8533 Results
Level of archival description:
Project
Project
Actions:
Reference number:
AP056.S1.1995.PR06
Description:
This project series documents renovations to the concert hall of the Royal Conservatory of Music in Toronto from 1995-1996. The office identified the project number as 9512. This project consisted of restauration work and renovations to the existing Castle Memorial Hall, part of the music school originally built in 1901, now renamed the Ettore Mazzoleni Concert Hall. This project was part of a larger master plan, created by KPMB in 1991 under the direction of Marianne McKenna, that outlined multiple phases of renovations and additions to the school (see file AP056.S1.1991.PR07.010 for complete master plan). The restauration work included opening bricked-over windows, removing paint and acoustic panels, and opening the original stair tower. Renovations included the addition of a curved mahogany stage, new maple floors and new acoustic controls. The 6,000 square foot performance venue held 240 seats.[1] The project is recorded through drawings and a presentation painting dating from 1994-1997. The drawings include plans, sections, elevations, details and millwork and furnishings drawings. [1]"Royal Conservatory / Ettore Mazzoleni Hall." KPMB. Accessed March 15, 2019. http://107.23.26.92/project/royal-conservatory-ettore-mazzoleni-hall/.
AP056.S1.1995.PR06
Description:
This project series documents renovations to the concert hall of the Royal Conservatory of Music in Toronto from 1995-1996. The office identified the project number as 9512. This project consisted of restauration work and renovations to the existing Castle Memorial Hall, part of the music school originally built in 1901, now renamed the Ettore Mazzoleni Concert Hall. This project was part of a larger master plan, created by KPMB in 1991 under the direction of Marianne McKenna, that outlined multiple phases of renovations and additions to the school (see file AP056.S1.1991.PR07.010 for complete master plan). The restauration work included opening bricked-over windows, removing paint and acoustic panels, and opening the original stair tower. Renovations included the addition of a curved mahogany stage, new maple floors and new acoustic controls. The 6,000 square foot performance venue held 240 seats.[1] The project is recorded through drawings and a presentation painting dating from 1994-1997. The drawings include plans, sections, elevations, details and millwork and furnishings drawings. [1]"Royal Conservatory / Ettore Mazzoleni Hall." KPMB. Accessed March 15, 2019. http://107.23.26.92/project/royal-conservatory-ettore-mazzoleni-hall/.
People:
Date:
1994-1997
1994-1997
Title:
Royal Conservatory of Music, Memorial Concert Hall Renovations, Toronto (1995-1997)
Actions:
AP056.S1.1995.PR06
Description:
This project series documents renovations to the concert hall of the Royal Conservatory of Music in Toronto from 1995-1996. The office identified the project number as 9512. This project consisted of restauration work and renovations to the existing Castle Memorial Hall, part of the music school originally built in 1901, now renamed the Ettore Mazzoleni Concert Hall. This project was part of a larger master plan, created by KPMB in 1991 under the direction of Marianne McKenna, that outlined multiple phases of renovations and additions to the school (see file AP056.S1.1991.PR07.010 for complete master plan). The restauration work included opening bricked-over windows, removing paint and acoustic panels, and opening the original stair tower. Renovations included the addition of a curved mahogany stage, new maple floors and new acoustic controls. The 6,000 square foot performance venue held 240 seats.[1] The project is recorded through drawings and a presentation painting dating from 1994-1997. The drawings include plans, sections, elevations, details and millwork and furnishings drawings. [1]"Royal Conservatory / Ettore Mazzoleni Hall." KPMB. Accessed March 15, 2019. http://107.23.26.92/project/royal-conservatory-ettore-mazzoleni-hall/.
Royal Conservatory of Music, Memorial Concert Hall Renovations, Toronto (1995-1997)
Actions:
AP056.S1.1995.PR06
Description:
This project series documents renovations to the concert hall of the Royal Conservatory of Music in Toronto from 1995-1996. The office identified the project number as 9512. This project consisted of restauration work and renovations to the existing Castle Memorial Hall, part of the music school originally built in 1901, now renamed the Ettore Mazzoleni Concert Hall. This project was part of a larger master plan, created by KPMB in 1991 under the direction of Marianne McKenna, that outlined multiple phases of renovations and additions to the school (see file AP056.S1.1991.PR07.010 for complete master plan). The restauration work included opening bricked-over windows, removing paint and acoustic panels, and opening the original stair tower. Renovations included the addition of a curved mahogany stage, new maple floors and new acoustic controls. The 6,000 square foot performance venue held 240 seats.[1] The project is recorded through drawings and a presentation painting dating from 1994-1997. The drawings include plans, sections, elevations, details and millwork and furnishings drawings. [1]"Royal Conservatory / Ettore Mazzoleni Hall." KPMB. Accessed March 15, 2019. http://107.23.26.92/project/royal-conservatory-ettore-mazzoleni-hall/.
Level of archival description:
Project
Project
Date:
1994-1997
1994-1997
People:
Level of archival description:
Sub-series
Sub-series
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Reference number:
AP178.S1.1988.PR07.SS2
Description:
This project subseries documents the Bloco A of the reconstruction of the Chiado in Lisbon, Portugal. The office's archives identified this project as 58/80. The office assigned the dates 1988-1998 for this project. The Bloco A was located between Rua Ivens, Rua Garrett, and Rua Nova Do Almada. In the reconstruction plan, Bloco A included buildings 7 (Camara Chaves building) 8/9 (Castro & Melo building), 10, 11, 20, 21, 22, 23, and 24. The construction work for the buildings of Bloco A included restorations of windows, doors, façades, painting, stonework, as well as work on the structure and mechanical systems. Drawings include plans prior to the fire, working drawings, and structural drawings. Textual material includes project documentation and studies. Photographic materials and slides document the buildings prior to the fire, damaged buildings, project site, construction work, and models. It is important to note that this subseries includes general details of the Bloco A. For more specific details, see individual project subseries: the Camara Chaves building (AP178.S1.1988.PR07.SS3) and Edifício Castro e Melo (AP178.S1.1988.PR07.SS4). General documentation can also be found in the master plans and exterior spaces work subseries (AP178.S1.1988.PR07.SS1).
AP178.S1.1988.PR07.SS2
Description:
This project subseries documents the Bloco A of the reconstruction of the Chiado in Lisbon, Portugal. The office's archives identified this project as 58/80. The office assigned the dates 1988-1998 for this project. The Bloco A was located between Rua Ivens, Rua Garrett, and Rua Nova Do Almada. In the reconstruction plan, Bloco A included buildings 7 (Camara Chaves building) 8/9 (Castro & Melo building), 10, 11, 20, 21, 22, 23, and 24. The construction work for the buildings of Bloco A included restorations of windows, doors, façades, painting, stonework, as well as work on the structure and mechanical systems. Drawings include plans prior to the fire, working drawings, and structural drawings. Textual material includes project documentation and studies. Photographic materials and slides document the buildings prior to the fire, damaged buildings, project site, construction work, and models. It is important to note that this subseries includes general details of the Bloco A. For more specific details, see individual project subseries: the Camara Chaves building (AP178.S1.1988.PR07.SS3) and Edifício Castro e Melo (AP178.S1.1988.PR07.SS4). General documentation can also be found in the master plans and exterior spaces work subseries (AP178.S1.1988.PR07.SS1).
People:
Date:
1988-1998
1988-1998
Title:
Bloco A, Reconstrução do Chiado [Block A, Reconstruction of the Chiado area] Lisbon, Portugal (1988-1998)
Actions:
AP178.S1.1988.PR07.SS2
Description:
This project subseries documents the Bloco A of the reconstruction of the Chiado in Lisbon, Portugal. The office's archives identified this project as 58/80. The office assigned the dates 1988-1998 for this project. The Bloco A was located between Rua Ivens, Rua Garrett, and Rua Nova Do Almada. In the reconstruction plan, Bloco A included buildings 7 (Camara Chaves building) 8/9 (Castro & Melo building), 10, 11, 20, 21, 22, 23, and 24. The construction work for the buildings of Bloco A included restorations of windows, doors, façades, painting, stonework, as well as work on the structure and mechanical systems. Drawings include plans prior to the fire, working drawings, and structural drawings. Textual material includes project documentation and studies. Photographic materials and slides document the buildings prior to the fire, damaged buildings, project site, construction work, and models. It is important to note that this subseries includes general details of the Bloco A. For more specific details, see individual project subseries: the Camara Chaves building (AP178.S1.1988.PR07.SS3) and Edifício Castro e Melo (AP178.S1.1988.PR07.SS4). General documentation can also be found in the master plans and exterior spaces work subseries (AP178.S1.1988.PR07.SS1).
Bloco A, Reconstrução do Chiado [Block A, Reconstruction of the Chiado area] Lisbon, Portugal (1988-1998)
Actions:
AP178.S1.1988.PR07.SS2
Description:
This project subseries documents the Bloco A of the reconstruction of the Chiado in Lisbon, Portugal. The office's archives identified this project as 58/80. The office assigned the dates 1988-1998 for this project. The Bloco A was located between Rua Ivens, Rua Garrett, and Rua Nova Do Almada. In the reconstruction plan, Bloco A included buildings 7 (Camara Chaves building) 8/9 (Castro & Melo building), 10, 11, 20, 21, 22, 23, and 24. The construction work for the buildings of Bloco A included restorations of windows, doors, façades, painting, stonework, as well as work on the structure and mechanical systems. Drawings include plans prior to the fire, working drawings, and structural drawings. Textual material includes project documentation and studies. Photographic materials and slides document the buildings prior to the fire, damaged buildings, project site, construction work, and models. It is important to note that this subseries includes general details of the Bloco A. For more specific details, see individual project subseries: the Camara Chaves building (AP178.S1.1988.PR07.SS3) and Edifício Castro e Melo (AP178.S1.1988.PR07.SS4). General documentation can also be found in the master plans and exterior spaces work subseries (AP178.S1.1988.PR07.SS1).
Level of archival description:
Project
Project
Date:
1988-1998
1988-1998
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP056.S1.1993.PR08
Description:
This project series documents a competition entry for the University of Waterloo Student Centre in Waterloo, Ontario in 1993. The project number assigned by the office is unidentifiable. This project proposed a two-storey building composed of rectangular spaces, a round central rotunda, four courtyards and terraces on the roof and sides. The building's exterior would be clad in split-faced limestone with a copper roof, wood doors and windows, and glazed walls comprising the top floor of the rotunda. Inside the rotunda would be cafe seating and information areas on the main floor and more casual reading and lounging spaces on the second level which were open to below. The main focus of the design was its relationship to the four courtyards, including a central courtyard at the building's centre that had bleachers overlooking it from above. Areas for a gym, bomb shelter and student government were also included. This was not the winning competition entry and the project was eventually realized by Cravit Ortved Architects. The project is recorded through drawings, presentation paintings, an aerial photograph and model dating from around 1993. The drawings are mostly originals of sketches, presentation drawings, plans, elevations and perspectives.
AP056.S1.1993.PR08
Description:
This project series documents a competition entry for the University of Waterloo Student Centre in Waterloo, Ontario in 1993. The project number assigned by the office is unidentifiable. This project proposed a two-storey building composed of rectangular spaces, a round central rotunda, four courtyards and terraces on the roof and sides. The building's exterior would be clad in split-faced limestone with a copper roof, wood doors and windows, and glazed walls comprising the top floor of the rotunda. Inside the rotunda would be cafe seating and information areas on the main floor and more casual reading and lounging spaces on the second level which were open to below. The main focus of the design was its relationship to the four courtyards, including a central courtyard at the building's centre that had bleachers overlooking it from above. Areas for a gym, bomb shelter and student government were also included. This was not the winning competition entry and the project was eventually realized by Cravit Ortved Architects. The project is recorded through drawings, presentation paintings, an aerial photograph and model dating from around 1993. The drawings are mostly originals of sketches, presentation drawings, plans, elevations and perspectives.
People:
Date:
circa 1993
circa 1993
Title:
Student Centre, University of Waterloo, Waterloo, Ontario (1993)
Actions:
AP056.S1.1993.PR08
Description:
This project series documents a competition entry for the University of Waterloo Student Centre in Waterloo, Ontario in 1993. The project number assigned by the office is unidentifiable. This project proposed a two-storey building composed of rectangular spaces, a round central rotunda, four courtyards and terraces on the roof and sides. The building's exterior would be clad in split-faced limestone with a copper roof, wood doors and windows, and glazed walls comprising the top floor of the rotunda. Inside the rotunda would be cafe seating and information areas on the main floor and more casual reading and lounging spaces on the second level which were open to below. The main focus of the design was its relationship to the four courtyards, including a central courtyard at the building's centre that had bleachers overlooking it from above. Areas for a gym, bomb shelter and student government were also included. This was not the winning competition entry and the project was eventually realized by Cravit Ortved Architects. The project is recorded through drawings, presentation paintings, an aerial photograph and model dating from around 1993. The drawings are mostly originals of sketches, presentation drawings, plans, elevations and perspectives.
Student Centre, University of Waterloo, Waterloo, Ontario (1993)
Actions:
AP056.S1.1993.PR08
Description:
This project series documents a competition entry for the University of Waterloo Student Centre in Waterloo, Ontario in 1993. The project number assigned by the office is unidentifiable. This project proposed a two-storey building composed of rectangular spaces, a round central rotunda, four courtyards and terraces on the roof and sides. The building's exterior would be clad in split-faced limestone with a copper roof, wood doors and windows, and glazed walls comprising the top floor of the rotunda. Inside the rotunda would be cafe seating and information areas on the main floor and more casual reading and lounging spaces on the second level which were open to below. The main focus of the design was its relationship to the four courtyards, including a central courtyard at the building's centre that had bleachers overlooking it from above. Areas for a gym, bomb shelter and student government were also included. This was not the winning competition entry and the project was eventually realized by Cravit Ortved Architects. The project is recorded through drawings, presentation paintings, an aerial photograph and model dating from around 1993. The drawings are mostly originals of sketches, presentation drawings, plans, elevations and perspectives.
Level of archival description:
Project
Project
Date:
circa 1993
circa 1993
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP056.S1.1992.PR02
Description:
This project series documents the federal women's prison in Kitchener, Ontario, now called The Grand Valley Institution for Women, from 1992-1994. The office identified the project number as 9227. This project, built for Public Works Canada and Correctional Services Canada, consisted of a large, main prison building with nine small cottages lining the property. The main building included the admission and discharge area, food services, recreation spaces and spirituality centre, as well as an area for prisoners requiring enhanced security. The spirituality room was a window-rimmed rotunda that pierced the slanted roof of the main stucco building. The smaller cottages were wood-sided with aluminum windows and could house eight people. While many were built to house eight prisoners, some designs replaced prisoner's rooms with children's bedrooms for inmates who had children staying with them. There was also a large, green space in the centre of all the buildings, with plans to build a baseball diamond, daycare building and an additional cottage in the future. The project is recorded through drawings dating from1992-1995. The drawings and mostly originals and include site surveys, sketches, plans, elevations, sections, perspectives, details and axonometric drawings.
AP056.S1.1992.PR02
Description:
This project series documents the federal women's prison in Kitchener, Ontario, now called The Grand Valley Institution for Women, from 1992-1994. The office identified the project number as 9227. This project, built for Public Works Canada and Correctional Services Canada, consisted of a large, main prison building with nine small cottages lining the property. The main building included the admission and discharge area, food services, recreation spaces and spirituality centre, as well as an area for prisoners requiring enhanced security. The spirituality room was a window-rimmed rotunda that pierced the slanted roof of the main stucco building. The smaller cottages were wood-sided with aluminum windows and could house eight people. While many were built to house eight prisoners, some designs replaced prisoner's rooms with children's bedrooms for inmates who had children staying with them. There was also a large, green space in the centre of all the buildings, with plans to build a baseball diamond, daycare building and an additional cottage in the future. The project is recorded through drawings dating from1992-1995. The drawings and mostly originals and include site surveys, sketches, plans, elevations, sections, perspectives, details and axonometric drawings.
People:
Date:
1992-1995
1992-1995
Title:
Regional Facility for Federally Sentenced Women, Kitchener, Ontario (1992-1994)
Actions:
AP056.S1.1992.PR02
Description:
This project series documents the federal women's prison in Kitchener, Ontario, now called The Grand Valley Institution for Women, from 1992-1994. The office identified the project number as 9227. This project, built for Public Works Canada and Correctional Services Canada, consisted of a large, main prison building with nine small cottages lining the property. The main building included the admission and discharge area, food services, recreation spaces and spirituality centre, as well as an area for prisoners requiring enhanced security. The spirituality room was a window-rimmed rotunda that pierced the slanted roof of the main stucco building. The smaller cottages were wood-sided with aluminum windows and could house eight people. While many were built to house eight prisoners, some designs replaced prisoner's rooms with children's bedrooms for inmates who had children staying with them. There was also a large, green space in the centre of all the buildings, with plans to build a baseball diamond, daycare building and an additional cottage in the future. The project is recorded through drawings dating from1992-1995. The drawings and mostly originals and include site surveys, sketches, plans, elevations, sections, perspectives, details and axonometric drawings.
Regional Facility for Federally Sentenced Women, Kitchener, Ontario (1992-1994)
Actions:
AP056.S1.1992.PR02
Description:
This project series documents the federal women's prison in Kitchener, Ontario, now called The Grand Valley Institution for Women, from 1992-1994. The office identified the project number as 9227. This project, built for Public Works Canada and Correctional Services Canada, consisted of a large, main prison building with nine small cottages lining the property. The main building included the admission and discharge area, food services, recreation spaces and spirituality centre, as well as an area for prisoners requiring enhanced security. The spirituality room was a window-rimmed rotunda that pierced the slanted roof of the main stucco building. The smaller cottages were wood-sided with aluminum windows and could house eight people. While many were built to house eight prisoners, some designs replaced prisoner's rooms with children's bedrooms for inmates who had children staying with them. There was also a large, green space in the centre of all the buildings, with plans to build a baseball diamond, daycare building and an additional cottage in the future. The project is recorded through drawings dating from1992-1995. The drawings and mostly originals and include site surveys, sketches, plans, elevations, sections, perspectives, details and axonometric drawings.
Level of archival description:
Project
Project
Date:
1992-1995
1992-1995
People:
Level of archival description:
Project
Project
Reference number:
AP140.S2.SS1.D79
Description:
File documents an executed project for the Music School and History Museum in Stuttgart, Germany. The office of James Stirling, Michael Wilford, and Associates was initially appointed in 1986 to design the new Music School and Theatre Academy. In 1991, the programme was altered to include a new History Museum for the State of Baden-Württemberg in place of the Theatre Academy, while retaining the existing design. The project was also divided in two phases with the last phase including the planning and construction of the second part of the Music School and the History Museum. The project was completed after the death of Stirling in 1992 by the firms of Michael Wilford and Partners and Michael Wilford GmbH. Material in this file was produced between 1985 and 2000. File contains several early conceptual drawings, a large number of design development drawings, as well as presentation drawings and working drawings. Photographic materials include views of the building site and of study and presentation models by Kandor Modelmakers and by photographer Peter Walser. File also contains a large amount of textual records and a presentation model of the concert hall.
AP140.S2.SS1.D79
Description:
File documents an executed project for the Music School and History Museum in Stuttgart, Germany. The office of James Stirling, Michael Wilford, and Associates was initially appointed in 1986 to design the new Music School and Theatre Academy. In 1991, the programme was altered to include a new History Museum for the State of Baden-Württemberg in place of the Theatre Academy, while retaining the existing design. The project was also divided in two phases with the last phase including the planning and construction of the second part of the Music School and the History Museum. The project was completed after the death of Stirling in 1992 by the firms of Michael Wilford and Partners and Michael Wilford GmbH. Material in this file was produced between 1985 and 2000. File contains several early conceptual drawings, a large number of design development drawings, as well as presentation drawings and working drawings. Photographic materials include views of the building site and of study and presentation models by Kandor Modelmakers and by photographer Peter Walser. File also contains a large amount of textual records and a presentation model of the concert hall.
People:
Date:
1985-2000
1985-2000
Title:
Music School and History Museum, Stuttgart, Germany
Actions:
AP140.S2.SS1.D79
Description:
File documents an executed project for the Music School and History Museum in Stuttgart, Germany. The office of James Stirling, Michael Wilford, and Associates was initially appointed in 1986 to design the new Music School and Theatre Academy. In 1991, the programme was altered to include a new History Museum for the State of Baden-Württemberg in place of the Theatre Academy, while retaining the existing design. The project was also divided in two phases with the last phase including the planning and construction of the second part of the Music School and the History Museum. The project was completed after the death of Stirling in 1992 by the firms of Michael Wilford and Partners and Michael Wilford GmbH. Material in this file was produced between 1985 and 2000. File contains several early conceptual drawings, a large number of design development drawings, as well as presentation drawings and working drawings. Photographic materials include views of the building site and of study and presentation models by Kandor Modelmakers and by photographer Peter Walser. File also contains a large amount of textual records and a presentation model of the concert hall.
Music School and History Museum, Stuttgart, Germany
Actions:
AP140.S2.SS1.D79
Description:
File documents an executed project for the Music School and History Museum in Stuttgart, Germany. The office of James Stirling, Michael Wilford, and Associates was initially appointed in 1986 to design the new Music School and Theatre Academy. In 1991, the programme was altered to include a new History Museum for the State of Baden-Württemberg in place of the Theatre Academy, while retaining the existing design. The project was also divided in two phases with the last phase including the planning and construction of the second part of the Music School and the History Museum. The project was completed after the death of Stirling in 1992 by the firms of Michael Wilford and Partners and Michael Wilford GmbH. Material in this file was produced between 1985 and 2000. File contains several early conceptual drawings, a large number of design development drawings, as well as presentation drawings and working drawings. Photographic materials include views of the building site and of study and presentation models by Kandor Modelmakers and by photographer Peter Walser. File also contains a large amount of textual records and a presentation model of the concert hall.
Level of archival description:
File 79
File 79
Date:
1985-2000
1985-2000
People:
Level of archival description:
Project
Project
Reference number:
AP178.S1.2001.PR06
Description:
This project series documents the Centro de Alto Rendimento en el Balneario de Panticosa in Panticosa, Spain. While the records were held in the office’s archives this project was assigned the number 32/00 A. The office assigned the date 2001 for this project. The project site is located in the mountains of Panticosa on the site of a spa resort. Siza's project was part of a revitalization project of the area supervised by Rafael Moneo. Moneo's project included the urban rehabilitation of the area and the renovation of the Nuestra Señora del Carmen church, as well as the construction of a hotel, a casino, and a cultural center. Siza's project consisted of a hotel for athletes, that included gymnasiums, exterior and interior pools, massage rooms, saunas, thermal baths, a solarium, a restaurant, a library, and a shop. During the beginning of the construction, a hot thermal watercourse was discovered under the project site and obliged the architect to revise the plans. The project was realized. Documenting this project are studies, design development drawings, and plans. Textual material includes project documentation and correspondence. Photographic material documents the project site, model, and built project.
AP178.S1.2001.PR06
Description:
This project series documents the Centro de Alto Rendimento en el Balneario de Panticosa in Panticosa, Spain. While the records were held in the office’s archives this project was assigned the number 32/00 A. The office assigned the date 2001 for this project. The project site is located in the mountains of Panticosa on the site of a spa resort. Siza's project was part of a revitalization project of the area supervised by Rafael Moneo. Moneo's project included the urban rehabilitation of the area and the renovation of the Nuestra Señora del Carmen church, as well as the construction of a hotel, a casino, and a cultural center. Siza's project consisted of a hotel for athletes, that included gymnasiums, exterior and interior pools, massage rooms, saunas, thermal baths, a solarium, a restaurant, a library, and a shop. During the beginning of the construction, a hot thermal watercourse was discovered under the project site and obliged the architect to revise the plans. The project was realized. Documenting this project are studies, design development drawings, and plans. Textual material includes project documentation and correspondence. Photographic material documents the project site, model, and built project.
People:
Date:
2000-2008
2000-2008
Title:
Centro de Alto Rendimento en el Balneario de Panticosa [Sports Hotel and High-performance center], Panticosa, Spain (2001)
Actions:
AP178.S1.2001.PR06
Description:
This project series documents the Centro de Alto Rendimento en el Balneario de Panticosa in Panticosa, Spain. While the records were held in the office’s archives this project was assigned the number 32/00 A. The office assigned the date 2001 for this project. The project site is located in the mountains of Panticosa on the site of a spa resort. Siza's project was part of a revitalization project of the area supervised by Rafael Moneo. Moneo's project included the urban rehabilitation of the area and the renovation of the Nuestra Señora del Carmen church, as well as the construction of a hotel, a casino, and a cultural center. Siza's project consisted of a hotel for athletes, that included gymnasiums, exterior and interior pools, massage rooms, saunas, thermal baths, a solarium, a restaurant, a library, and a shop. During the beginning of the construction, a hot thermal watercourse was discovered under the project site and obliged the architect to revise the plans. The project was realized. Documenting this project are studies, design development drawings, and plans. Textual material includes project documentation and correspondence. Photographic material documents the project site, model, and built project.
Centro de Alto Rendimento en el Balneario de Panticosa [Sports Hotel and High-performance center], Panticosa, Spain (2001)
Actions:
AP178.S1.2001.PR06
Description:
This project series documents the Centro de Alto Rendimento en el Balneario de Panticosa in Panticosa, Spain. While the records were held in the office’s archives this project was assigned the number 32/00 A. The office assigned the date 2001 for this project. The project site is located in the mountains of Panticosa on the site of a spa resort. Siza's project was part of a revitalization project of the area supervised by Rafael Moneo. Moneo's project included the urban rehabilitation of the area and the renovation of the Nuestra Señora del Carmen church, as well as the construction of a hotel, a casino, and a cultural center. Siza's project consisted of a hotel for athletes, that included gymnasiums, exterior and interior pools, massage rooms, saunas, thermal baths, a solarium, a restaurant, a library, and a shop. During the beginning of the construction, a hot thermal watercourse was discovered under the project site and obliged the architect to revise the plans. The project was realized. Documenting this project are studies, design development drawings, and plans. Textual material includes project documentation and correspondence. Photographic material documents the project site, model, and built project.
Level of archival description:
Project
Project
Date:
2000-2008
2000-2008
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP178.S1.2003.PR03
Description:
This project series documents a competition for the Ciudad del Flamenco de Jerez de la Frontera in Jerez de la Frontera, Spain. While the records were held in the office’s archives this project was assigned the number 56/00. The office assigned the date 2002 to this project. The competition for the Ciudad del Flamenco was part of an urban revitalization project for the historic center of Jerez. The competition was organized by the Ayuntamiento de Jerez. Six proposals were presented to the jury, including a design by Àlvaro Siza and Juan Miguel Hernández León. The project included the design of an auditorium, a museum, a documentation and research center, a school, and communal spaces. The buildings were to host The National Auditorium of Flamenco Art, the Museum and the Center for Investigation, and Documentation of the Art of Flamenco (CIDAF). The proposal was "a complex of prisms and courtyards wisely articulated between one another, rounded off by a sculptural trapezoidal and cantilevering piece'' (http://ciudaddelflamenco.jerez.es/flash/concurso.pdf p. 6). Jacques Herzog and Pierre de Meuron's proposal won the competition. Documenting this project are studies, competition drawings, and plans. Textual documentation includes correspondence with the client and competition documentation.
AP178.S1.2003.PR03
Description:
This project series documents a competition for the Ciudad del Flamenco de Jerez de la Frontera in Jerez de la Frontera, Spain. While the records were held in the office’s archives this project was assigned the number 56/00. The office assigned the date 2002 to this project. The competition for the Ciudad del Flamenco was part of an urban revitalization project for the historic center of Jerez. The competition was organized by the Ayuntamiento de Jerez. Six proposals were presented to the jury, including a design by Àlvaro Siza and Juan Miguel Hernández León. The project included the design of an auditorium, a museum, a documentation and research center, a school, and communal spaces. The buildings were to host The National Auditorium of Flamenco Art, the Museum and the Center for Investigation, and Documentation of the Art of Flamenco (CIDAF). The proposal was "a complex of prisms and courtyards wisely articulated between one another, rounded off by a sculptural trapezoidal and cantilevering piece'' (http://ciudaddelflamenco.jerez.es/flash/concurso.pdf p. 6). Jacques Herzog and Pierre de Meuron's proposal won the competition. Documenting this project are studies, competition drawings, and plans. Textual documentation includes correspondence with the client and competition documentation.
People:
Date:
circa 2003-2004
circa 2003-2004
Title:
Ciudad del Flamenco de Jerez de la Frontera, Jerez de la Frontera, Spain (2003)
Actions:
AP178.S1.2003.PR03
Description:
This project series documents a competition for the Ciudad del Flamenco de Jerez de la Frontera in Jerez de la Frontera, Spain. While the records were held in the office’s archives this project was assigned the number 56/00. The office assigned the date 2002 to this project. The competition for the Ciudad del Flamenco was part of an urban revitalization project for the historic center of Jerez. The competition was organized by the Ayuntamiento de Jerez. Six proposals were presented to the jury, including a design by Àlvaro Siza and Juan Miguel Hernández León. The project included the design of an auditorium, a museum, a documentation and research center, a school, and communal spaces. The buildings were to host The National Auditorium of Flamenco Art, the Museum and the Center for Investigation, and Documentation of the Art of Flamenco (CIDAF). The proposal was "a complex of prisms and courtyards wisely articulated between one another, rounded off by a sculptural trapezoidal and cantilevering piece'' (http://ciudaddelflamenco.jerez.es/flash/concurso.pdf p. 6). Jacques Herzog and Pierre de Meuron's proposal won the competition. Documenting this project are studies, competition drawings, and plans. Textual documentation includes correspondence with the client and competition documentation.
Ciudad del Flamenco de Jerez de la Frontera, Jerez de la Frontera, Spain (2003)
Actions:
AP178.S1.2003.PR03
Description:
This project series documents a competition for the Ciudad del Flamenco de Jerez de la Frontera in Jerez de la Frontera, Spain. While the records were held in the office’s archives this project was assigned the number 56/00. The office assigned the date 2002 to this project. The competition for the Ciudad del Flamenco was part of an urban revitalization project for the historic center of Jerez. The competition was organized by the Ayuntamiento de Jerez. Six proposals were presented to the jury, including a design by Àlvaro Siza and Juan Miguel Hernández León. The project included the design of an auditorium, a museum, a documentation and research center, a school, and communal spaces. The buildings were to host The National Auditorium of Flamenco Art, the Museum and the Center for Investigation, and Documentation of the Art of Flamenco (CIDAF). The proposal was "a complex of prisms and courtyards wisely articulated between one another, rounded off by a sculptural trapezoidal and cantilevering piece'' (http://ciudaddelflamenco.jerez.es/flash/concurso.pdf p. 6). Jacques Herzog and Pierre de Meuron's proposal won the competition. Documenting this project are studies, competition drawings, and plans. Textual documentation includes correspondence with the client and competition documentation.
Level of archival description:
Project
Project
Date:
circa 2003-2004
circa 2003-2004
People:
Level of archival description:
Project
Project
Reference number:
AP178.S1.1976.PR03
Description:
This project series document the Largo da Lada the historic district in Porto, Portugal. While the records were held in the office’s archives this project was assigned the number 35/70. The office assigned the date 1976 for this project. The Comissariado para a Renovação Urbana da Área de Ribeira/Barredo was an organization responsible for the rehabilitation of the historic district in Porto. The aim of the project was to improve the living conditions of the residents. Alvaro Siza was selected to find architectural solutions for the Mercado da Ribeira (see project series AP178.S1.1976.PR01 in this fonds), Parcelas 191 e 192 (see project series AP178.S1.1976.PR02 in this fonds), and Largo da Lada. The goal for this project was to reorganize the Lada square and Barredo Quarter. The program included a study to create communal facilities and space for dwellings. Although this project, and the proposal for the Mercado da Ribeira were not realized, the houses on Parcelas 191 and 192 were. This project is recorded through sketches, studies and plans. Photographs, negatives, postcards and slides depict the project site and surrounding area. Textual documentation includes correspondence.
AP178.S1.1976.PR03
Description:
This project series document the Largo da Lada the historic district in Porto, Portugal. While the records were held in the office’s archives this project was assigned the number 35/70. The office assigned the date 1976 for this project. The Comissariado para a Renovação Urbana da Área de Ribeira/Barredo was an organization responsible for the rehabilitation of the historic district in Porto. The aim of the project was to improve the living conditions of the residents. Alvaro Siza was selected to find architectural solutions for the Mercado da Ribeira (see project series AP178.S1.1976.PR01 in this fonds), Parcelas 191 e 192 (see project series AP178.S1.1976.PR02 in this fonds), and Largo da Lada. The goal for this project was to reorganize the Lada square and Barredo Quarter. The program included a study to create communal facilities and space for dwellings. Although this project, and the proposal for the Mercado da Ribeira were not realized, the houses on Parcelas 191 and 192 were. This project is recorded through sketches, studies and plans. Photographs, negatives, postcards and slides depict the project site and surrounding area. Textual documentation includes correspondence.
People:
Date:
1962-1974
1962-1974
Title:
Largo da Lada [Urban development plan for Lada square and redevelopment of Barredo Quarter], Porto, Portugal (1976)
Actions:
AP178.S1.1976.PR03
Description:
This project series document the Largo da Lada the historic district in Porto, Portugal. While the records were held in the office’s archives this project was assigned the number 35/70. The office assigned the date 1976 for this project. The Comissariado para a Renovação Urbana da Área de Ribeira/Barredo was an organization responsible for the rehabilitation of the historic district in Porto. The aim of the project was to improve the living conditions of the residents. Alvaro Siza was selected to find architectural solutions for the Mercado da Ribeira (see project series AP178.S1.1976.PR01 in this fonds), Parcelas 191 e 192 (see project series AP178.S1.1976.PR02 in this fonds), and Largo da Lada. The goal for this project was to reorganize the Lada square and Barredo Quarter. The program included a study to create communal facilities and space for dwellings. Although this project, and the proposal for the Mercado da Ribeira were not realized, the houses on Parcelas 191 and 192 were. This project is recorded through sketches, studies and plans. Photographs, negatives, postcards and slides depict the project site and surrounding area. Textual documentation includes correspondence.
Largo da Lada [Urban development plan for Lada square and redevelopment of Barredo Quarter], Porto, Portugal (1976)
Actions:
AP178.S1.1976.PR03
Description:
This project series document the Largo da Lada the historic district in Porto, Portugal. While the records were held in the office’s archives this project was assigned the number 35/70. The office assigned the date 1976 for this project. The Comissariado para a Renovação Urbana da Área de Ribeira/Barredo was an organization responsible for the rehabilitation of the historic district in Porto. The aim of the project was to improve the living conditions of the residents. Alvaro Siza was selected to find architectural solutions for the Mercado da Ribeira (see project series AP178.S1.1976.PR01 in this fonds), Parcelas 191 e 192 (see project series AP178.S1.1976.PR02 in this fonds), and Largo da Lada. The goal for this project was to reorganize the Lada square and Barredo Quarter. The program included a study to create communal facilities and space for dwellings. Although this project, and the proposal for the Mercado da Ribeira were not realized, the houses on Parcelas 191 and 192 were. This project is recorded through sketches, studies and plans. Photographs, negatives, postcards and slides depict the project site and surrounding area. Textual documentation includes correspondence.
Level of archival description:
Project
Project
Date:
1962-1974
1962-1974
People:
Level of archival description:
Project
Project
Reference number:
AP178.S1.1990.PR02
Description:
This project series documents the Parque de Santo Domingo de Bonaval in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 3/90. The office assigned the date 1990 to this project. The project was for the Santo Domingo de Bonaval Park, located in the gardens of the Convent of Santo Domingo de Bonaval and an abandoned cementery. The park was part of the construction of the Centro Galego de Arte Contemporânea and was understood as an extension of it. The design was a collaboration between landscape architect Isabel Aguirre and Álvaro Siza. There was also a restoration component to the project which included restoring the pavement, paths, fountains and walls. The park, measuring 37 047 square metres, included an Eduardo Chillida sculpture. Siza and Aguirre decided not to include trash bins in the park and designed fifty-six benches. The project received the Premio Nacional de Arquitectura Manuel de la Dehesa award in 1997. Documenting this project are studies, preliminary drawings, plans and working drawings. Textual materials include project documentation, notes and correspondence. Photographic materials document the models, project site and built project.
AP178.S1.1990.PR02
Description:
This project series documents the Parque de Santo Domingo de Bonaval in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 3/90. The office assigned the date 1990 to this project. The project was for the Santo Domingo de Bonaval Park, located in the gardens of the Convent of Santo Domingo de Bonaval and an abandoned cementery. The park was part of the construction of the Centro Galego de Arte Contemporânea and was understood as an extension of it. The design was a collaboration between landscape architect Isabel Aguirre and Álvaro Siza. There was also a restoration component to the project which included restoring the pavement, paths, fountains and walls. The park, measuring 37 047 square metres, included an Eduardo Chillida sculpture. Siza and Aguirre decided not to include trash bins in the park and designed fifty-six benches. The project received the Premio Nacional de Arquitectura Manuel de la Dehesa award in 1997. Documenting this project are studies, preliminary drawings, plans and working drawings. Textual materials include project documentation, notes and correspondence. Photographic materials document the models, project site and built project.
People:
Date:
1987-1995
1987-1995
Title:
Parque de Santo Domingo de Bonaval [Santo Domingo de Bonaval Park], Santiago de Compostela, Spain (1990)
Actions:
AP178.S1.1990.PR02
Description:
This project series documents the Parque de Santo Domingo de Bonaval in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 3/90. The office assigned the date 1990 to this project. The project was for the Santo Domingo de Bonaval Park, located in the gardens of the Convent of Santo Domingo de Bonaval and an abandoned cementery. The park was part of the construction of the Centro Galego de Arte Contemporânea and was understood as an extension of it. The design was a collaboration between landscape architect Isabel Aguirre and Álvaro Siza. There was also a restoration component to the project which included restoring the pavement, paths, fountains and walls. The park, measuring 37 047 square metres, included an Eduardo Chillida sculpture. Siza and Aguirre decided not to include trash bins in the park and designed fifty-six benches. The project received the Premio Nacional de Arquitectura Manuel de la Dehesa award in 1997. Documenting this project are studies, preliminary drawings, plans and working drawings. Textual materials include project documentation, notes and correspondence. Photographic materials document the models, project site and built project.
Parque de Santo Domingo de Bonaval [Santo Domingo de Bonaval Park], Santiago de Compostela, Spain (1990)
Actions:
AP178.S1.1990.PR02
Description:
This project series documents the Parque de Santo Domingo de Bonaval in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 3/90. The office assigned the date 1990 to this project. The project was for the Santo Domingo de Bonaval Park, located in the gardens of the Convent of Santo Domingo de Bonaval and an abandoned cementery. The park was part of the construction of the Centro Galego de Arte Contemporânea and was understood as an extension of it. The design was a collaboration between landscape architect Isabel Aguirre and Álvaro Siza. There was also a restoration component to the project which included restoring the pavement, paths, fountains and walls. The park, measuring 37 047 square metres, included an Eduardo Chillida sculpture. Siza and Aguirre decided not to include trash bins in the park and designed fifty-six benches. The project received the Premio Nacional de Arquitectura Manuel de la Dehesa award in 1997. Documenting this project are studies, preliminary drawings, plans and working drawings. Textual materials include project documentation, notes and correspondence. Photographic materials document the models, project site and built project.
Level of archival description:
Project
Project
Date:
1987-1995
1987-1995
People:
Reference number:
PHCON2002:0016:005
Description:
Binder consists of published documentation on the work of Gordon Matta-Clark from the period from 1971 to 1977. It includes exhibition catalogues, reviews of exhibitions, and published interviews; these include documentation on Alternatives to the Washington Square Art Fair (1973) ; Anarchitecture (1973-1974); A W-Hole House (1973); Bingo (1974); City Slivers (1976); Conical Intersect (1975); Contrabienal (1971); Day's End (1975); Fresh Air Cart (1972); Jacks (1971); Jacob's Ladder (1977); Meander (1976); Office Baroque (1977); Open House (1972); Underground Paris (1977); Subway Graffiti (1973); Splitting (1974); Tree Dance (1971); and Walls Paper (1972). Photographs, both personal and those created for publicity, are contained in the binder, as well as correspondence and an example of a Certificate of Authenticity created to give to purchasers of his works. Also included are a series of different resumes written by Matta-Clark along with a more extensive posthumous curriculum vitae and a list of the books in his library. Binder contains photographs, slides and textual records.
PHCON2002:0016:005
Description:
Binder consists of published documentation on the work of Gordon Matta-Clark from the period from 1971 to 1977. It includes exhibition catalogues, reviews of exhibitions, and published interviews; these include documentation on Alternatives to the Washington Square Art Fair (1973) ; Anarchitecture (1973-1974); A W-Hole House (1973); Bingo (1974); City Slivers (1976); Conical Intersect (1975); Contrabienal (1971); Day's End (1975); Fresh Air Cart (1972); Jacks (1971); Jacob's Ladder (1977); Meander (1976); Office Baroque (1977); Open House (1972); Underground Paris (1977); Subway Graffiti (1973); Splitting (1974); Tree Dance (1971); and Walls Paper (1972). Photographs, both personal and those created for publicity, are contained in the binder, as well as correspondence and an example of a Certificate of Authenticity created to give to purchasers of his works. Also included are a series of different resumes written by Matta-Clark along with a more extensive posthumous curriculum vitae and a list of the books in his library. Binder contains photographs, slides and textual records.
People:
Date:
1971-1977
1971-1977
Title:
Reviews, Announcements, Catalogues & Photos 1970-77
Actions:
PHCON2002:0016:005
Description:
Binder consists of published documentation on the work of Gordon Matta-Clark from the period from 1971 to 1977. It includes exhibition catalogues, reviews of exhibitions, and published interviews; these include documentation on Alternatives to the Washington Square Art Fair (1973) ; Anarchitecture (1973-1974); A W-Hole House (1973); Bingo (1974); City Slivers (1976); Conical Intersect (1975); Contrabienal (1971); Day's End (1975); Fresh Air Cart (1972); Jacks (1971); Jacob's Ladder (1977); Meander (1976); Office Baroque (1977); Open House (1972); Underground Paris (1977); Subway Graffiti (1973); Splitting (1974); Tree Dance (1971); and Walls Paper (1972). Photographs, both personal and those created for publicity, are contained in the binder, as well as correspondence and an example of a Certificate of Authenticity created to give to purchasers of his works. Also included are a series of different resumes written by Matta-Clark along with a more extensive posthumous curriculum vitae and a list of the books in his library. Binder contains photographs, slides and textual records.
Reviews, Announcements, Catalogues & Photos 1970-77
Actions:
PHCON2002:0016:005
Description:
Binder consists of published documentation on the work of Gordon Matta-Clark from the period from 1971 to 1977. It includes exhibition catalogues, reviews of exhibitions, and published interviews; these include documentation on Alternatives to the Washington Square Art Fair (1973) ; Anarchitecture (1973-1974); A W-Hole House (1973); Bingo (1974); City Slivers (1976); Conical Intersect (1975); Contrabienal (1971); Day's End (1975); Fresh Air Cart (1972); Jacks (1971); Jacob's Ladder (1977); Meander (1976); Office Baroque (1977); Open House (1972); Underground Paris (1977); Subway Graffiti (1973); Splitting (1974); Tree Dance (1971); and Walls Paper (1972). Photographs, both personal and those created for publicity, are contained in the binder, as well as correspondence and an example of a Certificate of Authenticity created to give to purchasers of his works. Also included are a series of different resumes written by Matta-Clark along with a more extensive posthumous curriculum vitae and a list of the books in his library. Binder contains photographs, slides and textual records.
Date:
1971-1977
1971-1977
People:
