30979 Results
Title:
Album on South Asian domestic architecture showing ornaments, crafts and trade advertisements
Album on South Asian domestic architecture showing ornaments, crafts and trade advertisements
Actions:
Reference number:
PH1979:0432
Description:
This album titled Indian Domestic Architecture, is by Lockwood de Forest and a combination architectural book and trade catalogue. It reflects de Forest's goal to ensure the preservation of the arts, crafts and trades (with a particular attention given to carving) of South Asian workmen. 25 heliotype plates show Indian architecture and ornaments and the final 14 pages show advertisements, in the Indian graphic style, for various New York building craftsmen and home furnishers. The album comprises a title page, an Introduction by Lockwood de Forest, a list of contents, plates by Heliotype Printing Co., Boston and engravings. Contents I. House at Ahmedabad, 16th century II. House at Ahmedabad, 17th century III. House at Ahmedabad, 18th century IV. Copy of one of the Bhudder windows at Ahmedabad, full size 7 ff. x 10 ft. made by Mr. de Forest's men and sold to the South Kensington Museum V. Copy of the second Bhudder window in Mr. De Forest's possession in New York. VI. Front of a house at Ajmere VII. Tomb of the time of Akbar, red sandstone VIII. Marble tracery in the palace, Delhi IX. Window of a house at Amritza X. Brass door at Amritza XI. Front of a house at Lahore XII. Front of a house at Lahore XIII. Front of a house at Lahore XIV. Doorway of house, red sandstone, Multan XV. Front of a house at Multan XVI. Door of house, Multan XVII. Window of tomb in tile at Multan XVIII. Doorway of house, red sandstone, Multan XIX. Mr. De Forest's rooms, 9 East 17th Street, New York XX. Mr. De Forest's rooms, 9 East 17th Street, New York XXI. Door of a house at Ahmedabad, 19th century XXII. House at Ahmedabad, early 17th century XXIII. Window of a house at Lahore XXIV. Tomb of Ala-Ud-Din Khilji, old Delhi XXV. Marble Gateway of a tomb at Gualior
PH1979:0432
Description:
This album titled Indian Domestic Architecture, is by Lockwood de Forest and a combination architectural book and trade catalogue. It reflects de Forest's goal to ensure the preservation of the arts, crafts and trades (with a particular attention given to carving) of South Asian workmen. 25 heliotype plates show Indian architecture and ornaments and the final 14 pages show advertisements, in the Indian graphic style, for various New York building craftsmen and home furnishers. The album comprises a title page, an Introduction by Lockwood de Forest, a list of contents, plates by Heliotype Printing Co., Boston and engravings. Contents I. House at Ahmedabad, 16th century II. House at Ahmedabad, 17th century III. House at Ahmedabad, 18th century IV. Copy of one of the Bhudder windows at Ahmedabad, full size 7 ff. x 10 ft. made by Mr. de Forest's men and sold to the South Kensington Museum V. Copy of the second Bhudder window in Mr. De Forest's possession in New York. VI. Front of a house at Ajmere VII. Tomb of the time of Akbar, red sandstone VIII. Marble tracery in the palace, Delhi IX. Window of a house at Amritza X. Brass door at Amritza XI. Front of a house at Lahore XII. Front of a house at Lahore XIII. Front of a house at Lahore XIV. Doorway of house, red sandstone, Multan XV. Front of a house at Multan XVI. Door of house, Multan XVII. Window of tomb in tile at Multan XVIII. Doorway of house, red sandstone, Multan XIX. Mr. De Forest's rooms, 9 East 17th Street, New York XX. Mr. De Forest's rooms, 9 East 17th Street, New York XXI. Door of a house at Ahmedabad, 19th century XXII. House at Ahmedabad, early 17th century XXIII. Window of a house at Lahore XXIV. Tomb of Ala-Ud-Din Khilji, old Delhi XXV. Marble Gateway of a tomb at Gualior
People:
Subject:
architecture, ornament
architecture, ornament
Date:
1885
1885
Title:
Album on South Asian domestic architecture showing ornaments, crafts and trade advertisements
Actions:
PH1979:0432
Description:
This album titled Indian Domestic Architecture, is by Lockwood de Forest and a combination architectural book and trade catalogue. It reflects de Forest's goal to ensure the preservation of the arts, crafts and trades (with a particular attention given to carving) of South Asian workmen. 25 heliotype plates show Indian architecture and ornaments and the final 14 pages show advertisements, in the Indian graphic style, for various New York building craftsmen and home furnishers. The album comprises a title page, an Introduction by Lockwood de Forest, a list of contents, plates by Heliotype Printing Co., Boston and engravings. Contents I. House at Ahmedabad, 16th century II. House at Ahmedabad, 17th century III. House at Ahmedabad, 18th century IV. Copy of one of the Bhudder windows at Ahmedabad, full size 7 ff. x 10 ft. made by Mr. de Forest's men and sold to the South Kensington Museum V. Copy of the second Bhudder window in Mr. De Forest's possession in New York. VI. Front of a house at Ajmere VII. Tomb of the time of Akbar, red sandstone VIII. Marble tracery in the palace, Delhi IX. Window of a house at Amritza X. Brass door at Amritza XI. Front of a house at Lahore XII. Front of a house at Lahore XIII. Front of a house at Lahore XIV. Doorway of house, red sandstone, Multan XV. Front of a house at Multan XVI. Door of house, Multan XVII. Window of tomb in tile at Multan XVIII. Doorway of house, red sandstone, Multan XIX. Mr. De Forest's rooms, 9 East 17th Street, New York XX. Mr. De Forest's rooms, 9 East 17th Street, New York XXI. Door of a house at Ahmedabad, 19th century XXII. House at Ahmedabad, early 17th century XXIII. Window of a house at Lahore XXIV. Tomb of Ala-Ud-Din Khilji, old Delhi XXV. Marble Gateway of a tomb at Gualior
Album on South Asian domestic architecture showing ornaments, crafts and trade advertisements
Actions:
PH1979:0432
Description:
This album titled Indian Domestic Architecture, is by Lockwood de Forest and a combination architectural book and trade catalogue. It reflects de Forest's goal to ensure the preservation of the arts, crafts and trades (with a particular attention given to carving) of South Asian workmen. 25 heliotype plates show Indian architecture and ornaments and the final 14 pages show advertisements, in the Indian graphic style, for various New York building craftsmen and home furnishers. The album comprises a title page, an Introduction by Lockwood de Forest, a list of contents, plates by Heliotype Printing Co., Boston and engravings. Contents I. House at Ahmedabad, 16th century II. House at Ahmedabad, 17th century III. House at Ahmedabad, 18th century IV. Copy of one of the Bhudder windows at Ahmedabad, full size 7 ff. x 10 ft. made by Mr. de Forest's men and sold to the South Kensington Museum V. Copy of the second Bhudder window in Mr. De Forest's possession in New York. VI. Front of a house at Ajmere VII. Tomb of the time of Akbar, red sandstone VIII. Marble tracery in the palace, Delhi IX. Window of a house at Amritza X. Brass door at Amritza XI. Front of a house at Lahore XII. Front of a house at Lahore XIII. Front of a house at Lahore XIV. Doorway of house, red sandstone, Multan XV. Front of a house at Multan XVI. Door of house, Multan XVII. Window of tomb in tile at Multan XVIII. Doorway of house, red sandstone, Multan XIX. Mr. De Forest's rooms, 9 East 17th Street, New York XX. Mr. De Forest's rooms, 9 East 17th Street, New York XXI. Door of a house at Ahmedabad, 19th century XXII. House at Ahmedabad, early 17th century XXIII. Window of a house at Lahore XXIV. Tomb of Ala-Ud-Din Khilji, old Delhi XXV. Marble Gateway of a tomb at Gualior
Date:
1885
1885
People:
Subject:
architecture, ornament
architecture, ornament
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Reference number:
AP181
Synopsis:
The COOP HIMMELB(L)AU BMW Welt project records, 1994-2007, document the design of the firm’s BMW Welt project, also known as BMW World, in Munich, Germany. The archive consists of approximately 52, 400 born-digital files representing the greater part of the digital archive of the project, as well as 52 of the study models made in the earlier stages of the project.
AP181
Synopsis:
The COOP HIMMELB(L)AU BMW Welt project records, 1994-2007, document the design of the firm’s BMW Welt project, also known as BMW World, in Munich, Germany. The archive consists of approximately 52, 400 born-digital files representing the greater part of the digital archive of the project, as well as 52 of the study models made in the earlier stages of the project.
People:
Date:
1994-2015
1994-2015
Title:
COOP HIMMELB(L)AU BMW Welt project records
Actions:
AP181
Synopsis:
The COOP HIMMELB(L)AU BMW Welt project records, 1994-2007, document the design of the firm’s BMW Welt project, also known as BMW World, in Munich, Germany. The archive consists of approximately 52, 400 born-digital files representing the greater part of the digital archive of the project, as well as 52 of the study models made in the earlier stages of the project.
COOP HIMMELB(L)AU BMW Welt project records
Actions:
AP181
Synopsis:
The COOP HIMMELB(L)AU BMW Welt project records, 1994-2007, document the design of the firm’s BMW Welt project, also known as BMW World, in Munich, Germany. The archive consists of approximately 52, 400 born-digital files representing the greater part of the digital archive of the project, as well as 52 of the study models made in the earlier stages of the project.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1994-2015
1994-2015
People:
Form:
drawings
drawings
Actions:
Reference number:
PHCON2002:0016:001:060
Description:
The text was published in "Artpark: Program in the Visual Arts" (p. 29) and describes Matta-Clark's project Bingo (1974) and the dumping of its debris at Artpark in Lewiston, New York. Rae Tyson, Visual Arts Coordinator at Artpark, asked for such a text in a letter sent to Matta-Clark on 1 May 1975 (PHCON2002:0016:003:070), and Matta-Clark apparently sent such a text on 31 July 1975 (PHCON2002:0016:003:113).
PHCON2002:0016:001:060
Description:
The text was published in "Artpark: Program in the Visual Arts" (p. 29) and describes Matta-Clark's project Bingo (1974) and the dumping of its debris at Artpark in Lewiston, New York. Rae Tyson, Visual Arts Coordinator at Artpark, asked for such a text in a letter sent to Matta-Clark on 1 May 1975 (PHCON2002:0016:003:070), and Matta-Clark apparently sent such a text on 31 July 1975 (PHCON2002:0016:003:113).
People:
Date:
July 1975
July 1975
Title:
Text for the publication "Artpark: Program in the Visual Arts"
Actions:
PHCON2002:0016:001:060
Description:
The text was published in "Artpark: Program in the Visual Arts" (p. 29) and describes Matta-Clark's project Bingo (1974) and the dumping of its debris at Artpark in Lewiston, New York. Rae Tyson, Visual Arts Coordinator at Artpark, asked for such a text in a letter sent to Matta-Clark on 1 May 1975 (PHCON2002:0016:003:070), and Matta-Clark apparently sent such a text on 31 July 1975 (PHCON2002:0016:003:113).
Text for the publication "Artpark: Program in the Visual Arts"
Actions:
PHCON2002:0016:001:060
Description:
The text was published in "Artpark: Program in the Visual Arts" (p. 29) and describes Matta-Clark's project Bingo (1974) and the dumping of its debris at Artpark in Lewiston, New York. Rae Tyson, Visual Arts Coordinator at Artpark, asked for such a text in a letter sent to Matta-Clark on 1 May 1975 (PHCON2002:0016:003:070), and Matta-Clark apparently sent such a text on 31 July 1975 (PHCON2002:0016:003:113).
Form:
drawings
drawings
Date:
July 1975
July 1975
People:
Form:
drawings
drawings
Actions:
Reference number:
DR2012:0015:023:002-002
Description:
Ring binder containing notes and sketches related to the following events, locations, and/or projects: - A museum construction; - Montreal Museum of Fine Arts; - New York piece; - Tryptich; - Toronto construction; - Kassel piece; - Forgotten city series; - Table and chair; - CCA garden; - Settlers square, Calgary; - In flight ...; - Square Berri; - All the riches in the world; - Canadian tribute to human rights; - Montreal Museum of Contemporary Art [Musée d'art contemporain de Montréal]; - Hampstead; - Jerusalem; - Lenin's tomb; - Engineer's golems.
DR2012:0015:023:002-002
Description:
Ring binder containing notes and sketches related to the following events, locations, and/or projects: - A museum construction; - Montreal Museum of Fine Arts; - New York piece; - Tryptich; - Toronto construction; - Kassel piece; - Forgotten city series; - Table and chair; - CCA garden; - Settlers square, Calgary; - In flight ...; - Square Berri; - All the riches in the world; - Canadian tribute to human rights; - Montreal Museum of Contemporary Art [Musée d'art contemporain de Montréal]; - Hampstead; - Jerusalem; - Lenin's tomb; - Engineer's golems.
People:
Date:
1980-1995
1980-1995
Title:
Notes and sketches by Melvin Charney on his middle and later works
Actions:
DR2012:0015:023:002-002
Description:
Ring binder containing notes and sketches related to the following events, locations, and/or projects: - A museum construction; - Montreal Museum of Fine Arts; - New York piece; - Tryptich; - Toronto construction; - Kassel piece; - Forgotten city series; - Table and chair; - CCA garden; - Settlers square, Calgary; - In flight ...; - Square Berri; - All the riches in the world; - Canadian tribute to human rights; - Montreal Museum of Contemporary Art [Musée d'art contemporain de Montréal]; - Hampstead; - Jerusalem; - Lenin's tomb; - Engineer's golems.
Notes and sketches by Melvin Charney on his middle and later works
Actions:
DR2012:0015:023:002-002
Description:
Ring binder containing notes and sketches related to the following events, locations, and/or projects: - A museum construction; - Montreal Museum of Fine Arts; - New York piece; - Tryptich; - Toronto construction; - Kassel piece; - Forgotten city series; - Table and chair; - CCA garden; - Settlers square, Calgary; - In flight ...; - Square Berri; - All the riches in the world; - Canadian tribute to human rights; - Montreal Museum of Contemporary Art [Musée d'art contemporain de Montréal]; - Hampstead; - Jerusalem; - Lenin's tomb; - Engineer's golems.
Form:
drawings
drawings
Date:
1980-1995
1980-1995
People:
Level of archival description:
Series
Series
Title:
Projects
Projects
Reference number:
AP144.S2
Description:
Series documents Cedric Price's projects from his early work in the late 1950s to work dating from the time he founded his own practice in 1960 until 2000. Material includes numerous competition entries, planning and building projects, transportation-related projects, exhibitions, conceptual projects, furniture and interior designs, and monuments, follies, and decorations. Some projects also reflect his teaching, research, lecture and publication activities. Price also worked on several competition juries (see projects Musique, Elephant). Many of Cedric Price's projects in the series are unexecuted. Significant unrealized projects from the 1960s and 1970s include Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Oxford Corner House (1965-1966), and Generator (1976-1980). Significant built projects from the same period include the New Aviary (1960-1966), his first major realized project (with Lord Snowdon and Frank Newby), and Inter-Action Centre (1971-1979). Other realized projects include an office building (BTDB Computer, 1968-1973) and restaurant (Blackpool Project, 1971-1975). Planning projects from the 1960s and 1970s include Potteries Thinkbelt, Detroit Think Grid (1969-1971) and Rice University's design charette, Atom (1967). In the 1980s and 1990s, Cedric Price worked on several building proposals including greenhouses (Serre, Serre (2)), museums, galleries, and pavilions (Trafalgar, Pertpavs, Snake), a railway station (Strate (2)), a cultural centre (Tiff), houses (Perthut, Castel), a bus station (Walsall), an aviary (CP Aviary) and office buildings (Domain, Berlin). Planning projects from the same time include parks and cultural complexes, (Parc, South Bank), urban areas, (Strate, Stratton, IFPRI, Haven, Mills), university campuses (Frankfurt, Unibad, Bedford), and rural areas (Stark, Arkage). Transportation-related projects include railways (Strate, Control, Rink), roadways (Stratton) and pedestrian links (Magnet, Halmag, South Bank). Only a few of his projects from that period were executed and those include the renovation projects Congress and SAS 29; a mobile market stall design for Westminster City Council (Westal) for which prototypes were built; a coffee cup design (Crowbar); and building conversion projects Gatard and Juke. Exhibition projects in the series include some devoted to Cedric Price's works (AA Exhibition, Aedes, AFX, Afella), some designed by him (Strike, Food for the Future, Topolski/Waterloo, Ashmole, Mean, AFX), as well as projects designed for exhibition (Citlin, Castel). The series also contains self-financed research and client-less projects, which form a significant part of Cedric Price's practice. Undertaken in anticipation of future clients or new planning needs, they include research into air structures and lightweight enclosures as well as integrated construction and transportation solutions (Trucksafe Air Portable Dock Ahoy), and housing research. South Bank, Magnet, and Duck Land represent a few of the client-less projects. The material in this series documents Cedric Price's work in the United Kingdom, in particular England (the Greater London area, and other areas) and Scotland, Germany, France, Austria, Australia, Japan, the United Arab Emirates, and the United States and other locations such as Canada, Nigeria, and Norway. Major clients include J. Lyons & Co. (Oxford Corner House), David Keddie (Two Tree Island, Southend Roof), Howard Gilman (Generator), British Railways (Strate and Strate (2), and others), the McAlpine family , particularly Alistair McAlpine, and their company Sir Robert McAlpine & Sons Ltd. (McAppy, Perthut, Trafalgar, Pertpavs, Ashmole, Perth, Obeliq, McVance); Établissement Public du Parc de la Villette (Parc, Serre, Serre (2), Musique) and the Canadian Centre for Architecture (IFPRI, Mean). He collaborated with several architects and engineers during the course of his career, his closest association being with engineer Frank Newby and quantity surveyor Douglas Smith. Some of his other collaborators include engineer Max Fordham (Strate (2), Tiff, Berlin), engineering firms Scott Wilson Kirkpatrick and Partners (Stratton, Rink, Control), and Sir Frederick Snow & Partners (South Bank), cybernetician Gordon Pask (Kawasaki/Japnet), architectural firm YRM/Yorke Rosenberg Mardall (Unibad), and architect Richard Rogers (Marman). He also collaborated with members of Archigram on the Trondheim Competition, (1972-1974), and with John and Julia Frazer who provided the computer modelling for Generator. David Price, Cedric Price's brother was the model maker for several projects. The series contains conceptual drawings, design development drawings, reference drawings and maps, presentation drawings (particularly for competitions), and working drawings. A significant amount of textual records are included, especially for projects involving a large amount of research or publicity (Air Structures, Lightweight Enclosures, South Bank, CP Aviary, Stratton), for executed projects, and for the larger unrealized projects like Fun Palace and Generator. Also includes photographic materials of project sites and models. Some models included in the series are made from durable materials (wood, metal, plastic), while others are in-office constructions made out of paper, cardboard and Fome-Cor (TM). Of particular note are the 11 models for Magnet, and a full-size prototype of a market stall for Westal. Series also contains publication layouts, including material for the "Cedric Price Supplement", 'Architectural Design' vols. 40- 42 (1970-1972). Changes in office practice are noted around 1971, evident in the Blackpool Project and later, including the adoption of the metric system, and the creation of working and detail drawings on A4 size paper and filed with textual records (e.g. approximately 300 such drawings are included in the textual records for Blackpool Project). At the same time fewer preamble drawings that relate to site sensing, progress and life-cycle graphs and tables are created for the projects (a common feature from the 1960s), although project progress tables are still used. Of particular interest is material in the Early Work and Miscellaneous Records file (AP144.S2.D1) that relates to office work methods and programmes.
AP144.S2
Description:
Series documents Cedric Price's projects from his early work in the late 1950s to work dating from the time he founded his own practice in 1960 until 2000. Material includes numerous competition entries, planning and building projects, transportation-related projects, exhibitions, conceptual projects, furniture and interior designs, and monuments, follies, and decorations. Some projects also reflect his teaching, research, lecture and publication activities. Price also worked on several competition juries (see projects Musique, Elephant). Many of Cedric Price's projects in the series are unexecuted. Significant unrealized projects from the 1960s and 1970s include Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Oxford Corner House (1965-1966), and Generator (1976-1980). Significant built projects from the same period include the New Aviary (1960-1966), his first major realized project (with Lord Snowdon and Frank Newby), and Inter-Action Centre (1971-1979). Other realized projects include an office building (BTDB Computer, 1968-1973) and restaurant (Blackpool Project, 1971-1975). Planning projects from the 1960s and 1970s include Potteries Thinkbelt, Detroit Think Grid (1969-1971) and Rice University's design charette, Atom (1967). In the 1980s and 1990s, Cedric Price worked on several building proposals including greenhouses (Serre, Serre (2)), museums, galleries, and pavilions (Trafalgar, Pertpavs, Snake), a railway station (Strate (2)), a cultural centre (Tiff), houses (Perthut, Castel), a bus station (Walsall), an aviary (CP Aviary) and office buildings (Domain, Berlin). Planning projects from the same time include parks and cultural complexes, (Parc, South Bank), urban areas, (Strate, Stratton, IFPRI, Haven, Mills), university campuses (Frankfurt, Unibad, Bedford), and rural areas (Stark, Arkage). Transportation-related projects include railways (Strate, Control, Rink), roadways (Stratton) and pedestrian links (Magnet, Halmag, South Bank). Only a few of his projects from that period were executed and those include the renovation projects Congress and SAS 29; a mobile market stall design for Westminster City Council (Westal) for which prototypes were built; a coffee cup design (Crowbar); and building conversion projects Gatard and Juke. Exhibition projects in the series include some devoted to Cedric Price's works (AA Exhibition, Aedes, AFX, Afella), some designed by him (Strike, Food for the Future, Topolski/Waterloo, Ashmole, Mean, AFX), as well as projects designed for exhibition (Citlin, Castel). The series also contains self-financed research and client-less projects, which form a significant part of Cedric Price's practice. Undertaken in anticipation of future clients or new planning needs, they include research into air structures and lightweight enclosures as well as integrated construction and transportation solutions (Trucksafe Air Portable Dock Ahoy), and housing research. South Bank, Magnet, and Duck Land represent a few of the client-less projects. The material in this series documents Cedric Price's work in the United Kingdom, in particular England (the Greater London area, and other areas) and Scotland, Germany, France, Austria, Australia, Japan, the United Arab Emirates, and the United States and other locations such as Canada, Nigeria, and Norway. Major clients include J. Lyons & Co. (Oxford Corner House), David Keddie (Two Tree Island, Southend Roof), Howard Gilman (Generator), British Railways (Strate and Strate (2), and others), the McAlpine family , particularly Alistair McAlpine, and their company Sir Robert McAlpine & Sons Ltd. (McAppy, Perthut, Trafalgar, Pertpavs, Ashmole, Perth, Obeliq, McVance); Établissement Public du Parc de la Villette (Parc, Serre, Serre (2), Musique) and the Canadian Centre for Architecture (IFPRI, Mean). He collaborated with several architects and engineers during the course of his career, his closest association being with engineer Frank Newby and quantity surveyor Douglas Smith. Some of his other collaborators include engineer Max Fordham (Strate (2), Tiff, Berlin), engineering firms Scott Wilson Kirkpatrick and Partners (Stratton, Rink, Control), and Sir Frederick Snow & Partners (South Bank), cybernetician Gordon Pask (Kawasaki/Japnet), architectural firm YRM/Yorke Rosenberg Mardall (Unibad), and architect Richard Rogers (Marman). He also collaborated with members of Archigram on the Trondheim Competition, (1972-1974), and with John and Julia Frazer who provided the computer modelling for Generator. David Price, Cedric Price's brother was the model maker for several projects. The series contains conceptual drawings, design development drawings, reference drawings and maps, presentation drawings (particularly for competitions), and working drawings. A significant amount of textual records are included, especially for projects involving a large amount of research or publicity (Air Structures, Lightweight Enclosures, South Bank, CP Aviary, Stratton), for executed projects, and for the larger unrealized projects like Fun Palace and Generator. Also includes photographic materials of project sites and models. Some models included in the series are made from durable materials (wood, metal, plastic), while others are in-office constructions made out of paper, cardboard and Fome-Cor (TM). Of particular note are the 11 models for Magnet, and a full-size prototype of a market stall for Westal. Series also contains publication layouts, including material for the "Cedric Price Supplement", 'Architectural Design' vols. 40- 42 (1970-1972). Changes in office practice are noted around 1971, evident in the Blackpool Project and later, including the adoption of the metric system, and the creation of working and detail drawings on A4 size paper and filed with textual records (e.g. approximately 300 such drawings are included in the textual records for Blackpool Project). At the same time fewer preamble drawings that relate to site sensing, progress and life-cycle graphs and tables are created for the projects (a common feature from the 1960s), although project progress tables are still used. Of particular interest is material in the Early Work and Miscellaneous Records file (AP144.S2.D1) that relates to office work methods and programmes.
People:
Date:
1903-2003, predominant 1960-2000
1903-2003, predominant 1960-2000
Title:
Projects
Actions:
AP144.S2
Description:
Series documents Cedric Price's projects from his early work in the late 1950s to work dating from the time he founded his own practice in 1960 until 2000. Material includes numerous competition entries, planning and building projects, transportation-related projects, exhibitions, conceptual projects, furniture and interior designs, and monuments, follies, and decorations. Some projects also reflect his teaching, research, lecture and publication activities. Price also worked on several competition juries (see projects Musique, Elephant). Many of Cedric Price's projects in the series are unexecuted. Significant unrealized projects from the 1960s and 1970s include Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Oxford Corner House (1965-1966), and Generator (1976-1980). Significant built projects from the same period include the New Aviary (1960-1966), his first major realized project (with Lord Snowdon and Frank Newby), and Inter-Action Centre (1971-1979). Other realized projects include an office building (BTDB Computer, 1968-1973) and restaurant (Blackpool Project, 1971-1975). Planning projects from the 1960s and 1970s include Potteries Thinkbelt, Detroit Think Grid (1969-1971) and Rice University's design charette, Atom (1967). In the 1980s and 1990s, Cedric Price worked on several building proposals including greenhouses (Serre, Serre (2)), museums, galleries, and pavilions (Trafalgar, Pertpavs, Snake), a railway station (Strate (2)), a cultural centre (Tiff), houses (Perthut, Castel), a bus station (Walsall), an aviary (CP Aviary) and office buildings (Domain, Berlin). Planning projects from the same time include parks and cultural complexes, (Parc, South Bank), urban areas, (Strate, Stratton, IFPRI, Haven, Mills), university campuses (Frankfurt, Unibad, Bedford), and rural areas (Stark, Arkage). Transportation-related projects include railways (Strate, Control, Rink), roadways (Stratton) and pedestrian links (Magnet, Halmag, South Bank). Only a few of his projects from that period were executed and those include the renovation projects Congress and SAS 29; a mobile market stall design for Westminster City Council (Westal) for which prototypes were built; a coffee cup design (Crowbar); and building conversion projects Gatard and Juke. Exhibition projects in the series include some devoted to Cedric Price's works (AA Exhibition, Aedes, AFX, Afella), some designed by him (Strike, Food for the Future, Topolski/Waterloo, Ashmole, Mean, AFX), as well as projects designed for exhibition (Citlin, Castel). The series also contains self-financed research and client-less projects, which form a significant part of Cedric Price's practice. Undertaken in anticipation of future clients or new planning needs, they include research into air structures and lightweight enclosures as well as integrated construction and transportation solutions (Trucksafe Air Portable Dock Ahoy), and housing research. South Bank, Magnet, and Duck Land represent a few of the client-less projects. The material in this series documents Cedric Price's work in the United Kingdom, in particular England (the Greater London area, and other areas) and Scotland, Germany, France, Austria, Australia, Japan, the United Arab Emirates, and the United States and other locations such as Canada, Nigeria, and Norway. Major clients include J. Lyons & Co. (Oxford Corner House), David Keddie (Two Tree Island, Southend Roof), Howard Gilman (Generator), British Railways (Strate and Strate (2), and others), the McAlpine family , particularly Alistair McAlpine, and their company Sir Robert McAlpine & Sons Ltd. (McAppy, Perthut, Trafalgar, Pertpavs, Ashmole, Perth, Obeliq, McVance); Établissement Public du Parc de la Villette (Parc, Serre, Serre (2), Musique) and the Canadian Centre for Architecture (IFPRI, Mean). He collaborated with several architects and engineers during the course of his career, his closest association being with engineer Frank Newby and quantity surveyor Douglas Smith. Some of his other collaborators include engineer Max Fordham (Strate (2), Tiff, Berlin), engineering firms Scott Wilson Kirkpatrick and Partners (Stratton, Rink, Control), and Sir Frederick Snow & Partners (South Bank), cybernetician Gordon Pask (Kawasaki/Japnet), architectural firm YRM/Yorke Rosenberg Mardall (Unibad), and architect Richard Rogers (Marman). He also collaborated with members of Archigram on the Trondheim Competition, (1972-1974), and with John and Julia Frazer who provided the computer modelling for Generator. David Price, Cedric Price's brother was the model maker for several projects. The series contains conceptual drawings, design development drawings, reference drawings and maps, presentation drawings (particularly for competitions), and working drawings. A significant amount of textual records are included, especially for projects involving a large amount of research or publicity (Air Structures, Lightweight Enclosures, South Bank, CP Aviary, Stratton), for executed projects, and for the larger unrealized projects like Fun Palace and Generator. Also includes photographic materials of project sites and models. Some models included in the series are made from durable materials (wood, metal, plastic), while others are in-office constructions made out of paper, cardboard and Fome-Cor (TM). Of particular note are the 11 models for Magnet, and a full-size prototype of a market stall for Westal. Series also contains publication layouts, including material for the "Cedric Price Supplement", 'Architectural Design' vols. 40- 42 (1970-1972). Changes in office practice are noted around 1971, evident in the Blackpool Project and later, including the adoption of the metric system, and the creation of working and detail drawings on A4 size paper and filed with textual records (e.g. approximately 300 such drawings are included in the textual records for Blackpool Project). At the same time fewer preamble drawings that relate to site sensing, progress and life-cycle graphs and tables are created for the projects (a common feature from the 1960s), although project progress tables are still used. Of particular interest is material in the Early Work and Miscellaneous Records file (AP144.S2.D1) that relates to office work methods and programmes.
Projects
Actions:
AP144.S2
Description:
Series documents Cedric Price's projects from his early work in the late 1950s to work dating from the time he founded his own practice in 1960 until 2000. Material includes numerous competition entries, planning and building projects, transportation-related projects, exhibitions, conceptual projects, furniture and interior designs, and monuments, follies, and decorations. Some projects also reflect his teaching, research, lecture and publication activities. Price also worked on several competition juries (see projects Musique, Elephant). Many of Cedric Price's projects in the series are unexecuted. Significant unrealized projects from the 1960s and 1970s include Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Oxford Corner House (1965-1966), and Generator (1976-1980). Significant built projects from the same period include the New Aviary (1960-1966), his first major realized project (with Lord Snowdon and Frank Newby), and Inter-Action Centre (1971-1979). Other realized projects include an office building (BTDB Computer, 1968-1973) and restaurant (Blackpool Project, 1971-1975). Planning projects from the 1960s and 1970s include Potteries Thinkbelt, Detroit Think Grid (1969-1971) and Rice University's design charette, Atom (1967). In the 1980s and 1990s, Cedric Price worked on several building proposals including greenhouses (Serre, Serre (2)), museums, galleries, and pavilions (Trafalgar, Pertpavs, Snake), a railway station (Strate (2)), a cultural centre (Tiff), houses (Perthut, Castel), a bus station (Walsall), an aviary (CP Aviary) and office buildings (Domain, Berlin). Planning projects from the same time include parks and cultural complexes, (Parc, South Bank), urban areas, (Strate, Stratton, IFPRI, Haven, Mills), university campuses (Frankfurt, Unibad, Bedford), and rural areas (Stark, Arkage). Transportation-related projects include railways (Strate, Control, Rink), roadways (Stratton) and pedestrian links (Magnet, Halmag, South Bank). Only a few of his projects from that period were executed and those include the renovation projects Congress and SAS 29; a mobile market stall design for Westminster City Council (Westal) for which prototypes were built; a coffee cup design (Crowbar); and building conversion projects Gatard and Juke. Exhibition projects in the series include some devoted to Cedric Price's works (AA Exhibition, Aedes, AFX, Afella), some designed by him (Strike, Food for the Future, Topolski/Waterloo, Ashmole, Mean, AFX), as well as projects designed for exhibition (Citlin, Castel). The series also contains self-financed research and client-less projects, which form a significant part of Cedric Price's practice. Undertaken in anticipation of future clients or new planning needs, they include research into air structures and lightweight enclosures as well as integrated construction and transportation solutions (Trucksafe Air Portable Dock Ahoy), and housing research. South Bank, Magnet, and Duck Land represent a few of the client-less projects. The material in this series documents Cedric Price's work in the United Kingdom, in particular England (the Greater London area, and other areas) and Scotland, Germany, France, Austria, Australia, Japan, the United Arab Emirates, and the United States and other locations such as Canada, Nigeria, and Norway. Major clients include J. Lyons & Co. (Oxford Corner House), David Keddie (Two Tree Island, Southend Roof), Howard Gilman (Generator), British Railways (Strate and Strate (2), and others), the McAlpine family , particularly Alistair McAlpine, and their company Sir Robert McAlpine & Sons Ltd. (McAppy, Perthut, Trafalgar, Pertpavs, Ashmole, Perth, Obeliq, McVance); Établissement Public du Parc de la Villette (Parc, Serre, Serre (2), Musique) and the Canadian Centre for Architecture (IFPRI, Mean). He collaborated with several architects and engineers during the course of his career, his closest association being with engineer Frank Newby and quantity surveyor Douglas Smith. Some of his other collaborators include engineer Max Fordham (Strate (2), Tiff, Berlin), engineering firms Scott Wilson Kirkpatrick and Partners (Stratton, Rink, Control), and Sir Frederick Snow & Partners (South Bank), cybernetician Gordon Pask (Kawasaki/Japnet), architectural firm YRM/Yorke Rosenberg Mardall (Unibad), and architect Richard Rogers (Marman). He also collaborated with members of Archigram on the Trondheim Competition, (1972-1974), and with John and Julia Frazer who provided the computer modelling for Generator. David Price, Cedric Price's brother was the model maker for several projects. The series contains conceptual drawings, design development drawings, reference drawings and maps, presentation drawings (particularly for competitions), and working drawings. A significant amount of textual records are included, especially for projects involving a large amount of research or publicity (Air Structures, Lightweight Enclosures, South Bank, CP Aviary, Stratton), for executed projects, and for the larger unrealized projects like Fun Palace and Generator. Also includes photographic materials of project sites and models. Some models included in the series are made from durable materials (wood, metal, plastic), while others are in-office constructions made out of paper, cardboard and Fome-Cor (TM). Of particular note are the 11 models for Magnet, and a full-size prototype of a market stall for Westal. Series also contains publication layouts, including material for the "Cedric Price Supplement", 'Architectural Design' vols. 40- 42 (1970-1972). Changes in office practice are noted around 1971, evident in the Blackpool Project and later, including the adoption of the metric system, and the creation of working and detail drawings on A4 size paper and filed with textual records (e.g. approximately 300 such drawings are included in the textual records for Blackpool Project). At the same time fewer preamble drawings that relate to site sensing, progress and life-cycle graphs and tables are created for the projects (a common feature from the 1960s), although project progress tables are still used. Of particular interest is material in the Early Work and Miscellaneous Records file (AP144.S2.D1) that relates to office work methods and programmes.
Level of archival description:
Series
Series
Date:
1903-2003, predominant 1960-2000
1903-2003, predominant 1960-2000
People:
Form:
textual records
textual records
Reference number:
PHCON2002:0016:003:163.2
PHCON2002:0016:003:163.2
People:
Date:
1 December 1975
1 December 1975
Form:
textual records
textual records
Date:
1 December 1975
1 December 1975
People:
Form:
graphic materials
graphic materials
Actions:
Reference number:
ARCH252105
Description:
invitations/posters for various IAUS exhibitions and events: Aldo Rossi in America: Città Analoga drawings, September 19 to October 20, 1979 Marc Treib: Some Posters on a Theme of Architecture, February 27 to March 22, 1980 Oppositions 3 Forum: Physical Context/Cultural Context, 13 December (?) Clorindo Testa: Architecture and Personal Mythology, November 9-25, 1981 John Hejduk:Seven Houses, January 22 to February 16, 1980 IAUS relocation announcement of a move to 19 Union Sq. W., New York
ARCH252105
Description:
invitations/posters for various IAUS exhibitions and events: Aldo Rossi in America: Città Analoga drawings, September 19 to October 20, 1979 Marc Treib: Some Posters on a Theme of Architecture, February 27 to March 22, 1980 Oppositions 3 Forum: Physical Context/Cultural Context, 13 December (?) Clorindo Testa: Architecture and Personal Mythology, November 9-25, 1981 John Hejduk:Seven Houses, January 22 to February 16, 1980 IAUS relocation announcement of a move to 19 Union Sq. W., New York
People:
Date:
1979-1981
1979-1981
Title:
Invitations/posters for various IAUS exhibitions and events
Actions:
ARCH252105
Description:
invitations/posters for various IAUS exhibitions and events: Aldo Rossi in America: Città Analoga drawings, September 19 to October 20, 1979 Marc Treib: Some Posters on a Theme of Architecture, February 27 to March 22, 1980 Oppositions 3 Forum: Physical Context/Cultural Context, 13 December (?) Clorindo Testa: Architecture and Personal Mythology, November 9-25, 1981 John Hejduk:Seven Houses, January 22 to February 16, 1980 IAUS relocation announcement of a move to 19 Union Sq. W., New York
Invitations/posters for various IAUS exhibitions and events
Actions:
ARCH252105
Description:
invitations/posters for various IAUS exhibitions and events: Aldo Rossi in America: Città Analoga drawings, September 19 to October 20, 1979 Marc Treib: Some Posters on a Theme of Architecture, February 27 to March 22, 1980 Oppositions 3 Forum: Physical Context/Cultural Context, 13 December (?) Clorindo Testa: Architecture and Personal Mythology, November 9-25, 1981 John Hejduk:Seven Houses, January 22 to February 16, 1980 IAUS relocation announcement of a move to 19 Union Sq. W., New York
Form:
graphic materials
graphic materials
Date:
1979-1981
1979-1981
People:
Form:
textual records, photographs
textual records, photographs
Actions:
Reference number:
DR2004:1352
Description:
clippings of articles about and by Cedric Price, notes, copies of portraits of Price, two copies of the 20 April 1997 issue of 'The Sunday Telegraph Review' featuring an interview with price, the 3 May 1999 issue of 'The Guardian' featuring an article on Price, the 'Arts' section of the 18 October 1999 issue of 'The New York Times' featuring an article principally on Price's entry for the IFCCA Prize Competition for the Design of Cities
DR2004:1352
Description:
clippings of articles about and by Cedric Price, notes, copies of portraits of Price, two copies of the 20 April 1997 issue of 'The Sunday Telegraph Review' featuring an interview with price, the 3 May 1999 issue of 'The Guardian' featuring an article on Price, the 'Arts' section of the 18 October 1999 issue of 'The New York Times' featuring an article principally on Price's entry for the IFCCA Prize Competition for the Design of Cities
People:
Date:
1985, 1990, 1994-2000
1985, 1990, 1994-2000
Title:
Clippings of articles about and by Cedric Price, notes, copies of portraits of Price
Actions:
DR2004:1352
Description:
clippings of articles about and by Cedric Price, notes, copies of portraits of Price, two copies of the 20 April 1997 issue of 'The Sunday Telegraph Review' featuring an interview with price, the 3 May 1999 issue of 'The Guardian' featuring an article on Price, the 'Arts' section of the 18 October 1999 issue of 'The New York Times' featuring an article principally on Price's entry for the IFCCA Prize Competition for the Design of Cities
Clippings of articles about and by Cedric Price, notes, copies of portraits of Price
Actions:
DR2004:1352
Description:
clippings of articles about and by Cedric Price, notes, copies of portraits of Price, two copies of the 20 April 1997 issue of 'The Sunday Telegraph Review' featuring an interview with price, the 3 May 1999 issue of 'The Guardian' featuring an article on Price, the 'Arts' section of the 18 October 1999 issue of 'The New York Times' featuring an article principally on Price's entry for the IFCCA Prize Competition for the Design of Cities
Form:
textual records, photographs
textual records, photographs
Date:
1985, 1990, 1994-2000
1985, 1990, 1994-2000
People:
Form:
textual records
textual records
Title:
Correspondence files
Correspondence files
Actions:
Reference number:
DR2001:0036
Description:
documents include correspondence files, 1991-1992: Architecture in Greece, Academy Group Ltd., AIA, Anyone, ARCHIS, Architects for SOS, Architectural Article, Architectural Design, Architecture d'aujourd'hui, Architectural Digest, Arquitectura & Viviendas, Atlanta Theft (insurance claim), Blast, Brasil Bienale, Bologna Arte Architectura, B.D., Brooklyn Museum - Isozaki & Polshek, CAYC (Center for Arts and Communications, Buenos Aires), The Century Club, Cloverdale (Transportation Services) 2 files, Commissio Internacional, Connaissance des arts, Correspondence (miscellaneous), Declines (invitations), Design Book Review, Ingersoll, For Your Signature (Hall of Wisdom), Flores & Wollny, Design Edition, Gallery 91, Hamberg, Harvard Architectural Review, Interiors (magazine), IDCNY (International Design Center, New York), Invites, Kosmopolis, Kreisberg Projects, Lufthansa. Correspondence Files, 1991-1992: Morgensen undergrad essay, New York State Association of Architects, NYC / AIA, Hiroshi Maruyama, Office Tours, PDE / Draft Correspondence: Projects, PDE - 27th W. 10th St., Pending Invitations, Permission Agreements, Perspecta - pending, Petrafina, Inc., The Pritzker Prize, Progressive Architecture, Max Protech, Requests for Drawings, Articles, Photos, Slides, etc., SKALA, National Gallery of Art / Smithsonian, Staff, Stuttgart - AW Architektur & Wettbewerbe / Martina Schlumberger, Synetics, Inc, Thesis Requests, Urban Center Books, Vanity Fair, Westweek 92 (Pacific Design Center, Knoll).
DR2001:0036
Description:
documents include correspondence files, 1991-1992: Architecture in Greece, Academy Group Ltd., AIA, Anyone, ARCHIS, Architects for SOS, Architectural Article, Architectural Design, Architecture d'aujourd'hui, Architectural Digest, Arquitectura & Viviendas, Atlanta Theft (insurance claim), Blast, Brasil Bienale, Bologna Arte Architectura, B.D., Brooklyn Museum - Isozaki & Polshek, CAYC (Center for Arts and Communications, Buenos Aires), The Century Club, Cloverdale (Transportation Services) 2 files, Commissio Internacional, Connaissance des arts, Correspondence (miscellaneous), Declines (invitations), Design Book Review, Ingersoll, For Your Signature (Hall of Wisdom), Flores & Wollny, Design Edition, Gallery 91, Hamberg, Harvard Architectural Review, Interiors (magazine), IDCNY (International Design Center, New York), Invites, Kosmopolis, Kreisberg Projects, Lufthansa. Correspondence Files, 1991-1992: Morgensen undergrad essay, New York State Association of Architects, NYC / AIA, Hiroshi Maruyama, Office Tours, PDE / Draft Correspondence: Projects, PDE - 27th W. 10th St., Pending Invitations, Permission Agreements, Perspecta - pending, Petrafina, Inc., The Pritzker Prize, Progressive Architecture, Max Protech, Requests for Drawings, Articles, Photos, Slides, etc., SKALA, National Gallery of Art / Smithsonian, Staff, Stuttgart - AW Architektur & Wettbewerbe / Martina Schlumberger, Synetics, Inc, Thesis Requests, Urban Center Books, Vanity Fair, Westweek 92 (Pacific Design Center, Knoll).
People:
Title:
Correspondence files
Actions:
DR2001:0036
Description:
documents include correspondence files, 1991-1992: Architecture in Greece, Academy Group Ltd., AIA, Anyone, ARCHIS, Architects for SOS, Architectural Article, Architectural Design, Architecture d'aujourd'hui, Architectural Digest, Arquitectura & Viviendas, Atlanta Theft (insurance claim), Blast, Brasil Bienale, Bologna Arte Architectura, B.D., Brooklyn Museum - Isozaki & Polshek, CAYC (Center for Arts and Communications, Buenos Aires), The Century Club, Cloverdale (Transportation Services) 2 files, Commissio Internacional, Connaissance des arts, Correspondence (miscellaneous), Declines (invitations), Design Book Review, Ingersoll, For Your Signature (Hall of Wisdom), Flores & Wollny, Design Edition, Gallery 91, Hamberg, Harvard Architectural Review, Interiors (magazine), IDCNY (International Design Center, New York), Invites, Kosmopolis, Kreisberg Projects, Lufthansa. Correspondence Files, 1991-1992: Morgensen undergrad essay, New York State Association of Architects, NYC / AIA, Hiroshi Maruyama, Office Tours, PDE / Draft Correspondence: Projects, PDE - 27th W. 10th St., Pending Invitations, Permission Agreements, Perspecta - pending, Petrafina, Inc., The Pritzker Prize, Progressive Architecture, Max Protech, Requests for Drawings, Articles, Photos, Slides, etc., SKALA, National Gallery of Art / Smithsonian, Staff, Stuttgart - AW Architektur & Wettbewerbe / Martina Schlumberger, Synetics, Inc, Thesis Requests, Urban Center Books, Vanity Fair, Westweek 92 (Pacific Design Center, Knoll).
Correspondence files
Actions:
DR2001:0036
Description:
documents include correspondence files, 1991-1992: Architecture in Greece, Academy Group Ltd., AIA, Anyone, ARCHIS, Architects for SOS, Architectural Article, Architectural Design, Architecture d'aujourd'hui, Architectural Digest, Arquitectura & Viviendas, Atlanta Theft (insurance claim), Blast, Brasil Bienale, Bologna Arte Architectura, B.D., Brooklyn Museum - Isozaki & Polshek, CAYC (Center for Arts and Communications, Buenos Aires), The Century Club, Cloverdale (Transportation Services) 2 files, Commissio Internacional, Connaissance des arts, Correspondence (miscellaneous), Declines (invitations), Design Book Review, Ingersoll, For Your Signature (Hall of Wisdom), Flores & Wollny, Design Edition, Gallery 91, Hamberg, Harvard Architectural Review, Interiors (magazine), IDCNY (International Design Center, New York), Invites, Kosmopolis, Kreisberg Projects, Lufthansa. Correspondence Files, 1991-1992: Morgensen undergrad essay, New York State Association of Architects, NYC / AIA, Hiroshi Maruyama, Office Tours, PDE / Draft Correspondence: Projects, PDE - 27th W. 10th St., Pending Invitations, Permission Agreements, Perspecta - pending, Petrafina, Inc., The Pritzker Prize, Progressive Architecture, Max Protech, Requests for Drawings, Articles, Photos, Slides, etc., SKALA, National Gallery of Art / Smithsonian, Staff, Stuttgart - AW Architektur & Wettbewerbe / Martina Schlumberger, Synetics, Inc, Thesis Requests, Urban Center Books, Vanity Fair, Westweek 92 (Pacific Design Center, Knoll).
Form:
textual records
textual records
People:
Form:
born digital
Quantity:
4025 digital file(s)
born digital
Quantity:
4025 digital file(s)
Reference number:
AP174.S1.2001.D1.009
Description:
Contains photographs of an early Carbon Tower study model, 2002; the Extreme Textiles exhibit at the Cooper-Hewitt National Design Museum, New York, 2005; the 1:125 scale 3D Systems model on display at the Museum of Contemporary Art, Los Angeles, 2006-2007; and the 1:50 and 1:125 scale 3D Systems Carbon Tower models, 2013-2014. Original directory name: "MODEL PHOTOS". Most common file formats: Exchangeable Image File Format (Compressed), Canon RAW, DS_store file (MAC), Tagged Image File Format, Adobe Photoshop
AP174.S1.2001.D1.009
Description:
Contains photographs of an early Carbon Tower study model, 2002; the Extreme Textiles exhibit at the Cooper-Hewitt National Design Museum, New York, 2005; the 1:125 scale 3D Systems model on display at the Museum of Contemporary Art, Los Angeles, 2006-2007; and the 1:50 and 1:125 scale 3D Systems Carbon Tower models, 2013-2014. Original directory name: "MODEL PHOTOS". Most common file formats: Exchangeable Image File Format (Compressed), Canon RAW, DS_store file (MAC), Tagged Image File Format, Adobe Photoshop
People:
Date:
2002-2014
2002-2014
Title:
Photographs of 3D Systems models and exhibits
Actions:
AP174.S1.2001.D1.009
Description:
Contains photographs of an early Carbon Tower study model, 2002; the Extreme Textiles exhibit at the Cooper-Hewitt National Design Museum, New York, 2005; the 1:125 scale 3D Systems model on display at the Museum of Contemporary Art, Los Angeles, 2006-2007; and the 1:50 and 1:125 scale 3D Systems Carbon Tower models, 2013-2014. Original directory name: "MODEL PHOTOS". Most common file formats: Exchangeable Image File Format (Compressed), Canon RAW, DS_store file (MAC), Tagged Image File Format, Adobe Photoshop
Photographs of 3D Systems models and exhibits
Actions:
AP174.S1.2001.D1.009
Description:
Contains photographs of an early Carbon Tower study model, 2002; the Extreme Textiles exhibit at the Cooper-Hewitt National Design Museum, New York, 2005; the 1:125 scale 3D Systems model on display at the Museum of Contemporary Art, Los Angeles, 2006-2007; and the 1:50 and 1:125 scale 3D Systems Carbon Tower models, 2013-2014. Original directory name: "MODEL PHOTOS". Most common file formats: Exchangeable Image File Format (Compressed), Canon RAW, DS_store file (MAC), Tagged Image File Format, Adobe Photoshop
Form:
born digital
Quantity:
4025 digital file(s)
born digital
Quantity:
4025 digital file(s)
Date:
2002-2014
2002-2014
People:
