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192 pages, [1] folded leaf of plates : illustrations (chiefly color), color maps, plans (some color) ; 24 cm.
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192 pages, [1] folded leaf of plates : illustrations (chiefly color), color maps, plans (some color) ; 24 cm.
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New Haven, Conn. : Yale School of Architecture ; New York : Distributed by W.W. Norton, ©2010.
New Haven, Conn. : Yale School of Architecture ; New York : Distributed by W.W. Norton, ©2010.
Title:
Urban integration : Bishopsgate Goods Yard : Nick Johnson/FAT Architects / edited by Nina Rappaport, Andrei Harwell, and Lydia Miller.
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192 pages, [1] folded leaf of plates : illustrations (chiefly color), color maps, plans (some color) ; 24 cm.
Urban integration : Bishopsgate Goods Yard : Nick Johnson/FAT Architects / edited by Nina Rappaport, Andrei Harwell, and Lydia Miller.
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192 pages, [1] folded leaf of plates : illustrations (chiefly color), color maps, plans (some color) ; 24 cm.
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books
books
Publication:
New Haven, Conn. : Yale School of Architecture ; New York : Distributed by W.W. Norton, ©2010.
New Haven, Conn. : Yale School of Architecture ; New York : Distributed by W.W. Norton, ©2010.
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books
books
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$45.00
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The architectural interventions of London-based artist Pablo Bronstein (born 1977) explore the relationship between classical architecture and contemporary urbanism. A Is Building, B is Architecture presents a retrospective of Bronstein’s work as well as the first survey of his architectural drawings.
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The architectural interventions of London-based artist Pablo Bronstein (born 1977) explore the relationship between classical architecture and contemporary urbanism. A Is Building, B is Architecture presents a retrospective of Bronstein’s work as well as the first survey of his architectural drawings.
Publication:
February 2014
February 2014
Title:
Pablo Bronstein: A is building, B is architecture
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The architectural interventions of London-based artist Pablo Bronstein (born 1977) explore the relationship between classical architecture and contemporary urbanism. A Is Building, B is Architecture presents a retrospective of Bronstein’s work as well as the first survey of his architectural drawings.
Pablo Bronstein: A is building, B is architecture
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The architectural interventions of London-based artist Pablo Bronstein (born 1977) explore the relationship between classical architecture and contemporary urbanism. A Is Building, B is Architecture presents a retrospective of Bronstein’s work as well as the first survey of his architectural drawings.
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books
books
Publication:
February 2014
February 2014
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books
books
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560 pages : illustrations (some color) ; 26 cm
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560 pages : illustrations (some color) ; 26 cm
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New York, NY : Museum of Modern Art : Distributed by H.N. Abrams, ©2000.
New York, NY : Museum of Modern Art : Distributed by H.N. Abrams, ©2000.
Title:
Modern contemporary : art at MoMA since 1980 / edited by Kirk Varnedoe, Paola Antonelli, Joshua Siegel.
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560 pages : illustrations (some color) ; 26 cm
Modern contemporary : art at MoMA since 1980 / edited by Kirk Varnedoe, Paola Antonelli, Joshua Siegel.
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560 pages : illustrations (some color) ; 26 cm
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books
books
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New York, NY : Museum of Modern Art : Distributed by H.N. Abrams, ©2000.
New York, NY : Museum of Modern Art : Distributed by H.N. Abrams, ©2000.
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books
books
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xviii, 608 pages : illustrations ; 26 cm
Description:
xviii, 608 pages : illustrations ; 26 cm
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London ; New York : Routledge, 2000.
London ; New York : Routledge, 2000.
Title:
The city reader / edited by Richard T. LeGates and Frederic Stout.
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xviii, 608 pages : illustrations ; 26 cm
The city reader / edited by Richard T. LeGates and Frederic Stout.
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xviii, 608 pages : illustrations ; 26 cm
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books
books
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London ; New York : Routledge, 2000.
London ; New York : Routledge, 2000.
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books
books
Title:
Sean Edward: Maelfa
Sean Edward: Maelfa
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$29.95
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Maelfa is a portrait of the near derelict Maelfa Shopping Centre in Llanederyn, Cardiff. The book touches upon the poignancy of disappearing communities and failed utopian aspirations. Included is a text by Sam Jacob on the architectural history of the centre
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Maelfa is a portrait of the near derelict Maelfa Shopping Centre in Llanederyn, Cardiff. The book touches upon the poignancy of disappearing communities and failed utopian aspirations. Included is a text by Sam Jacob on the architectural history of the centre
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Sean Edward: Maelfa
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Maelfa is a portrait of the near derelict Maelfa Shopping Centre in Llanederyn, Cardiff. The book touches upon the poignancy of disappearing communities and failed utopian aspirations. Included is a text by Sam Jacob on the architectural history of the centre
Sean Edward: Maelfa
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Maelfa is a portrait of the near derelict Maelfa Shopping Centre in Llanederyn, Cardiff. The book touches upon the poignancy of disappearing communities and failed utopian aspirations. Included is a text by Sam Jacob on the architectural history of the centre
Form:
books
books
Publication:
December 2010
December 2010
Subject:
small format
small format
Form:
books
books
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$85.00
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Designed by Zak Kyes "The work, in full-colour words, pictures, drawings, films and wonderings, has been carried out from 1958 until this morning. Alongside Greene's own texts there are essays by Samantha Hardingham, Sand Helsel, Sam Jacob and Robin Middleton. 'The brink of a conceptual abyss - not a bad place to be?' David Greene (founding member of the legendary(...)
$85.00
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Designed by Zak Kyes "The work, in full-colour words, pictures, drawings, films and wonderings, has been carried out from 1958 until this morning. Alongside Greene's own texts there are essays by Samantha Hardingham, Sand Helsel, Sam Jacob and Robin Middleton. 'The brink of a conceptual abyss - not a bad place to be?' David Greene (founding member of the legendary(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
April 2008, London
April 2008, London
Title:
David Greene: L.A.W.U.N Project #19
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Designed by Zak Kyes "The work, in full-colour words, pictures, drawings, films and wonderings, has been carried out from 1958 until this morning. Alongside Greene's own texts there are essays by Samantha Hardingham, Sand Helsel, Sam Jacob and Robin Middleton. 'The brink of a conceptual abyss - not a bad place to be?' David Greene (founding member of the legendary 'Archigram', this is the first monograph on his solo work) and his collaborators invite you to view projects that chart a peripatetic drift from form to invisibility, in the process illuminating the possibilities for architecture in a culture dominated by information technology. Accepted definitions and applications of new technologies are doggedly raised and questioned."
David Greene: L.A.W.U.N Project #19
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Designed by Zak Kyes "The work, in full-colour words, pictures, drawings, films and wonderings, has been carried out from 1958 until this morning. Alongside Greene's own texts there are essays by Samantha Hardingham, Sand Helsel, Sam Jacob and Robin Middleton. 'The brink of a conceptual abyss - not a bad place to be?' David Greene (founding member of the legendary 'Archigram', this is the first monograph on his solo work) and his collaborators invite you to view projects that chart a peripatetic drift from form to invisibility, in the process illuminating the possibilities for architecture in a culture dominated by information technology. Accepted definitions and applications of new technologies are doggedly raised and questioned."
Form:
books
books
Publication:
April 2008, London
April 2008, London
Subject:
Architecture Monographs
Architecture Monographs
Form:
journals and magazines
journals and magazines
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$45.00
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Londres : Londres, ville basse, par Irénée Scalbert ; Londres au cœur, Richard Burdett ; Penthouse, centre communautaire, Oak House, Lynch ; Whitechapel Idea Store, médiathèque, Londres, Royaume-Uni, Adjaye ; Studios de danse de la compagnie Siobhan Davies, Londres, Royaume-Uni, Sarah Wigglesworth ; Londres, capitale du xxie siècle, Sarah Wigglesworth ; La Gagosian(...)
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Londres : Londres, ville basse, par Irénée Scalbert ; Londres au cœur, Richard Burdett ; Penthouse, centre communautaire, Oak House, Lynch ; Whitechapel Idea Store, médiathèque, Londres, Royaume-Uni, Adjaye ; Studios de danse de la compagnie Siobhan Davies, Londres, Royaume-Uni, Sarah Wigglesworth ; Londres, capitale du xxie siècle, Sarah Wigglesworth ; La Gagosian(...)
Title:
L'architecture d'aujourd'hui 365 : Londres
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Londres : Londres, ville basse, par Irénée Scalbert ; Londres au cœur, Richard Burdett ; Penthouse, centre communautaire, Oak House, Lynch ; Whitechapel Idea Store, médiathèque, Londres, Royaume-Uni, Adjaye ; Studios de danse de la compagnie Siobhan Davies, Londres, Royaume-Uni, Sarah Wigglesworth ; Londres, capitale du xxie siècle, Sarah Wigglesworth ; La Gagosian Gallery et le musée de l’Enfance, Londres, Royaume-Uni, Caruso St John ; Blue House, Metro Flats et la tour Tanner Point, Fashion Architecture Taste ; Trois scénarios pour Londres, Sam Jacob ; Le conte des deux villes, par Jonathan Glancey ; Maisons, façades adaptables et hôtel capsule, Piercy Conner, Ben Addy ; Logements, Finsbury Park, Londres, Royaume-Uni, Sergison Bates, par Susan Russell ; De la “Cool Brittania” au Londres continental, Shumon Basar. Dossier : Musée Mercedes-Benz, Stuttgart, Allemagne, UN Studio architectes, HG Merz.
L'architecture d'aujourd'hui 365 : Londres
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Londres : Londres, ville basse, par Irénée Scalbert ; Londres au cœur, Richard Burdett ; Penthouse, centre communautaire, Oak House, Lynch ; Whitechapel Idea Store, médiathèque, Londres, Royaume-Uni, Adjaye ; Studios de danse de la compagnie Siobhan Davies, Londres, Royaume-Uni, Sarah Wigglesworth ; Londres, capitale du xxie siècle, Sarah Wigglesworth ; La Gagosian Gallery et le musée de l’Enfance, Londres, Royaume-Uni, Caruso St John ; Blue House, Metro Flats et la tour Tanner Point, Fashion Architecture Taste ; Trois scénarios pour Londres, Sam Jacob ; Le conte des deux villes, par Jonathan Glancey ; Maisons, façades adaptables et hôtel capsule, Piercy Conner, Ben Addy ; Logements, Finsbury Park, Londres, Royaume-Uni, Sergison Bates, par Susan Russell ; De la “Cool Brittania” au Londres continental, Shumon Basar. Dossier : Musée Mercedes-Benz, Stuttgart, Allemagne, UN Studio architectes, HG Merz.
Form:
journals and magazines
journals and magazines
Publication:
July 2006, Paris
July 2006, Paris
Subject:
Magazines
Magazines
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books
books
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$42.00
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Taking Neil Young's often-quoted line from the song "Pocahontas" on his 1979 masterwork, Rust Never Sleeps, English artist Jeremy Deller's exhibition Marlon Brando, Pocahontas, And Me explores some wide-ranging themes shared by Deller and Young, including American identity, history, politics, war, medical innovation, information technologies and music. This volume(...)
$42.00
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Summary:
Taking Neil Young's often-quoted line from the song "Pocahontas" on his 1979 masterwork, Rust Never Sleeps, English artist Jeremy Deller's exhibition Marlon Brando, Pocahontas, And Me explores some wide-ranging themes shared by Deller and Young, including American identity, history, politics, war, medical innovation, information technologies and music. This volume(...)
Title:
Jeremy Deller 'Marlon Brando, Pocahontas, and me'.
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$42.00
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Summary:
Taking Neil Young's often-quoted line from the song "Pocahontas" on his 1979 masterwork, Rust Never Sleeps, English artist Jeremy Deller's exhibition Marlon Brando, Pocahontas, And Me explores some wide-ranging themes shared by Deller and Young, including American identity, history, politics, war, medical innovation, information technologies and music. This volume presents installation shots of the exhibition at the Aspen Art Museum--which incorporates work from a diverse roster of historical and contemporary artists including Jeff Blankfort, George Catlin, Paul Chan, Mark Dion, Sam Durant, Joseph Clarence Fornelli, Ilka Hartmann, William Henry Jackson, Koba (Wild Horse), An-My Lê, Alfred Jacob Miller, Charles Pollock and Sean Snyder--as well as reference illustrations and an interview between Deller and Aspen Art Museum Director and Chief Curator Heidi Zuckerman Jacobson.
Jeremy Deller 'Marlon Brando, Pocahontas, and me'.
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$42.00
(available to order)
Summary:
Taking Neil Young's often-quoted line from the song "Pocahontas" on his 1979 masterwork, Rust Never Sleeps, English artist Jeremy Deller's exhibition Marlon Brando, Pocahontas, And Me explores some wide-ranging themes shared by Deller and Young, including American identity, history, politics, war, medical innovation, information technologies and music. This volume presents installation shots of the exhibition at the Aspen Art Museum--which incorporates work from a diverse roster of historical and contemporary artists including Jeff Blankfort, George Catlin, Paul Chan, Mark Dion, Sam Durant, Joseph Clarence Fornelli, Ilka Hartmann, William Henry Jackson, Koba (Wild Horse), An-My Lê, Alfred Jacob Miller, Charles Pollock and Sean Snyder--as well as reference illustrations and an interview between Deller and Aspen Art Museum Director and Chief Curator Heidi Zuckerman Jacobson.
Form:
books
books
Publication:
February 2009, Aspen
February 2009, Aspen
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
journals and magazines
journals and magazines
Price:
$19.50
(available in store)
Summary:
After two successive thematic issues, "Log 38" (Fall 2016) returns to its classic open form, bringing together myriad perspectives from architecture’s center and periphery. Cynthia Davidson’s expansive interview with New York architect Harry Cobb, of Pei Cobb Freed & Partners, illuminates Cobb’s 60-plus years in practice, as well as the history of modernism in America.(...)
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Summary:
After two successive thematic issues, "Log 38" (Fall 2016) returns to its classic open form, bringing together myriad perspectives from architecture’s center and periphery. Cynthia Davidson’s expansive interview with New York architect Harry Cobb, of Pei Cobb Freed & Partners, illuminates Cobb’s 60-plus years in practice, as well as the history of modernism in America.(...)
Title:
Log 38
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$19.50
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Summary:
After two successive thematic issues, "Log 38" (Fall 2016) returns to its classic open form, bringing together myriad perspectives from architecture’s center and periphery. Cynthia Davidson’s expansive interview with New York architect Harry Cobb, of Pei Cobb Freed & Partners, illuminates Cobb’s 60-plus years in practice, as well as the history of modernism in America. Eve Blau explores the contexts that drove the 1968 Learning from Las Vegas studio at Yale, and Pier Vittorio Aureli and Maria Shéhérazade Giudici reevaluate the roots of modern domestic space. "Log 38" also features critical perspectives on the current moment in architecture, with reviews of OMA’s Fondaco dei Tedeschi, reflections on this year’s Venice Architecture Biennale, and reactions to Brexit from architects and educators affected by the vote, and even an imaginative look at the work of Sam Jacob Studio from 20 years in the future.
Log 38
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$19.50
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Summary:
After two successive thematic issues, "Log 38" (Fall 2016) returns to its classic open form, bringing together myriad perspectives from architecture’s center and periphery. Cynthia Davidson’s expansive interview with New York architect Harry Cobb, of Pei Cobb Freed & Partners, illuminates Cobb’s 60-plus years in practice, as well as the history of modernism in America. Eve Blau explores the contexts that drove the 1968 Learning from Las Vegas studio at Yale, and Pier Vittorio Aureli and Maria Shéhérazade Giudici reevaluate the roots of modern domestic space. "Log 38" also features critical perspectives on the current moment in architecture, with reviews of OMA’s Fondaco dei Tedeschi, reflections on this year’s Venice Architecture Biennale, and reactions to Brexit from architects and educators affected by the vote, and even an imaginative look at the work of Sam Jacob Studio from 20 years in the future.
Form:
journals and magazines
journals and magazines
Publication:
October 2016
October 2016
Subject:
Magazines
Magazines
Form:
books
books
Title:
Under the influence
Under the influence
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The Under the Influence book is based upon the eponymous symposium, which brought together scholars and practitioners of architecture in order to focus on one of the most anxious disciplinary topics: influence. The symposium invited each of the participants to illuminate a single term -- a disciplinary synonym for appropriation--and through that term, the specific(...)
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Summary:
The Under the Influence book is based upon the eponymous symposium, which brought together scholars and practitioners of architecture in order to focus on one of the most anxious disciplinary topics: influence. The symposium invited each of the participants to illuminate a single term -- a disciplinary synonym for appropriation--and through that term, the specific(...)
Title:
Under the influence
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$29.95
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The Under the Influence book is based upon the eponymous symposium, which brought together scholars and practitioners of architecture in order to focus on one of the most anxious disciplinary topics: influence. The symposium invited each of the participants to illuminate a single term -- a disciplinary synonym for appropriation--and through that term, the specific strategies, historical, and disciplinary circumstances in which it is enmeshed. It was organized and hosted by Ana Miljacki, and presented by the MIT Department of Architecture. The book includes introductory texts by Mario Carpo and Nader Tehrani and discussions moderated by Ana Miljacki, Amanda Reeser Lawrence, and Michael Kubo. Participants include Alexander D'Hooghe, Florian Idenburg, Enrique Walker, Michael Meredith, Sam Jacob, Cristina Goberna, Urtzi Grau, Amanda Reeser Lawrence, Ines Weizman, Mariana Ibanez, Simon Kim, Timothy Hyde, John McMorrough, Eric Howeler, and Meejin Yoon.
Under the influence
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$29.95
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Summary:
The Under the Influence book is based upon the eponymous symposium, which brought together scholars and practitioners of architecture in order to focus on one of the most anxious disciplinary topics: influence. The symposium invited each of the participants to illuminate a single term -- a disciplinary synonym for appropriation--and through that term, the specific strategies, historical, and disciplinary circumstances in which it is enmeshed. It was organized and hosted by Ana Miljacki, and presented by the MIT Department of Architecture. The book includes introductory texts by Mario Carpo and Nader Tehrani and discussions moderated by Ana Miljacki, Amanda Reeser Lawrence, and Michael Kubo. Participants include Alexander D'Hooghe, Florian Idenburg, Enrique Walker, Michael Meredith, Sam Jacob, Cristina Goberna, Urtzi Grau, Amanda Reeser Lawrence, Ines Weizman, Mariana Ibanez, Simon Kim, Timothy Hyde, John McMorrough, Eric Howeler, and Meejin Yoon.
Form:
books
books
Publication:
September 2015
September 2015
Subject:
Art Theory
Art Theory
