2662 Results
Form:
photographs
photographs
Actions:
Reference number:
PH2018:0005:028
Description:
Photograph by Stefano Graziani of the following work: Carlo Scarpa, Castelvecchio Museum, Ala della Reggia, elevation and sketches for the frame of the Madonna with the Child by Giovanni Bellini on the second floor of the Palace, inventory Number: 31805, recto, pastel red, yellow, blue two shades and lilac on cardboard, 316 x 432 mm, 1958-1961, Carlo Scarpa archive, Castevecchio Museum, Verona Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
PH2018:0005:028
Description:
Photograph by Stefano Graziani of the following work: Carlo Scarpa, Castelvecchio Museum, Ala della Reggia, elevation and sketches for the frame of the Madonna with the Child by Giovanni Bellini on the second floor of the Palace, inventory Number: 31805, recto, pastel red, yellow, blue two shades and lilac on cardboard, 316 x 432 mm, 1958-1961, Carlo Scarpa archive, Castevecchio Museum, Verona Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
People:
Date:
2017
2017
Title:
Questioning Pictures: Photograph of elevation and sketches for the frame of the Madonna with the Child by Giovanni Bellini on the second floor of the Castelvecchio Museum by Carlo Scarpa
Actions:
PH2018:0005:028
Description:
Photograph by Stefano Graziani of the following work: Carlo Scarpa, Castelvecchio Museum, Ala della Reggia, elevation and sketches for the frame of the Madonna with the Child by Giovanni Bellini on the second floor of the Palace, inventory Number: 31805, recto, pastel red, yellow, blue two shades and lilac on cardboard, 316 x 432 mm, 1958-1961, Carlo Scarpa archive, Castevecchio Museum, Verona Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Questioning Pictures: Photograph of elevation and sketches for the frame of the Madonna with the Child by Giovanni Bellini on the second floor of the Castelvecchio Museum by Carlo Scarpa
Actions:
PH2018:0005:028
Description:
Photograph by Stefano Graziani of the following work: Carlo Scarpa, Castelvecchio Museum, Ala della Reggia, elevation and sketches for the frame of the Madonna with the Child by Giovanni Bellini on the second floor of the Palace, inventory Number: 31805, recto, pastel red, yellow, blue two shades and lilac on cardboard, 316 x 432 mm, 1958-1961, Carlo Scarpa archive, Castevecchio Museum, Verona Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Form:
photographs
photographs
Date:
2017
2017
People:
Level of archival description:
Project
Project
Reference number:
AP207.S1.1968.PR04
Description:
This project series documents Pettena's installation entitled "Grazia & Giustizia", named after the Ministry of Justice in Italy. This project is the third of a series of three installations created in 1968 which consisted of large three-dimensional letters, forming words, and made purposely of perishable materials. The "Grazia & Giustizia" was created and constructed in the context of the 6th Festival of Avant-Garde Music in Palermo, in 1968. Unlike the first two installations in this series, this one was destroyed intentionally and was more of a performance as each cardboard letter was taken and thrown in the sea after a funeral procession accompanied by music played by the group MEV (Musica Elettronica Viva). The installation was re-created in 2012, this time in Civitella del Tronto, at "a great fort dating from the 16th century, which was not only the dominant architectural feature in that context but in particular the place where 'justice' used to be dispensed (or not)." [1] The project series contains photographs of the procession and of the letters once in the sea, and two drawings, including one showing the letters floating in the water. The project series also contains photographs showing the installation at the fort of Civitella del Tronto in 2012 and project descriptions in English and Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-grazia-ii-2012-1/ (last accessed 30 October 2019)
AP207.S1.1968.PR04
Description:
This project series documents Pettena's installation entitled "Grazia & Giustizia", named after the Ministry of Justice in Italy. This project is the third of a series of three installations created in 1968 which consisted of large three-dimensional letters, forming words, and made purposely of perishable materials. The "Grazia & Giustizia" was created and constructed in the context of the 6th Festival of Avant-Garde Music in Palermo, in 1968. Unlike the first two installations in this series, this one was destroyed intentionally and was more of a performance as each cardboard letter was taken and thrown in the sea after a funeral procession accompanied by music played by the group MEV (Musica Elettronica Viva). The installation was re-created in 2012, this time in Civitella del Tronto, at "a great fort dating from the 16th century, which was not only the dominant architectural feature in that context but in particular the place where 'justice' used to be dispensed (or not)." [1] The project series contains photographs of the procession and of the letters once in the sea, and two drawings, including one showing the letters floating in the water. The project series also contains photographs showing the installation at the fort of Civitella del Tronto in 2012 and project descriptions in English and Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-grazia-ii-2012-1/ (last accessed 30 October 2019)
People:
Date:
1968-2017
1968-2017
Title:
Grazia & Giustizia [Grace & Justice] (1968)
Actions:
AP207.S1.1968.PR04
Description:
This project series documents Pettena's installation entitled "Grazia & Giustizia", named after the Ministry of Justice in Italy. This project is the third of a series of three installations created in 1968 which consisted of large three-dimensional letters, forming words, and made purposely of perishable materials. The "Grazia & Giustizia" was created and constructed in the context of the 6th Festival of Avant-Garde Music in Palermo, in 1968. Unlike the first two installations in this series, this one was destroyed intentionally and was more of a performance as each cardboard letter was taken and thrown in the sea after a funeral procession accompanied by music played by the group MEV (Musica Elettronica Viva). The installation was re-created in 2012, this time in Civitella del Tronto, at "a great fort dating from the 16th century, which was not only the dominant architectural feature in that context but in particular the place where 'justice' used to be dispensed (or not)." [1] The project series contains photographs of the procession and of the letters once in the sea, and two drawings, including one showing the letters floating in the water. The project series also contains photographs showing the installation at the fort of Civitella del Tronto in 2012 and project descriptions in English and Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-grazia-ii-2012-1/ (last accessed 30 October 2019)
Grazia & Giustizia [Grace & Justice] (1968)
Actions:
AP207.S1.1968.PR04
Description:
This project series documents Pettena's installation entitled "Grazia & Giustizia", named after the Ministry of Justice in Italy. This project is the third of a series of three installations created in 1968 which consisted of large three-dimensional letters, forming words, and made purposely of perishable materials. The "Grazia & Giustizia" was created and constructed in the context of the 6th Festival of Avant-Garde Music in Palermo, in 1968. Unlike the first two installations in this series, this one was destroyed intentionally and was more of a performance as each cardboard letter was taken and thrown in the sea after a funeral procession accompanied by music played by the group MEV (Musica Elettronica Viva). The installation was re-created in 2012, this time in Civitella del Tronto, at "a great fort dating from the 16th century, which was not only the dominant architectural feature in that context but in particular the place where 'justice' used to be dispensed (or not)." [1] The project series contains photographs of the procession and of the letters once in the sea, and two drawings, including one showing the letters floating in the water. The project series also contains photographs showing the installation at the fort of Civitella del Tronto in 2012 and project descriptions in English and Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-grazia-ii-2012-1/ (last accessed 30 October 2019)
Level of archival description:
Project
Project
Date:
1968-2017
1968-2017
People:
Form:
textual records
textual records
Reference number:
AP075.S3.SS2.149
Description:
This box contains professional correspondence, organized in chronological order, from 1958-1993, with a bulk of documents dated from 1978-1993. This correspondence contains chiefly letters related to publishing in landscape architecture publications, correspondence with schools of architecture and landscape architects associations, such as the Canadian Society of Landscape Architects, about membership or attendance to events. It also comprises correspondence related to research on play and playgrounds, collaboration with organizations for children education, research and involvement in sustainable development. It also contains correspondence with city planning committees or other governmental institutions related to projects or consultation in landscape design, and letters of reference or offer of services. This correspondence also comprises a few letters related to Oberlander's projects such as Children's Creative Centre Playground at Expo '67 in Montréal, University of British Columbia Faculty Club additions (which includes correspondence with Arthur Erickson), the Museum of Anthropology. It includes mainly letters of congratulations or comments for her design.
AP075.S3.SS2.149
Description:
This box contains professional correspondence, organized in chronological order, from 1958-1993, with a bulk of documents dated from 1978-1993. This correspondence contains chiefly letters related to publishing in landscape architecture publications, correspondence with schools of architecture and landscape architects associations, such as the Canadian Society of Landscape Architects, about membership or attendance to events. It also comprises correspondence related to research on play and playgrounds, collaboration with organizations for children education, research and involvement in sustainable development. It also contains correspondence with city planning committees or other governmental institutions related to projects or consultation in landscape design, and letters of reference or offer of services. This correspondence also comprises a few letters related to Oberlander's projects such as Children's Creative Centre Playground at Expo '67 in Montréal, University of British Columbia Faculty Club additions (which includes correspondence with Arthur Erickson), the Museum of Anthropology. It includes mainly letters of congratulations or comments for her design.
People:
Date:
1958-1993
1958-1993
Title:
Professional correspondence from 1958-1993
Actions:
AP075.S3.SS2.149
Description:
This box contains professional correspondence, organized in chronological order, from 1958-1993, with a bulk of documents dated from 1978-1993. This correspondence contains chiefly letters related to publishing in landscape architecture publications, correspondence with schools of architecture and landscape architects associations, such as the Canadian Society of Landscape Architects, about membership or attendance to events. It also comprises correspondence related to research on play and playgrounds, collaboration with organizations for children education, research and involvement in sustainable development. It also contains correspondence with city planning committees or other governmental institutions related to projects or consultation in landscape design, and letters of reference or offer of services. This correspondence also comprises a few letters related to Oberlander's projects such as Children's Creative Centre Playground at Expo '67 in Montréal, University of British Columbia Faculty Club additions (which includes correspondence with Arthur Erickson), the Museum of Anthropology. It includes mainly letters of congratulations or comments for her design.
Professional correspondence from 1958-1993
Actions:
AP075.S3.SS2.149
Description:
This box contains professional correspondence, organized in chronological order, from 1958-1993, with a bulk of documents dated from 1978-1993. This correspondence contains chiefly letters related to publishing in landscape architecture publications, correspondence with schools of architecture and landscape architects associations, such as the Canadian Society of Landscape Architects, about membership or attendance to events. It also comprises correspondence related to research on play and playgrounds, collaboration with organizations for children education, research and involvement in sustainable development. It also contains correspondence with city planning committees or other governmental institutions related to projects or consultation in landscape design, and letters of reference or offer of services. This correspondence also comprises a few letters related to Oberlander's projects such as Children's Creative Centre Playground at Expo '67 in Montréal, University of British Columbia Faculty Club additions (which includes correspondence with Arthur Erickson), the Museum of Anthropology. It includes mainly letters of congratulations or comments for her design.
Form:
textual records
textual records
Date:
1958-1993
1958-1993
People:
Form:
exhibitions
exhibitions
Actions:
Description:
During the Second World War, exhibitions and publications played a critical role in the war effort. They were organized internationally as moments of reflection and propaganda, productions of a disciplinary approach to architecture and urban design. This display springs from Jean-Louis Cohen’s research for Architecture in Uniform: Designing and Building for the Second(...)
During the Second World War, exhibitions and publications played a critical role in the war effort. They were organized internationally as moments of reflection and propaganda, productions of a disciplinary approach to architecture and urban design. This display springs from Jean-Louis Cohen’s research for Architecture in Uniform: Designing and Building for the Second(...)
Location:
Hall cases
Hall cases
Date:
13 April 2011 to 18 September 2011
13 April 2011 to 18 September 2011
Title:
A Paper War: Pictures and words, 1939-1945
Actions:
Description:
During the Second World War, exhibitions and publications played a critical role in the war effort. They were organized internationally as moments of reflection and propaganda, productions of a disciplinary approach to architecture and urban design. This display springs from Jean-Louis Cohen’s research for Architecture in Uniform: Designing and Building for the Second(...)
A Paper War: Pictures and words, 1939-1945
Actions:
Description:
During the Second World War, exhibitions and publications played a critical role in the war effort. They were organized internationally as moments of reflection and propaganda, productions of a disciplinary approach to architecture and urban design. This display springs from Jean-Louis Cohen’s research for Architecture in Uniform: Designing and Building for the Second(...)
Form:
exhibitions
exhibitions
Date:
13 April 2011 to
18 September 2011
13 April 2011 to
18 September 2011
Location:
Hall cases
Hall cases
Form:
drawings
drawings
Actions:
Reference number:
AP178.S2.2020.002
Description:
This sketchbook consists of figures playing musical instruments.
AP178.S2.2020.002
Description:
This sketchbook consists of figures playing musical instruments.
People:
Date:
July-August 2020
July-August 2020
Title:
Sketchbook : Musicos - Anjo - Douro
Actions:
AP178.S2.2020.002
Description:
This sketchbook consists of figures playing musical instruments.
Sketchbook : Musicos - Anjo - Douro
Actions:
AP178.S2.2020.002
Description:
This sketchbook consists of figures playing musical instruments.
Form:
drawings
drawings
Date:
July-August 2020
July-August 2020
People:
Form:
drawings
drawings
Actions:
Reference number:
AP178.S2.2017.001
Description:
This sketchbook includes figures hammering, chiseling, and playing guitar.
AP178.S2.2017.001
Description:
This sketchbook includes figures hammering, chiseling, and playing guitar.
People:
Date:
May-June 2017
May-June 2017
Title:
Sketchbook : Guitaras - Leça Balio- Lagos - Londres - Escultura China
Actions:
AP178.S2.2017.001
Description:
This sketchbook includes figures hammering, chiseling, and playing guitar.
Sketchbook : Guitaras - Leça Balio- Lagos - Londres - Escultura China
Actions:
AP178.S2.2017.001
Description:
This sketchbook includes figures hammering, chiseling, and playing guitar.
Form:
drawings
drawings
Date:
May-June 2017
May-June 2017
People:
Form:
exhibitions
exhibitions
Actions:
Description:
Mass-produced objects are often overlooked in favour of more sophisticated and more scholarly sources as the basis for understanding architecture as it is perceived and interpreted for popular assimilation. Focusing on the United States between the 1890s and the 1960s Popularizing Architecture in the U.S.A. highlights ephemeral items that have created public awareness of(...)
Mass-produced objects are often overlooked in favour of more sophisticated and more scholarly sources as the basis for understanding architecture as it is perceived and interpreted for popular assimilation. Focusing on the United States between the 1890s and the 1960s Popularizing Architecture in the U.S.A. highlights ephemeral items that have created public awareness of(...)
Location:
Hall cases
Hall cases
Date:
14 June 1995 to 29 October 1995
14 June 1995 to 29 October 1995
Title:
Popularizing Architecture in the U.S.A.
Actions:
Description:
Mass-produced objects are often overlooked in favour of more sophisticated and more scholarly sources as the basis for understanding architecture as it is perceived and interpreted for popular assimilation. Focusing on the United States between the 1890s and the 1960s Popularizing Architecture in the U.S.A. highlights ephemeral items that have created public awareness of(...)
Popularizing Architecture in the U.S.A.
Actions:
Description:
Mass-produced objects are often overlooked in favour of more sophisticated and more scholarly sources as the basis for understanding architecture as it is perceived and interpreted for popular assimilation. Focusing on the United States between the 1890s and the 1960s Popularizing Architecture in the U.S.A. highlights ephemeral items that have created public awareness of(...)
Form:
exhibitions
exhibitions
Date:
14 June 1995 to
29 October 1995
14 June 1995 to
29 October 1995
Location:
Hall cases
Hall cases
Form:
events
events
Description:
Kazuo Shinohara was a deeply influential figure in postwar architecture in Japan best known for his individual houses, but he remains little studied today, especially outside Japan. Shinohara connected traditional forms and an investigation of modernist tenets with the high-tech and information technology moments yet to come. What was his attitude toward history, and how(...)
Kazuo Shinohara was a deeply influential figure in postwar architecture in Japan best known for his individual houses, but he remains little studied today, especially outside Japan. Shinohara connected traditional forms and an investigation of modernist tenets with the high-tech and information technology moments yet to come. What was his attitude toward history, and how(...)
Location:
Paul Desmarais Theatre Keyword(s):
David B. Stewart, Kazuo Shinohara, What is/was history for…
Paul Desmarais Theatre Keyword(s):
David B. Stewart, Kazuo Shinohara, What is/was history for…
Date:
21 September 2017, 6:30pm
21 September 2017, 6:30pm
Title:
David B. Stewart, what was history for Kazuo Shinohara?
Actions:
Description:
Kazuo Shinohara was a deeply influential figure in postwar architecture in Japan best known for his individual houses, but he remains little studied today, especially outside Japan. Shinohara connected traditional forms and an investigation of modernist tenets with the high-tech and information technology moments yet to come. What was his attitude toward history, and how(...)
David B. Stewart, what was history for Kazuo Shinohara?
Actions:
Description:
Kazuo Shinohara was a deeply influential figure in postwar architecture in Japan best known for his individual houses, but he remains little studied today, especially outside Japan. Shinohara connected traditional forms and an investigation of modernist tenets with the high-tech and information technology moments yet to come. What was his attitude toward history, and how(...)
Form:
events
events
Date:
21 September 2017
6:30pm
21 September 2017
6:30pm
Location:
Paul Desmarais Theatre Keyword(s):
David B. Stewart, Kazuo Shinohara, What is/was history for…
Paul Desmarais Theatre Keyword(s):
David B. Stewart, Kazuo Shinohara, What is/was history for…
Form:
textual records
textual records
Actions:
Reference number:
AP075.S3.SS1.019
Description:
Contains typescript text for the following lectures by Cornelia Hahn Oberlander: - The Magic of Sand - Indoors and Out - Planning for Play Everywhere. Play in Hospitals, 1984. - Landscape Architecture in the 20th Century: The Relationship of Architecture and - Landscape Architecture. Museum of Modern Art October 21-22. - Lecture given at the Vancouver Art Gallery, 1954. - The TVA as creator of a Regional Landscape. - Greening the City. University of Texas. November 18, 1994. - The Garden in My Life and My Work. Western Washington University. June 14, 1988. - Nature in the City: or, the City in Nature. Architecture and Urban Studies Alliance, Calgary, Alberta. February 11, 1987. - Address to the Graduating Classes in Agrcultural Sciences, Applied Science, Architecture, Landscape Architecture, Community and Regional Planning, Forestry, - Interdisciplinary Studies. The University of British Columbia. May 29, 1991. - The Garden as Art. Van Dusen Botanical Garden. October 2, 1990. - Landscapes that Shaped Vancouver. The Society of Architectural Historians. October 13, 2000. - Breaking Ground. Smith College. March 26, 2001. - Green Spaces: Inspiring Landscapes by Women - Landscape Architecture in the Next Millenium. Hotel Vancouver. March 29, 1999. - Landscape Architecture: Bridge Between Buliding and Nature. Toronto, ON. November 26, 1999. - Limiting Footprints: An Ecological Approach to Landscape Architecture. Harvard University. March 27, 2001. - Leadership in Landscape: Sustainable Development Directions for the Future. Smith College. March 18, 1998. - Linking Places to Design: An Ecological Approach. Alaska Design Forum Lecture. April 1999. - Limiting Footprints: An Ecological Approach to Landscape Architecture. February 22, 2001. - The Meanings of Gardens… Transformed. University of Virginia. March 23, 2001. - Landscape Architecture North of the Arctic Circle. University of Massachusetts, Amherst. March 26, 2007. - Landscape Architecture Aesthetics and Sustainability. Palm Springs, CA. March 15, 2008. - Limiting Footprints: Low Impact Technologies. University of Arkansas. February 20, 2005. - Conservation of 20th Century Canadian Landscapes. ASLA CSLA Montreal. September 22, 2001. - Government Complex of the Province of British Columbia, Vancouver, BC: Changes of a City. October 11, 1979. - Heritage of Green Spaces: Robson Square. Vancouver Heritage Foundation. April 21, 2010. - Where Architecture Meets the Trees. Smith College. February 29, 1992. - Green Roofs and Sustainable Development: Ideas into Action. McGill University. October 21, 2005.
AP075.S3.SS1.019
Description:
Contains typescript text for the following lectures by Cornelia Hahn Oberlander: - The Magic of Sand - Indoors and Out - Planning for Play Everywhere. Play in Hospitals, 1984. - Landscape Architecture in the 20th Century: The Relationship of Architecture and - Landscape Architecture. Museum of Modern Art October 21-22. - Lecture given at the Vancouver Art Gallery, 1954. - The TVA as creator of a Regional Landscape. - Greening the City. University of Texas. November 18, 1994. - The Garden in My Life and My Work. Western Washington University. June 14, 1988. - Nature in the City: or, the City in Nature. Architecture and Urban Studies Alliance, Calgary, Alberta. February 11, 1987. - Address to the Graduating Classes in Agrcultural Sciences, Applied Science, Architecture, Landscape Architecture, Community and Regional Planning, Forestry, - Interdisciplinary Studies. The University of British Columbia. May 29, 1991. - The Garden as Art. Van Dusen Botanical Garden. October 2, 1990. - Landscapes that Shaped Vancouver. The Society of Architectural Historians. October 13, 2000. - Breaking Ground. Smith College. March 26, 2001. - Green Spaces: Inspiring Landscapes by Women - Landscape Architecture in the Next Millenium. Hotel Vancouver. March 29, 1999. - Landscape Architecture: Bridge Between Buliding and Nature. Toronto, ON. November 26, 1999. - Limiting Footprints: An Ecological Approach to Landscape Architecture. Harvard University. March 27, 2001. - Leadership in Landscape: Sustainable Development Directions for the Future. Smith College. March 18, 1998. - Linking Places to Design: An Ecological Approach. Alaska Design Forum Lecture. April 1999. - Limiting Footprints: An Ecological Approach to Landscape Architecture. February 22, 2001. - The Meanings of Gardens… Transformed. University of Virginia. March 23, 2001. - Landscape Architecture North of the Arctic Circle. University of Massachusetts, Amherst. March 26, 2007. - Landscape Architecture Aesthetics and Sustainability. Palm Springs, CA. March 15, 2008. - Limiting Footprints: Low Impact Technologies. University of Arkansas. February 20, 2005. - Conservation of 20th Century Canadian Landscapes. ASLA CSLA Montreal. September 22, 2001. - Government Complex of the Province of British Columbia, Vancouver, BC: Changes of a City. October 11, 1979. - Heritage of Green Spaces: Robson Square. Vancouver Heritage Foundation. April 21, 2010. - Where Architecture Meets the Trees. Smith College. February 29, 1992. - Green Roofs and Sustainable Development: Ideas into Action. McGill University. October 21, 2005.
People:
Date:
1954-2010
1954-2010
Title:
Texts of Cornelia Hahn Oberlander for various lectures
Actions:
AP075.S3.SS1.019
Description:
Contains typescript text for the following lectures by Cornelia Hahn Oberlander: - The Magic of Sand - Indoors and Out - Planning for Play Everywhere. Play in Hospitals, 1984. - Landscape Architecture in the 20th Century: The Relationship of Architecture and - Landscape Architecture. Museum of Modern Art October 21-22. - Lecture given at the Vancouver Art Gallery, 1954. - The TVA as creator of a Regional Landscape. - Greening the City. University of Texas. November 18, 1994. - The Garden in My Life and My Work. Western Washington University. June 14, 1988. - Nature in the City: or, the City in Nature. Architecture and Urban Studies Alliance, Calgary, Alberta. February 11, 1987. - Address to the Graduating Classes in Agrcultural Sciences, Applied Science, Architecture, Landscape Architecture, Community and Regional Planning, Forestry, - Interdisciplinary Studies. The University of British Columbia. May 29, 1991. - The Garden as Art. Van Dusen Botanical Garden. October 2, 1990. - Landscapes that Shaped Vancouver. The Society of Architectural Historians. October 13, 2000. - Breaking Ground. Smith College. March 26, 2001. - Green Spaces: Inspiring Landscapes by Women - Landscape Architecture in the Next Millenium. Hotel Vancouver. March 29, 1999. - Landscape Architecture: Bridge Between Buliding and Nature. Toronto, ON. November 26, 1999. - Limiting Footprints: An Ecological Approach to Landscape Architecture. Harvard University. March 27, 2001. - Leadership in Landscape: Sustainable Development Directions for the Future. Smith College. March 18, 1998. - Linking Places to Design: An Ecological Approach. Alaska Design Forum Lecture. April 1999. - Limiting Footprints: An Ecological Approach to Landscape Architecture. February 22, 2001. - The Meanings of Gardens… Transformed. University of Virginia. March 23, 2001. - Landscape Architecture North of the Arctic Circle. University of Massachusetts, Amherst. March 26, 2007. - Landscape Architecture Aesthetics and Sustainability. Palm Springs, CA. March 15, 2008. - Limiting Footprints: Low Impact Technologies. University of Arkansas. February 20, 2005. - Conservation of 20th Century Canadian Landscapes. ASLA CSLA Montreal. September 22, 2001. - Government Complex of the Province of British Columbia, Vancouver, BC: Changes of a City. October 11, 1979. - Heritage of Green Spaces: Robson Square. Vancouver Heritage Foundation. April 21, 2010. - Where Architecture Meets the Trees. Smith College. February 29, 1992. - Green Roofs and Sustainable Development: Ideas into Action. McGill University. October 21, 2005.
Texts of Cornelia Hahn Oberlander for various lectures
Actions:
AP075.S3.SS1.019
Description:
Contains typescript text for the following lectures by Cornelia Hahn Oberlander: - The Magic of Sand - Indoors and Out - Planning for Play Everywhere. Play in Hospitals, 1984. - Landscape Architecture in the 20th Century: The Relationship of Architecture and - Landscape Architecture. Museum of Modern Art October 21-22. - Lecture given at the Vancouver Art Gallery, 1954. - The TVA as creator of a Regional Landscape. - Greening the City. University of Texas. November 18, 1994. - The Garden in My Life and My Work. Western Washington University. June 14, 1988. - Nature in the City: or, the City in Nature. Architecture and Urban Studies Alliance, Calgary, Alberta. February 11, 1987. - Address to the Graduating Classes in Agrcultural Sciences, Applied Science, Architecture, Landscape Architecture, Community and Regional Planning, Forestry, - Interdisciplinary Studies. The University of British Columbia. May 29, 1991. - The Garden as Art. Van Dusen Botanical Garden. October 2, 1990. - Landscapes that Shaped Vancouver. The Society of Architectural Historians. October 13, 2000. - Breaking Ground. Smith College. March 26, 2001. - Green Spaces: Inspiring Landscapes by Women - Landscape Architecture in the Next Millenium. Hotel Vancouver. March 29, 1999. - Landscape Architecture: Bridge Between Buliding and Nature. Toronto, ON. November 26, 1999. - Limiting Footprints: An Ecological Approach to Landscape Architecture. Harvard University. March 27, 2001. - Leadership in Landscape: Sustainable Development Directions for the Future. Smith College. March 18, 1998. - Linking Places to Design: An Ecological Approach. Alaska Design Forum Lecture. April 1999. - Limiting Footprints: An Ecological Approach to Landscape Architecture. February 22, 2001. - The Meanings of Gardens… Transformed. University of Virginia. March 23, 2001. - Landscape Architecture North of the Arctic Circle. University of Massachusetts, Amherst. March 26, 2007. - Landscape Architecture Aesthetics and Sustainability. Palm Springs, CA. March 15, 2008. - Limiting Footprints: Low Impact Technologies. University of Arkansas. February 20, 2005. - Conservation of 20th Century Canadian Landscapes. ASLA CSLA Montreal. September 22, 2001. - Government Complex of the Province of British Columbia, Vancouver, BC: Changes of a City. October 11, 1979. - Heritage of Green Spaces: Robson Square. Vancouver Heritage Foundation. April 21, 2010. - Where Architecture Meets the Trees. Smith College. February 29, 1992. - Green Roofs and Sustainable Development: Ideas into Action. McGill University. October 21, 2005.
Form:
textual records
textual records
Date:
1954-2010
1954-2010
People:
Form:
drawings
drawings
Actions:
Reference number:
AP178.S2.2011.001
Description:
This sketchbook includes an overhead sketch of Bilbao, figures playing musical instruments and sitting at desks.
AP178.S2.2011.001
Description:
This sketchbook includes an overhead sketch of Bilbao, figures playing musical instruments and sitting at desks.
People:
Date:
June-July 2011
June-July 2011
Title:
Sketchbook 591 : Bilbao Desenhos
Actions:
AP178.S2.2011.001
Description:
This sketchbook includes an overhead sketch of Bilbao, figures playing musical instruments and sitting at desks.
Sketchbook 591 : Bilbao Desenhos
Actions:
AP178.S2.2011.001
Description:
This sketchbook includes an overhead sketch of Bilbao, figures playing musical instruments and sitting at desks.
Form:
drawings
drawings
Date:
June-July 2011
June-July 2011
People:
