Following the revolution of 25 April 1974 in Portugal, the architect Alexandre Alves Costa became a member of the Coordinating Committee of SAAL North Sector, responsible for planning and project support. Together with José António Bandeirinha, architect and Professor at the University of Coimbra, he will discuss the new role of the architect during the SAAL process,(...)
Paul-Desmarais Theatre
17 September 2015, 6PM
SAAL 1974: Inclusive Architecture in Portugal
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Following the revolution of 25 April 1974 in Portugal, the architect Alexandre Alves Costa became a member of the Coordinating Committee of SAAL North Sector, responsible for planning and project support. Together with José António Bandeirinha, architect and Professor at the University of Coimbra, he will discuss the new role of the architect during the SAAL process,(...)
Paul-Desmarais Theatre
The exhibition Industrial Architecture: ÁbalosHerreros selected by OFFICE Kersten Geers David Van Severen presents a precise reading of the industrial approach to architecture in the work of ÁbalosHerreros, a firm that operated in Madrid from 1984 until 2008. Diverse objects are presented: CAD drawings, photographs of archival material taken by Stefano Graziani, a replica(...)
Octagonal gallery Keyword(s):
Kersten Geers, David Van Severen, OFFICE, KGVDS, Ábalos, Herreros, Ábalos&Herreros, out of the box
12 March 2015 to 17 May 2015
Industrial Architecture: Ábalos&Herreros selected by OFFICE Kersten Geers David Van Severen
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The exhibition Industrial Architecture: ÁbalosHerreros selected by OFFICE Kersten Geers David Van Severen presents a precise reading of the industrial approach to architecture in the work of ÁbalosHerreros, a firm that operated in Madrid from 1984 until 2008. Diverse objects are presented: CAD drawings, photographs of archival material taken by Stefano Graziani, a replica(...)
Octagonal gallery Keyword(s):
Kersten Geers, David Van Severen, OFFICE, KGVDS, Ábalos, Herreros, Ábalos&Herreros, out of the box
The exhibition presents three aspects of the villas described by the Roman writer, Pliny the Younger, in the first century AD: their direct historical influence on architecture, the indirect influence they have exerted on architects as a model for study, and their impact on the classical tradition in the city of Montreal. The Villas of Pliny and Classical Architecture(...)
Musée des beaux-arts de Montréal
14 October 1983 to 11 December 1983
The Villas of Pliny and Classical Architecture in Montréal
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The exhibition presents three aspects of the villas described by the Roman writer, Pliny the Younger, in the first century AD: their direct historical influence on architecture, the indirect influence they have exerted on architects as a model for study, and their impact on the classical tradition in the city of Montreal. The Villas of Pliny and Classical Architecture(...)
Musée des beaux-arts de Montréal
Disneyland, with its far-flung colonies in Florida, Japan, and France, is a key symbol of contemporary American culture that has been both celebrated and attacked as the ultimate embodiment of consumer society, of simulation and pastiche, of the blurring of distinctions between reality and mass-media imagery. The Architecture of Reassurance: Designing the Disney Theme(...)
Main galleries
17 June 1997 to 28 September 1997
The Architecture of Reassurance: Designing the Disney Theme Parks
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Disneyland, with its far-flung colonies in Florida, Japan, and France, is a key symbol of contemporary American culture that has been both celebrated and attacked as the ultimate embodiment of consumer society, of simulation and pastiche, of the blurring of distinctions between reality and mass-media imagery. The Architecture of Reassurance: Designing the Disney Theme(...)
Main galleries
Money Matters: A Critical Look at Bank Architecture surveys the history and cultural significance of bank architecture, focusing on bank architecture as a building typology rather than in the context of a single architect or architectural firm. Challenging the standard notion that bank buildings are repetitive, dull and conservative, the exhibition reveals banks as(...)
Main galleries
14 November 1990 to 24 February 1991
Money Matters: A Critical Look at Bank Architecture
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Money Matters: A Critical Look at Bank Architecture surveys the history and cultural significance of bank architecture, focusing on bank architecture as a building typology rather than in the context of a single architect or architectural firm. Challenging the standard notion that bank buildings are repetitive, dull and conservative, the exhibition reveals banks as(...)
Main galleries
Jacques-Germain Soufflot (1713–1780), architect of the Church of Sainte-Geneviève in Paris, later named Le Panthéon, is considered to be one of the pioneers of the Neo-Classical movement in architecture. The exhibition presents a selection of original drawings and rare books, which illustrates some of the major movements in French art and architecture that occurred during(...)
Hall cases
11 October 1989 to 31 December 1989
French Architecture in the Age of Jacques-Germain Soufflot
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Jacques-Germain Soufflot (1713–1780), architect of the Church of Sainte-Geneviève in Paris, later named Le Panthéon, is considered to be one of the pioneers of the Neo-Classical movement in architecture. The exhibition presents a selection of original drawings and rare books, which illustrates some of the major movements in French art and architecture that occurred during(...)
Hall cases
articles
Architectures of Dissent
Keep Safe
19 August 2024
Architectures of Dissent
Jola Idowu looks to Chicago and the infrastructure of protest
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Keep Safe
The New Spirit: Modern Architecture in Vancouver, 1938–1963 looks at key buildings and projects from an exhilarating epoch in Vancouver’s history through design drawings, period photographs, furniture, and decoration. In the years following the Second World War, Vancouver emerged as a city with a particularly vital and progressive architectural culture, adapting the(...)
Main galleries
5 March 1997 to 25 May 1997
The New Spirit: Modern Architecture in Vancouver, 1938-1963
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The New Spirit: Modern Architecture in Vancouver, 1938–1963 looks at key buildings and projects from an exhilarating epoch in Vancouver’s history through design drawings, period photographs, furniture, and decoration. In the years following the Second World War, Vancouver emerged as a city with a particularly vital and progressive architectural culture, adapting the(...)
Main galleries
The architectural model offers a means by which architectural ideas can be shared among architects, builders, and interested laymen. The Use of Models: Nineteenth-Century Church Architecture in Québec demonstrates a certain variety in functions ascribed to wooden architectural models around 1850. Witness to an era that saw architectural practice developing a heightened(...)
Octagonal gallery
18 May 1994 to 11 September 1994
The Use of Models: Nineteenth-Century Church Architecture in Québec
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The architectural model offers a means by which architectural ideas can be shared among architects, builders, and interested laymen. The Use of Models: Nineteenth-Century Church Architecture in Québec demonstrates a certain variety in functions ascribed to wooden architectural models around 1850. Witness to an era that saw architectural practice developing a heightened(...)
Octagonal gallery
Celebrating the opening of the CCAs new building, Canadian Centre for Architecture: Building and Gardens reveals the potential of a museum of architecture as a statement: about the nature of the works it collects and exhibits; about its role in the life of a culture or a city; and about architecture itself. Both the restoration of the nineteenth-century Shaughnessy House(...)
Octagonal gallery
7 May 1989 to 25 March 1990
Canadian Centre for Architecture: Building and Gardens
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Celebrating the opening of the CCAs new building, Canadian Centre for Architecture: Building and Gardens reveals the potential of a museum of architecture as a statement: about the nature of the works it collects and exhibits; about its role in the life of a culture or a city; and about architecture itself. Both the restoration of the nineteenth-century Shaughnessy House(...)
Octagonal gallery