DR1982:0008
architecture, engineering
1968 or 1969
Second floor plan and sketches for the Palazzo dei Congressi, Venice, Italy
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DR1982:0008
architecture, engineering
photographs
Quantity:
156 File
Photographs of Venice, Italy and Blenheim England. Includes photographs of Francisco Kripacz.
ARCH273434
early 1980s?
photographs
Quantity:
156 File
early 1980s?
photographs
PH1991:0060:006
architecture
ca. 1855
Exterior view of the Loggetta gates and Campanile, Piazza San Marco, Venice
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PH1991:0060:006
photographs
ca. 1855
architecture
DR1991:0017:094
Description:
annotated sketch
1978
International Seminary of Design, Cannaregio West, Venice competition entry, site study
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DR1991:0017:094
Description:
annotated sketch
PH1999:0278
architecture, painting
after 1960
Partial view of display showing painted dishes, Museo Correr, Venice, Italy
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PH1999:0278
architecture, painting
drawings
AP140.S2.SS1.D91.P1
circa 1989-1993
Plans, elevations, sections, details, axonometrics and perspectives, Biennale Bookshop, Venice, Italy
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AP140.S2.SS1.D91.P1
drawings
circa 1989-1993
ARCH286682
circa 1999-2000
Portrait of James Wines for the exhibition on James Wines at the Venice Biennale
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ARCH286682
ARCH286685
circa 1999-2000
Portrait of James Wines for the exhibition on James Wines at the Venice Biennale
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ARCH286685
ARCH286690
Description:
This item contains harmful materials including violent imagery. The drawing illustrates the discrete elements of an exhibition involving several large-scale installations. One of these installations shows a crane on which a net filled with mannequins is suspended; the mannequins are soaked in oil, in the words of the designers, to represent the impacts of oil spills on the global population. This image, however, suggests violence beyond environmental disasters.
circa 1999-2000
Drawings for two installations for the exhibition on James Wines at the Venice Biennale
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ARCH286690
Description:
This item contains harmful materials including violent imagery. The drawing illustrates the discrete elements of an exhibition involving several large-scale installations. One of these installations shows a crane on which a net filled with mannequins is suspended; the mannequins are soaked in oil, in the words of the designers, to represent the impacts of oil spills on the global population. This image, however, suggests violence beyond environmental disasters.
Photograph of the "Thanksgiving for Lepanto" by Veronese, Palazzo ducale [Doge's Palace], Venice
PH1991:0060:027
painting
ca. 1855
Photograph of the "Thanksgiving for Lepanto" by Veronese, Palazzo ducale [Doge's Palace], Venice
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PH1991:0060:027
painting