Project
AP022.S1.1971.PR16
Description:
File documents a demonstration minirail system including vehicles, stations and elevated tracks at the Canadian National Exhibition grounds as part of a proposed expanded city mass transit system (not built), Toronto, Ontario. File contains design development drawings, photographic material, and textual records (includes photographs).
1971-1976
Intermediate Capacity Transit System, Toronto
Actions:
AP022.S1.1971.PR16
Description:
File documents a demonstration minirail system including vehicles, stations and elevated tracks at the Canadian National Exhibition grounds as part of a proposed expanded city mass transit system (not built), Toronto, Ontario. File contains design development drawings, photographic material, and textual records (includes photographs).
Project
1971-1976
Project
AP143.S4.D108
Description:
The project series documents the executed project for Cites of Artificial Excavation, Madrid, Spain. Material in was produced between 1994 and 1995. In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models in this project series document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Eisenman uses a computer to superimpose, distort and multiply a Greek cross, while simultaneously modifying its plan and section. The computer enables the architect to generate geometric figures that are extremely difficult to produce by traditional means. It also constitutes a new phase in Eisenman's research into the depersonalization of the creative process, a central concern of his 'Cities of Artificial Excavation' (1978-1988). The Greek cross was one of the elements of the grid developed for the 'Museum of Artifical Excavation', and part of the project he submitted for the Internationale Bauausstellung in Berlin (1980-1986). The project series contains material by Eisenman's office including material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196) which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036) which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). Also included are photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028), and paint samples (DR1994:0038:035-037). The project series contains design development drawings, working drawings, photographic materials, publication drawings, reference drawings, textual records, and models.
1994-1995
Cities of Artificial Excavation, Madrid
Actions:
AP143.S4.D108
Description:
The project series documents the executed project for Cites of Artificial Excavation, Madrid, Spain. Material in was produced between 1994 and 1995. In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models in this project series document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Eisenman uses a computer to superimpose, distort and multiply a Greek cross, while simultaneously modifying its plan and section. The computer enables the architect to generate geometric figures that are extremely difficult to produce by traditional means. It also constitutes a new phase in Eisenman's research into the depersonalization of the creative process, a central concern of his 'Cities of Artificial Excavation' (1978-1988). The Greek cross was one of the elements of the grid developed for the 'Museum of Artifical Excavation', and part of the project he submitted for the Internationale Bauausstellung in Berlin (1980-1986). The project series contains material by Eisenman's office including material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196) which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036) which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). Also included are photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028), and paint samples (DR1994:0038:035-037). The project series contains design development drawings, working drawings, photographic materials, publication drawings, reference drawings, textual records, and models.
File 108
1994-1995
Project
AP173.S2.1991.D1
Description:
Series documents Lars Spuybroek's solo exhibition Traction Avant presented in Tilburg, Netherlands. Material in this series was produced around 1991. The series contains presentation drawings. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
ca. 1991
Traction Avant, Tilbug, Netherlands (1991)
Actions:
AP173.S2.1991.D1
Description:
Series documents Lars Spuybroek's solo exhibition Traction Avant presented in Tilburg, Netherlands. Material in this series was produced around 1991. The series contains presentation drawings. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Project
ca. 1991
Project
AP173.S2.2000.D2
Description:
Series documents Lars Spuybroek's project for the invited competition for the Galerie der Forschung in Vienna, Austria, an exhibition centre for the Österreichische Akademie der Wissenschaften in Vienna. Material in this series was produced around 2000. The series contains slides of design development drawings. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
ca. 2000
Galerie Der Forschung, Vienna, Austria
Actions:
AP173.S2.2000.D2
Description:
Series documents Lars Spuybroek's project for the invited competition for the Galerie der Forschung in Vienna, Austria, an exhibition centre for the Österreichische Akademie der Wissenschaften in Vienna. Material in this series was produced around 2000. The series contains slides of design development drawings. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Project
ca. 2000
photographs
Quantity:
8 photograph(s)
ARCH268064
Description:
This group consists of photographs of exhibits and photographs of the perspective drawings by Victor Prus for the design of Festival of Britain exhibitions.
Photographs of exhibits and photographs of the perspective drawings by Victor Prus
Actions:
ARCH268064
Description:
This group consists of photographs of exhibits and photographs of the perspective drawings by Victor Prus for the design of Festival of Britain exhibitions.
photographs
Quantity:
8 photograph(s)
Environment: Approaches for Tomorrow broaches issues such as energy consumption and natural resources, the question of limiting humanity’s control of the environment, the search for renewable resources, and the optimal means to employ them. Through the work of French horticultural engineer and landscape architect Gilles Clément and Swiss architect Philippe Rahm, the(...)
Main galleries
18 October 2006 to 10 June 2007
Environment: Approaches for Tomorrow
Actions:
Description:
Environment: Approaches for Tomorrow broaches issues such as energy consumption and natural resources, the question of limiting humanity’s control of the environment, the search for renewable resources, and the optimal means to employ them. Through the work of French horticultural engineer and landscape architect Gilles Clément and Swiss architect Philippe Rahm, the(...)
Main galleries
archives
Level of archival description:
Fonds
Lionel March fonds
AP208
Synopsis:
The Lionel March fonds, circa 1957-2017, documents the work and activities of architect and professor Lionel March. The records within this fonds illustrate March’s architectural career, representing five professional and personal building projects, including the 1964 Whitehall plan; as well as his academic career in research and teaching, spanning England and North America, most notably March’s work with the Centre for Land Use and Built Form Studies (now the Martin Centre) and his research at UCLA. The fonds is largely composed of books from March’s library, textual records, slides and photographs, and drawings.
circa 1957-2017
Lionel March fonds
Actions:
AP208
Synopsis:
The Lionel March fonds, circa 1957-2017, documents the work and activities of architect and professor Lionel March. The records within this fonds illustrate March’s architectural career, representing five professional and personal building projects, including the 1964 Whitehall plan; as well as his academic career in research and teaching, spanning England and North America, most notably March’s work with the Centre for Land Use and Built Form Studies (now the Martin Centre) and his research at UCLA. The fonds is largely composed of books from March’s library, textual records, slides and photographs, and drawings.
archives
Level of archival description:
Fonds
circa 1957-2017
textual records
DR2004:1450
Description:
Mag box cont. File 'X15/CP/AJ', 'X15 drafts' Bound notebook, Mag box file 'X15 Roy Landau', File X15 (AA), File X15 (exhibition? AA/CP Works II), File 'X15' Originals for 'A Summertime Breeze' homemade publication by CP, Binder X15 (1991-93), Binder 'X15 / 1993-1998', File X15 'Reclamation 88: International Conference / Exhibition on the role of land reclamation in economic regeneration' CP Design, in Organising Committee, 'CP/AJ Special Issue', File 'X15 Canada / 4.11.97'
1970-1998
Mag box cont. File 'X15/CP/AJ', 'X15 drafts' Bound notebook
Actions:
DR2004:1450
Description:
Mag box cont. File 'X15/CP/AJ', 'X15 drafts' Bound notebook, Mag box file 'X15 Roy Landau', File X15 (AA), File X15 (exhibition? AA/CP Works II), File 'X15' Originals for 'A Summertime Breeze' homemade publication by CP, Binder X15 (1991-93), Binder 'X15 / 1993-1998', File X15 'Reclamation 88: International Conference / Exhibition on the role of land reclamation in economic regeneration' CP Design, in Organising Committee, 'CP/AJ Special Issue', File 'X15 Canada / 4.11.97'
textual records
1970-1998
archives
Level of archival description:
Fonds
R&Sie(n) project records
AP193
Synopsis:
R&Sie(n) project records, 2002-2015, document the development and design process of four projects of the firm: Water Flux (2002-2010), I’ve heard about (2004-2006), Olzweg (2006) and Une architecture des humeurs (2008-2011). The records consist of original born-digital material in addition to two models for Water Flux.
2005-2015
R&Sie(n) project records
Actions:
AP193
Synopsis:
R&Sie(n) project records, 2002-2015, document the development and design process of four projects of the firm: Water Flux (2002-2010), I’ve heard about (2004-2006), Olzweg (2006) and Une architecture des humeurs (2008-2011). The records consist of original born-digital material in addition to two models for Water Flux.
archives
Level of archival description:
Fonds
2005-2015
Sub-series
Diamond House A
AP145.S2.D15.SD1
Description:
Sub-file documents an unexecuted project for a house. Material in this file was produced between 1963 and 1967, reprographic copies of presentation drawings were created, probably for an exhibition, between 1963 and 1985. Sub-file contains a conceptual drawing, design development drawings, presentation drawings, presentation panels, and presentation models.
[1963-1985, predominant 1963-1967]
Diamond House A
Actions:
AP145.S2.D15.SD1
Description:
Sub-file documents an unexecuted project for a house. Material in this file was produced between 1963 and 1967, reprographic copies of presentation drawings were created, probably for an exhibition, between 1963 and 1985. Sub-file contains a conceptual drawing, design development drawings, presentation drawings, presentation panels, and presentation models.
Sub-file 1
[1963-1985, predominant 1963-1967]