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This catalogue was published on the occasion of the exhibition All-Inclusive. A Tourist World Schrirn Kunsthalle Frankfurt 30 january- 04 may 2008 This entertaining and often hilarious exhibition catalog from Schirn Kunsthalle Frankfurt is a thought-provoking exploration of our global society through the tourist experience. The curators see tourism as something that(...)
Transportation, Tourism, Migration
June 2008, Köln
All-inclusive a tourist world
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This catalogue was published on the occasion of the exhibition All-Inclusive. A Tourist World Schrirn Kunsthalle Frankfurt 30 january- 04 may 2008 This entertaining and often hilarious exhibition catalog from Schirn Kunsthalle Frankfurt is a thought-provoking exploration of our global society through the tourist experience. The curators see tourism as something that perpetuates clichés about cultural and national identity; real landscapes blur into artificial geographies like ski resort-themed water parks, indoor beaches with synthetic sun lamps, or aircraft carriers equipped with roller coasters and volcanoes. More than 30 artists create photography, multimedia installations, sculpture and prose travelogues that veer between the authentic and the absurd, attempting to answer the question: how should tourists interact with the bogus world of tourism, and what should they learn?
Transportation, Tourism, Migration
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Fifty years ago, architects imagined worlds to come. Today, many have ceded the future to market logic, treating global capitalism as inevitable and reality as fixed. This issue of Architectural Design argues that when collective imagination falters, the utopian impulse returns?not as a blueprint for perfection, but as a vital means of reopening what can still be(...)
AD 96:2 Chimera : The architecture of contemporary utopias
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Fifty years ago, architects imagined worlds to come. Today, many have ceded the future to market logic, treating global capitalism as inevitable and reality as fixed. This issue of Architectural Design argues that when collective imagination falters, the utopian impulse returns?not as a blueprint for perfection, but as a vital means of reopening what can still be conceived and made. As planetary computation, climate instability and synthetic cognition converge, utopia becomes a tool for speculative world?building: a way to design new systems, realities and relationalities with the more-than-human. Contributors navigate this shifting terrain from a range of vantages?from those who embrace technological acceleration as an instrument of renewal to others whose address to futurity is aimed at resisting the exhausted capitalist logics of the present.
Magazines
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The current environmental crisis calls for a unified practice of landscape and architecture that would allow buildings and landscapes to perform symbiotically to heal the environment. Over the past ten years, a diverse group of architects, landscape architects, and artists have undertaken groundbreaking projects that propose an integration of landscape and architecture,(...)
Groundwork: Between landscape and architecture
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The current environmental crisis calls for a unified practice of landscape and architecture that would allow buildings and landscapes to perform symbiotically to heal the environment. Over the past ten years, a diverse group of architects, landscape architects, and artists have undertaken groundbreaking projects that propose an integration of landscape and architecture, dissolving traditional distinctions between building and environment. Groundwork: Between Landscape and Architecture examines twenty-five projects, on an international scale, that consider landscape and architecture as true reciprocal entities. What these projects all have in common is a desire to pay attention and homage to the liminal space where indoors and outdoors meet. The critical connection between natural and synthetic, exterior and interior space, paves the way toward a more inclusive—and indeed more alive—conceptualization of the physical world.
Gardens
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Today, we live in an economic system that revolves around producing and consuming objects made of plastic and metal, electronics, synthetic textiles and other things that do not decompose within a foreseeable amount of time. We start to review the role of these objects in a series of challenges that lie ahead of us. In the design discipline, sustainability and social(...)
The responsible object; a history of the design ideology for the future
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Today, we live in an economic system that revolves around producing and consuming objects made of plastic and metal, electronics, synthetic textiles and other things that do not decompose within a foreseeable amount of time. We start to review the role of these objects in a series of challenges that lie ahead of us. In the design discipline, sustainability and social responsibility have become prolific epithets, generating new products, materials, and technologies, designed to change the course of our future. The intrinsic design ideologies are often not new, but form a fundamental part of design history, reappearing throughout the previous centuries. This book presents a history of socially committed design strategies within the western design tradition, from William Morris to Victor Papanek, and from VKhUTEMAS to FabLab. A critical resource for designers, students, cultural critics, and anyone interested in building a sustainable future.
Design Theory
Philipp Schaerer: bildbauten
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Philipp Schaerer's works are the outcome of a skillful amalgamation of photographic knowledge, compositional skills, digital craftsmanship, and the specificities of architectural practice. His imaged architectures do not correspond with actual buildings but instead both challenge the role of the photograph as documentary evidence and, equally, critique how architecture is(...)
Photography monographs
January 2016
Philipp Schaerer: bildbauten
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Philipp Schaerer's works are the outcome of a skillful amalgamation of photographic knowledge, compositional skills, digital craftsmanship, and the specificities of architectural practice. His imaged architectures do not correspond with actual buildings but instead both challenge the role of the photograph as documentary evidence and, equally, critique how architecture is consumed today. When first released in 2010 in German and French, this book was the only comprehensive presentation of Philipp Schaerer's work available. And while the perpetual development of information technology and digital photography is continuously rebalancing the relationship between architecture and its visual representation, the architect's synthetic images continue to occupy a relevant position within this debate. The Bildbauten series, assembled here in its original twenty-four plates and extended by eight additional new works, speaks a powerful visual language that transcends the barriers of any written text.
Photography monographs
Landscape theory
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Artistic representations of landscape are studies in a half-dozen disciplines (art history, geography, literature, philosophy, politics, sociology), and there is no master narrative or historiographic genealogy to frame interpretations. Geographers are interested in political formations (and geography, as a discipline, is increasingly non-visual). Art historians have(...)
Landscape Theory
January 2008, London, New York
Landscape theory
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Artistic representations of landscape are studies in a half-dozen disciplines (art history, geography, literature, philosophy, politics, sociology), and there is no master narrative or historiographic genealogy to frame interpretations. Geographers are interested in political formations (and geography, as a discipline, is increasingly non-visual). Art historians have written extensively on landscape, but there have not been any recent synthetic attemps or theoretical overviews. At the same time, painters, and other artists often feel they 'possess' the landscape of the region in which they live; that ownership takes place at a non-verbal level, and seems incommensurate with the discourses of art history or geography. Landscape Theory, volume 6 in The Art Seminar series, is the first book to bring together different disciplines and practices, in order to understand how best to conceptualize landscape in art.
Landscape Theory
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This book discusses the architectural influence that Japan and the West have had on each other during the last 150 years. While the recent histories of Western and Japanese architecture have been well recorded, they have rarely been interwoven. Based on extensive research, this book provides a synthetic overview that brings together the main themes of Japanese and Western(...)
Japan and the West: an architectural dialogue
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This book discusses the architectural influence that Japan and the West have had on each other during the last 150 years. While the recent histories of Western and Japanese architecture have been well recorded, they have rarely been interwoven. Based on extensive research, this book provides a synthetic overview that brings together the main themes of Japanese and Western architecture since 1850, showing that neither could exist in its present state without the other. It should be no surprise that the Bank of Japan in Tokyo is based upon the national banks in Brussels and London or that Le Corbusier’s cabanon at Cap Martin in the south of France is based upon an eight mat tatami room. In considering these histories, this book demonstrates the mutual interdependence of both architectural cultures while, at the same time, acknowledging their differences.
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In the twenty-first century, new technologies should liberate us from work. Automation, rather than undermining an economy built on full employment, is instead the path to a world of liberty, luxury and happiness—for everyone. Technological advance will reduce the value of commodities—food, healthcare and housing—towards zero. Improvements in renewable energies will(...)
Fully automated luxury communism: a manifesto
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In the twenty-first century, new technologies should liberate us from work. Automation, rather than undermining an economy built on full employment, is instead the path to a world of liberty, luxury and happiness—for everyone. Technological advance will reduce the value of commodities—food, healthcare and housing—towards zero. Improvements in renewable energies will make fossil fuels a thing of the past. Asteroids will be mined for essential minerals. Genetic editing and synthetic biology will prolong life, virtually eliminate disease and provide meat without animals. New horizons beckon. In Fully Automated Luxury Communism, Aaron Bastani conjures a vision of extraordinary hope, showing how we move to energy abundance, feed a world of 9 billion, overcome work, transcend the limits of biology, and establish meaningful freedom for everyone. Rather than a final destination, such a society merely heralds the real beginning of history.
Critical Theory
Painting in stone: Architecture and the poetics of marble from antiquity to the englightenment
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Spanning almost five millennia, this volume tells a new history of premodern architecture through the material of precious stone. Illustrated examples include the synthetic gems used to simulate Sumerian and Egyptian heavens; the marble temples and mansions of Greece and Rome; the painted palaces and polychrome marble chapels of early modern Italy; and the multimedia(...)
Painting in stone: Architecture and the poetics of marble from antiquity to the englightenment
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Spanning almost five millennia, this volume tells a new history of premodern architecture through the material of precious stone. Illustrated examples include the synthetic gems used to simulate Sumerian and Egyptian heavens; the marble temples and mansions of Greece and Rome; the painted palaces and polychrome marble chapels of early modern Italy; and the multimedia revival in 19th-century England. Poetry, the lens for understanding costly marbles as an artistic medium, summoned a spectrum of imaginative associations and responses, from princes and patriarchs to the populace. Three salient themes sustained this “lithic imagination”: marbles as images of their own elemental substance according to premodern concepts of matter and geology; the perceived indwelling of astral light in earthly stones; and the enduring belief that colored marbles exhibited a form of natural—or divine—painting, thanks to their vivacious veining, rainbow palette, and chance images.
Materials and Lighting
In pursuit of color. From fungi to fossil fuels: Uncovering the origins of the world's famous dyes
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Over the centuries our manipulation of the natural world has resulted in an explosion of synthetic dye production and application globally. To gain insight into the history of how folk practices have been lost and technical processes found, anthropologist and textile artist Lauren MacDonald explores a practice that is both ancient and wholly modern: coloring cloth. The(...)
In pursuit of color. From fungi to fossil fuels: Uncovering the origins of the world's famous dyes
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Over the centuries our manipulation of the natural world has resulted in an explosion of synthetic dye production and application globally. To gain insight into the history of how folk practices have been lost and technical processes found, anthropologist and textile artist Lauren MacDonald explores a practice that is both ancient and wholly modern: coloring cloth. The pursuit of color has long spurred economic and social contest, and through this deeply researched volume we explore the stories that the materials used to dye cloth tell us about our complex relationship to nature, our troubling ideas about progress and our understanding of power and labor. In Pursuit of Color: From Fungi to Fossil Fuels: Uncovering the Origins of the World's Most Famous Dyes brings together historic techniques, archive photography, specimens and present-day events to tell the histories of some of the world’s most important dyestuffs.
Colour Theory and Design