200 Results
Form:
events
events
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Description:
Seeing, perceiving, viewing, envisioning: each is a form of framing that mediates between inside and outside, public and private, what’s evident and what’s hidden. Georges Teyssot, Professor at Université Laval’s School of Architecture in Quebec City and author of A Topology of Everyday Constellations (The MIT Press, 2013), analyzes how the notions of window, door, frame,(...)
Seeing, perceiving, viewing, envisioning: each is a form of framing that mediates between inside and outside, public and private, what’s evident and what’s hidden. Georges Teyssot, Professor at Université Laval’s School of Architecture in Quebec City and author of A Topology of Everyday Constellations (The MIT Press, 2013), analyzes how the notions of window, door, frame,(...)
Location:
Shaughnessy House
Shaughnessy House
Date:
19 February 2015 , 6pm
19 February 2015 , 6pm
Title:
Windows and Screens: Georges Teyssot
Actions:
Description:
Seeing, perceiving, viewing, envisioning: each is a form of framing that mediates between inside and outside, public and private, what’s evident and what’s hidden. Georges Teyssot, Professor at Université Laval’s School of Architecture in Quebec City and author of A Topology of Everyday Constellations (The MIT Press, 2013), analyzes how the notions of window, door, frame,(...)
Windows and Screens: Georges Teyssot
Actions:
Description:
Seeing, perceiving, viewing, envisioning: each is a form of framing that mediates between inside and outside, public and private, what’s evident and what’s hidden. Georges Teyssot, Professor at Université Laval’s School of Architecture in Quebec City and author of A Topology of Everyday Constellations (The MIT Press, 2013), analyzes how the notions of window, door, frame,(...)
Form:
events
events
Date:
19 February 2015
6pm
19 February 2015
6pm
Location:
Shaughnessy House
Shaughnessy House
Form:
events
events
Description:
David Howes, Professor of Anthropology and Director of the Centre for Sensory Studies at Concordia University, applies a sensory studies approach to the analysis of a series of interiors he has encountered in the course of his anthropological and archival research. These range from a men’s house in the Sepik River region of Papua New Guinea to the exclusively feminine(...)
David Howes, Professor of Anthropology and Director of the Centre for Sensory Studies at Concordia University, applies a sensory studies approach to the analysis of a series of interiors he has encountered in the course of his anthropological and archival research. These range from a men’s house in the Sepik River region of Papua New Guinea to the exclusively feminine(...)
Location:
Shaughnessy House
Shaughnessy House
Date:
26 February 2015 , 6pm
26 February 2015 , 6pm
Title:
The Sensory Interior
Actions:
Description:
David Howes, Professor of Anthropology and Director of the Centre for Sensory Studies at Concordia University, applies a sensory studies approach to the analysis of a series of interiors he has encountered in the course of his anthropological and archival research. These range from a men’s house in the Sepik River region of Papua New Guinea to the exclusively feminine(...)
The Sensory Interior
Actions:
Description:
David Howes, Professor of Anthropology and Director of the Centre for Sensory Studies at Concordia University, applies a sensory studies approach to the analysis of a series of interiors he has encountered in the course of his anthropological and archival research. These range from a men’s house in the Sepik River region of Papua New Guinea to the exclusively feminine(...)
Form:
events
events
Date:
26 February 2015
6pm
26 February 2015
6pm
Location:
Shaughnessy House
Shaughnessy House
Form:
textual records
textual records
Actions:
Reference number:
PHCON2002:0016:002:049
Description:
"The Organic Vision: forms and environment" was organized by Dr. Philip C. Ritterbush of Adams, Davidson Galleries. The exhibition was and held at the Prouty-Chew House (543 South Main Stree, Geneva, N.Y.) between 22 October and 4 November 1972 and was sponsored by the Hobart and William Smith Colleges. The text includes exhibition details, wall texts [?], and the list of works.
PHCON2002:0016:002:049
Description:
"The Organic Vision: forms and environment" was organized by Dr. Philip C. Ritterbush of Adams, Davidson Galleries. The exhibition was and held at the Prouty-Chew House (543 South Main Stree, Geneva, N.Y.) between 22 October and 4 November 1972 and was sponsored by the Hobart and William Smith Colleges. The text includes exhibition details, wall texts [?], and the list of works.
People:
Date:
before 22 October 1972
before 22 October 1972
Title:
Text relating to the exhibition "The Organic Vision: forms and environment"
Actions:
PHCON2002:0016:002:049
Description:
"The Organic Vision: forms and environment" was organized by Dr. Philip C. Ritterbush of Adams, Davidson Galleries. The exhibition was and held at the Prouty-Chew House (543 South Main Stree, Geneva, N.Y.) between 22 October and 4 November 1972 and was sponsored by the Hobart and William Smith Colleges. The text includes exhibition details, wall texts [?], and the list of works.
Text relating to the exhibition "The Organic Vision: forms and environment"
Actions:
PHCON2002:0016:002:049
Description:
"The Organic Vision: forms and environment" was organized by Dr. Philip C. Ritterbush of Adams, Davidson Galleries. The exhibition was and held at the Prouty-Chew House (543 South Main Stree, Geneva, N.Y.) between 22 October and 4 November 1972 and was sponsored by the Hobart and William Smith Colleges. The text includes exhibition details, wall texts [?], and the list of works.
Form:
textual records
textual records
Date:
before 22 October 1972
before 22 October 1972
People:
Level of archival description:
Project
Project
Title:
Spangen Municipal Housing Scheme, Blocks I & V, Blocks VIII & IX, Rotterdam, Netherlands (1918-1920)
Spangen Municipal Housing Scheme, Blocks I & V, Blocks VIII & IX, Rotterdam, Netherlands (1918-1920)
Actions:
Reference number:
CI005.S1.1918.PR1
Description:
The Spangen Municipal Housing Scheme is a municipal housing project that the Spangen polder undertook with the help of several architects, including Oud. Oud's main contributions were modifications to Blocks I&V and collaboration with artist, Van Doesburg, for the colours. The master plan of The Spangen polder was created by P.Verhagen with H.P. Berlage acting as supervisor. Construction for the first 242 dwellings of Blocks I&V commenced in August 1918. Oud made modifications to a standard floor plan. Oud's main role in designing Blocks I&V was to organize the blocks as a whole and to make small changes to the floor plans, including the position of the windows and doors and the street elevation. For Blocks VIII & IX Oud also worked on the organization of the blocks. For Oud's second design of Blocks VIII &IX the gallery was accessed by the courtyard (Taverne et al. 2001,218-236). Project series includes drawings of plans for Block IX, as well as ground and first floor plans for Blocks I,V,VIII, or IX. Project series also includes photographs of exterior views of Blocks I , V and VIII, and a perspective drawing for Block I.
CI005.S1.1918.PR1
Description:
The Spangen Municipal Housing Scheme is a municipal housing project that the Spangen polder undertook with the help of several architects, including Oud. Oud's main contributions were modifications to Blocks I&V and collaboration with artist, Van Doesburg, for the colours. The master plan of The Spangen polder was created by P.Verhagen with H.P. Berlage acting as supervisor. Construction for the first 242 dwellings of Blocks I&V commenced in August 1918. Oud made modifications to a standard floor plan. Oud's main role in designing Blocks I&V was to organize the blocks as a whole and to make small changes to the floor plans, including the position of the windows and doors and the street elevation. For Blocks VIII & IX Oud also worked on the organization of the blocks. For Oud's second design of Blocks VIII &IX the gallery was accessed by the courtyard (Taverne et al. 2001,218-236). Project series includes drawings of plans for Block IX, as well as ground and first floor plans for Blocks I,V,VIII, or IX. Project series also includes photographs of exterior views of Blocks I , V and VIII, and a perspective drawing for Block I.
People:
Date:
1918-1921
1918-1921
Title:
Spangen Municipal Housing Scheme, Blocks I & V, Blocks VIII & IX, Rotterdam, Netherlands (1918-1920)
Actions:
CI005.S1.1918.PR1
Description:
The Spangen Municipal Housing Scheme is a municipal housing project that the Spangen polder undertook with the help of several architects, including Oud. Oud's main contributions were modifications to Blocks I&V and collaboration with artist, Van Doesburg, for the colours. The master plan of The Spangen polder was created by P.Verhagen with H.P. Berlage acting as supervisor. Construction for the first 242 dwellings of Blocks I&V commenced in August 1918. Oud made modifications to a standard floor plan. Oud's main role in designing Blocks I&V was to organize the blocks as a whole and to make small changes to the floor plans, including the position of the windows and doors and the street elevation. For Blocks VIII & IX Oud also worked on the organization of the blocks. For Oud's second design of Blocks VIII &IX the gallery was accessed by the courtyard (Taverne et al. 2001,218-236). Project series includes drawings of plans for Block IX, as well as ground and first floor plans for Blocks I,V,VIII, or IX. Project series also includes photographs of exterior views of Blocks I , V and VIII, and a perspective drawing for Block I.
Spangen Municipal Housing Scheme, Blocks I & V, Blocks VIII & IX, Rotterdam, Netherlands (1918-1920)
Actions:
CI005.S1.1918.PR1
Description:
The Spangen Municipal Housing Scheme is a municipal housing project that the Spangen polder undertook with the help of several architects, including Oud. Oud's main contributions were modifications to Blocks I&V and collaboration with artist, Van Doesburg, for the colours. The master plan of The Spangen polder was created by P.Verhagen with H.P. Berlage acting as supervisor. Construction for the first 242 dwellings of Blocks I&V commenced in August 1918. Oud made modifications to a standard floor plan. Oud's main role in designing Blocks I&V was to organize the blocks as a whole and to make small changes to the floor plans, including the position of the windows and doors and the street elevation. For Blocks VIII & IX Oud also worked on the organization of the blocks. For Oud's second design of Blocks VIII &IX the gallery was accessed by the courtyard (Taverne et al. 2001,218-236). Project series includes drawings of plans for Block IX, as well as ground and first floor plans for Blocks I,V,VIII, or IX. Project series also includes photographs of exterior views of Blocks I , V and VIII, and a perspective drawing for Block I.
Level of archival description:
project
project
Date:
1918-1921
1918-1921
People:
Form:
photographs
Quantity:
6 photographie(s)
photographs
Quantity:
6 photographie(s)
Actions:
Reference number:
ARCH184127
Description:
tableaux de Robert Cauchon (3), d'Yvonne Bolduc, Adela Harvey, Alfred Deschenes. Timbre aux verso de chaque photographie : "Andover Art Studio, F. Cookson, Prop. 123 Main St., Andover, Mass. Photography and Picture Framing" La photographie du tableau d'Adela Harvey porte également le timbre de : "Addison Gallery of American Art, Phillips Academy, Andover".
ARCH184127
Description:
tableaux de Robert Cauchon (3), d'Yvonne Bolduc, Adela Harvey, Alfred Deschenes. Timbre aux verso de chaque photographie : "Andover Art Studio, F. Cookson, Prop. 123 Main St., Andover, Mass. Photography and Picture Framing" La photographie du tableau d'Adela Harvey porte également le timbre de : "Addison Gallery of American Art, Phillips Academy, Andover".
People:
Date:
ca. 1942
ca. 1942
Title:
Tableaux de Robert Cauchon, d'Yvonne Bolduc, Adela Harvey, Alfred Deschenes.
Actions:
ARCH184127
Description:
tableaux de Robert Cauchon (3), d'Yvonne Bolduc, Adela Harvey, Alfred Deschenes. Timbre aux verso de chaque photographie : "Andover Art Studio, F. Cookson, Prop. 123 Main St., Andover, Mass. Photography and Picture Framing" La photographie du tableau d'Adela Harvey porte également le timbre de : "Addison Gallery of American Art, Phillips Academy, Andover".
Tableaux de Robert Cauchon, d'Yvonne Bolduc, Adela Harvey, Alfred Deschenes.
Actions:
ARCH184127
Description:
tableaux de Robert Cauchon (3), d'Yvonne Bolduc, Adela Harvey, Alfred Deschenes. Timbre aux verso de chaque photographie : "Andover Art Studio, F. Cookson, Prop. 123 Main St., Andover, Mass. Photography and Picture Framing" La photographie du tableau d'Adela Harvey porte également le timbre de : "Addison Gallery of American Art, Phillips Academy, Andover".
Form:
photographs
Quantity:
6 photographie(s)
photographs
Quantity:
6 photographie(s)
Date:
ca. 1942
ca. 1942
People:
Form:
drawings
drawings
Actions:
Reference number:
AP046.S1.1983.PR01.148
Description:
This file includes studies and sketches for the CCA auditorium, library, gallery lights and main stair hall hand rail.
AP046.S1.1983.PR01.148
Description:
This file includes studies and sketches for the CCA auditorium, library, gallery lights and main stair hall hand rail.
People:
Date:
1983-1989
1983-1989
Title:
Various studies and sketches, Canadian Centre for Architecture, Montréal, Québec
Actions:
AP046.S1.1983.PR01.148
Description:
This file includes studies and sketches for the CCA auditorium, library, gallery lights and main stair hall hand rail.
Various studies and sketches, Canadian Centre for Architecture, Montréal, Québec
Actions:
AP046.S1.1983.PR01.148
Description:
This file includes studies and sketches for the CCA auditorium, library, gallery lights and main stair hall hand rail.
Form:
drawings
drawings
Date:
1983-1989
1983-1989
People:
Form:
articles
articles
Title:
Lateral Gaze
Lateral Gaze
Actions:
Stefano Boeri on Gabriele Basilico, in conversation with Stefano Graziani and Bas Princen
Published:
21 August 2023
21 August 2023
Title:
Lateral Gaze
Stefano Boeri on Gabriele Basilico, in conversation with Stefano Graziani and Bas Princen
Actions:
Lateral Gaze
Stefano Boeri on Gabriele Basilico, in conversation with Stefano Graziani and Bas Princen
Actions:
Level of archival description:
Project
Project
Actions:
Reference number:
AP178.S1.1993.PR06
Description:
This project series documents the proposed design for the J. Paul Getty Museum. While the records were held in the office’s archives this project was assigned the number 40/90. The office assigned the date 1993 to this project. The project was a collaboration between Álvaro Siza and Peter Testa. The proposal included renovations of the Villa and the Ranch House, the reorganization of the site, as well as the addition of new installations. The main change proposed by the architects was the creation of a Terrace Gallery and a natural amphitheater, forming a new entrance west of the Villa. Renovations to the Villa included modifications to the structure and the reorganization of the interior spaces. They proposed to rearrangeme the interior of the Ranch House and the construction of a 6,000 sqaure foot auditorium with a capacity of 200 people. The proposal also included the construction of a 13,000 square foot U-shaped building for the conservation program, the scholar program, and artist residency program. The main public entrance was redirected to the Los Liones Drives and a new parking area was proposed, with a 300 automobile and 6 bus capacity. In 1994, the Machado Silvetti Firm proposal was selected. Documenting this project are sketches and studies. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
AP178.S1.1993.PR06
Description:
This project series documents the proposed design for the J. Paul Getty Museum. While the records were held in the office’s archives this project was assigned the number 40/90. The office assigned the date 1993 to this project. The project was a collaboration between Álvaro Siza and Peter Testa. The proposal included renovations of the Villa and the Ranch House, the reorganization of the site, as well as the addition of new installations. The main change proposed by the architects was the creation of a Terrace Gallery and a natural amphitheater, forming a new entrance west of the Villa. Renovations to the Villa included modifications to the structure and the reorganization of the interior spaces. They proposed to rearrangeme the interior of the Ranch House and the construction of a 6,000 sqaure foot auditorium with a capacity of 200 people. The proposal also included the construction of a 13,000 square foot U-shaped building for the conservation program, the scholar program, and artist residency program. The main public entrance was redirected to the Los Liones Drives and a new parking area was proposed, with a 300 automobile and 6 bus capacity. In 1994, the Machado Silvetti Firm proposal was selected. Documenting this project are sketches and studies. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
People:
Date:
1993-2012
1993-2012
Title:
Museu J. Paul Getty [The J. Paul Getty Museum], Malibu, United States (1993)
Actions:
AP178.S1.1993.PR06
Description:
This project series documents the proposed design for the J. Paul Getty Museum. While the records were held in the office’s archives this project was assigned the number 40/90. The office assigned the date 1993 to this project. The project was a collaboration between Álvaro Siza and Peter Testa. The proposal included renovations of the Villa and the Ranch House, the reorganization of the site, as well as the addition of new installations. The main change proposed by the architects was the creation of a Terrace Gallery and a natural amphitheater, forming a new entrance west of the Villa. Renovations to the Villa included modifications to the structure and the reorganization of the interior spaces. They proposed to rearrangeme the interior of the Ranch House and the construction of a 6,000 sqaure foot auditorium with a capacity of 200 people. The proposal also included the construction of a 13,000 square foot U-shaped building for the conservation program, the scholar program, and artist residency program. The main public entrance was redirected to the Los Liones Drives and a new parking area was proposed, with a 300 automobile and 6 bus capacity. In 1994, the Machado Silvetti Firm proposal was selected. Documenting this project are sketches and studies. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Museu J. Paul Getty [The J. Paul Getty Museum], Malibu, United States (1993)
Actions:
AP178.S1.1993.PR06
Description:
This project series documents the proposed design for the J. Paul Getty Museum. While the records were held in the office’s archives this project was assigned the number 40/90. The office assigned the date 1993 to this project. The project was a collaboration between Álvaro Siza and Peter Testa. The proposal included renovations of the Villa and the Ranch House, the reorganization of the site, as well as the addition of new installations. The main change proposed by the architects was the creation of a Terrace Gallery and a natural amphitheater, forming a new entrance west of the Villa. Renovations to the Villa included modifications to the structure and the reorganization of the interior spaces. They proposed to rearrangeme the interior of the Ranch House and the construction of a 6,000 sqaure foot auditorium with a capacity of 200 people. The proposal also included the construction of a 13,000 square foot U-shaped building for the conservation program, the scholar program, and artist residency program. The main public entrance was redirected to the Los Liones Drives and a new parking area was proposed, with a 300 automobile and 6 bus capacity. In 1994, the Machado Silvetti Firm proposal was selected. Documenting this project are sketches and studies. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Level of archival description:
Project
Project
Date:
1993-2012
1993-2012
People:
Form:
drawings
drawings
Actions:
Reference number:
AP046.S1.1983.PR01.450
Description:
This file includes main stair hall plans, bookstore furniture, auditorium details, door schedule, gallery details, misc sections and elevations.
AP046.S1.1983.PR01.450
Description:
This file includes main stair hall plans, bookstore furniture, auditorium details, door schedule, gallery details, misc sections and elevations.
People:
Date:
1988
1988
Title:
Record set, Canadian Centre for Architecture, Montréal, Québec
Actions:
AP046.S1.1983.PR01.450
Description:
This file includes main stair hall plans, bookstore furniture, auditorium details, door schedule, gallery details, misc sections and elevations.
Record set, Canadian Centre for Architecture, Montréal, Québec
Actions:
AP046.S1.1983.PR01.450
Description:
This file includes main stair hall plans, bookstore furniture, auditorium details, door schedule, gallery details, misc sections and elevations.
Form:
drawings
drawings
Date:
1988
1988
People:
Form:
exhibitions
exhibitions
Actions:
Description:
The CCA galleries are transformed into cinematic screening rooms to present a range of artistic, scientific, and experimental films on speed and space. Selected by curators from the archives of NASA, the Smithsonian National Air and Space Museum (NASM), the National Film Board of Canada (NFB), and UbuWeb, the films explore the impact of velocity and technology on our(...)
The CCA galleries are transformed into cinematic screening rooms to present a range of artistic, scientific, and experimental films on speed and space. Selected by curators from the archives of NASA, the Smithsonian National Air and Space Museum (NASM), the National Film Board of Canada (NFB), and UbuWeb, the films explore the impact of velocity and technology on our(...)
Location:
Main galleries
Main galleries
Date:
25 November 2009 to 28 February 2010
25 November 2009 to 28 February 2010
Title:
Intermission: Films From a Heroic Future
Actions:
Description:
The CCA galleries are transformed into cinematic screening rooms to present a range of artistic, scientific, and experimental films on speed and space. Selected by curators from the archives of NASA, the Smithsonian National Air and Space Museum (NASM), the National Film Board of Canada (NFB), and UbuWeb, the films explore the impact of velocity and technology on our(...)
Intermission: Films From a Heroic Future
Actions:
Description:
The CCA galleries are transformed into cinematic screening rooms to present a range of artistic, scientific, and experimental films on speed and space. Selected by curators from the archives of NASA, the Smithsonian National Air and Space Museum (NASM), the National Film Board of Canada (NFB), and UbuWeb, the films explore the impact of velocity and technology on our(...)
Form:
exhibitions
exhibitions
Date:
25 November 2009 to
28 February 2010
25 November 2009 to
28 February 2010
Location:
Main galleries
Main galleries
