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xxxvi, 1219 pages, 24 unnumbered pages of plates : illustrations (some color) ; 29 cm
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xxxvi, 1219 pages, 24 unnumbered pages of plates : illustrations (some color) ; 29 cm
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Cambridge, Mass. ; London, England : The MIT Press, [2018], ©2018
Cambridge, Mass. ; London, England : The MIT Press, [2018], ©2018
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An unfinished ... encyclopedia of ... scale figures without ... architecture / edited by Michael Meredith, Hilary Sample & MOS.
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xxxvi, 1219 pages, 24 unnumbered pages of plates : illustrations (some color) ; 29 cm
An unfinished ... encyclopedia of ... scale figures without ... architecture / edited by Michael Meredith, Hilary Sample & MOS.
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xxxvi, 1219 pages, 24 unnumbered pages of plates : illustrations (some color) ; 29 cm
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books
books
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Cambridge, Mass. ; London, England : The MIT Press, [2018], ©2018
Cambridge, Mass. ; London, England : The MIT Press, [2018], ©2018
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63 pages.
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63 pages.
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Saint-Etienne : Publications de l'université de Saint-Etienne, 2006.
Saint-Etienne : Publications de l'université de Saint-Etienne, 2006.
Title:
Le de re aedificatoria et l'institutionnalisation de la société : [Conférence de Françoise Choay donnée le 29 mars 2005 à l'école d'architecture de Saint-Etienne. Suivi de] patrimoine : quel enjeu de société. L'évolution du concept de patrimoine / Françoise Choay.
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63 pages.
Le de re aedificatoria et l'institutionnalisation de la société : [Conférence de Françoise Choay donnée le 29 mars 2005 à l'école d'architecture de Saint-Etienne. Suivi de] patrimoine : quel enjeu de société. L'évolution du concept de patrimoine / Françoise Choay.
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63 pages.
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Saint-Etienne : Publications de l'université de Saint-Etienne, 2006.
Saint-Etienne : Publications de l'université de Saint-Etienne, 2006.
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Ann Arbor, Mich. : University Microfilms International, 1985.
Ann Arbor, Mich. : University Microfilms International, 1985.
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books
books
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Ann Arbor, Mich. : University Microfilms International, 1985.
Ann Arbor, Mich. : University Microfilms International, 1985.
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2 volumes : illustrations ; 22 cm.
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2 volumes : illustrations ; 22 cm.
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New York : Alfred A. Knopf : Distributed by Random House, 1996.
New York : Alfred A. Knopf : Distributed by Random House, 1996.
Title:
Lives of the Painters, Sculptors and Architects / Giorgio Vasari ; translated by Gaston du C. de Vere ; with an introduction and notes by David Ekserdjian.
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2 volumes : illustrations ; 22 cm.
Lives of the Painters, Sculptors and Architects / Giorgio Vasari ; translated by Gaston du C. de Vere ; with an introduction and notes by David Ekserdjian.
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2 volumes : illustrations ; 22 cm.
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books
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New York : Alfred A. Knopf : Distributed by Random House, 1996.
New York : Alfred A. Knopf : Distributed by Random House, 1996.
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$49.95
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Summary:
Leon Battista Alberti (1404–1472) was one of the most prolific and original writers of the Italian Renaissance—a fact often eclipsed by his more celebrated achievements as an art theorist and architect, and by Jacob Burckhardt’s mythologizing of Alberti as a “Renaissance or Universal Man.” In this book, Martin McLaughlin counters this partial perspective on Alberti,(...)
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Leon Battista Alberti (1404–1472) was one of the most prolific and original writers of the Italian Renaissance—a fact often eclipsed by his more celebrated achievements as an art theorist and architect, and by Jacob Burckhardt’s mythologizing of Alberti as a “Renaissance or Universal Man.” In this book, Martin McLaughlin counters this partial perspective on Alberti,(...)
Title:
Leon Battista Alberti: Writer and humanist
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Leon Battista Alberti (1404–1472) was one of the most prolific and original writers of the Italian Renaissance—a fact often eclipsed by his more celebrated achievements as an art theorist and architect, and by Jacob Burckhardt’s mythologizing of Alberti as a “Renaissance or Universal Man.” In this book, Martin McLaughlin counters this partial perspective on Alberti, considering him more broadly as a writer dedicated to literature and humanism, a major protagonist and experimentalist in the literary scene of early Renaissance Italy. McLaughlin, a noted authority on Alberti, examines all of Alberti’s major works in Latin and the Italian vernacular and analyzes his vast knowledge of classical texts and culture.
Leon Battista Alberti: Writer and humanist
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Leon Battista Alberti (1404–1472) was one of the most prolific and original writers of the Italian Renaissance—a fact often eclipsed by his more celebrated achievements as an art theorist and architect, and by Jacob Burckhardt’s mythologizing of Alberti as a “Renaissance or Universal Man.” In this book, Martin McLaughlin counters this partial perspective on Alberti, considering him more broadly as a writer dedicated to literature and humanism, a major protagonist and experimentalist in the literary scene of early Renaissance Italy. McLaughlin, a noted authority on Alberti, examines all of Alberti’s major works in Latin and the Italian vernacular and analyzes his vast knowledge of classical texts and culture.
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books
books
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June 2024
June 2024
Subject:
Art Theory
Art Theory
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books
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xiii, 173 pages, 48 unnumbered pages of plates : illustrations ; 22 cm
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xiii, 173 pages, 48 unnumbered pages of plates : illustrations ; 22 cm
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London : Academy, 1973.
London : Academy, 1973.
Title:
Architectural principles in the age of humanism / Rudolf Wittkower.
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xiii, 173 pages, 48 unnumbered pages of plates : illustrations ; 22 cm
Architectural principles in the age of humanism / Rudolf Wittkower.
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xiii, 173 pages, 48 unnumbered pages of plates : illustrations ; 22 cm
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books
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London : Academy, 1973.
London : Academy, 1973.
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$47.95
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L’architecte Leon Battista Alberti (1404-1472) est mêlé à l’édification d’un monument en 1454; c’est après cette date qu’il laisse dans l’histoire de l’architecture une marque profonde qui lui vaut sa réputation universelle, concevant plusieurs édifices qui vont ouvrir des voies radicalement nouvelles à cet art. Mais de l’âge de vingt ans, à l’âge de cinquante ans (et(...)
$47.95
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Summary:
L’architecte Leon Battista Alberti (1404-1472) est mêlé à l’édification d’un monument en 1454; c’est après cette date qu’il laisse dans l’histoire de l’architecture une marque profonde qui lui vaut sa réputation universelle, concevant plusieurs édifices qui vont ouvrir des voies radicalement nouvelles à cet art. Mais de l’âge de vingt ans, à l’âge de cinquante ans (et(...)
Title:
Leon Battista Alberti 1404-1472
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L’architecte Leon Battista Alberti (1404-1472) est mêlé à l’édification d’un monument en 1454; c’est après cette date qu’il laisse dans l’histoire de l’architecture une marque profonde qui lui vaut sa réputation universelle, concevant plusieurs édifices qui vont ouvrir des voies radicalement nouvelles à cet art. Mais de l’âge de vingt ans, à l’âge de cinquante ans (et au-delà), les résultats prodigieux qu’il réussit à atteindre en particulier comme écrivain, en latin et en italien, comme philosophe ou comme ingénieur - et que ce livre se fixe aussi comme objectif d’illustrer - ne peuvent que surprendre et fasciner. Sa devise était d’ailleurs Quid tum et son symbole un œil ailé, signes de cette volonté d’aller toujours de l’avant, de ne jamais répéter ce que les autres ont fait ou de ne jamais se répéter lui-même. Son jeune contemporain Landino parlera plus tard de lui comme d’un caméléon, qui s’adapte sans cesse à de nouveaux domaines au point que son esprit polymorphe est impossible à classer. Ce qui fait de lui, sans conteste, le génie le plus universel du XVe siècle.
Leon Battista Alberti 1404-1472
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L’architecte Leon Battista Alberti (1404-1472) est mêlé à l’édification d’un monument en 1454; c’est après cette date qu’il laisse dans l’histoire de l’architecture une marque profonde qui lui vaut sa réputation universelle, concevant plusieurs édifices qui vont ouvrir des voies radicalement nouvelles à cet art. Mais de l’âge de vingt ans, à l’âge de cinquante ans (et au-delà), les résultats prodigieux qu’il réussit à atteindre en particulier comme écrivain, en latin et en italien, comme philosophe ou comme ingénieur - et que ce livre se fixe aussi comme objectif d’illustrer - ne peuvent que surprendre et fasciner. Sa devise était d’ailleurs Quid tum et son symbole un œil ailé, signes de cette volonté d’aller toujours de l’avant, de ne jamais répéter ce que les autres ont fait ou de ne jamais se répéter lui-même. Son jeune contemporain Landino parlera plus tard de lui comme d’un caméléon, qui s’adapte sans cesse à de nouveaux domaines au point que son esprit polymorphe est impossible à classer. Ce qui fait de lui, sans conteste, le génie le plus universel du XVe siècle.
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books
books
Publication:
January 2004, Paris
January 2004, Paris
Subject:
Architecture Monographs
Architecture Monographs
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books
books
Title:
Il Tempio malatestiano.
Il Tempio malatestiano.
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204 pages illustrations, plates (some color) 30 cm
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204 pages illustrations, plates (some color) 30 cm
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[Torino] Edizioni Radio italiana [1956]
[Torino] Edizioni Radio italiana [1956]
Title:
Il Tempio malatestiano.
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204 pages illustrations, plates (some color) 30 cm
Il Tempio malatestiano.
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204 pages illustrations, plates (some color) 30 cm
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books
books
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[Torino] Edizioni Radio italiana [1956]
[Torino] Edizioni Radio italiana [1956]
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69 pages : illustrations (some color) ; 21 cm
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69 pages : illustrations (some color) ; 21 cm
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Rimini : Per L'arte, [1992]
Rimini : Per L'arte, [1992]
Title:
Cortesia e geometria : arte malatestiana fra Pisanello e Piero della Francesca : catalogo della mostra / a cura di Pier Giorgio Pasini.
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69 pages : illustrations (some color) ; 21 cm
Cortesia e geometria : arte malatestiana fra Pisanello e Piero della Francesca : catalogo della mostra / a cura di Pier Giorgio Pasini.
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69 pages : illustrations (some color) ; 21 cm
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Rimini : Per L'arte, [1992]
Rimini : Per L'arte, [1992]
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[xxiv], 156 (i.e. 159) pages : illustrations, portrait ; 35 cm
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[xxiv], 156 (i.e. 159) pages : illustrations, portrait ; 35 cm
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London : Printed by T. Roycroft for J. Place, 1664.
London : Printed by T. Roycroft for J. Place, 1664.
Title:
A parallel of the antient architecture with the modern : in a collection of ten principal authors who have written upon the five orders ... / to which is added an account of architects and architecture ... affected by architects ; with Leon Baptista Alberti's treatise Of statues ; made English for the benefit of builders by John Evelyn.
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[xxiv], 156 (i.e. 159) pages : illustrations, portrait ; 35 cm
A parallel of the antient architecture with the modern : in a collection of ten principal authors who have written upon the five orders ... / to which is added an account of architects and architecture ... affected by architects ; with Leon Baptista Alberti's treatise Of statues ; made English for the benefit of builders by John Evelyn.
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[xxiv], 156 (i.e. 159) pages : illustrations, portrait ; 35 cm
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books
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London : Printed by T. Roycroft for J. Place, 1664.
London : Printed by T. Roycroft for J. Place, 1664.
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