textual records
ARCH260032
Description:
Proposals in the United States and Canada, including correspondence, concerning: Suffolk County Courthouse; North Carolina State University; Philadelphia World Forum Project (Harborplace Square); Pittsburgh evolving space project; Diker residence, Cannecticut; Rockville, Maryville Treatment Centres; Lincoln Performing Center for the Arts, New York; New York State Urban Development Corporation; 60 Wall Street, New York; New York Trump Tower; West Palm Beach, Florida, Center for the Performing Arts; Russell House, Tacoma Washington (includes colour photos); Tampa, Florida, University Library; Hotel, Vail, Colorado; Addition to Corcoran Gallery, Washington, DC; State Office Building, Columbus, Ohio. Canada: city of Oshawa interior design review; General Motors Head office, Oshawa; Robert McLaughlin Gallery, Oshawa; Roy Thompson Hall; Bank of Canada, Ottawa; National Museum of Man, Ottawa; Saudi Arabian Embassy, Ottawa; Saint Peter's Lutheran Church, Ottawa; Mosque (Saudi Embassy), Ottawa.
1980-1986
Proposals in the United States and Canada, including correspondence
Actions:
ARCH260032
Description:
Proposals in the United States and Canada, including correspondence, concerning: Suffolk County Courthouse; North Carolina State University; Philadelphia World Forum Project (Harborplace Square); Pittsburgh evolving space project; Diker residence, Cannecticut; Rockville, Maryville Treatment Centres; Lincoln Performing Center for the Arts, New York; New York State Urban Development Corporation; 60 Wall Street, New York; New York Trump Tower; West Palm Beach, Florida, Center for the Performing Arts; Russell House, Tacoma Washington (includes colour photos); Tampa, Florida, University Library; Hotel, Vail, Colorado; Addition to Corcoran Gallery, Washington, DC; State Office Building, Columbus, Ohio. Canada: city of Oshawa interior design review; General Motors Head office, Oshawa; Robert McLaughlin Gallery, Oshawa; Roy Thompson Hall; Bank of Canada, Ottawa; National Museum of Man, Ottawa; Saudi Arabian Embassy, Ottawa; Saint Peter's Lutheran Church, Ottawa; Mosque (Saudi Embassy), Ottawa.
textual records
1980-1986
textual records
ARCH260001
Description:
Correspondence and reports from the following associations and conferences: Architectural Institute of British Columbia, Academia degli Euteleti, Canada-China Society, Canadian Conference of the Arts, Urban Land Institute, Ministry of State news releases, R.A.I.C., Intermet, Office of International Conferences (Conference on Cities), general conferences (1973-75), Biennal di Venezia conference, Congress (Madrid, Iran), Heritage Canada, Inter-American Development, Canadian Music Theatre Project.
1971-1975
Correspondence and reports from the following associations and conferences
Actions:
ARCH260001
Description:
Correspondence and reports from the following associations and conferences: Architectural Institute of British Columbia, Academia degli Euteleti, Canada-China Society, Canadian Conference of the Arts, Urban Land Institute, Ministry of State news releases, R.A.I.C., Intermet, Office of International Conferences (Conference on Cities), general conferences (1973-75), Biennal di Venezia conference, Congress (Madrid, Iran), Heritage Canada, Inter-American Development, Canadian Music Theatre Project.
textual records
1971-1975
drawings, textual records, photographs
ARCH169115
Description:
60 feuillets: Correspondance et documentation relatives à la participation de Jacques Rousseau au projet d'exposition "Water Works" organisé par Visual Arts Ontario décembre 1987-septembre 1988 jusqu'à 35,5 x 21,5 cm 1 carte postale 1 facture "Rent-a-Wreck" 1 carte d'affaire 2 billets d'avion 1 périodique: ArtViews, été 1987, vol.13, no.3 6 feuillets: Coupures de journaux et photocopies 35,5 x 21,5 cm Plan d'une section du rivage du Lac Ontario
Correspondance et documentation relatives au projet d'exposition "Water Works"
Actions:
ARCH169115
Description:
60 feuillets: Correspondance et documentation relatives à la participation de Jacques Rousseau au projet d'exposition "Water Works" organisé par Visual Arts Ontario décembre 1987-septembre 1988 jusqu'à 35,5 x 21,5 cm 1 carte postale 1 facture "Rent-a-Wreck" 1 carte d'affaire 2 billets d'avion 1 périodique: ArtViews, été 1987, vol.13, no.3 6 feuillets: Coupures de journaux et photocopies 35,5 x 21,5 cm Plan d'une section du rivage du Lac Ontario
drawings, textual records, photographs
DR1996:0001
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
architecture
December 1952
Perspective for a guest villa showing the terrace and the principal and lateral façades, Village Polychrome, near Biot, France
Actions:
DR1996:0001
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
architecture
DR1996:0003
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
architecture, urban planning
1953
Perspective for a villa with three workshops, Village Polychrome, near Biot, France
Actions:
DR1996:0003
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
architecture, urban planning
DR1996:0004
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
architecture, urban planning
1952-1953
Bird's-eye perspective for Village Polychrome, near Biot, France
Actions:
DR1996:0004
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
architecture, urban planning
DR1996:0005
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
architecture, urban planning
1952-1953
Bird's-eye perspective for Village Polychrome, near Biot, France
Actions:
DR1996:0005
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
architecture, urban planning
DR1996:0006
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
architecture, urban planning
1952-1953
Site elevation for Village Polychrome, near Biot, France
Actions:
DR1996:0006
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
architecture, urban planning
DR1996:0007
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
architecture, urban planning
1952-1953
Site elevation for Village Polychrome, near Biot, France
Actions:
DR1996:0007
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
architecture, urban planning
DR1996:0008
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
architecture
1952-1953
Plan, elevations and a section for the dormitory, Village Polychrome, near Biot, France
Actions:
DR1996:0008
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
architecture