8533 Results
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
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Reference number:
AP176
Synopsis:
Karl Chu X PHYLUM project records, 1998-2014 (predominant 1998-2002), documents the development and design process of Chu’s project X PHYLUM. The archive consists exclusively of original born-digital material.
AP176
Synopsis:
Karl Chu X PHYLUM project records, 1998-2014 (predominant 1998-2002), documents the development and design process of Chu’s project X PHYLUM. The archive consists exclusively of original born-digital material.
People:
Date:
1998-2014
1998-2014
Title:
Karl Chu X Phylum project records
Actions:
AP176
Synopsis:
Karl Chu X PHYLUM project records, 1998-2014 (predominant 1998-2002), documents the development and design process of Chu’s project X PHYLUM. The archive consists exclusively of original born-digital material.
Karl Chu X Phylum project records
Actions:
AP176
Synopsis:
Karl Chu X PHYLUM project records, 1998-2014 (predominant 1998-2002), documents the development and design process of Chu’s project X PHYLUM. The archive consists exclusively of original born-digital material.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1998-2014
1998-2014
People:
Level of archival description:
Series
Series
Title:
Objectile records
Objectile records
Actions:
Reference number:
AP169.S1
Description:
Series 1, Objectile, 1993 - 2011, relates to the firm’s activities, from the production of decorative panels to the management of daily business. This series includes born-digital material and chiefly dates from 2004-2008. “Objectile” is a term first proposed by philosopher Gilles Deleuze in his book The Fold, published in 1988. It was used to name the research conducted by Bernard Cache and his associate Patrick Beaucé around the development of industrial means to produce “non-standard” objects. In his book Earth Moves (Terre Meuble), Bernard Cache describes non-standard objects as repeatable variations on a theme, such as a family of curves declining the same mathematical model. The randomness of their patterns recalls earth’s forms and curves, the way geography generates nature’s topography. Cache also wanted these folds and curves to express a relationship between the exterior (geography) and the interior (furniture) of architecture. From these ideas, the firm Objectile was founded created to industrially produce and market those non-standard objects mostly taking the form of decorative panels. Those panels and other furniture were among the first objects to be computationally designed with computer-aided design software (CAD) and then industrially built through computer numerical control (CNC). The patterns were designed through unique algorithms that could endlessly be modified and personalized. Materials in this series reflect the work of Objectile. This includes design and execution records for the different wooden panels and other furniture, which are primarily in still image and CAD formats (TopSolid, AutoCAD). There is also a significant body of material for the Objectile website (in HTML and XML formats). The series additionally includes textual documentation reflecting the administration of the firm, including accounting and legal documentation, as well as correspondence. These materials are in typical office formats and include email.
AP169.S1
Description:
Series 1, Objectile, 1993 - 2011, relates to the firm’s activities, from the production of decorative panels to the management of daily business. This series includes born-digital material and chiefly dates from 2004-2008. “Objectile” is a term first proposed by philosopher Gilles Deleuze in his book The Fold, published in 1988. It was used to name the research conducted by Bernard Cache and his associate Patrick Beaucé around the development of industrial means to produce “non-standard” objects. In his book Earth Moves (Terre Meuble), Bernard Cache describes non-standard objects as repeatable variations on a theme, such as a family of curves declining the same mathematical model. The randomness of their patterns recalls earth’s forms and curves, the way geography generates nature’s topography. Cache also wanted these folds and curves to express a relationship between the exterior (geography) and the interior (furniture) of architecture. From these ideas, the firm Objectile was founded created to industrially produce and market those non-standard objects mostly taking the form of decorative panels. Those panels and other furniture were among the first objects to be computationally designed with computer-aided design software (CAD) and then industrially built through computer numerical control (CNC). The patterns were designed through unique algorithms that could endlessly be modified and personalized. Materials in this series reflect the work of Objectile. This includes design and execution records for the different wooden panels and other furniture, which are primarily in still image and CAD formats (TopSolid, AutoCAD). There is also a significant body of material for the Objectile website (in HTML and XML formats). The series additionally includes textual documentation reflecting the administration of the firm, including accounting and legal documentation, as well as correspondence. These materials are in typical office formats and include email.
People:
Date:
1993-2011
1993-2011
Title:
Objectile records
Actions:
AP169.S1
Description:
Series 1, Objectile, 1993 - 2011, relates to the firm’s activities, from the production of decorative panels to the management of daily business. This series includes born-digital material and chiefly dates from 2004-2008. “Objectile” is a term first proposed by philosopher Gilles Deleuze in his book The Fold, published in 1988. It was used to name the research conducted by Bernard Cache and his associate Patrick Beaucé around the development of industrial means to produce “non-standard” objects. In his book Earth Moves (Terre Meuble), Bernard Cache describes non-standard objects as repeatable variations on a theme, such as a family of curves declining the same mathematical model. The randomness of their patterns recalls earth’s forms and curves, the way geography generates nature’s topography. Cache also wanted these folds and curves to express a relationship between the exterior (geography) and the interior (furniture) of architecture. From these ideas, the firm Objectile was founded created to industrially produce and market those non-standard objects mostly taking the form of decorative panels. Those panels and other furniture were among the first objects to be computationally designed with computer-aided design software (CAD) and then industrially built through computer numerical control (CNC). The patterns were designed through unique algorithms that could endlessly be modified and personalized. Materials in this series reflect the work of Objectile. This includes design and execution records for the different wooden panels and other furniture, which are primarily in still image and CAD formats (TopSolid, AutoCAD). There is also a significant body of material for the Objectile website (in HTML and XML formats). The series additionally includes textual documentation reflecting the administration of the firm, including accounting and legal documentation, as well as correspondence. These materials are in typical office formats and include email.
Objectile records
Actions:
AP169.S1
Description:
Series 1, Objectile, 1993 - 2011, relates to the firm’s activities, from the production of decorative panels to the management of daily business. This series includes born-digital material and chiefly dates from 2004-2008. “Objectile” is a term first proposed by philosopher Gilles Deleuze in his book The Fold, published in 1988. It was used to name the research conducted by Bernard Cache and his associate Patrick Beaucé around the development of industrial means to produce “non-standard” objects. In his book Earth Moves (Terre Meuble), Bernard Cache describes non-standard objects as repeatable variations on a theme, such as a family of curves declining the same mathematical model. The randomness of their patterns recalls earth’s forms and curves, the way geography generates nature’s topography. Cache also wanted these folds and curves to express a relationship between the exterior (geography) and the interior (furniture) of architecture. From these ideas, the firm Objectile was founded created to industrially produce and market those non-standard objects mostly taking the form of decorative panels. Those panels and other furniture were among the first objects to be computationally designed with computer-aided design software (CAD) and then industrially built through computer numerical control (CNC). The patterns were designed through unique algorithms that could endlessly be modified and personalized. Materials in this series reflect the work of Objectile. This includes design and execution records for the different wooden panels and other furniture, which are primarily in still image and CAD formats (TopSolid, AutoCAD). There is also a significant body of material for the Objectile website (in HTML and XML formats). The series additionally includes textual documentation reflecting the administration of the firm, including accounting and legal documentation, as well as correspondence. These materials are in typical office formats and include email.
Level of archival description:
Series
Series
Date:
1993-2011
1993-2011
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP056.S1.1991.PR07
Description:
This project series documents the master plan for the Royal Conservatory of Music in Toronto in 1991. The office identified the project number as 9107. This project consisted of long-range planning for renovations and additions to the music school, located in Victorian-era McMaster Hall on Bloor Street and originally built in 1881. This plan came in preparation of the Conservatory's separation from the University of Toronto in 1987. The program recognized the need for 73,450 square feet of space for the school to carry out its teaching, administrative, public, and performance duties. The building had a basement, six floors above grade and two levels of parking. The work was to focus around public spaces for socialization and to create grand spaces for the performance of music. Smaller teaching and practice rooms, along with administrative spaces, were also to be included. The plan proposed the restoration of McMaster Hall, the restoration of Memorial Hall to the east of the building as a 220-seat recital hall, the creation of a new enclosed courtyard surrounded by cloisters, and renovations to the South Pavilion as a cafe. A new West Wing was also proposed to accommodate teaching and practice areas, while a new East Wing would contain a 550-seat concert hall. These changes were to be carried out in phases, with 3 phases proposed as the most effecient and cost effective. The project is recorded through drawings, presentation paintings, a magazine, and textual records dating from 1991. The drawings include sketches, presentation drawings, plans, elevations and sections. The magazine is a special issue of the Canadian Architect Awards of Excellence, featuring this project, and the textual records present the complete project proposal.
AP056.S1.1991.PR07
Description:
This project series documents the master plan for the Royal Conservatory of Music in Toronto in 1991. The office identified the project number as 9107. This project consisted of long-range planning for renovations and additions to the music school, located in Victorian-era McMaster Hall on Bloor Street and originally built in 1881. This plan came in preparation of the Conservatory's separation from the University of Toronto in 1987. The program recognized the need for 73,450 square feet of space for the school to carry out its teaching, administrative, public, and performance duties. The building had a basement, six floors above grade and two levels of parking. The work was to focus around public spaces for socialization and to create grand spaces for the performance of music. Smaller teaching and practice rooms, along with administrative spaces, were also to be included. The plan proposed the restoration of McMaster Hall, the restoration of Memorial Hall to the east of the building as a 220-seat recital hall, the creation of a new enclosed courtyard surrounded by cloisters, and renovations to the South Pavilion as a cafe. A new West Wing was also proposed to accommodate teaching and practice areas, while a new East Wing would contain a 550-seat concert hall. These changes were to be carried out in phases, with 3 phases proposed as the most effecient and cost effective. The project is recorded through drawings, presentation paintings, a magazine, and textual records dating from 1991. The drawings include sketches, presentation drawings, plans, elevations and sections. The magazine is a special issue of the Canadian Architect Awards of Excellence, featuring this project, and the textual records present the complete project proposal.
People:
Date:
1991-1997
1991-1997
Title:
Royal Conservatory of Music, Master Plan, Toronto (1991)
Actions:
AP056.S1.1991.PR07
Description:
This project series documents the master plan for the Royal Conservatory of Music in Toronto in 1991. The office identified the project number as 9107. This project consisted of long-range planning for renovations and additions to the music school, located in Victorian-era McMaster Hall on Bloor Street and originally built in 1881. This plan came in preparation of the Conservatory's separation from the University of Toronto in 1987. The program recognized the need for 73,450 square feet of space for the school to carry out its teaching, administrative, public, and performance duties. The building had a basement, six floors above grade and two levels of parking. The work was to focus around public spaces for socialization and to create grand spaces for the performance of music. Smaller teaching and practice rooms, along with administrative spaces, were also to be included. The plan proposed the restoration of McMaster Hall, the restoration of Memorial Hall to the east of the building as a 220-seat recital hall, the creation of a new enclosed courtyard surrounded by cloisters, and renovations to the South Pavilion as a cafe. A new West Wing was also proposed to accommodate teaching and practice areas, while a new East Wing would contain a 550-seat concert hall. These changes were to be carried out in phases, with 3 phases proposed as the most effecient and cost effective. The project is recorded through drawings, presentation paintings, a magazine, and textual records dating from 1991. The drawings include sketches, presentation drawings, plans, elevations and sections. The magazine is a special issue of the Canadian Architect Awards of Excellence, featuring this project, and the textual records present the complete project proposal.
Royal Conservatory of Music, Master Plan, Toronto (1991)
Actions:
AP056.S1.1991.PR07
Description:
This project series documents the master plan for the Royal Conservatory of Music in Toronto in 1991. The office identified the project number as 9107. This project consisted of long-range planning for renovations and additions to the music school, located in Victorian-era McMaster Hall on Bloor Street and originally built in 1881. This plan came in preparation of the Conservatory's separation from the University of Toronto in 1987. The program recognized the need for 73,450 square feet of space for the school to carry out its teaching, administrative, public, and performance duties. The building had a basement, six floors above grade and two levels of parking. The work was to focus around public spaces for socialization and to create grand spaces for the performance of music. Smaller teaching and practice rooms, along with administrative spaces, were also to be included. The plan proposed the restoration of McMaster Hall, the restoration of Memorial Hall to the east of the building as a 220-seat recital hall, the creation of a new enclosed courtyard surrounded by cloisters, and renovations to the South Pavilion as a cafe. A new West Wing was also proposed to accommodate teaching and practice areas, while a new East Wing would contain a 550-seat concert hall. These changes were to be carried out in phases, with 3 phases proposed as the most effecient and cost effective. The project is recorded through drawings, presentation paintings, a magazine, and textual records dating from 1991. The drawings include sketches, presentation drawings, plans, elevations and sections. The magazine is a special issue of the Canadian Architect Awards of Excellence, featuring this project, and the textual records present the complete project proposal.
Level of archival description:
Project
Project
Date:
1991-1997
1991-1997
People:
Level of archival description:
Sub-series
Sub-series
Reference number:
AP178.S1.2002.PR05.SS1
Description:
This project subseries documents the Parque de Vidago Complexo Termal e Hotel Palace in Vidago, Portugal. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the date 2002 to this project. The project consisted of major renovations to update and modernize the Vidago Palace Hotel, originally opened in 1910, and the addition of a new thermal spa. Architects José Pedro Lopes Vieira and Diogo Rosa Lã were responsible for the interior decoration of the Palace Hotel, while Siza designed the Spa. The full or partial demolition of some parts of the hotel and nearby buildings was necessary to maintain the original character of the resort. In contrast to the historic hotel, the new spa was contemporary and minimalist with marble interiors. It included pools, Turkish baths, treatment and relaxation rooms, a gym, bars and meditation area. This project subseries is documented through drawings, photographic materials, study models and textual records dating from 2002-2012. These materials primarily document the spa but documentation for the surrounding site, Palace Hotel, Fonte Salus (spring), gatehouse and Serralves exhibition space is also included. The drawings are largely reprographic copies of printed CAD drawings and include sketches, studies, plans, details, sections, elevations, demolition drawings and mechanical, electrical and structural drawings. The textual records include correspondence, meeting minutes, studies, building programs, furniture and spa equipment documentation, budgets and contracts. A large amount of documentation on various electrical, structural and mechanical systems is also included. The photographic materials are mostly printed digital photos showing buildings across the site, pre and post construction work and reference images. There are also a number of photos, postcards and brochures showing historical images of the hotel.
AP178.S1.2002.PR05.SS1
Description:
This project subseries documents the Parque de Vidago Complexo Termal e Hotel Palace in Vidago, Portugal. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the date 2002 to this project. The project consisted of major renovations to update and modernize the Vidago Palace Hotel, originally opened in 1910, and the addition of a new thermal spa. Architects José Pedro Lopes Vieira and Diogo Rosa Lã were responsible for the interior decoration of the Palace Hotel, while Siza designed the Spa. The full or partial demolition of some parts of the hotel and nearby buildings was necessary to maintain the original character of the resort. In contrast to the historic hotel, the new spa was contemporary and minimalist with marble interiors. It included pools, Turkish baths, treatment and relaxation rooms, a gym, bars and meditation area. This project subseries is documented through drawings, photographic materials, study models and textual records dating from 2002-2012. These materials primarily document the spa but documentation for the surrounding site, Palace Hotel, Fonte Salus (spring), gatehouse and Serralves exhibition space is also included. The drawings are largely reprographic copies of printed CAD drawings and include sketches, studies, plans, details, sections, elevations, demolition drawings and mechanical, electrical and structural drawings. The textual records include correspondence, meeting minutes, studies, building programs, furniture and spa equipment documentation, budgets and contracts. A large amount of documentation on various electrical, structural and mechanical systems is also included. The photographic materials are mostly printed digital photos showing buildings across the site, pre and post construction work and reference images. There are also a number of photos, postcards and brochures showing historical images of the hotel.
People:
Date:
2002-2012
2002-2012
Title:
Parque de Vidago, Complexo Termal e Hotel Palace [Vidago Palace Hotel and Spa], Vidago, Portugal (2002)
Actions:
AP178.S1.2002.PR05.SS1
Description:
This project subseries documents the Parque de Vidago Complexo Termal e Hotel Palace in Vidago, Portugal. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the date 2002 to this project. The project consisted of major renovations to update and modernize the Vidago Palace Hotel, originally opened in 1910, and the addition of a new thermal spa. Architects José Pedro Lopes Vieira and Diogo Rosa Lã were responsible for the interior decoration of the Palace Hotel, while Siza designed the Spa. The full or partial demolition of some parts of the hotel and nearby buildings was necessary to maintain the original character of the resort. In contrast to the historic hotel, the new spa was contemporary and minimalist with marble interiors. It included pools, Turkish baths, treatment and relaxation rooms, a gym, bars and meditation area. This project subseries is documented through drawings, photographic materials, study models and textual records dating from 2002-2012. These materials primarily document the spa but documentation for the surrounding site, Palace Hotel, Fonte Salus (spring), gatehouse and Serralves exhibition space is also included. The drawings are largely reprographic copies of printed CAD drawings and include sketches, studies, plans, details, sections, elevations, demolition drawings and mechanical, electrical and structural drawings. The textual records include correspondence, meeting minutes, studies, building programs, furniture and spa equipment documentation, budgets and contracts. A large amount of documentation on various electrical, structural and mechanical systems is also included. The photographic materials are mostly printed digital photos showing buildings across the site, pre and post construction work and reference images. There are also a number of photos, postcards and brochures showing historical images of the hotel.
Parque de Vidago, Complexo Termal e Hotel Palace [Vidago Palace Hotel and Spa], Vidago, Portugal (2002)
Actions:
AP178.S1.2002.PR05.SS1
Description:
This project subseries documents the Parque de Vidago Complexo Termal e Hotel Palace in Vidago, Portugal. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the date 2002 to this project. The project consisted of major renovations to update and modernize the Vidago Palace Hotel, originally opened in 1910, and the addition of a new thermal spa. Architects José Pedro Lopes Vieira and Diogo Rosa Lã were responsible for the interior decoration of the Palace Hotel, while Siza designed the Spa. The full or partial demolition of some parts of the hotel and nearby buildings was necessary to maintain the original character of the resort. In contrast to the historic hotel, the new spa was contemporary and minimalist with marble interiors. It included pools, Turkish baths, treatment and relaxation rooms, a gym, bars and meditation area. This project subseries is documented through drawings, photographic materials, study models and textual records dating from 2002-2012. These materials primarily document the spa but documentation for the surrounding site, Palace Hotel, Fonte Salus (spring), gatehouse and Serralves exhibition space is also included. The drawings are largely reprographic copies of printed CAD drawings and include sketches, studies, plans, details, sections, elevations, demolition drawings and mechanical, electrical and structural drawings. The textual records include correspondence, meeting minutes, studies, building programs, furniture and spa equipment documentation, budgets and contracts. A large amount of documentation on various electrical, structural and mechanical systems is also included. The photographic materials are mostly printed digital photos showing buildings across the site, pre and post construction work and reference images. There are also a number of photos, postcards and brochures showing historical images of the hotel.
Level of archival description:
Project
Project
Date:
2002-2012
2002-2012
People:
Form:
photographs
photographs
Title:
Harvard and its Surroundings
Harvard and its Surroundings
Actions:
Reference number:
PH1979:0604
Description:
This album comprises 102 pages of texts (descriptions of Harvard University and surroundings), a Key Plan of the vicinity of Harvard University, an Index, a List of Illustrations and an Introduction, 39 albertypes (collotypes, full pages), 28 engravings and 2 half-titles. The title page: Harvard and its Surroundings. Subscription Edition. Published by Moses King, Harvard College, Cambridge, Mass.; a presentation page: Harvard and its Surroundings. Subscription (fourth) edition by Moses King. Copiously illustrated with albertypes, and engravings. Cambridge. Moses King, Publisher, Harvard Square, 1882. Copyright, 1878, by Moses King. Copyright, 1880, by Charles W. Sever. Copyright, 1882, by Moses King. Designs by L.S. Ipsen; Sketches by H. M. Stephenson; University Press: John Wilson and Son, Cambridge. The illustrations are listed as follows: -Memorial Hall. - Dining Hall, Memorial Transept and Sanders Theatre -Harvard Hall. - Physical Laboratory and Lecture rooms -Massachusetts Hall. - Examinations Rooms -The Quadrance of Harvard College. Hollis, Stoughton, Holworthy, Thayer -Matthews Hall. - Dormitory -Dane Hall. - Law School -Wadsworth, or Old Presidents' House. - Dormitory -Grays Hall. - Dormitory -Boylston Hall. - Chemical Laboratory -Gore Hall. - The Universityé Library -Weld Hall. - Dormitory -Old President's Chair -University Hall. - Administration and Lecture Rooms -Sever Hall. - Lectures, Recitations and Examinations -Thayer Hall. - Dormitory -Appleton Chapel. - University House of Worship -Holden Chapel (engraving) -Holworthy Hall. - Dormitory -Stoughton Hall. - Dormitory -Hollis Hall. - Dormitory -Holmes House (engraving) -Hemenway Gymnasium -Interior of the Harvard (Hemenway) Gymnasium -Society Hall (engraving) -Lawrence Scientific School. - Laboratories Lecture and Workrooms -Divinity Hall. - Lecture Room, Library and Dormitory -Memorial Hall Transept (engraving) -Memorial Dining Hall. - The Students' Commons -Peabody Museum of American Archeology and Ethnology -Museum of Comparative Zoology. - Natural History Collections -Plan of Oxford Street -The Old Gymnasium -University Boat Club House -The President's House. - Residence of the Executive Officer -Dana House (engraving) -Holyoke House. - Shops and Dormitory -College House. - Post Office, Shops and Dormitory -Botanic Garden and Herbarium -The Astronomical Observatory -The Old Medical School. - Lectures, Laboratories, Museums, etc. -The Harvard Medical School. The New Building -Dental School. - Lecture and Workrooms and Laboratory -Bussey Institution. - School of Horticulture and Agriculture -Harvard Surroundings (engraving) -Old Mile Stone (engraving) -Felton Building, - Dormitory -Beck Hall, - Dormitory -Old Cambridge Baptist Church (engraving) -Moses King's Harvard-Square Publishing House -Hasty Pudding Club House (sketch by Cabot and Chandler: Architects: Boston) -Little's Block. - Shops and Dormitory -First Parish Church (engraving) -Christ Church (engraving) -Soldiers' Monument (engraving) -Shepard Memorial Church (engraving) -Washington Elm (engraving) -Waterhouse House (engraving) -Elmwood (engraving) -Fayerweather House (engraving) -Lee House (engraving) -Riedesel House (engraving) -Washington's Head-quarters, or Longfellow's Home (engraving) -Protestant Episcopal Theological School of Massachusetts (engraving) -Vassal House (engraving) -Brattle House (engraving) -New CIty Building (engraving) -Hicks House (engraving) -St. Paul's Church (engraving) -University Press John Wilson & Son
PH1979:0604
Description:
This album comprises 102 pages of texts (descriptions of Harvard University and surroundings), a Key Plan of the vicinity of Harvard University, an Index, a List of Illustrations and an Introduction, 39 albertypes (collotypes, full pages), 28 engravings and 2 half-titles. The title page: Harvard and its Surroundings. Subscription Edition. Published by Moses King, Harvard College, Cambridge, Mass.; a presentation page: Harvard and its Surroundings. Subscription (fourth) edition by Moses King. Copiously illustrated with albertypes, and engravings. Cambridge. Moses King, Publisher, Harvard Square, 1882. Copyright, 1878, by Moses King. Copyright, 1880, by Charles W. Sever. Copyright, 1882, by Moses King. Designs by L.S. Ipsen; Sketches by H. M. Stephenson; University Press: John Wilson and Son, Cambridge. The illustrations are listed as follows: -Memorial Hall. - Dining Hall, Memorial Transept and Sanders Theatre -Harvard Hall. - Physical Laboratory and Lecture rooms -Massachusetts Hall. - Examinations Rooms -The Quadrance of Harvard College. Hollis, Stoughton, Holworthy, Thayer -Matthews Hall. - Dormitory -Dane Hall. - Law School -Wadsworth, or Old Presidents' House. - Dormitory -Grays Hall. - Dormitory -Boylston Hall. - Chemical Laboratory -Gore Hall. - The Universityé Library -Weld Hall. - Dormitory -Old President's Chair -University Hall. - Administration and Lecture Rooms -Sever Hall. - Lectures, Recitations and Examinations -Thayer Hall. - Dormitory -Appleton Chapel. - University House of Worship -Holden Chapel (engraving) -Holworthy Hall. - Dormitory -Stoughton Hall. - Dormitory -Hollis Hall. - Dormitory -Holmes House (engraving) -Hemenway Gymnasium -Interior of the Harvard (Hemenway) Gymnasium -Society Hall (engraving) -Lawrence Scientific School. - Laboratories Lecture and Workrooms -Divinity Hall. - Lecture Room, Library and Dormitory -Memorial Hall Transept (engraving) -Memorial Dining Hall. - The Students' Commons -Peabody Museum of American Archeology and Ethnology -Museum of Comparative Zoology. - Natural History Collections -Plan of Oxford Street -The Old Gymnasium -University Boat Club House -The President's House. - Residence of the Executive Officer -Dana House (engraving) -Holyoke House. - Shops and Dormitory -College House. - Post Office, Shops and Dormitory -Botanic Garden and Herbarium -The Astronomical Observatory -The Old Medical School. - Lectures, Laboratories, Museums, etc. -The Harvard Medical School. The New Building -Dental School. - Lecture and Workrooms and Laboratory -Bussey Institution. - School of Horticulture and Agriculture -Harvard Surroundings (engraving) -Old Mile Stone (engraving) -Felton Building, - Dormitory -Beck Hall, - Dormitory -Old Cambridge Baptist Church (engraving) -Moses King's Harvard-Square Publishing House -Hasty Pudding Club House (sketch by Cabot and Chandler: Architects: Boston) -Little's Block. - Shops and Dormitory -First Parish Church (engraving) -Christ Church (engraving) -Soldiers' Monument (engraving) -Shepard Memorial Church (engraving) -Washington Elm (engraving) -Waterhouse House (engraving) -Elmwood (engraving) -Fayerweather House (engraving) -Lee House (engraving) -Riedesel House (engraving) -Washington's Head-quarters, or Longfellow's Home (engraving) -Protestant Episcopal Theological School of Massachusetts (engraving) -Vassal House (engraving) -Brattle House (engraving) -New CIty Building (engraving) -Hicks House (engraving) -St. Paul's Church (engraving) -University Press John Wilson & Son
People:
Subject:
architecture
architecture
Date:
1882
1882
Title:
Harvard and its Surroundings
Actions:
PH1979:0604
Description:
This album comprises 102 pages of texts (descriptions of Harvard University and surroundings), a Key Plan of the vicinity of Harvard University, an Index, a List of Illustrations and an Introduction, 39 albertypes (collotypes, full pages), 28 engravings and 2 half-titles. The title page: Harvard and its Surroundings. Subscription Edition. Published by Moses King, Harvard College, Cambridge, Mass.; a presentation page: Harvard and its Surroundings. Subscription (fourth) edition by Moses King. Copiously illustrated with albertypes, and engravings. Cambridge. Moses King, Publisher, Harvard Square, 1882. Copyright, 1878, by Moses King. Copyright, 1880, by Charles W. Sever. Copyright, 1882, by Moses King. Designs by L.S. Ipsen; Sketches by H. M. Stephenson; University Press: John Wilson and Son, Cambridge. The illustrations are listed as follows: -Memorial Hall. - Dining Hall, Memorial Transept and Sanders Theatre -Harvard Hall. - Physical Laboratory and Lecture rooms -Massachusetts Hall. - Examinations Rooms -The Quadrance of Harvard College. Hollis, Stoughton, Holworthy, Thayer -Matthews Hall. - Dormitory -Dane Hall. - Law School -Wadsworth, or Old Presidents' House. - Dormitory -Grays Hall. - Dormitory -Boylston Hall. - Chemical Laboratory -Gore Hall. - The Universityé Library -Weld Hall. - Dormitory -Old President's Chair -University Hall. - Administration and Lecture Rooms -Sever Hall. - Lectures, Recitations and Examinations -Thayer Hall. - Dormitory -Appleton Chapel. - University House of Worship -Holden Chapel (engraving) -Holworthy Hall. - Dormitory -Stoughton Hall. - Dormitory -Hollis Hall. - Dormitory -Holmes House (engraving) -Hemenway Gymnasium -Interior of the Harvard (Hemenway) Gymnasium -Society Hall (engraving) -Lawrence Scientific School. - Laboratories Lecture and Workrooms -Divinity Hall. - Lecture Room, Library and Dormitory -Memorial Hall Transept (engraving) -Memorial Dining Hall. - The Students' Commons -Peabody Museum of American Archeology and Ethnology -Museum of Comparative Zoology. - Natural History Collections -Plan of Oxford Street -The Old Gymnasium -University Boat Club House -The President's House. - Residence of the Executive Officer -Dana House (engraving) -Holyoke House. - Shops and Dormitory -College House. - Post Office, Shops and Dormitory -Botanic Garden and Herbarium -The Astronomical Observatory -The Old Medical School. - Lectures, Laboratories, Museums, etc. -The Harvard Medical School. The New Building -Dental School. - Lecture and Workrooms and Laboratory -Bussey Institution. - School of Horticulture and Agriculture -Harvard Surroundings (engraving) -Old Mile Stone (engraving) -Felton Building, - Dormitory -Beck Hall, - Dormitory -Old Cambridge Baptist Church (engraving) -Moses King's Harvard-Square Publishing House -Hasty Pudding Club House (sketch by Cabot and Chandler: Architects: Boston) -Little's Block. - Shops and Dormitory -First Parish Church (engraving) -Christ Church (engraving) -Soldiers' Monument (engraving) -Shepard Memorial Church (engraving) -Washington Elm (engraving) -Waterhouse House (engraving) -Elmwood (engraving) -Fayerweather House (engraving) -Lee House (engraving) -Riedesel House (engraving) -Washington's Head-quarters, or Longfellow's Home (engraving) -Protestant Episcopal Theological School of Massachusetts (engraving) -Vassal House (engraving) -Brattle House (engraving) -New CIty Building (engraving) -Hicks House (engraving) -St. Paul's Church (engraving) -University Press John Wilson & Son
Harvard and its Surroundings
Actions:
PH1979:0604
Description:
This album comprises 102 pages of texts (descriptions of Harvard University and surroundings), a Key Plan of the vicinity of Harvard University, an Index, a List of Illustrations and an Introduction, 39 albertypes (collotypes, full pages), 28 engravings and 2 half-titles. The title page: Harvard and its Surroundings. Subscription Edition. Published by Moses King, Harvard College, Cambridge, Mass.; a presentation page: Harvard and its Surroundings. Subscription (fourth) edition by Moses King. Copiously illustrated with albertypes, and engravings. Cambridge. Moses King, Publisher, Harvard Square, 1882. Copyright, 1878, by Moses King. Copyright, 1880, by Charles W. Sever. Copyright, 1882, by Moses King. Designs by L.S. Ipsen; Sketches by H. M. Stephenson; University Press: John Wilson and Son, Cambridge. The illustrations are listed as follows: -Memorial Hall. - Dining Hall, Memorial Transept and Sanders Theatre -Harvard Hall. - Physical Laboratory and Lecture rooms -Massachusetts Hall. - Examinations Rooms -The Quadrance of Harvard College. Hollis, Stoughton, Holworthy, Thayer -Matthews Hall. - Dormitory -Dane Hall. - Law School -Wadsworth, or Old Presidents' House. - Dormitory -Grays Hall. - Dormitory -Boylston Hall. - Chemical Laboratory -Gore Hall. - The Universityé Library -Weld Hall. - Dormitory -Old President's Chair -University Hall. - Administration and Lecture Rooms -Sever Hall. - Lectures, Recitations and Examinations -Thayer Hall. - Dormitory -Appleton Chapel. - University House of Worship -Holden Chapel (engraving) -Holworthy Hall. - Dormitory -Stoughton Hall. - Dormitory -Hollis Hall. - Dormitory -Holmes House (engraving) -Hemenway Gymnasium -Interior of the Harvard (Hemenway) Gymnasium -Society Hall (engraving) -Lawrence Scientific School. - Laboratories Lecture and Workrooms -Divinity Hall. - Lecture Room, Library and Dormitory -Memorial Hall Transept (engraving) -Memorial Dining Hall. - The Students' Commons -Peabody Museum of American Archeology and Ethnology -Museum of Comparative Zoology. - Natural History Collections -Plan of Oxford Street -The Old Gymnasium -University Boat Club House -The President's House. - Residence of the Executive Officer -Dana House (engraving) -Holyoke House. - Shops and Dormitory -College House. - Post Office, Shops and Dormitory -Botanic Garden and Herbarium -The Astronomical Observatory -The Old Medical School. - Lectures, Laboratories, Museums, etc. -The Harvard Medical School. The New Building -Dental School. - Lecture and Workrooms and Laboratory -Bussey Institution. - School of Horticulture and Agriculture -Harvard Surroundings (engraving) -Old Mile Stone (engraving) -Felton Building, - Dormitory -Beck Hall, - Dormitory -Old Cambridge Baptist Church (engraving) -Moses King's Harvard-Square Publishing House -Hasty Pudding Club House (sketch by Cabot and Chandler: Architects: Boston) -Little's Block. - Shops and Dormitory -First Parish Church (engraving) -Christ Church (engraving) -Soldiers' Monument (engraving) -Shepard Memorial Church (engraving) -Washington Elm (engraving) -Waterhouse House (engraving) -Elmwood (engraving) -Fayerweather House (engraving) -Lee House (engraving) -Riedesel House (engraving) -Washington's Head-quarters, or Longfellow's Home (engraving) -Protestant Episcopal Theological School of Massachusetts (engraving) -Vassal House (engraving) -Brattle House (engraving) -New CIty Building (engraving) -Hicks House (engraving) -St. Paul's Church (engraving) -University Press John Wilson & Son
Form:
photographs
photographs
Date:
1882
1882
People:
Subject:
architecture
architecture
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Reference number:
CP138
Synopsis:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
CP138
Synopsis:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
People:
Date:
1914-2008
1914-2008
Title:
Gordon Matta-Clark collection
Actions:
CP138
Synopsis:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
Gordon Matta-Clark collection
Actions:
CP138
Synopsis:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Date:
1914-2008
1914-2008
People:
Form:
drawings
drawings
Actions:
Reference number:
DR1994:0011:001 R/V
Description:
- Group DR1994:0011:001 R/V - DR1994:0011:030 includes three sketches (DR1994:0011:001 R/V - DR1994:0011:002 R/V and DR1994:0011:030), 24 pages of notes (DR1994:0011:003 - DR1994:0011:026), two sketchbooks (DR1994:0011:027:001-035 and DR1994:0011:028:001-008 R/V), and the envelope in which these materials were housed at acquisition (DR1994:0011:029). The sketches are for various subjects including I-beams (DR1994:0011:001 R/V), a column-to-beam connection and an unidentified building (DR1994:0011:002 R/V), and a sketch plan of Mies' 1928-1929 design for the Friedrichstrasse office building in Berlin (DR1994:0011:030). Notes DR1994:0011:003 - DR1994:0011:024 are written in German and are generally illegible. Many changes have been made to the notes, and some sheets appear to have been reordered or struck out. Some of the notes may be about urban planning. The number in the upper left corner of sheets DR1994:0011:010, DR1994:0011:012-016 and DR1994:0011:020-021 may indicate the order of the topics dealt with in the notes. Notes DR1994:0011:025 are illegible. Notes DR1994:0011:026 are written in English, and may be notes of a lecture. The notes in sketchbook DR1994:0011:027:001-035 are written in German, are generally illegible, and are usually written in point form or sometimes as lists. Chicago is mentioned on several of the sheets. There is a shift in the clarity of the handwriting halfway through the sketchbook and some of the notes in the latter half may relate to Mies' readings of philosophy. Some of the notes in sketchbook DR1994:0028:001-008 R/V are written in German and some in English. The first and second pages of the sketchbook describe measurements for addresses on the campus of IIT, as well as for the Power Plant. The last three pages of the sketchbook discuss the architectural education programm at IIT and an exhibition of student work.
DR1994:0011:001 R/V
Description:
- Group DR1994:0011:001 R/V - DR1994:0011:030 includes three sketches (DR1994:0011:001 R/V - DR1994:0011:002 R/V and DR1994:0011:030), 24 pages of notes (DR1994:0011:003 - DR1994:0011:026), two sketchbooks (DR1994:0011:027:001-035 and DR1994:0011:028:001-008 R/V), and the envelope in which these materials were housed at acquisition (DR1994:0011:029). The sketches are for various subjects including I-beams (DR1994:0011:001 R/V), a column-to-beam connection and an unidentified building (DR1994:0011:002 R/V), and a sketch plan of Mies' 1928-1929 design for the Friedrichstrasse office building in Berlin (DR1994:0011:030). Notes DR1994:0011:003 - DR1994:0011:024 are written in German and are generally illegible. Many changes have been made to the notes, and some sheets appear to have been reordered or struck out. Some of the notes may be about urban planning. The number in the upper left corner of sheets DR1994:0011:010, DR1994:0011:012-016 and DR1994:0011:020-021 may indicate the order of the topics dealt with in the notes. Notes DR1994:0011:025 are illegible. Notes DR1994:0011:026 are written in English, and may be notes of a lecture. The notes in sketchbook DR1994:0011:027:001-035 are written in German, are generally illegible, and are usually written in point form or sometimes as lists. Chicago is mentioned on several of the sheets. There is a shift in the clarity of the handwriting halfway through the sketchbook and some of the notes in the latter half may relate to Mies' readings of philosophy. Some of the notes in sketchbook DR1994:0028:001-008 R/V are written in German and some in English. The first and second pages of the sketchbook describe measurements for addresses on the campus of IIT, as well as for the Power Plant. The last three pages of the sketchbook discuss the architectural education programm at IIT and an exhibition of student work.
People:
Subject:
architecture
architecture
Date:
1944-1965
1944-1965
Title:
Sketch of a teacup; verso: Study sketches for I-beams and sketch of a chair and table
Actions:
DR1994:0011:001 R/V
Description:
- Group DR1994:0011:001 R/V - DR1994:0011:030 includes three sketches (DR1994:0011:001 R/V - DR1994:0011:002 R/V and DR1994:0011:030), 24 pages of notes (DR1994:0011:003 - DR1994:0011:026), two sketchbooks (DR1994:0011:027:001-035 and DR1994:0011:028:001-008 R/V), and the envelope in which these materials were housed at acquisition (DR1994:0011:029). The sketches are for various subjects including I-beams (DR1994:0011:001 R/V), a column-to-beam connection and an unidentified building (DR1994:0011:002 R/V), and a sketch plan of Mies' 1928-1929 design for the Friedrichstrasse office building in Berlin (DR1994:0011:030). Notes DR1994:0011:003 - DR1994:0011:024 are written in German and are generally illegible. Many changes have been made to the notes, and some sheets appear to have been reordered or struck out. Some of the notes may be about urban planning. The number in the upper left corner of sheets DR1994:0011:010, DR1994:0011:012-016 and DR1994:0011:020-021 may indicate the order of the topics dealt with in the notes. Notes DR1994:0011:025 are illegible. Notes DR1994:0011:026 are written in English, and may be notes of a lecture. The notes in sketchbook DR1994:0011:027:001-035 are written in German, are generally illegible, and are usually written in point form or sometimes as lists. Chicago is mentioned on several of the sheets. There is a shift in the clarity of the handwriting halfway through the sketchbook and some of the notes in the latter half may relate to Mies' readings of philosophy. Some of the notes in sketchbook DR1994:0028:001-008 R/V are written in German and some in English. The first and second pages of the sketchbook describe measurements for addresses on the campus of IIT, as well as for the Power Plant. The last three pages of the sketchbook discuss the architectural education programm at IIT and an exhibition of student work.
Sketch of a teacup; verso: Study sketches for I-beams and sketch of a chair and table
Actions:
DR1994:0011:001 R/V
Description:
- Group DR1994:0011:001 R/V - DR1994:0011:030 includes three sketches (DR1994:0011:001 R/V - DR1994:0011:002 R/V and DR1994:0011:030), 24 pages of notes (DR1994:0011:003 - DR1994:0011:026), two sketchbooks (DR1994:0011:027:001-035 and DR1994:0011:028:001-008 R/V), and the envelope in which these materials were housed at acquisition (DR1994:0011:029). The sketches are for various subjects including I-beams (DR1994:0011:001 R/V), a column-to-beam connection and an unidentified building (DR1994:0011:002 R/V), and a sketch plan of Mies' 1928-1929 design for the Friedrichstrasse office building in Berlin (DR1994:0011:030). Notes DR1994:0011:003 - DR1994:0011:024 are written in German and are generally illegible. Many changes have been made to the notes, and some sheets appear to have been reordered or struck out. Some of the notes may be about urban planning. The number in the upper left corner of sheets DR1994:0011:010, DR1994:0011:012-016 and DR1994:0011:020-021 may indicate the order of the topics dealt with in the notes. Notes DR1994:0011:025 are illegible. Notes DR1994:0011:026 are written in English, and may be notes of a lecture. The notes in sketchbook DR1994:0011:027:001-035 are written in German, are generally illegible, and are usually written in point form or sometimes as lists. Chicago is mentioned on several of the sheets. There is a shift in the clarity of the handwriting halfway through the sketchbook and some of the notes in the latter half may relate to Mies' readings of philosophy. Some of the notes in sketchbook DR1994:0028:001-008 R/V are written in German and some in English. The first and second pages of the sketchbook describe measurements for addresses on the campus of IIT, as well as for the Power Plant. The last three pages of the sketchbook discuss the architectural education programm at IIT and an exhibition of student work.
Form:
drawings
drawings
Date:
1944-1965
1944-1965
People:
Subject:
architecture
architecture
Form:
drawings
drawings
Actions:
Reference number:
DR1994:0011:002 R/V
Description:
- Group DR1994:0011:001 R/V - DR1994:0011:030 includes three sketches (DR1994:0011:001 R/V - DR1994:0011:002 R/V and DR1994:0011:030), 24 pages of notes (DR1994:0011:003 - DR1994:0011:026), two sketchbooks (DR1994:0011:027:001-035 and DR1994:0011:028:001-008 R/V), and the envelope in which these materials were housed at acquisition (DR1994:0011:029). The sketches are for various subjects including I-beams (DR1994:0011:001 R/V), a column-to-beam connection and an unidentified building (DR1994:0011:002 R/V), and a sketch plan of Mies' 1928-1929 design for the Friedrichstrasse office building in Berlin (DR1994:0011:030). Notes DR1994:0011:003 - DR1994:0011:024 are written in German and are generally illegible. Many changes have been made to the notes, and some sheets appear to have been reordered or struck out. Some of the notes may be about urban planning. The number in the upper left corner of sheets DR1994:0011:010, DR1994:0011:012-016 and DR1994:0011:020-021 may indicate the order of the topics dealt with in the notes. Notes DR1994:0011:025 are illegible. Notes DR1994:0011:026 are written in English, and may be notes of a lecture. The notes in sketchbook DR1994:0011:027:001-035 are written in German, are generally illegible, and are usually written in point form or sometimes as lists. Chicago is mentioned on several of the sheets. There is a shift in the clarity of the handwriting halfway through the sketchbook and some of the notes in the latter half may relate to Mies' readings of philosophy. Some of the notes in sketchbook DR1994:0028:001-008 R/V are written in German and some in English. The first and second pages of the sketchbook describe measurements for addresses on the campus of IIT, as well as for the Power Plant. The last three pages of the sketchbook discuss the architectural education programm at IIT and an exhibition of student work.
DR1994:0011:002 R/V
Description:
- Group DR1994:0011:001 R/V - DR1994:0011:030 includes three sketches (DR1994:0011:001 R/V - DR1994:0011:002 R/V and DR1994:0011:030), 24 pages of notes (DR1994:0011:003 - DR1994:0011:026), two sketchbooks (DR1994:0011:027:001-035 and DR1994:0011:028:001-008 R/V), and the envelope in which these materials were housed at acquisition (DR1994:0011:029). The sketches are for various subjects including I-beams (DR1994:0011:001 R/V), a column-to-beam connection and an unidentified building (DR1994:0011:002 R/V), and a sketch plan of Mies' 1928-1929 design for the Friedrichstrasse office building in Berlin (DR1994:0011:030). Notes DR1994:0011:003 - DR1994:0011:024 are written in German and are generally illegible. Many changes have been made to the notes, and some sheets appear to have been reordered or struck out. Some of the notes may be about urban planning. The number in the upper left corner of sheets DR1994:0011:010, DR1994:0011:012-016 and DR1994:0011:020-021 may indicate the order of the topics dealt with in the notes. Notes DR1994:0011:025 are illegible. Notes DR1994:0011:026 are written in English, and may be notes of a lecture. The notes in sketchbook DR1994:0011:027:001-035 are written in German, are generally illegible, and are usually written in point form or sometimes as lists. Chicago is mentioned on several of the sheets. There is a shift in the clarity of the handwriting halfway through the sketchbook and some of the notes in the latter half may relate to Mies' readings of philosophy. Some of the notes in sketchbook DR1994:0028:001-008 R/V are written in German and some in English. The first and second pages of the sketchbook describe measurements for addresses on the campus of IIT, as well as for the Power Plant. The last three pages of the sketchbook discuss the architectural education programm at IIT and an exhibition of student work.
People:
Subject:
architecture
architecture
Date:
1944-1965
1944-1965
Title:
Sketch of a container with a plant; verso: Perspective sketch, possibly for a column to beam connection, and axonometric sketch for an unidentified building
Actions:
DR1994:0011:002 R/V
Description:
- Group DR1994:0011:001 R/V - DR1994:0011:030 includes three sketches (DR1994:0011:001 R/V - DR1994:0011:002 R/V and DR1994:0011:030), 24 pages of notes (DR1994:0011:003 - DR1994:0011:026), two sketchbooks (DR1994:0011:027:001-035 and DR1994:0011:028:001-008 R/V), and the envelope in which these materials were housed at acquisition (DR1994:0011:029). The sketches are for various subjects including I-beams (DR1994:0011:001 R/V), a column-to-beam connection and an unidentified building (DR1994:0011:002 R/V), and a sketch plan of Mies' 1928-1929 design for the Friedrichstrasse office building in Berlin (DR1994:0011:030). Notes DR1994:0011:003 - DR1994:0011:024 are written in German and are generally illegible. Many changes have been made to the notes, and some sheets appear to have been reordered or struck out. Some of the notes may be about urban planning. The number in the upper left corner of sheets DR1994:0011:010, DR1994:0011:012-016 and DR1994:0011:020-021 may indicate the order of the topics dealt with in the notes. Notes DR1994:0011:025 are illegible. Notes DR1994:0011:026 are written in English, and may be notes of a lecture. The notes in sketchbook DR1994:0011:027:001-035 are written in German, are generally illegible, and are usually written in point form or sometimes as lists. Chicago is mentioned on several of the sheets. There is a shift in the clarity of the handwriting halfway through the sketchbook and some of the notes in the latter half may relate to Mies' readings of philosophy. Some of the notes in sketchbook DR1994:0028:001-008 R/V are written in German and some in English. The first and second pages of the sketchbook describe measurements for addresses on the campus of IIT, as well as for the Power Plant. The last three pages of the sketchbook discuss the architectural education programm at IIT and an exhibition of student work.
Sketch of a container with a plant; verso: Perspective sketch, possibly for a column to beam connection, and axonometric sketch for an unidentified building
Actions:
DR1994:0011:002 R/V
Description:
- Group DR1994:0011:001 R/V - DR1994:0011:030 includes three sketches (DR1994:0011:001 R/V - DR1994:0011:002 R/V and DR1994:0011:030), 24 pages of notes (DR1994:0011:003 - DR1994:0011:026), two sketchbooks (DR1994:0011:027:001-035 and DR1994:0011:028:001-008 R/V), and the envelope in which these materials were housed at acquisition (DR1994:0011:029). The sketches are for various subjects including I-beams (DR1994:0011:001 R/V), a column-to-beam connection and an unidentified building (DR1994:0011:002 R/V), and a sketch plan of Mies' 1928-1929 design for the Friedrichstrasse office building in Berlin (DR1994:0011:030). Notes DR1994:0011:003 - DR1994:0011:024 are written in German and are generally illegible. Many changes have been made to the notes, and some sheets appear to have been reordered or struck out. Some of the notes may be about urban planning. The number in the upper left corner of sheets DR1994:0011:010, DR1994:0011:012-016 and DR1994:0011:020-021 may indicate the order of the topics dealt with in the notes. Notes DR1994:0011:025 are illegible. Notes DR1994:0011:026 are written in English, and may be notes of a lecture. The notes in sketchbook DR1994:0011:027:001-035 are written in German, are generally illegible, and are usually written in point form or sometimes as lists. Chicago is mentioned on several of the sheets. There is a shift in the clarity of the handwriting halfway through the sketchbook and some of the notes in the latter half may relate to Mies' readings of philosophy. Some of the notes in sketchbook DR1994:0028:001-008 R/V are written in German and some in English. The first and second pages of the sketchbook describe measurements for addresses on the campus of IIT, as well as for the Power Plant. The last three pages of the sketchbook discuss the architectural education programm at IIT and an exhibition of student work.
Form:
drawings
drawings
Date:
1944-1965
1944-1965
People:
Subject:
architecture
architecture
Form:
textual records
textual records
Actions:
Reference number:
DR1994:0011:003
Description:
- Group DR1994:0011:001 R/V - DR1994:0011:030 includes three sketches (DR1994:0011:001 R/V - DR1994:0011:002 R/V and DR1994:0011:030), 24 pages of notes (DR1994:0011:003 - DR1994:0011:026), two sketchbooks (DR1994:0011:027:001-035 and DR1994:0011:028:001-008 R/V), and the envelope in which these materials were housed at acquisition (DR1994:0011:029). The sketches are for various subjects including I-beams (DR1994:0011:001 R/V), a column-to-beam connection and an unidentified building (DR1994:0011:002 R/V), and a sketch plan of Mies' 1928-1929 design for the Friedrichstrasse office building in Berlin (DR1994:0011:030). Notes DR1994:0011:003 - DR1994:0011:024 are written in German and are generally illegible. Many changes have been made to the notes, and some sheets appear to have been reordered or struck out. Some of the notes may be about urban planning. The number in the upper left corner of sheets DR1994:0011:010, DR1994:0011:012-016 and DR1994:0011:020-021 may indicate the order of the topics dealt with in the notes. Notes DR1994:0011:025 are illegible. Notes DR1994:0011:026 are written in English, and may be notes of a lecture. The notes in sketchbook DR1994:0011:027:001-035 are written in German, are generally illegible, and are usually written in point form or sometimes as lists. Chicago is mentioned on several of the sheets. There is a shift in the clarity of the handwriting halfway through the sketchbook and some of the notes in the latter half may relate to Mies' readings of philosophy. Some of the notes in sketchbook DR1994:0028:001-008 R/V are written in German and some in English. The first and second pages of the sketchbook describe measurements for addresses on the campus of IIT, as well as for the Power Plant. The last three pages of the sketchbook discuss the architectural education programme at IIT and an exhibition of student work.
DR1994:0011:003
Description:
- Group DR1994:0011:001 R/V - DR1994:0011:030 includes three sketches (DR1994:0011:001 R/V - DR1994:0011:002 R/V and DR1994:0011:030), 24 pages of notes (DR1994:0011:003 - DR1994:0011:026), two sketchbooks (DR1994:0011:027:001-035 and DR1994:0011:028:001-008 R/V), and the envelope in which these materials were housed at acquisition (DR1994:0011:029). The sketches are for various subjects including I-beams (DR1994:0011:001 R/V), a column-to-beam connection and an unidentified building (DR1994:0011:002 R/V), and a sketch plan of Mies' 1928-1929 design for the Friedrichstrasse office building in Berlin (DR1994:0011:030). Notes DR1994:0011:003 - DR1994:0011:024 are written in German and are generally illegible. Many changes have been made to the notes, and some sheets appear to have been reordered or struck out. Some of the notes may be about urban planning. The number in the upper left corner of sheets DR1994:0011:010, DR1994:0011:012-016 and DR1994:0011:020-021 may indicate the order of the topics dealt with in the notes. Notes DR1994:0011:025 are illegible. Notes DR1994:0011:026 are written in English, and may be notes of a lecture. The notes in sketchbook DR1994:0011:027:001-035 are written in German, are generally illegible, and are usually written in point form or sometimes as lists. Chicago is mentioned on several of the sheets. There is a shift in the clarity of the handwriting halfway through the sketchbook and some of the notes in the latter half may relate to Mies' readings of philosophy. Some of the notes in sketchbook DR1994:0028:001-008 R/V are written in German and some in English. The first and second pages of the sketchbook describe measurements for addresses on the campus of IIT, as well as for the Power Plant. The last three pages of the sketchbook discuss the architectural education programme at IIT and an exhibition of student work.
People:
Subject:
architecture
architecture
Date:
1955
1955
Title:
Notes, probably for a lecture
Actions:
DR1994:0011:003
Description:
- Group DR1994:0011:001 R/V - DR1994:0011:030 includes three sketches (DR1994:0011:001 R/V - DR1994:0011:002 R/V and DR1994:0011:030), 24 pages of notes (DR1994:0011:003 - DR1994:0011:026), two sketchbooks (DR1994:0011:027:001-035 and DR1994:0011:028:001-008 R/V), and the envelope in which these materials were housed at acquisition (DR1994:0011:029). The sketches are for various subjects including I-beams (DR1994:0011:001 R/V), a column-to-beam connection and an unidentified building (DR1994:0011:002 R/V), and a sketch plan of Mies' 1928-1929 design for the Friedrichstrasse office building in Berlin (DR1994:0011:030). Notes DR1994:0011:003 - DR1994:0011:024 are written in German and are generally illegible. Many changes have been made to the notes, and some sheets appear to have been reordered or struck out. Some of the notes may be about urban planning. The number in the upper left corner of sheets DR1994:0011:010, DR1994:0011:012-016 and DR1994:0011:020-021 may indicate the order of the topics dealt with in the notes. Notes DR1994:0011:025 are illegible. Notes DR1994:0011:026 are written in English, and may be notes of a lecture. The notes in sketchbook DR1994:0011:027:001-035 are written in German, are generally illegible, and are usually written in point form or sometimes as lists. Chicago is mentioned on several of the sheets. There is a shift in the clarity of the handwriting halfway through the sketchbook and some of the notes in the latter half may relate to Mies' readings of philosophy. Some of the notes in sketchbook DR1994:0028:001-008 R/V are written in German and some in English. The first and second pages of the sketchbook describe measurements for addresses on the campus of IIT, as well as for the Power Plant. The last three pages of the sketchbook discuss the architectural education programme at IIT and an exhibition of student work.
Notes, probably for a lecture
Actions:
DR1994:0011:003
Description:
- Group DR1994:0011:001 R/V - DR1994:0011:030 includes three sketches (DR1994:0011:001 R/V - DR1994:0011:002 R/V and DR1994:0011:030), 24 pages of notes (DR1994:0011:003 - DR1994:0011:026), two sketchbooks (DR1994:0011:027:001-035 and DR1994:0011:028:001-008 R/V), and the envelope in which these materials were housed at acquisition (DR1994:0011:029). The sketches are for various subjects including I-beams (DR1994:0011:001 R/V), a column-to-beam connection and an unidentified building (DR1994:0011:002 R/V), and a sketch plan of Mies' 1928-1929 design for the Friedrichstrasse office building in Berlin (DR1994:0011:030). Notes DR1994:0011:003 - DR1994:0011:024 are written in German and are generally illegible. Many changes have been made to the notes, and some sheets appear to have been reordered or struck out. Some of the notes may be about urban planning. The number in the upper left corner of sheets DR1994:0011:010, DR1994:0011:012-016 and DR1994:0011:020-021 may indicate the order of the topics dealt with in the notes. Notes DR1994:0011:025 are illegible. Notes DR1994:0011:026 are written in English, and may be notes of a lecture. The notes in sketchbook DR1994:0011:027:001-035 are written in German, are generally illegible, and are usually written in point form or sometimes as lists. Chicago is mentioned on several of the sheets. There is a shift in the clarity of the handwriting halfway through the sketchbook and some of the notes in the latter half may relate to Mies' readings of philosophy. Some of the notes in sketchbook DR1994:0028:001-008 R/V are written in German and some in English. The first and second pages of the sketchbook describe measurements for addresses on the campus of IIT, as well as for the Power Plant. The last three pages of the sketchbook discuss the architectural education programme at IIT and an exhibition of student work.
Form:
textual records
textual records
Date:
1955
1955
People:
Subject:
architecture
architecture
Form:
textual records
textual records
Actions:
Reference number:
DR1994:0011:004
Description:
- Group DR1994:0011:001 R/V - DR1994:0011:030 includes three sketches (DR1994:0011:001 R/V - DR1994:0011:002 R/V and DR1994:0011:030), 24 pages of notes (DR1994:0011:003 - DR1994:0011:026), two sketchbooks (DR1994:0011:027:001-035 and DR1994:0011:028:001-008 R/V), and the envelope in which these materials were housed at acquisition (DR1994:0011:029). The sketches are for various subjects including I-beams (DR1994:0011:001 R/V), a column-to-beam connection and an unidentified building (DR1994:0011:002 R/V), and a sketch plan of Mies' 1928-1929 design for the Friedrichstrasse office building in Berlin (DR1994:0011:030). Notes DR1994:0011:003 - DR1994:0011:024 are written in German and are generally illegible. Many changes have been made to the notes, and some sheets appear to have been reordered or struck out. Some of the notes may be about urban planning. The number in the upper left corner of sheets DR1994:0011:010, DR1994:0011:012-016 and DR1994:0011:020-021 may indicate the order of the topics dealt with in the notes. Notes DR1994:0011:025 are illegible. Notes DR1994:0011:026 are written in English, and may be notes of a lecture. The notes in sketchbook DR1994:0011:027:001-035 are written in German, are generally illegible, and are usually written in point form or sometimes as lists. Chicago is mentioned on several of the sheets. There is a shift in the clarity of the handwriting halfway through the sketchbook and some of the notes in the latter half may relate to Mies' readings of philosophy. Some of the notes in sketchbook DR1994:0028:001-008 R/V are written in German and some in English. The first and second pages of the sketchbook describe measurements for addresses on the campus of IIT, as well as for the Power Plant. The last three pages of the sketchbook discuss the architectural education programme at IIT and an exhibition of student work.
DR1994:0011:004
Description:
- Group DR1994:0011:001 R/V - DR1994:0011:030 includes three sketches (DR1994:0011:001 R/V - DR1994:0011:002 R/V and DR1994:0011:030), 24 pages of notes (DR1994:0011:003 - DR1994:0011:026), two sketchbooks (DR1994:0011:027:001-035 and DR1994:0011:028:001-008 R/V), and the envelope in which these materials were housed at acquisition (DR1994:0011:029). The sketches are for various subjects including I-beams (DR1994:0011:001 R/V), a column-to-beam connection and an unidentified building (DR1994:0011:002 R/V), and a sketch plan of Mies' 1928-1929 design for the Friedrichstrasse office building in Berlin (DR1994:0011:030). Notes DR1994:0011:003 - DR1994:0011:024 are written in German and are generally illegible. Many changes have been made to the notes, and some sheets appear to have been reordered or struck out. Some of the notes may be about urban planning. The number in the upper left corner of sheets DR1994:0011:010, DR1994:0011:012-016 and DR1994:0011:020-021 may indicate the order of the topics dealt with in the notes. Notes DR1994:0011:025 are illegible. Notes DR1994:0011:026 are written in English, and may be notes of a lecture. The notes in sketchbook DR1994:0011:027:001-035 are written in German, are generally illegible, and are usually written in point form or sometimes as lists. Chicago is mentioned on several of the sheets. There is a shift in the clarity of the handwriting halfway through the sketchbook and some of the notes in the latter half may relate to Mies' readings of philosophy. Some of the notes in sketchbook DR1994:0028:001-008 R/V are written in German and some in English. The first and second pages of the sketchbook describe measurements for addresses on the campus of IIT, as well as for the Power Plant. The last three pages of the sketchbook discuss the architectural education programme at IIT and an exhibition of student work.
People:
Subject:
architecture
architecture
Date:
1955
1955
Title:
Notes, probably for a lecture
Actions:
DR1994:0011:004
Description:
- Group DR1994:0011:001 R/V - DR1994:0011:030 includes three sketches (DR1994:0011:001 R/V - DR1994:0011:002 R/V and DR1994:0011:030), 24 pages of notes (DR1994:0011:003 - DR1994:0011:026), two sketchbooks (DR1994:0011:027:001-035 and DR1994:0011:028:001-008 R/V), and the envelope in which these materials were housed at acquisition (DR1994:0011:029). The sketches are for various subjects including I-beams (DR1994:0011:001 R/V), a column-to-beam connection and an unidentified building (DR1994:0011:002 R/V), and a sketch plan of Mies' 1928-1929 design for the Friedrichstrasse office building in Berlin (DR1994:0011:030). Notes DR1994:0011:003 - DR1994:0011:024 are written in German and are generally illegible. Many changes have been made to the notes, and some sheets appear to have been reordered or struck out. Some of the notes may be about urban planning. The number in the upper left corner of sheets DR1994:0011:010, DR1994:0011:012-016 and DR1994:0011:020-021 may indicate the order of the topics dealt with in the notes. Notes DR1994:0011:025 are illegible. Notes DR1994:0011:026 are written in English, and may be notes of a lecture. The notes in sketchbook DR1994:0011:027:001-035 are written in German, are generally illegible, and are usually written in point form or sometimes as lists. Chicago is mentioned on several of the sheets. There is a shift in the clarity of the handwriting halfway through the sketchbook and some of the notes in the latter half may relate to Mies' readings of philosophy. Some of the notes in sketchbook DR1994:0028:001-008 R/V are written in German and some in English. The first and second pages of the sketchbook describe measurements for addresses on the campus of IIT, as well as for the Power Plant. The last three pages of the sketchbook discuss the architectural education programme at IIT and an exhibition of student work.
Notes, probably for a lecture
Actions:
DR1994:0011:004
Description:
- Group DR1994:0011:001 R/V - DR1994:0011:030 includes three sketches (DR1994:0011:001 R/V - DR1994:0011:002 R/V and DR1994:0011:030), 24 pages of notes (DR1994:0011:003 - DR1994:0011:026), two sketchbooks (DR1994:0011:027:001-035 and DR1994:0011:028:001-008 R/V), and the envelope in which these materials were housed at acquisition (DR1994:0011:029). The sketches are for various subjects including I-beams (DR1994:0011:001 R/V), a column-to-beam connection and an unidentified building (DR1994:0011:002 R/V), and a sketch plan of Mies' 1928-1929 design for the Friedrichstrasse office building in Berlin (DR1994:0011:030). Notes DR1994:0011:003 - DR1994:0011:024 are written in German and are generally illegible. Many changes have been made to the notes, and some sheets appear to have been reordered or struck out. Some of the notes may be about urban planning. The number in the upper left corner of sheets DR1994:0011:010, DR1994:0011:012-016 and DR1994:0011:020-021 may indicate the order of the topics dealt with in the notes. Notes DR1994:0011:025 are illegible. Notes DR1994:0011:026 are written in English, and may be notes of a lecture. The notes in sketchbook DR1994:0011:027:001-035 are written in German, are generally illegible, and are usually written in point form or sometimes as lists. Chicago is mentioned on several of the sheets. There is a shift in the clarity of the handwriting halfway through the sketchbook and some of the notes in the latter half may relate to Mies' readings of philosophy. Some of the notes in sketchbook DR1994:0028:001-008 R/V are written in German and some in English. The first and second pages of the sketchbook describe measurements for addresses on the campus of IIT, as well as for the Power Plant. The last three pages of the sketchbook discuss the architectural education programme at IIT and an exhibition of student work.
Form:
textual records
textual records
Date:
1955
1955
People:
Subject:
architecture
architecture
