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Throughout her prolific career, Ursula Schulz-Dornburg has led the way in documenting man-made environments on the cusp of change and transition. The sites she visited were often remote and difficult to access. In 1996 and 1997 she traveled to Armenia and with a small portable camera made visual notes of remnants of Soviet architecture during her walks through the capital(...)
Ursula Schulz-Dornburg: Yerevan 1996-1997
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Throughout her prolific career, Ursula Schulz-Dornburg has led the way in documenting man-made environments on the cusp of change and transition. The sites she visited were often remote and difficult to access. In 1996 and 1997 she traveled to Armenia and with a small portable camera made visual notes of remnants of Soviet architecture during her walks through the capital city of Yerevan. She developed the films on her return to Germany and in 2001 she edited and compiled the prints into a traditional notebook used in Armenian schools which she had bought back from one of her trips. This hand-made sketchbook was then dedicated to her daughter, Julia, who was studying architecture at the time. This publication is a facsimile of the original sketchbook, an artist's book work embedded with the history of the cultural artefacts long-since disassembled and the actions of the artist in walking through time and space, documenting and compiling the material.
Photography monographs
Pro Eto: That's What
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Vladimir Mayakovsky was one of the towering literary figures of pre- and post-revolutionary Russia, speaking as much to the working man (he often employed the rough talk of the streets and revolutionary rhetoric in his poetry) as to other poets (his creative fascination with sound and form, linguistic metamorphosis and variation made him a sort of 'poet's poet', the(...)
Pro Eto: That's What
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Vladimir Mayakovsky was one of the towering literary figures of pre- and post-revolutionary Russia, speaking as much to the working man (he often employed the rough talk of the streets and revolutionary rhetoric in his poetry) as to other poets (his creative fascination with sound and form, linguistic metamorphosis and variation made him a sort of 'poet's poet', the doyen, if not the envy, of his contemporaries, Pasternak among them). His poetry, influenced by Whitman and Verhaeren and strangely akin to modern rock poetry in its erotic thrust, bluesy complaints and cries of pain, not to mention its sardonic humour, is at once aggressive, mocking and tender, and often fantastic or grotesque. "Pro Eto - That's What" is a long love poem detailing the pain and suffering inflicted on the poet by his lover and her final rejection of him. But as well as being an agonising parable of separation and betrayal, it is also a political work, highly critical of Lenin's reforms of Soviet Socialism.
Literature and poetry
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One of the delights of Russian literature, a tour de force that has been compared to the best of Nabokov and Bulgakov, Yuri Olesha's novella ''Envy'' brings together cutting social satire, slapstick humor, and a wild visionary streak. Andrei is a model Soviet citizen, a swaggeringly self-satisfied mogul of the food industry who intends to revolutionize modern life with(...)
Envy
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One of the delights of Russian literature, a tour de force that has been compared to the best of Nabokov and Bulgakov, Yuri Olesha's novella ''Envy'' brings together cutting social satire, slapstick humor, and a wild visionary streak. Andrei is a model Soviet citizen, a swaggeringly self-satisfied mogul of the food industry who intends to revolutionize modern life with mass-produced sausage. Nikolai is a loser. Finding him drunk in the gutter, Andrei gives him a bed for the night and a job as a gofer. Nikolai takes what he can, but that doesn't mean he's grateful. Griping, sulking, grovelingly abject, he despises everything Andrei believes in, even if he envies him his every breath. Producer and sponger, insider and outcast, master and man fight back and forth in the pages of Olesha's anarchic comedy. It is a contest of wills in which nothing is sure except the incorrigible human heart.
Current Exhibitions
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The Classroom shows how furniture designers from the late nineteenth century to the present have strived to enliven the classroom experience for children, telling for the first time the history of this neglected area of furniture design. The book is based on the collection of the VS school museum in Tauberbischofsheim, which houses a unique collection of school furniture(...)
Commercial interiors, Building types
March 2011
The classroom: From the late 19th Century until the present day
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The Classroom shows how furniture designers from the late nineteenth century to the present have strived to enliven the classroom experience for children, telling for the first time the history of this neglected area of furniture design. The book is based on the collection of the VS school museum in Tauberbischofsheim, which houses a unique collection of school furniture from Germany and abroad. Through this collection, it draws out the history of educational theory and school architecture over the past hundred years, tracing the ascent of a child-centered approach to education and attendant developments in design, as well as such topics as the use of propaganda in Soviet- and Nazi-era schools. Chairs, desks, classrooms and entire schools by Alvar Aalto, Arne Jacobsen, Charles Rennie Mackintosh, Jean-Baptiste Mathon, Jean Prouvé, Eero + Eliel Saarinen and Bruno Taut are abundantly illustrated and examined. The Classroom looks back over this history and looks forward to possible future developments.
Commercial interiors, Building types
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From the creator of Paper Pilot and Paper Captain, Paper Astronaut is a beautifully illustrated voyage into deep space, combining stunning archival photographs and colorful technical drawings with expertly designed die-cut models that readers can actually cut out and assemble. Published for the fortieth anniversary of the moon landing in 1969—and introduced by Buzz(...)
Paper astronaut: paper spacecraft mission manual
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From the creator of Paper Pilot and Paper Captain, Paper Astronaut is a beautifully illustrated voyage into deep space, combining stunning archival photographs and colorful technical drawings with expertly designed die-cut models that readers can actually cut out and assemble. Published for the fortieth anniversary of the moon landing in 1969—and introduced by Buzz Aldrin—the book includes histories of twenty feats of aeronautic engineering drawn from half a century of space programs around the world, from Apollo 11 to the Soviet space station Mir and China’s Shenzou 7 capsule, and featuring the most iconic designs of fifty years of space exploration. Each spacecraft is accompanied by amazing stories, fascinating facts and statistics about the universe around them, and mesmerizing photographs of the vessels in space. Sixty-four pages of the book are devoted to finely crafted die-cut paper models of the featured rockets, presented with clear instructions for assembly and helpful advice for deploying your galactic fleet.
activity books
books
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171 pages : illustrations (some color) ; 28 cm
Milano : Charta, ©1995.
Il tempo delle illusioni : arte russa degli anni Venti.
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171 pages : illustrations (some color) ; 28 cm
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Milano : Charta, ©1995.
Rhythm in architecture
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"Rhythm in Architecture" is the first ever translation into English of a key early Modernist text, written by the celebrated Soviet Constructivist architect Moisei Ginzburg and first published in Russian as Ritm v Arkhitekture in 1923. Ginzburg is most famous for his Narkomfin Building in Moscow, completed in 1932, which he described as a “social-condenser”: a radical(...)
Rhythm in architecture
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"Rhythm in Architecture" is the first ever translation into English of a key early Modernist text, written by the celebrated Soviet Constructivist architect Moisei Ginzburg and first published in Russian as Ritm v Arkhitekture in 1923. Ginzburg is most famous for his Narkomfin Building in Moscow, completed in 1932, which he described as a “social-condenser”: a radical experiment in communal living. While Ginzburg’s second book Style and Epoch, published in 1924, is often seen as the manifesto for Russian Constructivism, Rhythm in Architecture?which preceded it?can be seen as his attempt to create a synthesis in thinking about architecture as a whole, seeking to show how “the true essence of all works of architecture” are ”inspired by the laws of rhythm”. "Rhythm in Architecture" is republished in cooperation with the Ginzburg Design Practice run by Moisei Ginzburg’s grandson, Aleksey and his partner Natalia Shilova. It is the first of a planned series of reprints of Ginzburg’s four books, Home, 1934 and Industrialising Housing Construction, 1937 as well as Style and Epoch, 1924?the only one previously available in English.
Architectural Theory
Little golden America
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"Odnoetazhnya Amerika" ("One-Storied America") First published in the U.S.S.R. 1936. Little Golden America. First published in England in 1944. Translated from the Russian by Charles Malamuth This is one of the most popular books ever published in the Soviet Union. It remains popular in Russia today. Americans cannot figure out what makes it so popular. It is a good book,(...)
Little golden America
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"Odnoetazhnya Amerika" ("One-Storied America") First published in the U.S.S.R. 1936. Little Golden America. First published in England in 1944. Translated from the Russian by Charles Malamuth This is one of the most popular books ever published in the Soviet Union. It remains popular in Russia today. Americans cannot figure out what makes it so popular. It is a good book, interesting and well written, but does not contain anything so outstanding as to make it the most popular book ever written. Yet almost every Russian seems to have read or to be familiar with "Little Golden America."It describes the adventures of the two authors, Ilya Ilf and Eugene Petrov, who arrived in New York City on the passenger ship Normandie. After one month in New York, they bought a car and started traveling around the United States. They went to Chicago and San Francisco and then swept back through the Southern States. When they arrived back in New York to return to Europe, they said that they had traveled ten thousand miles.
Current Exhibitions
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The extensive range of posters, collages, maquettes, postcards, magazines, and books featured in this exhibition catalogue attests to the enormous influence of photomontage in politics, social protest, and advertising, while also demonstrating the popularity of the technique among avant-garde artists during these two decades. Essays in this publication examine(...)
Photomontage between the wars : 1918-1939
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The extensive range of posters, collages, maquettes, postcards, magazines, and books featured in this exhibition catalogue attests to the enormous influence of photomontage in politics, social protest, and advertising, while also demonstrating the popularity of the technique among avant-garde artists during these two decades. Essays in this publication examine contemporary texts that the practice of photomontage inspired, and explore those qualities of photomontage that led to what was arguably the most important exhibition devoted to this artistic technique at the Kunstgewerbemuseum in Berlin in 1931. The present volume includes a facsimile reproduction and translation of the catalogue published on the occasion of that exhibition. In addition to a brief chronology, the interested reader will also find a selection of text - some scarcely familiar today - by authors of various nationalities that sheds further light on the practice. Produced to accompany the exhibition in Spain and available in North America for the first time, this entirely English-language publication offers an overview of the birth of the photomontage process specifically in Germany and the Soviet Union in the 1920s.
Photography Collections
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'We' takes place in a distant future, where humans are forced to submit their wills to the requirements of the state, under the rule of the all-powerful Benefactor, and dreams are regarded as a sign of mental illness. In a city of straight lines, protected by green walls and a glass dome, a spaceship is being built in order to spearhead the conquest of new planets. Its(...)
We
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'We' takes place in a distant future, where humans are forced to submit their wills to the requirements of the state, under the rule of the all-powerful Benefactor, and dreams are regarded as a sign of mental illness. In a city of straight lines, protected by green walls and a glass dome, a spaceship is being built in order to spearhead the conquest of new planets. Its chief engineer, a man called D-503, keeps a journal of his life and activities: to his mathematical mind everything seems to make sense and proceed as it should, until a chance encounter with a woman threatens to shatter the very foundations of the world he lives in. Written in a highly charged, direct and concise style, Zamyatin's 1921 seminal novel is not only an indictment of the Soviet Russia of his time and a precursor of the works of Orwell and the dystopian genre, but also a prefiguration of much of twentieth-century history and a harbinger of the ominous future that may still lay ahead of us.
Current Exhibitions