silkscreen prints limited to five editions was submitted by Isozaki to the Tokyo City Hall Competition. Although complete, the CCA set was not that submitted. The prints, DR1988:0274 - DR1988:0287, compose a traditional set of architectural projections: plans, sections, elevations, and two perspectives.
Second floor plan of complex for the Tokyo City Hall competition entry
Actions:
DR1988:0275
Description:
- A set of fourteen silkscreen prints limited to five editions was submitted by Isozaki to the Tokyo City Hall Competition. Although complete, the CCA set was not that submitted. The prints, DR1988:0274 - DR1988:0287, compose a traditional set of architectural projections: plans, sections, elevations, and two perspectives.
Form:
works of art
works of art
Date:
printed 1986
printed 1986
People:
Subject:
architecture
architecture
