textual records
AP197.S3.010
Description:
The box is comprised of correspondence for the year 2001. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Yale University; Université de Montréal; Patkau Architects; Tadao Ando; Manuel de Sola-Morales; the Royal Institute of British Architects; ArquitecturaViva; Maki and Associates; and Kisho Kurakawa. Included in this box is correspondence with Oscar Niemeyer and Alvaro Siza in relation to the Michael Blackwood production on both these architects; correspondence about the Aga Khan Award; correspondence about writing an introduction essay to the publication Tadao Ando Light & Water; and correspondence about Frampton’s trip and itinerary to Japan and to meet with Tadao Ando.
2001
Personal and professional correspondence from 2001
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AP197.S3.010
Description:
The box is comprised of correspondence for the year 2001. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Yale University; Université de Montréal; Patkau Architects; Tadao Ando; Manuel de Sola-Morales; the Royal Institute of British Architects; ArquitecturaViva; Maki and Associates; and Kisho Kurakawa. Included in this box is correspondence with Oscar Niemeyer and Alvaro Siza in relation to the Michael Blackwood production on both these architects; correspondence about the Aga Khan Award; correspondence about writing an introduction essay to the publication Tadao Ando Light & Water; and correspondence about Frampton’s trip and itinerary to Japan and to meet with Tadao Ando.
textual records
2001
In 1929, Ilse Bing bought a Leica camera and started a photographic career that took her from Frankfurt to New York via Paris. While still in Frankfurt, she was commissioned by architect and urban planner Mart Stam to undertake a photographic survey of the modern buildings that were being erected in the city, including the Henry and Emma Budge-Heim H-block building. Built(...)
Hall cases
5 September 2013 to 5 December 2013
H-BLOCK: Social Housing – Ilse Bing
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Description:
In 1929, Ilse Bing bought a Leica camera and started a photographic career that took her from Frankfurt to New York via Paris. While still in Frankfurt, she was commissioned by architect and urban planner Mart Stam to undertake a photographic survey of the modern buildings that were being erected in the city, including the Henry and Emma Budge-Heim H-block building. Built(...)
Hall cases
By the latter half of the nineteenth century, several pioneer photographers had travelled to the Middle East and North Africa, bringing back to Europe and North America images that captured the idea of the exotic. Whether in search of Nile temples, the Holy Land or Berber costumes; whether amateurs or pilgrims; whether part of scientific missions or commercial ventures,(...)
Octagonal gallery
30 January 2014 to 25 May 2014
Photographing the Arab City in the Nineteenth Century
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Description:
By the latter half of the nineteenth century, several pioneer photographers had travelled to the Middle East and North Africa, bringing back to Europe and North America images that captured the idea of the exotic. Whether in search of Nile temples, the Holy Land or Berber costumes; whether amateurs or pilgrims; whether part of scientific missions or commercial ventures,(...)
Octagonal gallery
Empire
The exhibition presents Empire, a visual essay by American artist John Gossage on the relationship between architecture and power. Gossage’s photographs of government buildings and monuments in Washington, D.C. are juxtaposed with images of Egypt taken by German chemist Hermann Vogel in 1868, exposing the parallel actions of governments, over a century apart, in(...)
Octagonal gallery
8 December 2005 to 12 March 2006
Empire
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Description:
The exhibition presents Empire, a visual essay by American artist John Gossage on the relationship between architecture and power. Gossage’s photographs of government buildings and monuments in Washington, D.C. are juxtaposed with images of Egypt taken by German chemist Hermann Vogel in 1868, exposing the parallel actions of governments, over a century apart, in(...)
Octagonal gallery
Learning from... Cairo
Nasser Rabbat challenges the traditional framing strategies of East vs. West or traditional vs. modern, focusing instead on the dialectical relationship of modernity and history in the making of contemporary Cairo. Shaped by distinct waves of modernity from the colonial Napoleonic invasion of 1789 to the revolution and independence in 1952, the city responded with layers(...)
Paul-Desmarais Theatre
15 September 2011 , 7pm
Learning from... Cairo
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Description:
Nasser Rabbat challenges the traditional framing strategies of East vs. West or traditional vs. modern, focusing instead on the dialectical relationship of modernity and history in the making of contemporary Cairo. Shaped by distinct waves of modernity from the colonial Napoleonic invasion of 1789 to the revolution and independence in 1952, the city responded with layers(...)
Paul-Desmarais Theatre
In the Yesterday Today lecture series, Canadian architect and author Witold Rybczynski discusses the roots of Ecol House, a prototype for an autonomous dwelling for use in developing countries. The project was created in Montréal in 1972 by Ecol Operation, a group of architects and students of which he was a member that became an international point of reference for(...)
Paul-Desmarais Theatre
29 November 2007
Witold Rybczynski: Green Before Green
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Description:
In the Yesterday Today lecture series, Canadian architect and author Witold Rybczynski discusses the roots of Ecol House, a prototype for an autonomous dwelling for use in developing countries. The project was created in Montréal in 1972 by Ecol Operation, a group of architects and students of which he was a member that became an international point of reference for(...)
Paul-Desmarais Theatre
textual records
ARCH80828
Description:
summary description of structure, mechanical, lighting, outside lights, sculpture, design, traffic and cost
circa 1947-2002
Canadian Gouvernment pavillon , Japan world exposition, Osaka, 1970
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ARCH80828
Description:
summary description of structure, mechanical, lighting, outside lights, sculpture, design, traffic and cost
textual records
circa 1947-2002
drawings
AP046.S1.1983.PR02.121
Description:
This file includes drawings for stone base supports for benches, lights, and drinking fountains.
1983-1992
Sketches for stone supports, Old Port of Montreal Master Plan, Montréal, Québec
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AP046.S1.1983.PR02.121
Description:
This file includes drawings for stone base supports for benches, lights, and drinking fountains.
drawings
1983-1992
The exhibition addresses a central and timely aspect of the work of Carlo Scarpa: its distinctive approach to contending with the layers of history that mark the fabric of a city and a building. In addressing Scarpa’s ability to weave new work into, and often out of, the disparate fragments of the old, Carlo Scarpa, Architect: Intervening with History begins to unravel(...)
Main galleries
26 May 1999 to 31 October 1999
Carlo Scarpa, Architect: Intervening with History
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Description:
The exhibition addresses a central and timely aspect of the work of Carlo Scarpa: its distinctive approach to contending with the layers of history that mark the fabric of a city and a building. In addressing Scarpa’s ability to weave new work into, and often out of, the disparate fragments of the old, Carlo Scarpa, Architect: Intervening with History begins to unravel(...)
Main galleries
Learning from... Chisasibi
A conversation between artist Thomas Kneubühler and filmmaker Ernest Webb, who explore housing and human migration in a small town on the eastern shore of James Bay. The conversation will be moderated by Alessandra Ponte. Taking the hydroelectric installations in Northern Quebec as his cue, Kneubühler documents how the generation of power touches the land and by extension(...)
Paul Desmarais Theatre
25 October 2012 , 7pm
Learning from... Chisasibi
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Description:
A conversation between artist Thomas Kneubühler and filmmaker Ernest Webb, who explore housing and human migration in a small town on the eastern shore of James Bay. The conversation will be moderated by Alessandra Ponte. Taking the hydroelectric installations in Northern Quebec as his cue, Kneubühler documents how the generation of power touches the land and by extension(...)
Paul Desmarais Theatre